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TESS PARKS & ANTON NEWCOMBE
'TESS PARKS & ANTON NEWCOMBE'
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Chris Olley from six by seven and Peter Holmström from The Dandy Warhols return with their second Walls Of Dada album. Walls Of Dada is a transatlantic cold wave project for fans of Cabaret Voltaire, Joy Division, early Cure and Bauhaus.Visit product page →
This album carries on where the first one left off.
Tracklisting:
Side A:
1. Will
2. Real
3. S.O.B. Damn This Mess
4. Waiting For Something In Life
Side B:
1. Plastic Bag
2. Sides
3. It’s A Different Life (I’m Living Now)
4. False
Extra Tracks - Download Only:
1. Only You Will Know
2. FUTURE
3. FAKE
4. For Better For Worse
5. Silent Night -
On saleThe album is limited to 300 and comes on pink vinyl and comes with a DL.Visit product page →
Walls Of Dada is Chris Olley from SIX BY SEVEN and Peter G Holmström from The Dandy Warhols. It's a Transatlantic coldwave pop album which has all the analogue warmth and cold war atmosphere of a record coming out in 1982. Chris and Pete first met in 1998 when The Dandy Warhols asked Six By Seven to support them on their first UK tour.
They have been in contact with each other and remained friends ever since and over the years had always talked about making some music together. About a year ago, after hanging out at a Dandy's gig in Nottingham, they made a plan to get something started.
For Chris, and his aversion to making music using computers, the idea from the outset was to create something by simple means so as not to get bogged down by technology and end up sending myriad files and stems across the internet from one computer to the other. In his studio in Nottingham Chris put a drum machine through an amp and synced and sequenced an analogue synth to it and recorded the sounds onto an 8 track recorder.
After adding vocals a Stereo Mix was bounced down and sent over to Portland, Oregon. There, in his home studio, Pete added guitars, bass, synths (and a banjo) to the mix and topped and tailed the songs and sent his own stereo mix back. That was it. No more overdubs were added and there was no heavy mastering or compression or loudness wars were entered into.
A lot of vintage guitars and pedals and synths were used in the process and everything was recorded through amps. This was a throwback to the days of the early eighties when bands started to record on the first commercially available four track recorders and portastudios made by Fostex and Tascam. Because there were only four tracks, a lot of bouncing had to be done and this resulted in hard decision making at an early stage of the recording process and a 'no-going-back' recording, which meant you were committed to something you couldn't change.
This is the process which Chris and Pete wanted to tap into to make Walls Of Dada have that unusual edge that bands these days just don't have anymore because the digital world now provides unlimited space and tracks.
After working on roughly 20 songs across the year the result is an album that sounds like it could have been made in a cold Sheffield or Manchester basement or bedroom back in 1982.
Tracklisting:
Side A:
1. You Pollute Me
2. Tung
3. Born Ruthless
4. Anything
Side B:
5. I Never Promised You
6. ILL
7. Pigman
8. There is Only This
DOWNLOAD:
1. Behave
2. Rope
3. Time Call -
Thanks to their sweary rants about modern England, Nottingham duo Sleaford Mods have been called "The world's greatest rock 'n' roll band" by Iggy Pop and "the soundtrack to post-Brexit Britain" by the Guardian.Visit product page →
Jason Williamson, a former chicken factory worker and father of two, his band mate, beatmaker Andrew Fearn, and their manager Steve Underwood, avant-garde bedroom label owner and former bus driver, have won over fans with their brutally honest lyrics and DIY ethos.
Following them on their two-year journey from Sherwood to chart success, award-winning music documentary Bunch of Kunst tells the story of three guys taking on the music business on their own terms „This documentary film is the perfect antidote to those sexy, racy, rock’n’roll yawns most bands hide behind. We are indeed, a Bunch Of Kunst.“ Jason Williamson, Sleaford Mods
The cd was recorded at SO36 Berlin on June 19th, and features the complete unedited performance, originally released in an edited form as a vinyl LP on Harbinger Sound (HARBINGERUSA001).
#Subtitled in English, German, Spanish & French!#
Q Awards 2017 winner "Best Film"
NME Awards 2018 nominee "Best Music Film"
Mojo Magazine (283/June 2017) ★★★★ "A refusenik DIY anti-rock-doc"
HeyUGuys ★★★★ “This generation’s The Filth and the Fury“
Total Film ★★★★ “Invigorating“
The Guardian ★★★★ “Excellent..Rips Austerity Britain a fresh one”
The Scotsman on Sunday ★★★★ “One of the most entertaining music docs of recent years”
Dazed & Confused „An intimate & frank insight“
Louder Than War “Every young band and every music college should be forced to show this film just to underline the genuine power of music and creativity.“
Tracklisting:
1. Silly Me
2. Bunch Of Cunts
3. Live Tonight
4. No-Ones Bothered
5. Middle Men
6. Jolly Fucker
7. A Little Ditty
8. Mcflurry
9. Fizzy
10. Routine Dean
11. Bronx In A Six
12. Tiswas
13. Tied Up In Nottz
14. Jobseeker
15. 6 Horsemen (The Brixtons)
16. Tarantula Deadly Cargo
17. Tweet Tweet Tweet
Release Date: 08/06/2018 -
Visit product page →Limited to 1000 copies. 500 in 2 colour Blue/White vinyl. 500 in Black. Gatefold sleeve. Included is a free CD of the album and free download with both vinyl options.
Main CD package is a 4 panel digipack with lyric booklet.
Take a look outside your window. We’re living through a particularly bleak paradigm, with ominous political shifts occurring around the globe. It’s time for a rallying war-cry, to tap into the power of our ancestors, to learn the wisdoms taught by history and its recurring patterns. It’s time to acknowledge the power of women, to burn with the fire of a banshee wail, to taste the energy of revolution and feel the inspiration of generations of resistance.
And that’s where ASCEND, the second album by insurrectionary heavy rock trio Vodun, comes in.
Ten slabs of ground-flattening, groove-inflected rock power, driven by the afro-inspired dervish drums of Zel Kaute (interpreting the spirits of Ogoun), the roaring, fierce chromium guitars of Linz Hamilton (The Marassa), and fronted by the fire-breathing howl of frontwoman Chantal Brown (Oya), delivering you the truth of generations with a drive and focus that can’t be matched.
The music of ASCEND is more sophisticated than on Possession, the band’s 2016 debut. The canvas is broader, the details more vivid and varied. Their palette now embraces a healthy dose of extra percussion, saxophone, and vocal arrangements that pair Chantal’s behemoth holler with harmonies, chants and howls, a full-spectrum of sound that suits their polymorphous attack.
Ascend is, unabashedly, revolution music, its ten tracks a hurricane of mystic heaviness, spiritual soul and furious positivity, its colossal riffage & rhythms allied to inspirational lyrics and powerful melodies to deliver food for the soul and fire to inflame uprisings. At heart, it’s an album of musical celebration, and heavy playfulness – lyrically of resistance, and of solidarity. “We can rise above this,” nods Chantal, referencing the dire state of 2018.
“And we will rise above this.”
Tracklisting:
Vinyl
SIDE A:
1. Spirits Past
2. Started From
3. Providence Of Ancestors
4. Ogun's Fight
5. Time Honoured
Side B:
1. New Doom
2. Elusive Freedom
3. Ascend
4. Rituals
5. For Your Kin
Tracklisting:
CD
1. Spirits Past
2. Started From
3. Providence Of Ancestors
4. Ogun's Fight
5. Time Honoured
6. New Doom
7. Elusive Freedom
8. Ascend
9. Rituals
10. For Your Kin
Release Date: 7th of September 2018 -
Visit product page →Gazelle Twin were originally invited as part of the Supersonic Festival 2015 curation of the Moog Sound Lab satellite sessions at Birmingham City University.
The twin returned to the lab during it’s residency later that year at London’s Ace Hotel in Shoreditch for a consecutive six day session in August, invited artists mooged, wined, dined, slept and dreamt in room 236.
On tap 24/7 - the entire Moog Sound Lab, along with a Brion Gysin ‘Dream Machine” & a small library of associated books & user manuals.
Here Gazelle Twin re-made/re-modeled, recorded & filmed new versions of two of their favorite tracks on the wall-to-wall moogs.
Tracklisting:
Side A:
I Feel Blood (Moog 2015).
Side B:
Exorcise (Moog 2015)
Release Date: 14/09/2018 -
Visit product page →Release Date: 31/08/2018
Indiepop institution Fortuna POP! quit the scene last year amid much gnashing of teeth from discerning music fans, going out in a blaze of glory with five days of sold out London shows by artists spanning their twenty year tenure, before label owner Sean Price fled Brexit Britain for a new life in Tokyo, Japan.That would have been it for Fortuna POP!, were it not for the label’s Jukebox 45s Singles Club. With one final single still owed to subscribers, Price saw the opportunity to do something special for what would be the very last release on the label. Taking one of the label’s best-loved releases, Comet Gain’s classic 2001 single “You Can Hide Your Love Forever”, as his starting point, contributions were solicited from Fortuna POP! bands past and present for a Band Aid-style cover version.
Over twenty bands contributed, with the music recorded by a crack band featuring Amos Memon of Fanfarlo (drums), Emma Kupa of Mammoth Penguins (bass), Laura Kovic of Tigercats (keys) and Paul Rains of Allo Darlin’, Ben Phillipson of Comet Gain and Sam Ayres of Flowers (all guitar) at Soup Studios in London.
Mikey Collins of Allo Darlin’ then recorded percussion at Big Jelly studios in Ramsgate, and The Victorian Horns aka Gary Olson (trumpet) and Kyle Forrester (sax) of The Ladybug Transistor put down their brass parts at Gary’s Marlborough Farms Studio in New York.Vocals were recorded in various studios and kitchens around the world, with Amelia Fletcher of Tender Trap, Daniel Ellis of Martha, Lan McArdle and Owen Williams of Joanna Gruesome, Adam Todd of The Spook School, Bill Botting and Elizabeth Morris of Allo Darlin’, Jeff Greene and Dan Greene of The Butterflies Of Love, Lisa Horton and Iain Ross of Bearsuit, Katherine Whitaker of Evans The Death, Silvi Wersing from Chorusgirl, Helen King of Shrag, Rachel Kenedy of Flowers, Pete Dale of Milky Wimpshake, Darren Hayman, Pete Astor and Simon Love all contributing. Giles Barrett at Soup Studios then made sense of it all and mixed the track.
The result is a fantastic, uplifting indiepop anthem that’s sure to be lifting the lids off indie clubs around the world this summer and for many years to come. Oh, and there’s a B-side too, in which DC Feck of Thee Comet Gain International Psychedelic Pop Conspiracy may have had more than a hand. Enjoy.
Tracklisting:
Side A:
You Can Hide Your Love ForeverSide B:
Thus… (by Gorgon-Zola) -
Moog Recordings Library
Charlemagne Palestine 'Ttuunneesszz Duh Rruunneesszz (Blue TB7 Series)'
£16.99
vMoog Recordings Library
Charlemagne Palestine 'Ttuunneesszz Duh Rruunneesszz (Blue TB7 Series)'
£16.99
Charlemagne Palestine first started using electronic instruments in his music in the late 1960’s when he bought two prototype ‘Buchla’ tone generators. “Electronic instruments were very rare & exotic in the 1960’s.There were Moog’s around New York state.Visit product page →
But they were only in universities who preciously guarded them from us young composers. so after all this time visiting The Moog Sound Lab is like a dream come true for me…..to have so many oscillators all singing together is a truly beautiful experience. I am so glad i am still around and able to be making musics i first dreamt of 50 years ago”.
These two releases come from our second ever UK lab session & is the first Charlemagne Palestine Moog Sound Lab. All electronic long form drone works from an archive of six recordings.
Tracklisting:
Side A:
Ttuunneesszz Duh Rruunneesszz (Opening) 25:14
Side B:
Ttuunneesszz Duh Rruunneesszz (Closing) 25:20
Release Date: 10/08/2018 -
Visit product page →Charlemagne Palestine first started using electronic instruments in his music in the late 1960’s when he bought two prototype ‘Buchla’ tone generators. “Electronic instruments were very rare & exotic in the 1960’s.There were Moog’s around New York state.
But they were only in universities who preciously guarded them from us young composers. so after all this time visiting The Moog Sound Lab is like a dream come true for me…..to have so many oscillators all singing together is a truly beautiful experience. I am so glad i am still around and able to be making musics i first dreamt of 50 years ago”.
These two releases come from our second ever uk lab session & is the first Charlemagne Palestine Moog Sound Lab. All electronic long form drone works from an archive of six recordings.
Tracklisting:
Side A:
Interrvallisphereee (Extracted Opening) 25:00
Side B:
Interrvallisphereee (Extract Of And Ti Finale) 25:00
Release Date: 10/08/2018 -
"No Filter" is the rightful extension of the Sleaford Mods idea in my opinion but dont let that drive you into thinking this is some rehash.Visit product page →
John Paul has, with the help of Rat and Steve Underwood, created a horrible account of modern forgotten england from the edge of his stool in the corner of the pub away from all the hard men he once ran with. Its the re-awakening of a mind trying to tune into truth and its brutal.
His wordplay and observations are near exceptional and at some points, and like all good music, it nearly devours itself as it tells musical convention to get fucked. The music too, is so fucking crap its beautiful, like the mundane back ground music sent out from head office to all its pubs.
'No Filter" has for me in some ways pushed the envelope of the Workers Tale, the arrival into mid-life with its disgust for the old shit you did and the attitudes that came with all that. Its solid." - Jason Williamson / Sleaford Mods. -
Chris Watson – originally the keyboard player of Cabaret Voltaire, then a sound recordist for Tyne Tees Television, and founder member of The Hafler Trio, but now perhaps best know for his BAFTA winning location recording for Sir David Attenborough, Birdwatch, Tweet Of The Day and range of BBC Radio programmes.Visit product page →
Here Chris creates an all new sound journey in honour of Bob Moog via a series of his own location recordings subtlety processed through The Moog Sound Lab’s System 55.
Almost a return to the principles that birthed Cabaret Voltaire’s earliest experiments.
Tracklisting:
1. Room 343
2. Grand Central Terminal
3. Rockerfeller Centre
4. Central Bank
5. Times Square
6. Broad Channel
7. Jamaica Bay To Leigh Valley
Release Date: 10/08/2018 -
Transform and Wonder will be the second 12" release on Factory Floor's own imprint H/O/D Records.Visit product page →
Transform, a section inspired by Maria's transformation from human into the robot, reveals itself in a haze of accumulating ambience and scattered percussion that evolves into the heavy repetitive bass groove reassuringly stabilizes Maria's journey into metamorphosis.
The slow tempo and atmospheric wash of synths and electronics on side B 'Wonder' offering a hesitant hush contrast.
Release Date: 07/09/2018 -
Visit product page →SEPT 2016. The Moog Sound Lab’s first trip out for a live session at Café Oto’s project & café rooms. Jimi Tenor, finnish futurist, shako & Warp Records confederate, jazzed, funked, far-ra’d out. Tony Allen – original drummer to Fela Kuti – Godfather of the Afro-Beat.
These two titans of the beat strange -fed & watered through the mighty Moog Sound Lab via a prototype future sound systems drum trigger unit built & operated by UK moog minder engineer Mr Finlay Shakespeare. New sound universes emerge, collide.
Explosions & implosions make sonic debris. Cosmic dancers prepare to be run ragged by a feral ‘tronic funk that brings to mind early ‘D.A.F” [Deutsch Amerikanische Freundschaft].
Tracklisting:
1. Paris
2. Afro Disco Beat
3. Selfish Gene
4. Asiko
5. New World
Release Date: 10/08/2018 -
Factory Floor were originally commissioned by curator Chris Bell of London’s Science Museum, to write a live score for Fritz Lang’s 1927 silent cinematic landmark, Metropolis.Visit product page →
Widely regarded as a pioneering work of science fiction, Metropolis depicts a dystopian future where a city’s downtrodden, exploited underclass of workers secretly plot a revolt.
The 150 minute brand new score was first performed at the Science Museum’s IMAX on 28th April 2017, coinciding with the 90th anniversary release of Metropolis and as part of the acclaimed Robots exhibition and event series. Following the success of the London Science Museum event, Factory Floor took to the studio to record the score in its entirety.
Mixed by Nik Void except for Heart of data and Babel which was mixed by award-winning producer Marta Salogni. The box set includes the entire 2.5 reimagined score on four 12". Artwork by British artist Haroon Mirza adapted and arranged by Nik Void in collaboration with illustrator Sam Moore.
Factory Floor are Gabriel Gurnsey and Nik Void, whose electronic improvisational style of performance has seen them at home in gallery spaces like Tate Modern, to clubs like fabric and Berghain to a remote volcanic Island of Stromboli in collaboration with artist Haroon Mirza.
Their critically acclaimed second album 25 25 was released in the summer of 2016 on DFA Records.
Tracklisting 2CD
CD 1:
1. Metropolis
2. Beneath
3. Run
4. Father
5. Identity Switch
6. Circuit Senses
7. Babel
8. Cave
9. Wonder
10. Suspicious
CD 2:
1. Transform
2. Heart of Data
3. Find
4. Up Rise
5. Flood
6. Become
7. End
4xLP:
Side A:
1. Metropolis
2. Beneath
3. Run
4. Father Part 1
Side B:
5. Father Part 2
6. Identity Switch
7. Circuit Senses Part 1
Side C:
8. Circuit Senses Part 2
9. Babel
Side D:
10. Cave
11. Wonder
12. Suspicious
Side E:
13. Transform
14. Heart of Data
15. Find Part 1
Side F:
16. Find Part 2
17. Up Rise
Side G:
18. Flood
Side H:
19. Become
20. End
Release Date: 12/10/2018 -
Spiby is probably most well known for being the leader of Black Spiders - renowned for the face melting rock n roll and unmatchable swagger. Groop Dogdrill were pure, uncut, weapons grade alt.rock napalm and Future eX Wife lovingly crushed anyone and anything in their path.Visit product page →
In April 2017, Black Spiders gave their fans one final chance to raise their middle fingers aloft and yell ‘fuck you’ at their five, grizzled faces before hanging up their riding capes for good. In the months leading up to their final shows, Spiby was undergoing rehabilitation. Not in the cliched rock n’ roll sense, dear reader, but for an operation on his left hand, which learned physicians say is an important part of the human anatomy when you’re doling out sweet riffs left, right and centre. “When we did the farewell shows, it gave me such a confidence boost that I was even able to play guitar without the pain and medication that I’d had for the last 3 years,” says Spiby.
“I decided that it was time to do the only thing I've been doing since I was at school.” Please welcome, ladies and gentlemen, Failed Magician. It's the title of Spiby’s new solo release; it's not a concept album about sleight of hand tricks gone awry, accidentally sawing an assistant in half or drowning before a horrified studio audience.
“Me and Ozzy [Lister, former Spider riffologist] were working somewhere in the world,” explains Spiby, “and during a very one-sided drunken conversation, he slurred the words “I just don’t want to end up being a failed magician. It’s obviously not what he meant to say, but I kept it under my hat to use at some point in the future”. There comes a time in a man’s life when the blues become mandatory listening and this in turn has informed his new songs. “I have sorrow in my pocket and exorcising the ghosts is a way out of the darkness,” he says.
“There were a lot of deaths in rock during 2017 that made me think about mortality, depression and life. There's a thread that goes through all of this and it’s basically a collection of domestic blues songs, sometimes seen from both sides of the story. “Sabbath and Zeppelin have a lot to answer for, as I guess do the Beatles and the Stones, for embedding that feeling and influence into their music,” he continues. “Everyone that has since been influenced by them, directly or indirectly.
Spiby called upon fans to fund his solo outing via Pledgemusic and smashed his goal to bits. “That’s when shit got real, as they say,” explains Spiby. “I had a bit of a panic on, getting the songs together and finished; things started to take more of a shape I liked and could sort of understand. It started out so simple and I made it really complicated for myself and recorded 30 odd songs, which is a fuck load of time and effort.” For his next trick, he assembled a crack team of ne’er do wells to help bring his ideas to life in the studio with Matt Ellis at the production console.
“It’s quite a mixed bunch of losers really,” he says. “All solid musicians and amazing people : Luke Athiko (The Defiled, guitar), Simon Bismark (Daken guitarist, bass) and James Maiden (Future ex Wife, guitar). Then there were three drummers : Simon Smith (Wedding Present/ChaCha Cohen), Tony Arthy (The Wonder Stuff) and Richie Mills (Cable/ Imogen Heap). Danni Maibaum (Double NoNo/ Dirty Blood) recorded some vocals. Adam Thistlewaite (Massive Wagons) and Lee Storrar (Servers) guitars.
And his kids too. “If it’s the last thing I ever get to do, recording wise, I’ll die a very happy man,” says Spiby of his solo debut. “The greatest success is just even getting it done in the first place.
There will be live shows later this year - “It’ll be a chance exorcise those demons in the live arena,” says Spiby. “The songs have already started to take on a different meaning already and band rehearsals are going very well. World submission awaits.”
Tracklisting:
Disc 1:
1. Lightning Bolt
2. Bible Studies
3. Friday Night (just died in Saturday morning's arms)
4. We Used To Be Friends
5. Why Not Let Them Come
6. Wrap You Round My Little Finger
7. Guiding Light
8. Mary Lou's Dawg
9. Working For Mary Jane
10. Thrown To The Wolves
Disc 2:
1. Guiding Lite Blues
2. Mary Lou's Dawg (came back)
3. Why Not Let Them Come Again
4. We Used To Be friends (slight return)
5. Thrown To The Blues
6. Lightning Bolt Blues
7. Mary Jane Blues
8. Bible Study Blues
9. Mary Jane Blues
10. Friday Night Blues
Release Date: 31/08/2018 -
The 8 track album features new collaborations with DJ Phil, Gantman, DJ Paypal, and Sirr Tmo, and a previously unreleased classic from 2013, co-written with DJ Rashad. WFM will be available in Vinyl and digital formats on September 7th 2018.Visit product page →
Listening to WFM, the first thing that jumps out at you is Heavee’s masterful use of synthesizers and sound design. You get the sense that these elements have been lovingly crafted during countless hours of sonic experimentation and invention in the studio.
As Heavee explains, the primary focus on synths represents a departure from his usual creative process: “Usually in my method of production, synths or sounds come somewhat close to last, likely after I find structure or rhythm. Basically, it’s not something I particularly go for first, but this time around they became the building blocks”.
Heavee has made a conscious decision to challenge himself, adopting a different approach to his past productions. In doing so, he moves away from the familiar sampling techniques which characterised his earlier work: “I am a child of the last days of ghetto house culture as it shifted into juke/footwork. My parents, aunties, and uncles played house and ghetto house music at family functions, BBQs and house parties. That’s my roots and where I came from.
However, on this record, I chose to stray away from vocal samples, to give myself room to grow in different areas.” Heavee finds his voice in emphatic fashion on Cloud Ride feat. DJ Phil. His lyrical content and flow are on point as the track flips seamlessly from hip hop to footwork and back again. DJ Phil features on 3 tracks in total, a reflection of Heavee and Phil’s close friendship and musical connection.
As Heavee explains: “Phil’s studio is a safe space for me. Whether he is in the room or not, I don’t feel weird about trying something that might be silly, taking it to the next level, or coming from a place of pure inspiration. Phil has historical, musical and cultural knowledge relevant to Chicago.
He shares a lot of invaluable knowledge with me” WFM features It’s Wack a classic collaboration with DJ Rashad that still sounds fresh today. Heavee remembers how Rashad would always stay connected, even during his relentless touring schedule: “We’d get calls no matter where he was. We would talk about everything!
He ALWAYS had new info; what new music was popping, scenes that were really accepting or supportive of what we were doing, blends that made the party go off, sites, adventures and just fuel us with support from him and give us living proof of the global support that was to come and the journey that was ahead of us.” Although Heavee makes music with the dancefloor firmly in mind, the sheer quality of his music transcends that space.
So sit back and enjoy the next chapter in the Teklife story. All that remains is for Heavee to sign out with a message for the worldwide Teklife family: “First, Thank you to everyone who supports what I do as an Individual, and Teklife Music as an entirety. You don’t understand how much your support means to us, it literally keeps us moving.
The takeover is far from over! Second, thank you to everyone involved in this project, I couldn’t have made it without you. This process taught me so much about what it takes to become the person you want to be. It starts inside of you, and you have to really work for it, you can’t wait and wonder. I feel beyond blessed to present this gift to the world, walking this journey of self -discovery through music with you!!!”
Tracklisting:
1. WFM - Gant-Man, DJ Paypal, DJ Phil, Sirr Tmo HEAVEE
2. Move Back - DJ Phil, HEAVEE
3. It's Wack - DJ Rashad, HEAVEE
4. Big Body Bass - HEAVEE
5. Cloud Ride - Dj Phil, HEAVEE
6. What U Waiting For - Sirr Tmo, HEAVEE
7. So High - DJ Paypal, HEAVEE
8. Scream at Me - Gant-Man, DJ Paypal, Sirr Tmo HEAVEE
Release Date: 07/09/2018 -
Burial Invocation started in 2008 as an ode to the ancient and obscure death metal demos of the 90's.Visit product page →
Following their own trail of desecration and decay, the band released a MLP, a split 7" with Anatomia and played on the first two incarnations of Kill-Town Death Fest before being laid to rest.
The time passed bereft of any signs of life, but the soil was uneasy, the graveyard was in turmoil and apparently the souls weren't ready to be obliterated in an ignominious grave yet...
Burial Invocation now ascends from its slumber once more.
Tracklisting:
1. Revival
2. Abiogenesis
3. Visions Of The Hereafter
4. Phantasmagoric Transcendence
5. Tenebrous Horizons -
Blue Vinyl. Undergang’s debut full-length Indhentet Af Døden from 2010.Visit product page →
Described as “Obituary twisted by Demilich”, Indhentet Af Døden bludgeons you with brutal riffs performed with with an almost hardcore-like single-mindedness (that would be the Obituary part).
But don’t confuse this with simple-mindedness; Undergang keep you on your toes by adding the odd weird riff and time-signature change (and that would be the Demilich twist).
Recorded in January 2009 in a rehearsal room at Rock Island, Islands Brygge with Morten. All music decomposed and executed by Undergang.
Layout by Undergang, Dave Rotten and D. Nasseriis.
Tracklisting:
Side A:
1. Englemagersken
2. Dødshymne
3. Opslugt Af Mørket
4. Evigt Lidende
Side B:
1. Tvangstanker
2. Forkullede Rester
3. De Dødes Passage
4. Indhentet Af Døden -
Available on 180 grm clear coloured vinyl LP.Visit product page →
This is the second full length album from Tess Parks & Anton Newcombe, the self titled album contains 9 tracks .
“Right On” is the only track that has been released before on the eponymous EP released earlier in 2018.
All tracks were recorded at Cobra Studios, Berlin in 2017, the majority of the songs co written by Tess & Anton.
Tracklisting:
1. Life after youth
2. Monochrome wound
3. Mount pleasant
4. Bindle
5. Please never die
6. French Monday afternoon
7. Die neue welt
8. Talking bout the weather
9. Right on
Release Date: 12/10/2018 -
Sulo Karlsson is well known as the frontman of Swedish glam boogie rockers Diamond Dogs and lead singer in the UK Punk supergroup The Crunch, that features members from The Clash, Sham 69 & Cockney Rejects.Visit product page →
But he’s also probably the most productive and creative singer/songwriter in modern time. He has been writing and releasing 5 albums (yep, 5) per year since 2008 for himself and other artists in almost any genre. Punk, Pop, Soul, Country and Rock n Roll it doesn’t matter, Sulo is literally everywhere!
If last years gifted Rock n Roll album ‘Sulo’s Full English’, contained 19 tracks with guest performances from Chris Spedding, Wilko Johnson, Robert Wyatt etc was impressive, Sulo has managed to top that. This double deal is a songwriter at the top of his game.
‘Night Shift’ is a dark, melancholy almost acoustic ride into the depths of the soul. With naked, strong and sometimes painful lyrics on a bed of blue coloured melodies, Sulo manages to create a new musical landscape. He says “It’s a musical diary of the things that keeps you awake at night, a study of the darkness within”.
‘Brilliant Outsiders’ is Sulo’s most ambitious work so far. Together with producer Kevin Porée he has written and recorded 13 country duets. It all started with the song ‘Constant Reminder’, written and recorded at Berry Street studio in London before recording the vocals with duet partner Maria McKee in LA. Then followed a musical journey around the world, London, Stockholm, Los Angeles, Nashville, Florida and more.
The line-up of duet partners is extraordinary with Janis Ian, Terry Reid, Bellamy Brothers, Linda Gail Lewis (Jerry Lee’s sister), Paul Young and more. Backed up by the UK’s finest Country band Los Pacaminos including Jamie Moses (Queen, Tom Jones Band), Hamish Stuart (Average White band, Paul McCartney etc).
The two albums together are an amazing collection of songs. 27 tracks with such high-quality music and lyrics that you can’t help wonder how it’s possible. A double album for the lonely nights, early mornings and the long drive home.
Tracklisting:
Nightshift:
1. End Of Me
2. All Shapes Of Loneliness
3. Time To Alight
4. Nightshift
5. I Swear To God I Don’t Believe
6. I Keep Running Into Your Arms
7. Hit Me Where It Hurts
8. This Burden Is Forever
9. Hard To Go Easy
10. Still Sleeping With The Lights On
11. Recollection Of You
12. Lord Have Mercy on my Baby Tonight
13. If The Lights Return
14. Roaming Bird
Brilliant Outsiders:
1. Brilliant Outsiders
2. Early Morning Light
3. Curse Of The Ring
4. Bring Down The Angels
5. God-Damned Jesus
6. The Girl With The Rainbow Eyes
7. Redemption’s At Hand
8. When The Work Is Done
9. Constant Reminder
10. Your Precious Heart
11. Love Is For The Broken Hearted
12. Good Enough
13. A Song For Every Train
Release Date: 14/09/2018 -
Rhythms is the debut album by Goatman, a new solo project by one of the mysterious members from the Swedish collective GOAT. Recorded in GOAT’s northern Swedish home town of Korpilombolo in late 2017 - the 6 tracks on Rhythms reveal a true collision of African Rock, Jazz, Reggae, Gospel and Psych, but all put through the famous GOAT filters.Visit product page →
Rhythms is a very apt title for the album as each track is an exploration of the ‘groove’. From the Fela Kuti‘esqe drums and horns jam of Jaam Ak Salam, to the frantic gospel-jazz of Carry the Load. From the fuzzed Can via the ‘Bristol sound’ track of Hum Bebass Nahin, to the cinematic, Spacemen 3‘esqe drones of the album closer Baaneexu.
The end result is quite an astonishing and very unique album, like what you would expect from an album made by a member of GOAT – an album that is hard to put your finger on, but one that you will keep revisiting, the more it’s sounds reveals itself.
Goatman plays all the instruments on the album bar some additional drums by Hanna Östergren from fellow Swedish bands Hills and Träd, Gräs & Stenar, and an added horn section courtesy of Johan Asplund, David Byström.
One of the standout highlights of the album though is the collection of great guest vocalists Goatman has enlisted. Tracks Jaam Ak Salam and Aduna feature the very special voice of Senegalese singer Seydi Mandoza. You will also hear the vocals of Swedish based singers Amanda Werne on Carry the Load and Amerykhan on Hum Bebass Nahin.
Goatman’s passion for traditional and contemporary music from around the world can be clearly heard when listening to Rhythms. The level of authenticity and willingness for exploration that Goatman has captured truly shows a fanatical respect for the music he is greatly influenced by. But at the end of the day, Rhythms is an album that has a sole purpose, and that is for to you to enjoy, dance and have fun too!
Tracklisting:
1. Jaam Ak Salam
2. Hum Bebass Nahin
3. Limelight
4. Carry The Load
5. Aduna
6. Baaneexu
Release Date: 12/10/2018
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