Test Card Recordings
Available for PRE-ORDER, shipping on the 28th of October.
Third World Pyramid is the first album that was fully recorded & produced at Anton’s new Cobra Studio in Berlin.
It is the 15th full length release from the Brian Jonestown Massacre recorded from early 2016.
Featuring Ricky Maymi, Dan Allaire, Joel Gion, Collin Hegna & Ryan Van Kriedt from the band.
Also Emil Nikolaisen from the Norwegian band Serena-Maneesh joins the band on this album , plus vocal performance Tess Parks and Katy Lane.
Anton Newcombe has been a very busy man these past 2 years, kicking off with the critically acclaimed Brian Jonestown Massacre album ‘Revelation’ in May 2014.
After a successful UK and European tour, the BJM followed this up with the ‘+-‘ EP (Nov 2014). 2015 saw the release of ‘Musique de film imaginé’ (April); an imaginary film soundtrack album featuring the track ‘Bonbon’ which has, ironically, been used in ‘Dheepan’; the Palme D'or winner at Cannes film festival 2015.
In June, Anton and Tess Parks embarked on a well received tour of the UK and Europe to support the release of ‘I Declare Nothing’. Anton finished the year with a BJM mini-album release entitled ‘Mini-Album Thingy Wingy’. The band have been touring the world since November 2015, playing Australia, New Zealand, and then in 2016 USA, Canada & Europe.
They will play Desert Daze at Joshua Tree National Park in October and finish their tour in South America playing Argentina and Chile in November
Vinyl LP Tracklisting:
1. Good Mourning
2. Government Beard
3. Don't Get Lost
4. Assignment Song
1. Oh Bother
2. Third World Pyramid
3. Like describing colors to a blind man on acid
4. Lunar Surf Graveyard
5. The Sun Ship
1. Good Mourning
2. Governmant Beard
3. Don't Get Lost
4. Assignement Song
5. Oh Bother
6. Third World Pyramid
7. Like Describing Colors To A Blind Man On Acid
8. Lunar Surf Graveyard
9. The Sun Ship
Available on honey coloured vinyl, hand-numbered and limited to 2,000 units worldwide.
This single is from the forthcoming album “Third World Pyramid” which will be released in October 2016.
The B side “Playtime” is exclusive to this release ,recorded in March 2016 in Anton’s studio in Berlin . The band start their 2nd part of their European Tour starting in August.
This single brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.
Two dozen band members later and numerous “ups and downs” (some have been famously sensationalized in the media ), the one thing that has always remained consistent for this psychedelic collective, is front man Mr. Anton Alfred Newcombe
The Sun Ship
FREE 7 TRACK LIVE CD E.P. WITH EVERY ORDER.
Available on CD, Vinyl (Limited Edition run of 300).
“Jinnwoo is the most singular new folk talent I’ve heard in some time.” - The Independent
“A rising talent in the folk world.” – The Line of Best Fit
“Jinnwoo is a true original.”- Clash
The release follows Jinnwoo’s critically-acclaimed debut ‘Your Baby’ E.P. and a series of singles - the E.P.’s title track, ‘Solo Man’, ‘You Should Be Feeling This Elliott’ and ‘I Am, I Am, The World’s Oldest Man’ - all released in 2014, collectively garnering coverage across The Guardian Guide, The Line of Best Fit, Clash, 405, For Folk’s Sake – among many others –and accumulating in Jinnwoo being named one of The Independent’s ‘Faces to Watch 2015’.
2015 saw perfectionist Jinnwoo lay the finishing touches to ‘Strangers Bring Me No Light’, an album which has been years in the making and began with Jinnwoo hand-picking collaborators to work with, as he explains: “I wanted to make an album that was interesting to me so I included musicians that I appreciated and admired on the record.” As a totally unknown artist Jinnwoo found most of collaborators online - such as Malcolm Middleton and Alasdair Roberts - and emailed them demos with all of them agreeing immediately to work with this strange and exceptional new talent. Others were met on the live circuit such as Kyla La Grange, “she invited me to sing on her record (‘Cut Your Teeth’, 2014, Sony) so we swapped and did a vocal for each other”.
A few were met through Jinnwoo’s work as a photographer, he shot the artwork for Kami Thompson’s (The Rails) solo album ‘Love Lies’ (2011, Warner Music UK) and they remained firm friends and collaborators. Working with established musicians on the record gave Jinnwoo a needed distance from the lyrics and meaning of the songs, “when you hear someone else sing about your life in your words, it sort of distances you - that's quite nice for a while.” Jinnwoo’s work has been described aptly as “confessional folk” (The Guardian) and he himself has described ‘Strangers Bring Me No Light’ as ‘autobiographical’, with the artwork a self-portrait and the lyrics an outpouring of personal experiences and lingering emotions from his 20’s.
Jinnwoo’s confessional reel is one sung in a voice so distinctive no adequate comparisons can be made, but the story-telling style of Bob Dylan and the fragile delivery of troubadour Michael Stipe have been raised as a starting point. His sparse atmospheric folk-soundscapes, laced with ghostly string arrangements and his exceptional acoustic guitar work, offer a kind of ‘spooked’ ‘gothic’ folk that sounds like no other.
‘Strangers Bring Me No Light’ is nothing short of a seminal record and Jinnwoo a true original.
All tracks written and guitar and vocals by Jinnwoo.
1. Solo Man (Prod. Gerry Diver, guest vocals by Alasdair Roberts)
2. I Am, I Am, the World's Oldest Man (Prod. Weikie, guest vocals by Malcolm Middleton)
3. You Should Be Feeling This Elliott (Prod. Noah Georgeson, guest vocals by Kyla La Grange)
4. Woman (Prod. Weikie, guest vocals by Georgia Ruth)
5. Your Baby (album version) (Prod. Young Montana?, guest vocals by Kami Thompson, Score by Hannah Peel)
6. Sorrysong (Prod. Weikie, guest vocals by Caroline Weeks)
7. Waiting for P to Have a Vision (Prod. Gerry Diver)
8. Wicked Hare(Prod. Weikie, guest vocals by Georgia Ruth)
9. With Birds (Prod. Ben Walker, guest vocals by Georgia Ruth)
10. Strangers Bring Me No Light (Prod. Weikie and Christian Madden, guest vocals by Rachael Dadd)
Legendary, once lost third album! 14 tracks.
Dubs of the band's third album, which had been mysteriously unaccounted for, were found in a cardboard box in drummer Danny Taylor's attic.
The remarkable reunion of the original duo of Simeon and Taylor hadn't been planned. After 27 years apart, they were reunited when a disc jockey at New Jersey's legendary WFMU radio station received a phone call from Taylor for the station's pledge drive.
Taylor had been out of the music business for years, and his call put the pieces in place for Simeon, who was known at WFMU, to forge a renewed excitement for the Silver Apples' earliest recordings.
The recordings included seven complete songs from 1969 and seven drum instrumentals by in 1968. Taylor's 1968 drumming demos were blended with Simeon Coxe's 1998 "Noodle" efforts. ALLMUSIC
1. I Don't Care What The People Say
2. Tabouli Noodle
4. Cannonball Noodle
1. John Hardy
2. Cockroach Noodle
3. The Owl
4. Swamp Noodle
1. Mustang Sally
2. Anasazi Noodle
4. Starlight Noodle
1. Mad Man Blues
2. Fire Ant Noodle
New Heavy Sounds
The vinyl repress is in preparation and can be pre-ordered now for the 25th of November.
Colour will be transparent orange and black smoke effect.
The CD is a 5 panel fold out with an alternative take on the LP design.
Y Proffwyd Dwyll is once again produced by Chris (Conan) Fielding, and is without doubt a whopping great slab of heaviness. But that’s not all.
Those who’ve investigated beyond the name, have already discovered that both the band and their music are deadly serious, and though MWWB may share sonic alliances with likes of Conan, Windhand and Yob, the many who tuned into their impessive debut have discovered that MWWB don’t stick to the usual tropes, and are a unique proposition, with a sound all their own.
Down-tuned to ‘Z,’ the guitar tone is tar thick and the riffs massive and full of hooks ... of course.
But with the soaring, angelic, multi textured vocals of Jessica Ball, MWWB have added an extra dimension to what’s considered doom. Not your normal melodramatic dark chanteuse here pilgrims, more like MWWB’s secret weapon, a vein of crystal in the rock.
In fact it’s a combination which sounds at times startling and often beautiful. Like if Liz Fraser had fronted Kyuss or Sleep ... though that’s too simplistic a comparison.
There’s nothing approaching the 30 minute epic of their debut’s ‘Nachthexen’ (though these six tracks all clock in around the eight or nine minute mark) but the arrangements are tighter and the vocal elements are considerably upped. Add to that a smattering of cello, some swirling moog wig outs, and you have a record that also invokes Hawkwind’s cosmic synthscapes, as well as a nod to the John Carpenter soundtracks that the band love.