Wrecking Light Records
LP is initially on limited 180g purple vinyl with gatefold sleeve and 16 page lyric book. CD is a deluxe bookback style sleeve with lyric booklet and 5 bonus tracks.
Through these strange and uncertain times it is sometimes a little hard to see any light at the end of the tunnel but this is where The Moons have stepped in. This long player is an album full of colour and raw songwriting recorded live in the legendary Studio 2 at Abbey Road Studios. With cinematic string arrangements and masterclass songwriting from the pen of singer/songwriter Andy Crofts this album will be your happy escape.
“Most of this album had been unintentionally sat in my pocket for quite some time. Songs that I had written and forgotten about or had just lost their way and left unfinished. So that is why I wanted the album to simply be named Pocket Melodies. I had this inner feeling to pull them all together and it turned out my favourite Moons record.” Andy Crofts
Pocket Melodies takes you on a journey of glorious melodies leading you through love, romance, nostalgia, regret and unity.
“I wanted to be true to myself with this record. My best strength is writing melodic pop songs so I just let it all flow as I wanted this album to be soaked in colour and completely natural. There’s no pretence, it’s just straight up pop songs. I have always worn my heart on my sleeve when it comes to my feelings and I think you can hear this in the lyrics this time.” Andy Crofts
The album features singles Riding Man and Today which received high praise and championed on BBC London and Radio X and a collaboration with Paul Weller on the song Tunnel Of Time."I wrote all of the songs on the album except Tunnel Of Time which is a collaboration between myself and Paul Weller. He once approached me with a little idea and we slowly worked at it in dressing rooms etc until I took it away and put it all together. Its a nice little song and im glad it found a home with The Moons." Andy Crofts
Limited to 500 copies on Heavyweight Black vinyl housed in a gatefold jacket.
Each copy autographed by William DuVall on the front of the gatefold jacket.
Each copy inkjet numbered 1-500 on the back of the gatefold jacket.
Each copy of this edition features the “Made in the UK” designation on the back of the gatefold jacket.
This new CD edition is limited to 1,000 copies manufactured in the UK.
The disc is housed in a 6-panel fold-out digipack package featuring the “Made in the UK” designation on the back.
“One Alone,” the debut solo LP from Alice In Chains lead singer/guitarist, William DuVall, is a smoldering all-acoustic affair, a late-night meditation on heartbreak, triumph, and hard-won lessons. This recording is as intimate as it gets, like a private living room concert. It’s the perfect contrast to Alice In Chains’s recent UK arena tour in May of this year.
“After three albums and numerous world tours with Alice In Chains, as well as creating the Giraffe Tongue Orchestra album (w/ Brent Hinds of Mastodon and Ben Weinman of The Dillinger Escape Plan), and, of course, my catalog of albums and tours with Comes With The Fall, I felt the need to peel everything back to the bare bones. This album is strictly one voice, one guitar. It reveals the very core of who I am as a singer, guitarist, and songwriter.” - William DuVall
VINYL LP Tracklisting:
1. ’Til The Light Guides Me Home
2. The Veil Of All My Fears
3. The 3 Wishes
4. Strung Out On A Dream
5. White Hot
6. Still Got A Hold On My Heart
7. Smoke And Mirrors
8. So Cruel
9. Chains Around My Heart
10. No Need To Wonder
Vinyl LP comes with download card.
New Heavy Sounds
First vinyl pressing is. Limited to 500 copies in 2 colour blue and black cosmic swirl vinyl.
Full download included as well.CD package is a 4 panel digipack, with a 4 page booklet.
Musically Embr's debut ‘1823’ could be categorized as ‘Doom’. However, it’s obvious that EMBR have range, drive and a desire to add to the genre, to broaden it whilst staying true to its core fundamentals.
Rest assured, the band have all the nuts and bolts in place. Mark Buchanan (guitar), Alan Light (bass) and Eric Bigelow (drums) keep everything tight and weighty. Massive drop-tuned guitars, chest rattling low end, pounding drums, fuzzy distortion, it’s all there. But they also add in synths, a bit of grunge and alt rock flavors.
The vocal talents of Crystal absolutely soar and strengthen the music. Her range, patterns and harmonies transport the band’s music skyward. Crystal adds soul and an air of melancholia to the musical creations. If a pointer were needed, think Mastodon meets Witch Mountain with epic sweeps and a shade of gothic drama.
Bad MoFo Records
Container is the project of American noise veteran Ren Schofield, originally from Providence, Rhode Island, and now based in London. Container first appeared at the turn of the decade with a slew of freakish tapes for various small labels.
In wake of these releases, Editions Mego offshoot Spectrum Spools – run by old friend John Elliott of the band Emeralds – took the punt to release his debut LP, a collection of mutated Techno tracks simply titled ‘LP’.
The record gained attention quickly in the Electronic music scene largely thanks to Schofield’s unique production style that separates him from forms of conventional dance music. Whilst the music of Container sits perfectly fine within the genre and is functional enough to blow apart the walls of any club, years on the US noise circuit have given Schofield’s brand of techno a rawness and direct intensity that stands out in the club and crosses over into other sub-sections of the underground.
His modest set up of Roland MC-909, a four-track porta studio and an array of pedals allowed him to hone his scuzzy and bewildering beat music over the years, leading to three more well received, and literally titled, LP’s.
Over this time period Container also released some EPs on Morphine, Liberation Technologies and Diagonal, did a variety of remixes for acts like Four Tet, The Body, Panda Bear and Fucked Up plus maintained a healthy touring schedule that reached over every continent.
His exhilarating live show has hit pretty much every major electronic music festival and club in Europe, as well as tours and gigs with a diverse range of acts such as Wolf Eyes, Zola Jesus, Daughters, Pharmakon and Ryley Walker.
Almost a decade since his debut, Container arrives on ALTER with his first non-”LP” titled album called ‘Scramblers’. The title taken from both a Baltimore street drug and a Rhode Island Diner he used to eat at with his father.
“The juxtaposition between these two Scramblers is a great one. I wanted to pay homage to a nice name that lends itself to both depraved and wholesome contexts and do my part to carry on the tradition.”
The eight tracks have their origins in live performance and a more high-octane delivery is noticeable when compared with previous Container albums. ‘Mottle’ sits in a mysterious zone between the productions of EVOL and early Ruff Sqwad. Fierce electro cuts like ‘Trench’ and ‘Nozzle’ work alongside the nauseous slink of ‘Duster’, which in typical Container fashion morphs into a frenzy in no time.
A frenzy which may be linked cosmically to the fact that ‘Scramblers’ was recorded, mixed and mastered in one day, reinforcing further his unorthodox and fun approach to club music.
RE-ISSUE ON EXTREME EATING
VINYL AVAILABLE ON RED AND WHITE SPLATTER
Housed in a gatefold sleeve designed by Steve Lippert, mastered by Matt Colton at Alchemy. Everything else was done by Sleaford Mods.
From Original Press Release 2015 “Key Markets was a large supermarket bang in the centre of Grantham from the early 1970's up until around 1980,” explains Jason Williamson.
“My mum would take me there and I'd always have a large coke in a plastic orange cup surrounded by varnished wood trimmings and big lamp shades with flowers on them. Beige bricks with bright yellow points of sale and large black foam letters surrounded you and this is why we called the album 'Key Markets'.
It's the continuation of the day to day and how we see it, the un-incredible landscape.”
“The album was recorded in various periods between summer 2014 through to October of that year. We worked fast as we normally do, the method was the same as the other albums and like the other two, the sound has naturally moved itself along.
'Key Markets' is in places quite abstract but it still deals heavily with the disorientation of modern existence. It still touches on character assassination, the delusion of grandeur and the pointlessness of government politics. It's a classic. Fuck em.
1. Live Tonight
2. No One's Bothered
3. Bronx in a Six
4. Silly Me
5. Cunt Make It Up
6. Face To Faces
8. In Quiet Streets
9. Tarantula Deadly Cargo
10. Rupert Trousers
11. Giddy on the Ciggies
12. The Blob
New Heavy Sounds
Faux-Lux/Gare du Nord
Hand stamped and individually signed.
‘You Made Me’ is a Pete Astor album of other people’s songs. It was recorded with producer Ian Button and features Dave Tattersall (Wave Pictures) playing guitar and Andy Lewis (Spearmint, Blow Up) on bass and synth, with Pam Berry (Black Tambourine, Withered Hand), Sean Read (Edwyn Collins, Pretenders, and a mass of brilliant others) and Nina Walsh (Woodleigh Research Facility, Fireflies) joining on vocals.
From the pure pop ache of Gen X’s ‘Dancing with Myself’ to the stoic heartbreak of Cat Power’s ‘Manhattan’, via the shadowy rider in Elvis Presley’s ‘Black Star’, to the teenage ’50s gangster of Richard Thompson’s ‘Vincent Black Lightening’, You Made Me marks some of the way stations of a life in music, songs to make sense of time passing and what that passing time can mean. Pete Astor shares his thoughts on You Made Me.
Like everybody, my life has been sound-tracked by the songs I listen to and sing along with. And a bit like a collection of photographs, I’ve lost some while some never even got taken. Nonetheless, some really good ones did get through. Here they are.
1. ‘Dancing with Myself (1980)’ Gen X, the song articulated the loneliness of the long-distance musician – and it sounded great.
2. ‘Black Star (1960)’ Elvis Presley This was intended as the title song to a so-named 1960 Presley film that got retitled Flaming Star. The title track of David Bowie’s swansong album is widely thought to have been inspired by this song.
3. ‘Chained to an Idiot (1974) This is the only original on the record – my response to the history that these songs have made; the tale of the permanent teenager chained to his needs, forever defined by the purest, libidinous pop – turning Kingsley Amis’ quote, the provenance of the title, on its head. 4.‘Manhattan (2012). Cat Power This is Chan Marshall’s paean to lost love and lost places, an elegy to the way we locate our lives and love affairs in times and locations – a hazy New York or London, say – that have now disappeared. 5.‘Nitcomb (1999’). Joe Strummer and the Mescaleros. ‘Nitcomb’ will ring very true for anyone who remembers all the long evenings spent combing out those stubborn insects. As a musician, Strummer was a lifer, and like those nits, so very tenacious.
6.Vincent Black Lightning (1952)’ Richard Thompson This modern-day outlaw ballad tells the story of tragic love around the centrepiece of the mythic and very English titular motorcycle.
7.‘Solid Air (1973)’ John Martyn John Martyn’s plea to his lost and fading friend, Nick Drake, which becomes a touchstone and document of any lost and fading friends any of us might have had.
8.‘Can’t Hardly Wait (1987)’ The Replacements Paul Westerberg writing and singing about how it feels to be away from home, on tour, magnificently lost, aching to be.
9.‘Courage’ Villagers (2015)’ Conor O’Brien’s document of the heart’s travails re-imagined as lovers rock, making a gentle, steadfast march out of changing love.
10.‘Suffering Jukebox (2008)’ Silver Jews We recorded this in tribute to the passing of Silver Jews’ songwriter David Berman, a song about the plight of the record machine in the corner, devoid of agency, speaking for everyone who wishes things were different. Neil Scott (Felt, Denim, Everything But the Girl) joined us for this one on guitar.
11.‘One Man Guy (1985)’ Loudon Wainwright III Loudon lived in London in the mid ’80s. I once saw him eating alone in Parkway, NW1. Now I know how he must have felt.
Release Date: 06/03/2020
At the Dojo
The first release in Fu Manchu’s 30th Anniversary vinyl reissue series, In Search Of...Deluxe Edition, celebrates the band’s 3rd album and major label debut, which was originally released on 27 February, 1996.
Recorded at Grandmaster Studios in Hollywood, California by the band and Brian Jenkins (KYUSS, SCREAMING TREES), "In Search Of…" is considered a classic of the '90s and a pillar for the "stoner rock" movement. Highlights include the lead single "Asphalt Risin'", "Redline" and fan favorite "Cyclone Launch.”
This limited edition is pressed on clear vinyl with blue and yellow splatter and the gatefold package design includes never before seen photos of the band.
Also included is a bonus red/black splatter 7” of “Chevy Van” (a Sammy Johns cover that was previously only available on the Japanese pressing of the original album) b/w a 1995 Demo version of “Redline.”
Both the LP and 7” feature newly remastered audio for maximum fidelity.
1. Regal Begal
2. Missing Link
3. Asphalt Risin’
4. Neptune’s Convoy
6. Cyclone Launch
8. Solid Hex
9. The Falcon Has Landed
11. The Bargain
Release Date: 27/03/2020
New Heavy Sounds
The deluxe vinyl edition of Faithless Rituals is now sold out.
At the Dojo
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