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New Heavy Sounds
Tenebra 'What We Do Is Sacred' CD
£5.00
New Heavy Sounds
Tenebra 'What We Do Is Sacred' CD
£5.00
TENEBRA are a four-piece from Bologna, Italy, and they are a hard and heavy stoner rock powerhouse, fronted by a seriously formidable singer. This is full on fuzz meets 70's style proto metal but they are by no means a retro outfit. They create music that is not only the sum of their influences but pushes those influences outwards.
They say …
"We love rock like it used to be but try to make it speak our language."
And that they most certainly do as ‘What We Do Is Sacred’ testifies.
'Hard Luck' is a chugging, pounding ride down the highway to hell with Silvia's bluesy wail destroying all before it, complete with a psychedelic wall of guitars and melodics a plenty.
Finally you get 'Primitive Man' a cover from the first and self-titled Jerusalem album released in 1972. However TENEBRA claim this song as their own, the proto metal riffs are all there, the vocals are blues wailingly epic and just to mix it up there's a cool middle section complete with flute solo.
'What We Do Is Sacred' is a 3-song statement of intent, so, if you dig Sabbath or Kyuss or Green Lung and like your stoner rock hard and heavy, occult tinged with a psychedelic edge, then this is the band for you.
Very limited edition CD available as part of New Heavy Sounds’ 10th Anniversary EP series. Housed in a bespoke die cut sleeve and limited to just 150 copies.
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Visit product page →EYE – the new band from Mammoth Weed Wizard Bastard (MWWB) singer-songwriter/musician Jessica Ball – has announced the arrival of their eagerly awaited debut album, 'Dark Light’.
Triggered in part by the existential dread looming outside as well as the sudden ill health of her dear friend, MWWB guitarist Paul “Dave” Davies, then fighting for life after a Covid-related stroke. Ball took the opportunity to compose songs that were all her own – nuanced, lyrical, and hypnotically distinctive.
Having earned a fervent fan following with MWWB, Eye are a different proposition, though no less compelling. Traversing a diverse spectrum of dark folk, dreampop, IDM and psychedelic doom, to create sometimes heavy and foreboding drones, alongside spare but still richly textured sonics.
‘Dark Light’ is an intensely atmospheric fusion of emotionally charged songcraft and inspired sonic energy. The clue is in the album's paradoxical title. Chilling and even bleak melodies with arrangements daringly and deliberately stripped down and minimal. Revealing a kinship with sonic bed-fellows Mazzy Star, Chelsea Wolfe or even Portishead.
So, whilst not strictly speaking ‘Doom’ or ‘Metal’ fans of Jessica’s previous work with MWWB will not be disappointed. Along with producer Chris Fielding (MWWB, Conan) EYE have produced something otherworldly, which is at times heavy and epic, yet still deeply intimate and dark.
A striking debut.
Tracklisting:
1. Window
2. Dark Light
3. The Other Sees
4. In Your Night
5. In The Sun Eternally
6. Respair
7. Out Of Sight
8. Stillness
9. See Yourself
10. Rescue You -
Sal, Bea and Raquel aka Shooting Daggers, are fast becoming a fiery beacon at the beating heart of the burgeoning UK hardcore scene.Visit product page →
Their first EP 'Athames' hinted that there was something special here, and left folks gagging for more.
Their debut album will not disappoint. Titled ‘Love and Rage’ it’s a huge leap forward from their EP, in fact we believe Daggers have recorded something of a corker in terms of modern hardcore in fact ... a potential minor classic debut maybe.
Whatever way you spin it, there is no doubt that ’Love and Rage' is an album of jaw dropping depth and melody as well as blinding energy, feminist fury and angst.
There are kick ass buzzsaw punk bangers of course, blistering shards of pent up fury, like ‘Dare’ and ‘Not My Rival’ ‘Wipeout’ and ‘Bad Seeds’.
Daggers ‘as you might expect, but here, more catchy, more direct, more focussed than before. However, things start to get even more interesting with songs like ‘Smug’ and ‘Tunnel Vision’ a big hint that this is no ordinary punk rock record.
A grungy intro bangs into stuttering riffs and chorus with harmonies that will lock itself into your head.
Then the band drops ‘A Guilty Conscience Needs An Accuser’ and you go well what is this? A sort of 90’s shoegaze grunge infused soaring ballad, that is as breathtakingly bold as it is unexpected and a real standout.
As is the album’s title track ‘Love And Rage’ with its Dinosaur Jr meets Lush vibe. It all fits perfectly. The final track ‘Caves/Outro’ is just vocals and piano … it can only be described as ‘lovely’. Wow. The influences never overwhelm, it’s always unmistakably ‘Shooting Daggers’ pushing that hardcore envelope big time.
With ‘Love and Rage’ Shooting Daggers could quite possibly become your favourite band.
Tracklisting:
1. Dare
2. Not My Rival
3. Smug
4. Wipe Out
5. A Guilty Conscience Needs An Accuser
6. Tunnel Vision
7. Bad Seeds
8. Love & Rage
9. Caves/Outro -
Visit product page →Hailing from New York, GUHTS (pronounced ‘guts’) are a bold new voice within a maelstrom of genres and sub-genres.
They declare themselves to be an ‘avant-garde post-metal project, delivering larger than life sounds through, deeply emotional music’.
And they deliver that statement in full effect in the form of their debut album ‘Regeneration’.Pointers can be made of course. By their own admission, GUHTS' musical style is influenced not only by iconic metal bands like Gojira, Cult of Luna, YOB and Deftones, but more unconventional acts like Bjork, Subrosa, Isis, Julie Christmas, and even PJ Harvey. It’s undoubtedly heavy, with a strong feminist streak, it’s cathartic and weighty, a formidable debut for such a new band.
‘Regeneration’ is set to cement their status as one of the coolest and most interesting bands on the scene.A powerful and intense series of songs, topped off by some seriously mighty, expressive vocal performances.
It’s slow-shifting chords, moving like sheets through sludge. High guitar lines above, ranging from piercing and shimmering to nasty. Drums pound but not without groove. There are strings, pianos and synths widening the palette. Atmospheric sludge, metalgaze, maybe, but there’s also that link to the New York Noise lineage from The Velvets and Sonic Youth, becoming a type of post-hardcore in the process, while gaining a connection to metal partly due to the sheer heaviness.
A raft of creative experimentation that pushes beyond the realm of post-metal. And then of course, the very first thing that hits you is Amber Gardner's unbelievable, hypnotising vocals - as scary as a banshee while also intimate and persuasive. Amber means it for sure and almost dominates the proceedings.
In short ‘Regeneration’ is a bold and startling debut, that will reward and enthral listeners the deeper they delve into its many layers.
Tracklisting Vinyl:
Side A
1. White Noise
2. Til Death
3. The Mirror
4. Handless Maiden
Side B
5. Eyes Open
6. Generate
7. The Wounded Healer
Tracklisting CD:
1. White Noise
2. Til Death
3. The Mirror
4. Handless Maiden
5. Eyes Open
6. Generate
7. The Wounded Healer
8. Burn My Body (CD Bonus Track) -
Visit product page →New Heavy Sounds is super stoked to announce a very very special team up between our favourite punk sisters, Shooting Daggers and Death Pill.
Both bands have recorded a brand new song, and what better way is there to present them (or any kind of punk) than a good old split single.
So kicking off the Shooting Daggers/Death Pill split, is this never before recorded Death Pill track 'MONSTERS'.
Ukrainian punk trio Death Pill certainly made a stir when they hit the UK as part of their first ever European tour. Articles in the likes of the Guardian and Sunday, featured in all the music mags, plus the band showed that they were a pretty ferocious musical outfit, as those who were witness to the full on live experience can testify.
Whilst in London, the band also had time to cut 'MONSTERS'. Recorded live in the studio with Wayne Adams (Pet Brick, Big Lad and producer of Green Lung) at the helm, MONSTERS is a short, sharp shock. An angry, sardonic and skewed amalgam of riffs and full on blast beats … it growls and it rips.
The band says ..
“This track is about how our parents knowingly or unknowingly lose their children. As an example - here are the most painful things you could hear from your folks: "When will you finish your music games?”
"You will never achieve anything!”
"When are you finally going to do something useful?"
Therefore, when there was an opportunity to record a one live song in London, the choice of a song became obvious.
Just imagine the "surprise" on the faces of our mums...
Many thanks for Ged and Paul from the NHS label for supporting this idea, and to Wayne from Bear Bites Horse for the sick and fat sound”
What makes this release all the more exciting, is that Shooting Daggers are dropping their first new music since last year's EP 'Athames'.
Sal, Bea and Raquel are most definitely on the way up, their exciting blend of hard as nails hardcore, punk attitude and a neat melodic sense have made them a much sought after outfit, for gigs and festivals here and across Europe. They are slowly but surely proving themselves to be one of THE bands to watch in 2024.
If the EP left their growing legion of fans gagging for more, new track 'NOT MY RIVAL' will not disappoint. It's a catchy, pogo-tastic, queercore punk banger, full of feminist grit and a killer earworm chorus.
The band says ...
"Not My Rival, is a song about dismantling the male gaze, fighting against the internalised patriarchal messages that we all unconsciously absorb. It's about breaking the cycle of female rivalry. We want to encourage lifting each other up instead of tearing each other down"
The Shooting Daggers debut album is due in the new year .... you have been warned, this is the shape of things to come.
Special 7” single strictly limited to 250 copies.
The 7” comes in classic black vinyl, with a reversible foldover sleeve with artwork from each band on each side so you can choose your own cover, full colour printed labels housed in a poly overbag. It's available only by mail order.
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