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Fika Recordings
Cosines 'Transitions' Vinyl 10"
£9.99
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Fika Recordings
Cosines 'Transitions' Vinyl 10"
£9.99
10' vinyl EP with digital download code. Transitions, as well as being the transition between the band's debut and sophomore LPs, is transitional in theme, making changes, starting over and reacting against changes out of your own control.
The EP also demonstrates a transition in the band's sound, introducing sonic explorations from the kraut rock grooves of Ra to the duelling saxophones of Chaos Theory, as well as showing a more confident approach to song writing from both Hubley and Nelson.
This gives glimpses of what they have in store with the second LP to be released in 2017. Simon Nelson and Alice Hubley met on the London Underground after a Stereo Totale gig in 2009. Two days later Simon was round Alice's house unblocking her kitchen drain. Since then Simon has been round and put up two curtain rails, a blind and a shelf. This unlikely meeting, got them talking and once the DIY was done they started making music together, fusing metronomic pop sensibilities, 60's grooves and krautrock noise. What you maybe would get if you mix New Order, United States of America and Stereolab.
As a band they are constantly trying to find the perfect meeting point between clean synths and fuzz guitars. The band's line up was completed by Alice's old Loves bandmates Daniel Chapman and The Late Jonny Drums and A Smile and A Ribbon's Kajsa Tretow. Jonny realised that he was always late because he was on Chinese time, so packed his bags and headed to the country on a quest to finally be on time. He has subsequently been replaced by the punctual Matt Harms.
The band played their first show in April 2012, and since then have played shows with Laetitia Sadier, Comet Gain and Seapony as well the Indietracks Festival. The band's debut album was released in 2014 receiving favourable reviews in The Quietus and The Sunday Times and plays on 6 Music.
'a cool and mannered (but not overmannered) exploration of a musical world bordered by Stereolab, Blondie, Saint Etienne, Belle and Sebastian and a band your mates formed at school that you wish you were in' The Sunday Times
'Cosines have found the magic formula that indie pop has been dreaming of - a winning combination of Pulp and Belle & Sebastian, seasoned with swathes of Stereolab. Refreshingly offering none of the dreaded 'twee' associated with that genre, Cosines have a big sense of melody they're not afraid to both use and play with, the same going for their sonic palette of guitars and spacey synths.' The Quietus
'Throughout Oscillations'interlocking synth and guitar lines recall Stereolab and Parallel Lines'-era Blondie in equal measure, although not with quite such uncanny force as lead-singer Alice Hubley's airy vocals.' Loud and Quiet.
Tracklisting:
Side A:
1. Let's Start It Over
2. Ra
Side B:
1. Dunbar
2. Chaos Theory
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Owl & Mouse. What's in a name? In a just world, the seemingly bottomless talent pool that is the Botting family would be held in the same regard as the Osmonds and Jacksons thanks to their assorted attempts to charm both London and the wider world. Bill Botting, Allo Darlin's perennially pogoing, perma-grinning bassist (and, more recently, solo artist in his own right) has been winning hearts and fans for half a decade and more, but the imminent release of Owl & Mouse's forthcoming début album, Departures'marks the turn of his siblings to take a star turn in the limelight.
The songwriting vehicle for talented young Brisbanite Hannah Botting, which began as a twosome with sister Jen. 'The name was kind of silly,' says Hannah, reflecting on the band's early days. 'It came from a song I wrote years ago about an owl and a mouse that go to war together. With the addition of Tom Wade (We Aeronauts) and the prolific pairing of Emma Winston and Dan Mayfield (Enderby's Room, Darren Hayman's Long Parliament). The extra additions - playing alongside star turns from Michael Collins (Allo Darlin') and Paul Rains (Allo Darlin', Tigercats) - have given Hannah's songwriting an added musical depth, complimenting the record's overarching themes and ideas. Straight out of the same school of Australian songwriting as The Go-Betweens, Triffids and Courtney Barnett, Hannah's words follow her compatriots' ability to be widescreen and personal at once, infused with an added degree of delicacy and poignancy.
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In their début album they've made music which both swells the heart and conjures quiet reflection. Most of all, Departures'is, as its name suggests, music to escape into.
Artwork comes courtesy of Tom Humberstone, of the New Statesman.
Owl & Mouse press:
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Tracklisting:
1. Keep Your Eyes Open Wide
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7. Sick Of Love
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10. Departures
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Following the albums Gin and My Ass recorded with The Wave Pictures in un-gentrified East London, Stanley Brinks (aka André Herman Dune) returns with a new collaborative album, this time with the Norwegian folk collective The Kaniks as his backing band. Eschewing a traditional recording studio, André took The Kaniks to a remote island outside the small town of Egersund in south west Norway.
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He studied a bit of biology and worked as a nurse for a while. Half Swedish, half Moroccan, strongly inclined to travel the world, he soon began spending most of his life on the road and developed a strong relationship with New York. By the late 90s he'd become a full time singer-songwriter - André Herman Düne - as part of three piece indie-rock band, Herman Düne. Several albums and Peel sessions later and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin.
The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso, changing his name to Stanley Brinks. Under this moniker he has recorded more than 100 albums, collaborated with the New York Antifolk scene on several occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.
Tracklisting:
Side A:
1. Turtle Dove
2. Say Goodbye
3. I Spread My Wings
4. One More Day
5. This World
6. Day In Day Out
Side B:
1. Slow Peace
2. Come Come Springtime
3. Between Me And The Future
4. Stronger Than Wine
5. Zombie Taboo
6. And The Violin -
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'sounds like Herman Dune when they were charmingly naïve and elegantly simple, a rock'n'roll strum with an easy rhythm, anthemic chorus and some memorable lyrics' Sounds XP
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Stanley Brinks was part of three piece indie-rock band, Herman Düne. After several albums and Peel sessions and after a decade of touring Europe, mostly with American songwriters such as Jeffrey Lewis, Calvin Johnson and early Arcade Fire he settled in Berlin. The early carnival music of Trinidad became a passion, and in the early 21st century he became the unquestioned master of European calypso.
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