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Visit product page →Release Date: 18/10/2024
'Lost' third album from enigmatic Americana songbirds
"One day, people will wake up to the Hank Dogs, a gem from the heyday of my Hannibal Records label. It's so great that they're back!” Joe Boyd
Hank Dogs – Andy Allan, his partner Piano and Lily, Andy’s daughter from a previous relationship - started out at folk clubs in London in the early 1990s before going worldwide in 1998 when legendary producer and late 60s Folk Rock guru, Joe Boyd declared them the first British act he'd loved in 30 years.
Their debut album ‘Bareback’ saw them touring the US with Joan Baez and winning fans with their quiet, haunting sound featuring ethereal vocal harmonies, strong traces of blues and Celtic music and Allan’s fluid acoustic finger-picking recalling UK folk guitarists such as John Renbourn.
Another part of their appeal, particularly in the States, was their ‘Carter Family’ image but then, when Andy and Piano split-up in real life, so did the band. A follow up album ‘Half Smile’ appeared in 2002 but this turned out to be their swansong.
However, the story was not quite over yet.. a third unreleased album ‘Fiveways’ had been recorded before they went their separate ways and now it’s finally seeing the light of day on South London label Scratchy Records, plus the band are re-uniting for some long overdue gigs to celebrate the release.
‘Fiveways’ contains much of the Hank Dogs’ trademark English folk/US country-straddling sound. Piano’s voice bounces between early Suzanne Vega, Tracey Thorn and Mary Margaret O’Hara with occasional hints of Dolores Cranberry and Bridget St. John, while underneath the acoustic guitars run freeform tangled and Lily’s backing vocals add sky.
Stand out track ‘Logic’ with it’s pensive lyrics and haunting guitar line recalls the way Suzanne Vega (her again) could sometimes make songs stand still in their tracks but it’s the dreamy ‘Nut’ that really captures the mood “You had me when I was sweet as a nut.. Not sweet enough” sings Piano. This is the sound of two ex-lovers still able to work together but unable to hide the odd dig here and there.. like a follow up album a couple of years later on from ‘Blood On The Tracks’.
Andy sings a few songs too including the raggedy, shwashbuckling ‘Gazetteer’ revolving around a ‘Pre-CBS Maple neck Sunburst bought off The Pretty Things’ and hinting at a whole lifetime of music biz escapades from watching his dad Elkan Allan produce 60s TV show ‘Ready Steady Go’ to a stint on bass in The Professionals along with Steve Jones and Paul Cook.
Next year the story carries on with his long-running South East London ‘Easycome’ club night featuring in US TV queen Lena Dunham’s new Netflix series ‘Too Much’. Towards the end of the album an angelic setting of Dylan Thomas’s ‘Do Not Go Gentle Into That Good Night’ in the song ‘Nod’ recalls Christmas TOTP number ones from days gone by and captures Hank Dogs ability to transport the listener. This album is definitely one for the dreamers.
FFO Pentangle, The Innocence Mission and William Blake.
Tracklisting:
1. Arrows
2. Logic
3. Fiveways
4. Luki Icin
5. Nut
6. Dipper
7. Margaret Finch
8. Good Bits
9. Gazetteer
10. Well
11. Nod
12. Daddy
13. Buttered
14. Rosebush -
Constellation
GODSPEED YOU! BLACK EMPEROR 'NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD' PRE-ORDER
£12.99
vConstellation
GODSPEED YOU! BLACK EMPEROR 'NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD' PRE-ORDER
£33.99
Visit product page →Release Date: 04/10/2024
THE PLAIN TRUTH==
we drifted through it, arguing.
every day a new war crime, every day a flower bloom.
we sat down together and wrote it in one room,
and then sat down in a different room, recording.
NO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?
and then a tally and a date to mark a point on the line, the negative process, the growing pile.
the sun setting above beds of ash
while we sat together, arguing.
the old world order barely pretended to care.
this new century will be crueler still.
war is coming.
don’t give up.
pick a side.
hang on.
love.
Tracklisting: (NB: ALL CAPS is intentional punctuation for all. Duration: 54:09.)
1. SUN IS A HOLE SUN IS VAPORS
2. BABYS IN A THUNDERCLOUD
3. RAINDROPS CAST IN LEAD
4. BROKEN SPIRES AT DEAD KAPITAL
5. PALE SPECTATOR TAKES PHOTOGRAPHS
6. GREY RUBBLE – GREEN SHOOTS -
Visit product page →In 2011 Gazelle Twin self-released ‘The Entire City’, a debut album that gathered rapid acclaim and sparked a decade of creativity during which its creator, Elizabeth Bernholz has built big upon her foundation of dark, cinematic energy.
The album is now set to be reissued on deluxe CD, together with ‘The Wastelands’, a mini “twin” album of material made around the same period, though never released commercially.
Where 'The Entire City’ remains intact with its original master and tracklisting, ‘The Wastelands’ expands on this shadowy, futurescape, featuring foreboding, percussive songwriting, with euphoric choral swells.
The release features the captivating photo collage artwork of British artist, Suzanne Moxhay.Tracklisting:
CD1
The Entire City
1. The Entire City
2. Concrete Mother
3. Men Like Gods
4. I Am Shell I Am Bone
5. Far From Home
6. Changelings
7. Bell Tower
8. When I Was Otherwise
9. Obelisk
10. Nest
11. Fight-or-Flight
12. View Of A Mountain
Bonus track
13. AbandonCD2
The Wastelands
1. Wastelands
2. Adrenalin
3. Hole In My Heart
4. Ascent
5. The Future
6. I Hear You Call -
Visit product page →Release Date: 06/12/2024
En Esch's corrosive new album decimates both standards and dance floors alike. Anyone familiar with industrial luminary En Esch and his essential work in groups like KMFDM and PIG knows he is no stranger to political statements through his art. Now, on his first LP in eight years, Dance Hall Putsch, Esch decimates your standards and dance floors with vitriol.
With carefully-sown and complimenting features from fellow KMFDM alumnus Raymond Watts, Guenter Schulz and Mark Durante, plus Vas Kallas (Hanzel und Gretyl), Mea Fisher and Erica Dilanjian (Lords of Acid), Hope Nicholls (Pigface) and more, Dance Hall Putsch delivers everything an industrial fan could want.
From opener "Get Lost," with its categorically punishing industrial-metal riffs to the slicing EBM electronics of "Yum Yum Beauty & The Nasty Thief," it's all here and in no less than four languages throughout.
En Esch's signature rasp is often contrasted by the sparkling vocals of his female counterparts, and the album is lush with brutal honesty, humor, and even a bonus En Esch-lullaby. "I began work on Dance Hall Putsch in the early days of Covid-19. I was trying to create an upbeat, rather positive and very danceable album to leave the pandemic days behind us. Then it happened that a war began near where I live with tens of thousands of civilians killed and wounded so far.
Everyone was caught by surprise and it influenced me, especially lyrically. "This current conflict is just 500 miles away from Berlin, and while that does not make it more horrific than other wars, it is very close to home. From living with this 'war next door,' the album turned out much more sinister than originally planned.
It became a rather political album that reflects on the senselessness and nastiness of all the current wars around us. It's always the innocent and those who hold no power that suffer the most.
Their fate isn't always death, but many times indescribable and long-term suffering. We must not forget them or turn a blind eye. "I’m very pleased that I had the opportunity to collaborate with different and interesting colleagues here.
Thanx everybody for your interest in my musical works and for your love and support." -En Esch
Tracklisting:
1. Get Lost feat. Vas Kallas (Hanzel und Gretyl)
2. I’m So Sick feat. Mea Fisher aka DJ Mea (Lords of Chaos)
3. If You Don’t Know Me, You Cannot Judge Me
4. Eden feat. Gabriel Lennox
5. Push feat. Raymond Watts (PIG), Erica Dilanjian (Lords of Acid) & Gabriel Lennox
6. Wahrhaftige Täuschung
7. Wumms feat. Raymond Watts (PIG)
8. Do It feat. Hope Nicholls (Pigface)
9. Yum Yum Beauty & The Nasty Thief feat. Guenter Schulz
10. Epic feat. Mea Fisher aka DJ Mea (Lords of Acid)
11. The Sweetest Aggravation feat. Gabriel Lennox & Erica Dilanjian (Lords of Acid)
12. The Sweetest Aggravation feat. Gabriel Lennox & Erica Dilanjian (Lords of Acid)
13. World of Deceit -
Visit product page →Release Date: 08/11/2024
Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham.
Lions in the Street began their career by signing and then walking away from the troubled TVT Records (NIN, Pitbull, Little Jon) and Nickelback’s 604 Records (Carly Rae Jepson), getting blacklisted.
After years in the wilderness—working as a garbageman, surviving cancer and serious workplace injuries—they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Yet, despite experiencing the best and worst of the of old music business—from hanging out with Todd Rundgren, Bob Ezrin, and R.E.M.’s Peter Buck, to seeing an A&R guy almost fired just for going to see them play—the band somehow kept going, releasing music piecemeal.
For example, Lions in the Street released an EP in 2013 on British legend Sandy Roberton's label. Roberton ran Blue Horizon, the English label that launched the 60s British Blues rock movement with John Mayall, Fleetwood Mac, and Rory Gallagher.
Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music—finally finished and remixed/remastered.
Lions in the Street began their career by signing and then walking away from the troubled TVT Records (NIN, Pitbull, Little Jon), Nickelback’s 604 Records (Carly Rae Jepson), and legendary manager Allen Kovac (Motley Crue, The Cars, Blondie, The Bee Gees), earning them a spot on the music industry’s blacklist.
Years in the wilderness resulted—working as a garbageman for almost a decade, surviving cancer, serious workplace injuries, and almost deadly car accidents, and going back to school. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre.
Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is…that is when you do it right." – Jambase - LITS’ upcoming album Moving Along captures their trademark swing and swagger.
The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase.com). “Moving Along” is also the lead track in the upcoming Paramount film “Cassino In Ischia”, starring Prison Break’s Dominic Purcell.
Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).Tracklisting:
1. Moving Along
2. Mine Ain't Yours
3. Walking Back to You
4. Gold Pour Down
5. Lady Blue
6. Waiting on a Woman
7. Already Gone
8. Shangri-La
9. Hey Hey Arlene
10. *All For Your Love
11. *Truer Now
12. You're Gonna Lose(*CD only)
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Visit product page →Release Date: 27/09/2024
Hailed as the “colourful chaos” of rock, The Hot Damn! are a British four piece rock band breathing tie-dye colour back into the music scene one song, video, and show at a time.
With punchy riffs and fierce harmonies, The Hot Damn! will have you dancing before you know it.
Championed by the likes of Kerrang!, Planet Rock and BBC Radio 2, BBC Radio 6 and Radio BOB these four feisty ladies are no strangers to the music scene.
Formed out of the ashes of The Amorettes and Tequila Mockingbyrd, The Hot Damn! boasts the talents of Gill Montgomery (The Amorettes), Josie O'Toole (Tequila Mockingbyrd), Laurie Buchanan (Aaron Buchanan and the Cult Classics) and Lzi Hayes (New Device/Sophie Lloyd band).
Tracklisting:
1. Fizz Buzz Crash
2. Dance Around
3. Jukebox On The Radio
4. I Didn’t Like You Anyway
5. Damn!Damn!Damn!Damn!
6. Going Down
7. Automatic
8. Live Laugh Love
9. About Last Night
10. Loud And Clear
11. Can You Hear Me Now
12. Sticky Clubs
CD Only
13. Loud and Clear (Acoustic) * Bonus Track
14. Can You Hear Me Now (Acoustic) * Bonus Track -
Visit product page →The inimitable GYBE returns with another soundtrack for our times. As the heretical anarcho-punk spirit of the title implies, Godspeed harnesses some particularly raw power, spittle and grit across two riveting 20-minute side-length trajectories of noise-drenched widescreen post-rock: inexorable chug blossoms into blown-out twang, as some of the band’s most soaring, searing melodies ricochet and converge amidst violin and bassline counterpoint.
Field recordings and roiling semi-improvised passages frame these fervent epics, and two shorter self-contained 6-minute pieces find the band at its most devastatingly beautiful, haunting and elegiac. Poignant atmospherics, noise-drenched orchestration, drone, hypnotic swingtime crescendos, inexorably-layered towers of distorted clarion sound: STATE’S END encapsulates every beloved facet of the band.
Twenty-five years on, this new album is as vital, stirring, timely and implacable as any in Godspeed You! Black Emperor’s storied discography. Recorded and mixed by Jace Lasek, the veteran award-winning indie producer (and co-founder of The Besnard Lakes) who works with Godspeed for the first time on this recording.
Just as STATE’S END summons the gamut of Godspeed’s constituent sonic trademarks, so the album artwork spans the entirety of the band’s visual history: the grainy monochromatic photography of recent releases finds its way onto the inner sleeves, while the gatefold cover art harkens back to the iconic graphics of earlier classic records like Slow Riot For New Zero Kanada and Lift Your Skinny Fists Like Antennas To Heaven.
STATE’S END features illustrations by William Schmiechen, with the front cover taijitu flowers and back cover tear gas canisters rendered in raised thermographic black ink on the double-vinyl album jacket.
The illuminated cross from Godspeed’s debut F#A#∞ also makes a reappearance on the inside gatefold drawing, in recurrent homage to the electrified hilltop landmark crucifix of the band’s Montréal hometown.Tracklisting:
12a [20:22] A Military Alphabet (five eyes all blind) (4521.0kHz 6730.0kHz 4109.09kHz)
Job’s Lament
First of the Last Glaciers
where we break how we shine (ROCKETS FOR MARY)12b [19:48] “GOVERNMENT CAME” (9980.0kHz 3617.1kHz 4521.0 kHz) /
Cliffs Gaze
cliffs’ gaze at empty waters’ rise
ASHES TO SEA or NEARER TO THEE
10a [5:58]
Fire at Static Valley10b [6:30]
OUR SIDE HAS TO WIN (for D.H.) -
Visit product page →Originally recorded over three sessions with producer Jack Endino at Seattle’s Reciprocal Recording Studios in December 1988 and January 1989, Bleach was released in June of ‘89 and remains unequivocally/unsurprisingly Sub Pop’s very favorite Nirvana full-length.
The album initially sold 40,000 copies, but was brought into the international spotlight following the release and worldwide success of their 1991 sophomore effort, Nevermind.
Subsequently Bleach went on to sell 1.7 million copies in the US alone, according to Nielsen SoundScan.
This 20th Anniversary Edition has been re-mastered from the original tapes at Sterling Sound in a session overseen by producer Jack Endino.Tracklisting
Side A
1. Blew
2. Floyd The Barber
3. About A Girl
4. School
5. Love Buzz
6. Paper Cuts
7. Negative Creep
Side B
8. Scoff
9. Swap Meet
10. Mr. Moustache
11. Sifting
12. Big Cheese
13. Downer -
Visit product page →Tuk Smith is the kind of rock’n’roll ambassador you didn’t think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he’s seen the best and worst of a music industry in constant flux. By turns it’s left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything.
Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. “I want to do something that means something to people,” Tuk says, “because a lot of shit nowadays is so disposable and so plastic. I just don't connect with that. I'd like to do things that impact people positively. It's a weird time on the planet, so to have songs about hope, but not be cheesy about it, it’s something I think we need with songwriting. That's the kind of music I want to hear.”
The result is Rogue To Redemption, Tuk’s second album with solo project The Restless Hearts. The sonic lovechild of Thin Lizzy, 90s power pop and melody-driven punk, it shows an artistic peak born from adversity. The sound of a man bottling a lifetime of experiences, stories and characters from working class America.
A hero’s journey, picking up from 2022’s Ballad Of A Misspent Youth. And it’s all on him. “I was dropped from a label, nobody would sign me” recalls Tuk, who wrote the album in solitude, mostly at a piano. “No booking agent would touch me. I had to figure out how to make my own records. I've always worked with other mentors, writers and producers, so for me to make this myself was a big leap of faith, because… you know, you might screw it up.”
Produced by Tuk and mixed by Chris Dugan (Green Day, Iggy Pop, U2), Rogue To Redemption was written over the last three years but recorded down to the wire – right up to the summer of 2024. Joined by long-term Restless Hearts compadres, drummer Nigel Dupree and bassist Matthew ‘Ponyboy’ Curtis, he cut the bulk of it at home. Six drum tracks were recorded locally, and the other four with Biters collaborator/mentor Dan Dixon in Atlanta – Tuk’s previous hometown.
“Nashville’s very different from the scene I grew up in,” he observes. “Atlanta’s very East Coast working class, Nashville’s more like L.A. But it pulled me back into focus, because if you're going to be an artist in Nashville there's so many great singers, writers and guitar players that I have to rely on my personal strengths. So that was the mentality, making this record.”
It also brought him back to the music he loved the most, which comes out in the modern and classic flavours of Rogue To Redemption. The melodic powerpop and punk likes of Jellyfish, Material Issue, Generation X and Buzzcocks filtered into his writing, complimenting the 70s richness that’s long permeated his work. You’ll hear it in Take The Long Way, the album’s rollicking yet deeply personal opener. An ode to persistence in the face of self-sabotage, Tuk wrote it in a fiery 15-minute burst.
“Rock’n’roll has this underlying theme of self destruction,” he says. “And this one is kind of like that, but there's hope there. It's been a common theme, being a musician. The fuck’s been beaten out of me.” Lyrically, inspired by storytellers like Tom Petty, Phil Lynott and Bruce Springsteen, Rogue To Redemption comprises a Born To Run-esque series of vignettes – observation sprinkled with Tuk’s own experience. A song like Glorybound might be interpreted as a reflection on his life, but it could also allude to numerous lost, disenchanted or overlooked souls in society.
“Those are the kind of characters I like,” he says, “the underdogs of the world. I've always been attracted to those. When I was a teenager in my hometown, the way I felt then, I would want to hear a song like that. Sometimes I write songs that I want to hear, and that was one of them.”
Raised in Griffin, GA, Tuk always felt like an outsider. The androgyny of his early heroes like New York Dolls clashed with the macho, blue-collar backdrop of ‘Tuck’s Powerdome’ – his father’s weights gym, its walls adorned with slogans like ‘Shut Up And Train’.
Emblems, perhaps, of a tenacity that’s stayed with Tuk (Joshua until he was 17, when a local tattooist gave him the name he still goes by) ever since. You’ll hear it all in a song like Little Renegade, which mixes the bite of Bon Scott-era AC/DC with gorgeous pop nuances and Mott The Hoople twists. “Isn't that rock’n’roll, the dichotomy of it all?” he suggests. “The dudes I liked in bands would wear girl clothes, but they were wild motherfuckers.”
Right now Tuk’s wild days are behind him, replaced with “workaholic” hours in front of ProTools, producing other bands and running his label. But that old tearaway streak – the fire that makes him such a commanding prospect – lives on in anthems like End Of An Era. A bittersweet “drunken sing-along” with shades of Oasis and glam rock glitter, it could be read as a meditation on the changing rock landscape, the wider world, or even a relationship. Again, there’s that dichotomy he speaks of.
“Rock’n’roll is essentially the illusion of not giving a fuck, right? Like, you know Axl Rose was doing sit-ups and jump rope, and Paul Stanley was on a cardio machine, and they come out and act like it just happens. The point is I sit at that piano many hours, working on this stuff.”
Now with gigs coming up in Europe, the UK and Japan, Tuk has the sort of mental clarity afforded by the perspective of time. Less frustration, more gratitude. “I’m hyper-focused on trying to be a good person. It [Rogue To Redemption] came from a totally different spot, as opposed to like ‘I gotta get a hit!’... It had some piss and vinegar, but it was different. It's kind of a weight off my soul. I'm just grateful that I'm still doing this.” So if any of this resonates with you – if you crave rock’n’roll with substance, an edge, 21st century eyes and an old soul’s heart – you’ve come to the right place.
Tracklisting:
1. Take The Long Way
2. Glorybound
3. End Of An Era
4. Still A Dreamer
5. Little Renegade
6. Lost Boy
7. Blood On The Stage
8. Rogue To Redemption
9. When the Party’s Over -
Visit product page →Release Date: 27/09/2024
Guitarist Steve Howe releases his new solo album Guitarscape on 27th September on his own HoweSound label. The album will be available on CD, vinyl and digital downloads, including Dolby Atmos.
Guitarscape marks a new chapter for the YES and ASIA legend as he presents, what amounts to, a guitar masterclass. “What I’m doing,” said Steve, “is focusing on what I do well and what I love to do.” Guitarscape features 14 new instrumental tracks in a host of musical styles, from rock through to acoustic and classical, each bearing that unmistakable Steve Howe sound. Steve plays acoustic, electric, steel and bass guitars along with keyboards and is joined by his son Dylan on drums. Steve has written all of the tracks and produced the album.
“This album has given me the opportunity to do something different,” says Steve. “I bought a Novatron Summit keyboard and found that it had a wealth of inspiring sounds. It gave me a golden opportunity to create my own keyboard structures – chordal movements and structures that I thought were a bit different. I think differently on a keyboard, I don’t see the chords looking the same but then I had fun playing around with the guitar to see where that goes.
“I’ve utilised most of the colours, as I like to I think of my styles, and I’m always pleased when I hear them running through and it moves from a steel, maybe, to a Spanish guitar. Because it’s a different sort of album, I’m not using terribly conventional chord sequences but things that give me a fresh feeling and opportunities to improvise and stretch out as well as be melodic and make this a nice tuneful experience.“I began feeding the tracks to Dylan. We get on great and he seems to know what to play around my guitar, it’s almost instinctive. Dylan and I fit together really beautifully. We’ve had the chance to do this together, so it’s wonderful.
“The bass parts and the keyboards are pretty interesting, everything had to be interesting but also work together. I like doing things that are super fresh and this album says what I am today.” Steve HoweTracklisting:
Hail Storm
Spring Board
Distillations
Up Stream
Secret Mission
Passing Thoughts
Touch The Surface
Spring Rhyme
Equinox
Seesaw
Gone West
Suma
Spring Tide -
Visit product page →Included are two different rare demos of her classic ‘Who Knows Where the Time Goes’ from 1967 (before she recorded it with Strawbs) and another from 1968.
‘She had this amazing talent, this incredible voice - she played Who Knows Where the Time Goes, and I nearly fell off my chair.' - Linda Thompson
Plus, a host of songs penned by Sandy including ‘Boxful Of Treasures’ which was later rewritten as the song ‘Fotheringay’ (from Fairport Convention’s What We Did On Our Holidays album). ‘Fotheringay’ also appears here in demo form.
“She needs to be re-evaluated. She wrote a kind of song that's very rarely written now - emotional, musically interesting, sung really well - serious songwriting. She was head and shoulders above the rest. And she remains so." - Ashley Hutchings (Fairport Convention founder)
Also featuring heartfelt covers of songs by Jackson C Frank, Fred Neil, Anne Briggs, Dylan, and many traditional folk songs.
The definitive collection of Denny’s early home demos authorized by her estate, with Sandy's daughter Georgia Lucas’ own charming drawings of her mother making their first appearance on an official Denny release, plus previously unpublished images of Sandy’s 1960s passport and driver’s license. And extensive sleeve-notes by re-issue producer Pat Thomas.Tracklisting:
CD - Disc 1
1. Blues Run The Game
2. Milk & Honey
3. Soho
4. It Ain't Me Babe
5. East Virginia
6. Geordie
7. In Memory (The Tender Years)
8. i Love My True Love
9. Let No Man Steal Your Thyme
10. Ethusel
11. Setting Of The Sun
12. Boxful Of Treasures
13. Who Knows Where The Time Goes (1967)CD - Disc 2
1. Carnival
2. They Don't Seem To Know You
3. Gerrard Street
4. Motherless Children
5. She Moves Through The Fair
6. The Time Has Come
7. A Little Bit Of Rain
8. Go Your Own Way My Love
9. Seven Virgins
10. Blue Tattoo
11. Cradle Song
12. Quiet Land Of Erin
13. Fotheringay
14. Who Knows Where The Time Goes (1968) -
Visit product page →Release Date: 20/09/2024
Thurston Moore’s forthcoming album, FLOW CRITICAL LUCIDITY is his ninth solo recording. Some of the songs were written & arranged in Europe and The United Kingdom and include lyrical references to their environments and inspired by nature, lucid dreaming, modern dance and Isadora Duncan .The album was arranged at La Becque in Switzerland and recorded at Total Refreshment Studios in London in 2022, and mixed at Hermitage Studios in Lon[1]don with Margo Broom in 2023.
Flow Critical Lucidity comes from a lyric in the single ‘Sans Limites’ and the album sleeve cover art features Jamie Nares’ ‘Samurai Walkman’ — a helmet befitted with tuning forks. Jamie Nares (born in Great Britain) is a life long friend of Thurston Moore from his New York No Wave days and the two have often collaborated in art & music.
SINGLES released surrounding the release of the album: In 2023 Thurston released two singles: the energetic Isadora Duncan inspired ‘Isadora’ with a music video starring Sky Ferreira. ‘Hypnogram’ which the press called “one of the most intensely cerebral cuts Moore has ever released, he blends the more melodic moments of his former band with the layered, heady flourishes of his bassist Deb Googe’s main band, My Bloody Valentine. Emphatically conveying the feeling of dreams, the new material has fans excited for what the American has in store with his next album.”
In April of 2024 Thurston shared the stirring Earth Day anthem ‘Rewilding’. The musician delivered chilling lines as he ruminated on the removal of the human hand from nature, “…Don’t stir anything…”. Moore sang about renewal, and a period for friends of the Earth to sleep and realise a natural way by “coralmorphologically dreaming”. The musician said the U.K.’s rewilding movement aspires to reduce human influence on ecosystems.
The Players: Vocals, Guitar: Thurston Moore Bass: Deb Googe Electronics: Jon Leidecker Piano, organ, guitar, glockenspiel: James Sedwards Percussion: Jem Doulton Backing vocals: Laetitia Sadier on ‘Sans Limites’ Lyrics: Radieux Radio, except ‘Shadow’ Recorded in London at Total Refreshment Centre and mixed by Margo Broom.Tracklisting:
1. New in Town
2. Sans Limites
3. Shadow
4. Hypnogram
5. We Get High
6. Rewilding
7. The DiverBonus track included on a clear flexi disc
– “Isadora (Bedazzled Mix)” -
Visit product page →“One of the best bands to come out of NYC since who gives a shit.” -CVLT Nation.
When you enter White Hills’ lair in Brooklyn, the duo’s insatiable desire for music and art is immediately palpable. Crates of vinyl from floor to ceiling line the long hallway. Guitars appear at every angle, one lying across a sofa in obvious mid-play with others in cases tucked beside amplifiers into every conceivable corner.
Synthesizers and cables cover the purple satin bed while gouache paintings in various stages of progress strewn the floor. Album covers, movie posters, books, paintings, prints and souvenirs of subversive culture occupy the remaining wall space. A sanctuary of adoration, creation and imagination, it’s also the nerve center of their record label Heads on Fire Industries and the site where the final mixes of their latest album Beyond This Fiction took shape.
For nearly two decades, White Hills have been blowing minds with their sonic alchemy: a unique mix of neo-psychedelia, art rock, and post-punk- at once original and recognizable. Their cult reputation emblazoned in celluloid following their performance in Jim Jarmusch’s sultry vampire romance Only Lovers Left Alive, the duo has toured vigorously since their inception.
With a vast catalogue that astounds and a relentless punk ethos, time seems to energize the duo, making them increasingly daring and prolific. “Music creates a bliss beyond sex and drugs,” professes one-woman rhythm section Ego Sensation.“We’ll never stop making music. It’s the highest high to be had in life.” Founding member Dave W, whose signature other-worldly guitar sorcery defines the White Hills sound, grabs his Les Paul to record a melody lingering in his head from last night’s dream before it escapes.
Outside, the sound of passing sirens, honking horns and bits of conversation remind you that you’re in the middle of New York, a city so flush with rock legacy and artistic innovation it would take lifetimes to drink it all in. A voice from outside shouts, “This shit is going for 3! These people got to be out of their fucking minds!” Dave shakes his head and laughs, “There’s no place I’d rather be.”
Committed to a vocation marked by extremes, doubt, struggle and moments of ecstasy, Dave and Ego continue this torrid affair with music bearing their latest fruit Beyond This Fiction. Inspired by the ideas of Joseph Campbell, the writer/philosopher known for the book The Power of Myth, the album explores the idea of “riding between opposites”- forging one’s own path unrestrained by the dualistic constraints of society. It’s a cry to all the seers among us- call us outsiders or rebels- who feel smothered by convention and see nonconformity as the gateway into divine mystery.
Recorded with Martin Bisi, known for his iconic NYC sound developed through his work with no-wave titans Sonic Youth, Swans and Lydia Lunch, Beyond This Fiction sees Dave W (guitar/vocals/synths) and Ego Sensation (drums/bass/vocals) orchestrating their distinct guitar heavy meditations into songs with a stronger focus on vocals than previous albums.
Opener “Throw It Up In The Air” and closer “Beyond This Fiction” both have a lush quality that flirts with shoegaze. “Killing Crimson”, a song that takes inspiration from Killing Joke and King Crimson, has a driving beat and a catchy hook that begs for a sing-a-long. “The Awakening” plunges into the meditative ambient abyss the band is well known for, featuring the unique voice of frequent collaborator poet Dan McGuire to deliver the meaning behind Beyond This Fiction.
The album harnesses the seductive accessibility of 2015’s Walks For Motorists while evoking the tempestuous soul of the band’s seminal 2011 H-p1. Notorious shapeshifters, White Hills make Beyond This Fiction a familiar surprise.
Back in the lair, Dave draws eyes on his hands in preparation for the day’s video shoot. Ego reaches in the closet pulling out the red velvet jacket she wears on the cover of Beyond This Fiction where she stands in a NYC alley holding a glowing orb. “That’s the portal- the gateway into the mystery. The music will take you there.”.
Tracklisting:
1. Throw It Up In The Air
2. Clear As Day
3. Killing Crimson
4. Fiend
5. Closer
6. The Awakening
7. Beyond This Fiction -
Visit product page →Credit Electric’s six is a collection of recordings written and produced by Ryan LoPilato—featuring contributions from Judith Horn, Evan Hiller, Paul Montes, Alex Miner, Cameron Iturri-Carpenter, Lanéya Billingsley (Billie 0cean), Brian Ellis, and Eva Goodman (Nighttime).
The album was mixed by Ryan LoPilato, mastered by David Glasebrook (Oliver Ray & Patti Smith, Sam Burton, Sandy’s), and features artwork by Lanéya Billingsley & Ryan LoPilato. Highly anticipated new album from Credit Electric.
“…weaves a tapestry of lush sounds and melancholic moods, all processed through a cosmic desert country style.” Various Small Flames
“…holographic sophisti-pop…” New Commute
“…mulls loss and loneliness, rolling them around in the brain…” Raven Sings the Blues
“...like slowcore composed in solitude at the seashore.” White Crate
Tracklisting:
1. house of cancer
2. backseat driver
3. $@Lt
4. ghost pine eyes
5. phony
6. Billie
7. Shadows of Doves
8. moon dripping down
9. lightning and gasoline
10. the truth can hurt you when you look at it with selfishness -
Visit product page →Leisure Rodeo is the new album from Scott Ballew, following up 2021’s surprise debut Talking to Mountains. Born in Austin in the early 80’s Ballew eventually drifted out west to California, where he made a name for himself as a film director.
At the age of 30 he ended up back in Austin, got sober, picked up the guitar and started writing songs. Most of those songs ended up on Ballew’s debut, but he kept writing and refining his craft, eventually ending up with ten tracks for a follow up album.
Picking up where he left off, Leisure Rodeo features world-weary vignettes in the vein of Townes Van Zandt and Jerry Jeff Walker set to rustic country-folk arrangements.
Frequent collaborators Jesse Woods, Shane Renfro (RF Shannon), Jesse Siebenberg, and Todd Hannigan are back, joined by special guest appearances from Ryan Bingham on “Border Kid” and Erika Wennerstrom (The Heartless Bastards) on “Convenience Store World”.
Tracklisting:
1. Tiny Gods
2. Paris, TX
3. Border Kid
4. High Times
5. K Hole Deluxe
6. Convenience Store World
7. Postcard from Paradise
8. Sweetest Friend
9. Blue Eyes
10. Leisure Rodeo -
Visit product page →Building on the dusty country and garage inflected indie-rock of their past releases, Half Stack’s “Sitting Pretty” thrums with an expansive energy, adding optimistic songwriting and power-pop melodies to the mix.
The band tracked the album with Mac Demarco collaborator Joe Santarpia, pairing locomotive rhythms and jauntily affable lyrics with their trademark whiskey-soaked spin on DIY rock, recalling artists like Tiger Trap, The Silver Jews, and “American Beauty” era Grateful Dead.
Whereas singer/guitarist Peter Kegler took the lead as songwriter on previous Half Stack records, this time around he passed the mic to singer/guitarist Marley Lix-Jones for a number of tracks; The impact of her songwriting shines through across the varied tracklist, and is especially gripping on the swaggering “New Light” and psychedelic rocker “TOTM3”.
Meanwhile, album opener “I Might Try” starts off strong with its vocal harmonies and soaring lead guitar; “Burnt” pairs honky-tonk rhythms with power-pop melodies; and “Diamond Dancer'' riffs on psych-rock with dueling harmonized guitars.
The scope and variety of sound represented on “Sitting Pretty” cements its place as Half Stack’s most wonderfully unpredictable and ambitious outing to date.Tracklisting:
1. I Might Try
2. Burnt
3. Cruisin USA
4. (I Swear) I’ll Get It Right
5. New Light
6. Diamond Dancer
7. Flat Out
8. No Reason
9. TOTM3
10. Strangin
11. Listen to Your Dog
12. Lil Mixer -
Visit product page →“Sigh Baby” is the debut album by singer, songwriter, and multi-instrumentalist Jeff Moller.
The album finds him exploring his background in indie-rock, garage, psych, and country through ten slacker anthems that sound like a fog-pop Tom Petty.
Building on his experience as a journeyman musician, the album features contributions from a handful of friends as well as current and former bandmates, including members of Sugar Candy Mountain, Papercuts, Young Moon, Michael James Tapscott, Indianna Hale, and more.
Tracklisting:
1. Sad To See the Sun Go Down
2. Still Intact
3. Broken Hearts (Won’t Stop Beating)
4. Raphi and Me
5. Sigh Baby
6. Mindlessly Strumming Away
7. Sand, Salt Crystals
8. Counting Waves
9. Garden
10. Another Name -
Visit product page →Collective from the south of France, the Chinese Man trio (composed of High Ku,Matteo & Sly) has been performing independently since their debut under their own label Chinese Man Records.
Formed in 2004, they draw their influences primarily from hip-hop, trip-hop, but also from dub, electro and reggae. With over 600 shows worldwide, the band returns in 2024 for their 3rd album, with an unprecedent and explosive live show!
This new (and third) album was recorded in the label's studios in Marseille, as well as in Paris, at Studio Zarma and at the famous Studio Ferber in Paris, in particular with the orchestra "L'Ensemble Hors Champ". The direction of the orchestra was entrusted to Gilles Alonzo, a musician close to the group, who co-composed and arranged the orchestral parts for 6 of the 13 tracks on this album. Among the album's featured guests are General Elektriks, KT Gorique, Stylo G,Isadora, Youthstar & Miscellaneous, FP & Green T (ASM), Stogie T...
The group has also invited Ferdinand Lemoine (Ferdi) for brass arrangements. Ferdi has previously collaborated with funk producer Dabeull and pianist Sofiane Pamart. Just as they did ten years ago for their first album, the group has decided to enlist Sodi (Studio Zarma) to co-produce and mix this new album, and on Antoine Chabert (Studio Chab) to master the project.
The group returns with the desire to once again confront the show in larger audiences, with several Zeniths scheduled between 2024 and 2025. 2024 will also mark the 20th anniversary of the group and of the label Chinese Man Records.
Tracklisting:
1. Salune
2. We've Been Here Before feat. Stogie T, Isadora & Miscellaneous
3. ¡Que Si!
4. Trouble feat. Stylo G
5. Cycle feat. General Elektriks
6. Too Late feat. Stogie T, KT Gorique & FP (ASM)
7. No One Left feat. Theo Perek
8. The Code feat. ASM, Stogie T, KT Gorique, Youthstar & Miscellaneous
9. Déjà vu
10. Where I Go feat. General Elektriks
11. Fidelio
12. Sacre Bleu feat. Miscellaneous, Stogie T, ASM, Youthstar
13. Lune
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