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Fuzz Club Records
Lola Colt 'Away From The Water'
£18.99
Fuzz Club Records
Lola Colt 'Away From The Water'
£18.99
'Away From The Water' is the highly anticipated debut album from London six piece Lola Colt. Produced by Bad Seed Jim Sclavunos.
Hailed as one of London's most exciting and captivating live bands by fans and critics alike, this six-piece have been taking audiences by storm. Their shows have been described as "a spellbinding and dramatic experience with both sonic and visual intensity" and they make certain every show feels like a special event.
Crystallising their breathtaking live experience into physical form has been an intense and challenging experience as Matt explains "Our music is pure escapism and the thought of recording it felt strangely like trying to put up walls around a dream. What we strived to create is a timeless record that takes the listener on a journey to a different place with each listen".Tracklisting:
1. Rings Of Ghosts
2. Heartbreaker
3. Driving Mr Johnny
4. Highway
5. Moonlight
6. Vacant Hearts
7. Storm
8. White Horse
9. I Get High If You Get High
10. Away From The Water
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Reverb Conspiracy Vol. 4 is a collection of 12 tracks from some of the best in Europe's unfathomably fruitful psych scene - offering a plethora of gems of the rock and roll, kraut, shoegaze, folk and garage-rock variety, and just about everything in-between.Visit product page →
The highlights of the record include the dark, discordant krautgaze'of My Invisible Friend, the mammoth 15 minute spaced-out jam from Giobia, the ominous and mind-altering Ulrika Spacek and the kaleidoscopic splendor of Josefin Ohrn + The Liberation.
Volume 4 also boasts immersive cuts from the likes of The Madcaps, Soft Walls, Pretty Lightning, The Oscillation and Fuzz Club's own otherworldly psych juggernauts TAU, 10000 Russos, The Orange Revival and Throw Down Bones - each and every track is a piece of experimental sonic mastery in its own unique and distinct right.
Limited to 1000 copies on double coloured vinyl and double CD.
Tracklisting:
Vinyl
Side A
1. Tau - Trickster
2. 10 000 Russos - UsVsUs
3. Soft Walls - Never Come Back Again
4. The Madcaps - Moon Night
Side B
5. Orange Revival - Carolyn
6. Pretty Lightning - Graveyard Howls
7. Throw Down Bones - Our Home The Holy Mountain
Side C
8. Josefin Ohren - Dunes
9. Giobia - Sun Spectre
Side D
10. Ulrika Spacek - Beta Male
11. The Oscillation - Kissing The Sun
12. My Invisible Friend - Endless.
CD 1
1. Tau - Trickster
2. 10 000 Russos - UsVsUs
3. Soft Walls - Never Come Back Again
4. The Madcaps - Moon Night
5. Orange Revival - Carolyn
6. Pretty Lightning - Graveyard Howls..
CD 2
1. Throw Down Bones - Our Home The Holy Mountain
2. Josefin Ohren - Dunes
3. Giobia - Sun Spectre
4. Ulrika Spacek - Beta Male
5. The Oscillation - Kissing The Sun
6. My Invisible Friend - Endless -
Available on double 180 gram White vinyl. The ethos of London-based indie label Fuzz Club is a desire to uncover and celebrate the best in fuzz, reverb and drone from every corner of the globe. As well as via their extensive back-catalogue and their Fuzz Club Eindhoven festival, one such particular medium through which they do this is their annual Reverb Conspiracy compilation albums.Visit product page →
Where the first five volumes were hailed as a Nuggets-like documentation of the European psych scene, Reverb Conspiracy Vol 6 - due for release [date] - sees the compilation go global: bringing together bands from South Africa, Australia, the USA, Germany, Brazil, the UK, Italy and Russia.
Amongst a number of the label's own bands - including Medicine Boy's shadowy noise-pop (DE) and Nest Egg's motorik 'mood music for nihilists' (US), plus Steeple Remove's dub-inflected post-punk (FR) and Crimen's heady, repetitive psych-rock (IT) - there is Aussie garage-psych outfit Nice Biscuit, an exclusive cut of Bikini Kill-meets-Oh Sees noise from Julia Robert (SA), as well as lo-fi garage-pop from Super Paradise (UK) and the double-barreled psych-blues wig-outs of Frankie & The Witch Fingers (US).
In the compilations darker moments, though, there is the hypnotically face-melting 'space-surf' of Japanese Television (UK), goth-tinged post-punk from Float (UK), murky psychedelic stoner-rock from Brazil's Firefriend, relentlessly driving krautrock courtesy of Verstärker (USA), the heavy space-rock drones of Psychic Lemon (UK) and Moscow's Selbram, who deal in a jagged alt-rock sound that takes its cues from No Wave, psych and the 'pulse and noise' of city life.
Tracklisting:
1. Julia Robert - Mud Girl
2. Nice Biscuit - Out Of Sight
3. Frankie And The Witch Fingers - Underneath You
4. Medicine Boy - Water Girl
5. Firefriend - Surface To Air
6. Nest Egg - DMTIV
7. Steeple Remove - Ferris Noir
8. Float - Watch
9. Crimen - Flahzz
10. Japanese Television - Tick Tock
11. Selbram - This City You Know
12. Super Paradise - 6:30
13. Verstärker - Mit Glück
14. Psychic Lemon - Interstellar Fuzz Star -
The band's ninth album, Montage Images of Lust And Fear, will be released on March 29th 2019 via Fuzz Club.Visit product page →
Limited to 1000 copies. Available on 180-gram coloured vinyl.
It's undoubtedly their most sincere work in an extensive, decade-long discography with which they've picked up a cult following across the globe - made evident in their millions of YouTube streams and relentless international touring.
In support of the new album, and keeping to their prodigious work ethic, the band have also announced details of a mammoth tour across the UK, Europe, Asia and Australia that'll see them visit 25 different countries. In its rawest moments (The Death of the Author', Blind II'), The Underground Youth's haunting post-punk melancholia recalls the abrasive banshee-like noise of The Birthday Party and Suicide; jagged, shrieking guitars twist and turn as Craig Dyer's dour vocals jerk from morose and impassioned to macabre screams.
Though this is an album of two sides; the more intense and challenging songs punctuated by heartfelt and solemn ballads (Too Innocent To Be True', This Anaesthetised World') that are aided by the additional lap steel guitar of Kristof Hahn (Swans) who plays on six of the album's nine songs.
This is The Underground Youth's most intense and honest record yet - in the ambitious songwriting and live recording (a first for the band), as well as the lyrical subject matter. Talking about the album, Craig explains 'Montage Images of Lust And Fear is inspired by the succession of experiences we are increasingly dealt by the media. Sex, violence, love, suspicion, desire, distress, etc.
The album acts as a montage itself, the subject of each song dealing with an aspect of either lust or fear. Like flicking through the channels on a television. Until the end you are overcome by white noise. Static.' Since the release of their aptly-titled eighth full-length, What Kind Of Dystopian Hellhole Is This?
In February 2017, the band have set out on four UK/European tours clocking in at over 100 shows (not including stand-alone gigs). If all that time touring has taught the band anything, it's how to work together as a collective and Montage Images Of Lust And Fear is all the better for it - the first The Underground Youth record with all the band members involved in the writing.
'Unlike previous albums in which I've written the tracks and taken them into the studio to record with or without the band, this record is the product of us all working on the music and arranging the songs together,'
Craig explains: 'We recorded the album live with the four of us playing in the same small room and with our guitarist Leo as producer, running back and forth from the mixing desk to the live room. As a result, the recording perfectly captures the raw intensity of our live performance, something we've never done before.'
The Underground Youth is comprised of Craig Dyer (vocals/guitar), Olya Dyer (percussion), Max James (bass) and Leo Kaage (guitar).
Tracklisting:
1. Sins
2. Last Exit To Nowhere
3. The Death Of The Author
4. This Is But A Dream
5. Too Innocent To Be True
6. Blind
7. Blind II
8. I Can't Resist
9. This Anaesthetised -
Available on 180g vinyl and CD.Visit product page →
Italy's Throw Down Bones are something of an enigma in the experimental underground. Since the release of their highly-praised 2015 self-titled album, they've picked up a notorious reputation on the European live circuit for their pulverising, constantly-mutating live shows.
In a review of the debut, album listeners were told to 'make no mistake, this is dance music' and that may have been true back then but now, back with their second album titled Two, the band have taken that to a whole new extreme.
Ditching the hypnotic coldwave tendencies of their earlier work for an all-out sonic assault of industrial four-to-the-floor rhythms and screeching acid house. Two is due for release via Fuzz Club Records on October 26th and see's the band deal in floor-shaking industrial techno-post-punk occasionally steeped in a euphoric acid-house sheen.
Where the old Throw Down Bones was better suited for intimate venues and psych fests (of which they were a frequent staple, from Liverpool to Eindhoven and everywhere in between), this new evolution sees them turn their eyes to the most underground techno clubs and the sleaziest warehouse venues.
Imagine Death In Vegas, Factory Floor and Aphex Twin jamming in a room together and you might come close but Throw Down Bones would be reluctant to point to any influences'. For them, their corrosive industrial workouts are simply the product of their environment and attitudes, as opposed to who they're listening to at any given moment.
The two key members of Throw Down Bones are Francesco Vanni and Dave Gali but on this effort, their producer James Aparicio also played an integral part in writing the album. Francesco spends his time building bespoke FX pedals and analogue synths under the name Noise Militia and James was formerly the in-house engineer at the Mute Records studio, his credits including Spiritualized, Liars, Nick Cave, Depeche Mode, Mogwai and many, many more.
With Noise Militia prototypes littered around the studio, Francesco and Dave's knack for instrumental experimentation and James'studio prowess, it should come as no surprise that the result is a collection of tracks that push Throw Down Bones'electronica right to the brink. If you like your music intense, punishing and ear-drum-rattling then this is the record for you.
The first three tracks on the album First Follower', We Are Drugs'and Slow Violence'lay out the bands mission from the off, bursting through a pulsing electronic throb are unrelenting motorik basslines that twist and contort as they circles around and around and around, layers of juddering hardware electronics constantly punching through.
Then there's Golovkin', a merciless all-out rave track that zaps you right in the cortex and the electro-throb of Zero Day Exploit'that, like a cyber-attack of the same name, is an unstoppable attack on the senses - it's less in-your-face than the rest of the album but try and stop that programmed acid-tinged groove from tearing through your bloodstream.
It's too late, you won't stand a chance. If their earlier instrumental-oriented works leant into dance territory, then this is the band embracing that with open arms and wide eyes ready to soundtrack the mother of all parties, one punctuated by pure hedonism and a sense that this could very well be the last dance on this wretched rock.
Tracklisting:
1. First Follower
2. We Are Drugs
3. Slow Violence
4. NO-FI
5. Golovikin
6. Is This Us
7. Known Unknown
8. Zero Day Exploit
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