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Rune Grammofon
Supersilent '12' CD
£12.99
Rune Grammofon
Supersilent '12' CD
£12.99
Recorded during three different sessions back in 2011, "Supersilent 12" is produced by Deathprod from hours of recordings at his own Audio Virus LAB, Athletic Sound in Halden and the Emanuel Vigeland museum, known for its 20 second natural reverb.
Since the very beginning Supersilent have always moved forward with the greatest integrity. Supersilent music is collective work, total group improvising, and not a matter of individual grandstanding. They never rehearse as a group and don't discuss the music with each other, meeting only to play concerts or to record.
Every recording and every concert is a unique occasion, not to be repeated, and their music lives in a no-man's-land between the genres, somewhere between avant garde free jazz, rock, electronica and modern composition. It can sometimes appear to be written or at least arranged, again making it clear that these musicians communicate on a high, almost telepatic level.
"Supersilent 12" brings furher evidence to the above as they move further towards the avant garde territory populated by Deathprod and current Arve Henriksen releases "Chron" and "Cosmic Creation".
Since the very beginning Supersilent have always moved forward with the greatest integrity. Supersilent music is collective work, total group improvising, and not a matter of individual grandstanding. They never rehearse as a group and don't discuss the music with each other, meeting only to play concerts or to record.
Every recording and every concert is a unique occasion, not to be repeated, and their music lives in a no-man's-land between the genres, somewhere between avant garde free jazz, rock, electronica and modern composition. It can sometimes appear to be written or at least arranged, again making it clear that these musicians communicate on a high, almost telepatic level.
"Supersilent 12" brings furher evidence to the above as they move further towards the avant garde territory populated by Deathprod and current Arve Henriksen releases "Chron" and "Cosmic Creation".
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Visit product page →Originally recorded over three sessions with producer Jack Endino at Seattle’s Reciprocal Recording Studios in December 1988 and January 1989, Bleach was released in June of ‘89 and remains unequivocally/unsurprisingly Sub Pop’s very favorite Nirvana full-length.
The album initially sold 40,000 copies, but was brought into the international spotlight following the release and worldwide success of their 1991 sophomore effort, Nevermind.
Subsequently Bleach went on to sell 1.7 million copies in the US alone, according to Nielsen SoundScan.
This 20th Anniversary Edition has been re-mastered from the original tapes at Sterling Sound in a session overseen by producer Jack Endino.Tracklisting
Side A
1. Blew
2. Floyd The Barber
3. About A Girl
4. School
5. Love Buzz
6. Paper Cuts
7. Negative Creep
Side B
8. Scoff
9. Swap Meet
10. Mr. Moustache
11. Sifting
12. Big Cheese
13. Downer -
Visit product page →Release Date: 30/08/2024
Tuk Smith is the kind of rock’n’roll ambassador you didn’t think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he’s seen the best and worst of a music industry in constant flux. By turns it’s left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything.
Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. “I want to do something that means something to people,” Tuk says, “because a lot of shit nowadays is so disposable and so plastic. I just don't connect with that. I'd like to do things that impact people positively. It's a weird time on the planet, so to have songs about hope, but not be cheesy about it, it’s something I think we need with songwriting. That's the kind of music I want to hear.”
The result is Rogue To Redemption, Tuk’s second album with solo project The Restless Hearts. The sonic lovechild of Thin Lizzy, 90s power pop and melody-driven punk, it shows an artistic peak born from adversity. The sound of a man bottling a lifetime of experiences, stories and characters from working class America.
A hero’s journey, picking up from 2022’s Ballad Of A Misspent Youth. And it’s all on him. “I was dropped from a label, nobody would sign me” recalls Tuk, who wrote the album in solitude, mostly at a piano. “No booking agent would touch me. I had to figure out how to make my own records. I've always worked with other mentors, writers and producers, so for me to make this myself was a big leap of faith, because… you know, you might screw it up.”
Produced by Tuk and mixed by Chris Dugan (Green Day, Iggy Pop, U2), Rogue To Redemption was written over the last three years but recorded down to the wire – right up to the summer of 2024. Joined by long-term Restless Hearts compadres, drummer Nigel Dupree and bassist Matthew ‘Ponyboy’ Curtis, he cut the bulk of it at home. Six drum tracks were recorded locally, and the other four with Biters collaborator/mentor Dan Dixon in Atlanta – Tuk’s previous hometown.
“Nashville’s very different from the scene I grew up in,” he observes. “Atlanta’s very East Coast working class, Nashville’s more like L.A. But it pulled me back into focus, because if you're going to be an artist in Nashville there's so many great singers, writers and guitar players that I have to rely on my personal strengths. So that was the mentality, making this record.”
It also brought him back to the music he loved the most, which comes out in the modern and classic flavours of Rogue To Redemption. The melodic powerpop and punk likes of Jellyfish, Material Issue, Generation X and Buzzcocks filtered into his writing, complimenting the 70s richness that’s long permeated his work. You’ll hear it in Take The Long Way, the album’s rollicking yet deeply personal opener. An ode to persistence in the face of self-sabotage, Tuk wrote it in a fiery 15-minute burst.
“Rock’n’roll has this underlying theme of self destruction,” he says. “And this one is kind of like that, but there's hope there. It's been a common theme, being a musician. The fuck’s been beaten out of me.” Lyrically, inspired by storytellers like Tom Petty, Phil Lynott and Bruce Springsteen, Rogue To Redemption comprises a Born To Run-esque series of vignettes – observation sprinkled with Tuk’s own experience. A song like Glorybound might be interpreted as a reflection on his life, but it could also allude to numerous lost, disenchanted or overlooked souls in society.
“Those are the kind of characters I like,” he says, “the underdogs of the world. I've always been attracted to those. When I was a teenager in my hometown, the way I felt then, I would want to hear a song like that. Sometimes I write songs that I want to hear, and that was one of them.”
Raised in Griffin, GA, Tuk always felt like an outsider. The androgyny of his early heroes like New York Dolls clashed with the macho, blue-collar backdrop of ‘Tuck’s Powerdome’ – his father’s weights gym, its walls adorned with slogans like ‘Shut Up And Train’.
Emblems, perhaps, of a tenacity that’s stayed with Tuk (Joshua until he was 17, when a local tattooist gave him the name he still goes by) ever since. You’ll hear it all in a song like Little Renegade, which mixes the bite of Bon Scott-era AC/DC with gorgeous pop nuances and Mott The Hoople twists. “Isn't that rock’n’roll, the dichotomy of it all?” he suggests. “The dudes I liked in bands would wear girl clothes, but they were wild motherfuckers.”
Right now Tuk’s wild days are behind him, replaced with “workaholic” hours in front of ProTools, producing other bands and running his label. But that old tearaway streak – the fire that makes him such a commanding prospect – lives on in anthems like End Of An Era. A bittersweet “drunken sing-along” with shades of Oasis and glam rock glitter, it could be read as a meditation on the changing rock landscape, the wider world, or even a relationship. Again, there’s that dichotomy he speaks of.
“Rock’n’roll is essentially the illusion of not giving a fuck, right? Like, you know Axl Rose was doing sit-ups and jump rope, and Paul Stanley was on a cardio machine, and they come out and act like it just happens. The point is I sit at that piano many hours, working on this stuff.”
Now with gigs coming up in Europe, the UK and Japan, Tuk has the sort of mental clarity afforded by the perspective of time. Less frustration, more gratitude. “I’m hyper-focused on trying to be a good person. It [Rogue To Redemption] came from a totally different spot, as opposed to like ‘I gotta get a hit!’... It had some piss and vinegar, but it was different. It's kind of a weight off my soul. I'm just grateful that I'm still doing this.” So if any of this resonates with you – if you crave rock’n’roll with substance, an edge, 21st century eyes and an old soul’s heart – you’ve come to the right place.
Tracklisting:
1. Take The Long Way
2. Glorybound
3. End Of An Era
4. Still A Dreamer
5. Little Renegade
6. Lost Boy
7. Blood On The Stage
8. Rogue To Redemption
9. When the Party’s Over -
Visit product page →Release Date: 27/09/2024
Guitarist Steve Howe releases his new solo album Guitarscape on 27th September on his own HoweSound label. The album will be available on CD, vinyl and digital downloads, including Dolby Atmos.
Guitarscape marks a new chapter for the YES and ASIA legend as he presents, what amounts to, a guitar masterclass. “What I’m doing,” said Steve, “is focusing on what I do well and what I love to do.” Guitarscape features 14 new instrumental tracks in a host of musical styles, from rock through to acoustic and classical, each bearing that unmistakable Steve Howe sound. Steve plays acoustic, electric, steel and bass guitars along with keyboards and is joined by his son Dylan on drums. Steve has written all of the tracks and produced the album.
“This album has given me the opportunity to do something different,” says Steve. “I bought a Novatron Summit keyboard and found that it had a wealth of inspiring sounds. It gave me a golden opportunity to create my own keyboard structures – chordal movements and structures that I thought were a bit different. I think differently on a keyboard, I don’t see the chords looking the same but then I had fun playing around with the guitar to see where that goes.
“I’ve utilised most of the colours, as I like to I think of my styles, and I’m always pleased when I hear them running through and it moves from a steel, maybe, to a Spanish guitar. Because it’s a different sort of album, I’m not using terribly conventional chord sequences but things that give me a fresh feeling and opportunities to improvise and stretch out as well as be melodic and make this a nice tuneful experience.“I began feeding the tracks to Dylan. We get on great and he seems to know what to play around my guitar, it’s almost instinctive. Dylan and I fit together really beautifully. We’ve had the chance to do this together, so it’s wonderful.
“The bass parts and the keyboards are pretty interesting, everything had to be interesting but also work together. I like doing things that are super fresh and this album says what I am today.” Steve HoweTracklisting:
Hail Storm
Spring Board
Distillations
Up Stream
Secret Mission
Passing Thoughts
Touch The Surface
Spring Rhyme
Equinox
Seesaw
Gone West
Suma
Spring Tide -
Visit product page →Included are two different rare demos of her classic ‘Who Knows Where the Time Goes’ from 1967 (before she recorded it with Strawbs) and another from 1968.
‘She had this amazing talent, this incredible voice - she played Who Knows Where the Time Goes, and I nearly fell off my chair.' - Linda Thompson
Plus, a host of songs penned by Sandy including ‘Boxful Of Treasures’ which was later rewritten as the song ‘Fotheringay’ (from Fairport Convention’s What We Did On Our Holidays album). ‘Fotheringay’ also appears here in demo form.
“She needs to be re-evaluated. She wrote a kind of song that's very rarely written now - emotional, musically interesting, sung really well - serious songwriting. She was head and shoulders above the rest. And she remains so." - Ashley Hutchings (Fairport Convention founder)
Also featuring heartfelt covers of songs by Jackson C Frank, Fred Neil, Anne Briggs, Dylan, and many traditional folk songs.
The definitive collection of Denny’s early home demos authorized by her estate, with Sandy's daughter Georgia Lucas’ own charming drawings of her mother making their first appearance on an official Denny release, plus previously unpublished images of Sandy’s 1960s passport and driver’s license. And extensive sleeve-notes by re-issue producer Pat Thomas.Tracklisting:
CD - Disc 1
1. Blues Run The Game
2. Milk & Honey
3. Soho
4. It Ain't Me Babe
5. East Virginia
6. Geordie
7. In Memory (The Tender Years)
8. i Love My True Love
9. Let No Man Steal Your Thyme
10. Ethusel
11. Setting Of The Sun
12. Boxful Of Treasures
13. Who Knows Where The Time Goes (1967)CD - Disc 2
1. Carnival
2. They Don't Seem To Know You
3. Gerrard Street
4. Motherless Children
5. She Moves Through The Fair
6. The Time Has Come
7. A Little Bit Of Rain
8. Go Your Own Way My Love
9. Seven Virgins
10. Blue Tattoo
11. Cradle Song
12. Quiet Land Of Erin
13. Fotheringay
14. Who Knows Where The Time Goes (1968)
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