Hyperdub
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Angel-Ho is known as one of the founders of Non Worldwide, alongside Chino Amobi and Nkisi. Highly regarded as a DJ and electronic music producer, on Death Becomes Her she shifts things up to another level.Visit product page →
Pulling on inspiration from her flamboyant favourites from Lady Gaga, Missy Elliot, and Bjork through to Kanye West, this ambitious, artful and sometimes radical album of neo-pop pushes the pop framework even further, often teetering on the brink of vertiginous chaos and dissonance, whilst slowly revealing its depth and grandeur once you settle into its sound world.
Alongside a cast of collaborators that include French producer Nunu, South African producer Baby Caramel, Asmara Maroof from Nguzunguzu, Bon and Gaika, Angel re-orientates the usual trans-atlantic pop sound to encompass a brace of experimental, diasporic producers to create beats that alternate between angular, propulsive, murky, loose, abrasive and breezy.
On top of these often advanced rhythms, she also raps and sings for the first time with lyrics about love, sex, glamour and struggle, universal fantasies, treated with an ambiguity that restructures the narrative within a trans-identity.
Her choice of guest MCs also reflects this energetic queering with K-$ and Qweezy from Cape Town, plus underground Asian American rapper K-Rizz laying down assertive bars.
On Death Becomes Her', Angel-Ho carves out a new space with her unique take on contemporary pop. Overflowing with charisma, sometimes reminiscent of Grace Jones, this album is fiercely sassy and celebratory. It feels like the start of something very exciting.
Tracklisting:
Side A:
1. Business
2. Drama
3. Like A Girl ft. K Rizz
4. Jacomina
5. Muse To You
6. Good Friday Daddy ft. Queezy
Side B:
7. Cupido
8. Live
9. Desity
10. Pose
11. Bussy
12. Baby Tee ft. K-$
13. Like That
14. Parachute -
London's Babyfather are back with the debut full length follow up to the street classic 'Meditation'. "BBF" Hosted By DJ Escrow.Visit product page →
'Without a doubt, I guarantee that it will be in rotation at every club, at every party and coming out the speakers of every car ...this makes me proud to be British ' Idris Elba.
Tracklisting:
Side A:
1. Stealth Intro
2. Greezebloc
3. Meditation ft Arca
4. Escrow
5. Shook
6. Motivation
7. PROLIFIC DEAMONS
Side B:
1. Platinum Cookies
2. Esco Freestyle
3. Stealth
4. God Hour ft Micachu
5. N.A.Z
Side C:
1. Juice
2. HELLS ANGLES
3. Killuminatti
4. Escrow 2
Side D:
1. Deep ft Arca
2. Escrow 3
3. The Realness
4. Flames
5. Snm ft Arca
6. Stealth Outro -
'Antidawn’ reduces Burial's music to just the vapours. The record explores an interzone between dislocated, patchwork songwriting and eerie, open-world game-space ambience.Visit product page →
In the resulting no man’s land, lyrics take precedence over song, lonely phrases colour the haze, a stark and fragmented structure makes time slow down.
'Antidawn' seems to tell a story of a wintertime city, and something beckoning you to follow it into the night. The result is both comforting and disturbing, producing a quiet and uncanny glow against the cold.
Sometimes, as it enters 'a bad place', it takes your breath away. And time just stops.
Tracklisting:
Side A
1. Strange Neighbourhood
2. Antidawn
Side B
1. Shadow Paradise
2. New Love
3. Upstairs Flat -
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A continual seller ever since release in April 2006, demand for Burial's roundly praised debut has rocketed following a swathe of superlative appraisals and high rankings in the various year-end review sections.
With the DJ in mind, optimum sonic integrity has been maintained by removing the CD version's beatless opening and closing tracks, and the remaining 11 tunes have been re-sequenced and re-cut to allow those 4 that have until now not appeared on vinyl to be presented in newly-mastered 12-inch-standard audio across the first 2 sides ('Wounder', 'U Hurt Me', 'Spaceape' and 'Prayer').
With both the 'South London Boroughs' and 'Distant Lghts' EPs now out of print and likely to remain that way, this limited edition two-wax pack offers the only way to get your Burial fix in club-ready configuration, but it won't be around for ever as the ever-elusive producer is near to completing his next opus, at which point this changes tense from present to past. Advertising to run in Observer Music Monthly from 18/03, and still very much in stock on CD right this very minute.
Tracklisting:
1. Untitled
2. Distant Lights
3. Spaceape
4. Wounder
5. Night Bus
6. Southern Comfort
7. U Hurt Me
8. Gutted
9. Forgive
10. Broken Home
11. Prayer
12. Pirates
13. Untitled -
Burial 'Rodent' New vinyl 10" on Hyperdub.Visit product page →
Side A:
Rodent 04:25 120bpm
Side B:
Rodent [Kode9 Remix] 04:41 150bpm -
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Tracklisting:
1. Street Halo
2. NYC
3. Stolen Dog
4. Kindred
5. Loner
6. Ashtray -
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Two new tracks by Burial, rendered in his singular ambient style.
Total running time of seventeen minutes and thirteen seconds.
Tracklisting:
Side A:
Subtemple [ 07:23 ]
Side B:
Beachfires [ 09:50 ] -
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Of all the artists past and present who claim to let their music do their talking for them, Burial is one of the elite band of whom this truly is the case. In fact, so reluctant is he to engage with the cult-of-personality hoopla that surrounds almost every modern producer and musician of merit, that he remains a genuine recluse; he has never appeared live, only one obliquely-angled publicity photograph is known to exist, and the number of interviews he has given can be counted on the fingers of one hand.
Yet despite this, his music speaks loud and wide, and the world has been listening ever since his 'South London Boroughs' EP debut on Hyperdub in March 2005. His eponymous album, which began life as a low-key release in May 2006, is now widely regarded as the benchmark release of the ever-widening dubstep genre, picking up unanimous critical acclaim along the way, and ending the year heavily featured in many 'best of' polls. Now Burial returns with 'Untrue', a new record of weird soul music, which lovingly processes spectral female voices into vaporised R&B and smudged 2step garage.
Vocal lines are blurred, smeared, pitched up pitched down and pitch bent until their content is cast adrift from their original context and they whisper their saccharin sweet nothings into the void. The album continues with the debut's crackle-drenched yearning and bustling syncopations, haunted by the ghosts of rave, but also reveals some new Burial treats with a more glowing, upbeat energy.
Kicking off with the skittering 2step syncopations and vocal science of 'Archangel', 'Near Dark' and 'Ghost Hardware', before long it descends into a space of radiant divas and ambience. Where 'Burial' first was humid, suffocating and unrelentingly sad, 'Untrue' is less sunless. Many of the tracks are so sweet, they become toxic, underscored by the almost geological rumbles of growling basslines.
Unlike the overpoweringly melancholic prevailing mood of before, Burial's sound is now better defined as a downcast euphoria typified by the epic, muted optimism of the album's last track 'Raver'. Forget central heating¦ the radioactivity of this album is all that you'll need to keep you warm this winter. 'Untrue' is available as full 13 track digipack CD, including recent underground hit 'Ghost Hardware', and 9 track DJ friendly double vinyl set, from which some of the beatless pieces have been edited.
Tracklisting:
1. Untitled
2. Archangel
3. Near Dark
4. Ghost Hardware
5. Endorphin
6. Etched Headplate
7. In McDonalds
8. Untrue
9. Shell Of Light
10. Dog Shelter
11. Homeless
12. UK
13. Raver -
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Hyperdub's year of excellence continues apace with the release of Playing Me, the long awaited debut album from Cooly G.
Emerging as a key figure in the UK funky scene some four years ago via some highly prized Dub Organiser CDrs, Cooly's musical progression has been charted via a series of EPs for DVA Music and Hyperdub.
On this thirteen track album what is most apparent is the confidence this South London producer has in her own singing, a voice that sounds dipped in pain and anguish at times.
At others Cooly utilises her vocal delivery as an integral part of the music, which draws from all manner of UK music history of recent times whilst very much sounding part of her modern house template.
Oh and there's a Coldplay cover to end the LP too...
Tracklisting:
1. He Said I Said
2. What This World Needs Now
3. Come Into My Room
4. Landscapes
5. Good Times
6. Sunshine
7. Trying
8. Playin' Me
9. Trouble
10. What Airtime
11. It's Serious
12. Is It Gone
13. Up In My Head -
Cooly G returns with 'Wait 'Til Night', an album of sensitive, lo-fi bedroom music, it's lyrics sketching dreamy scenarios of seduction, lust and sex. The moody South London house of her debut album 'Playin Me' and her DJ sets has given way to a near-horizontal, sometimes melancholy and highly original take on R'n'B.Visit product page →
The tracks swing effortlessly with no-fuss musical arrangements that are filtered through reggae sound system culture and US R'n'B in equal amounts, with a slight hint of dark synthpop wound throughout. The pace has come down from the deep, tribal house she's known for so far, with the only constants that run through the album ' her intimate vocals and smokey synths ' cross-hatched with her characteristic broken rhythmic sense. Opening with title track, Cooly coos about a date, over an infectious synth lead that wouldn't sound out of place on a Depeche Mode song.
'Like A Woman Should' is twilight music, synths rolling out like clouds over pulsing drums, while the vocals whisper invitations.
'Your Sex' is a fantasy with synths and surprisingly stabbing, hooky and distorted rhythm guitar.
'I Like' feels like the opening of an especially dreamy jungle track stretched into a full pop song.
'Dancing' rolls out drums and a mini guitar figure into a gently dizzy waltz, while
'Quick Question' plays out the scenario after the dance.
'Want's' barely-there song structure of drum and occasional bass with a wiry synth lead, is accompaniment to a near-whispered vocal.
The pace steps up with the smouldering 'So Deep', with a deep synth bassline and a muscular hip hop beat. '1st Time' is all depth charge bleeps, guitars and piano.
'Freak You' is spacious and guitar driven, with Cooly beaming in directives through a distant voice transmission. The album's final honest, angry and forlorn track, 'The 3 Of Us', comes down hard on an absent parent, a full stop on the romance that the album narrates. It also reveals Cooly G as a skilled rap artist, something she's kept hidden until now, with double-time flows casting off a missing babyfather.
'Wait 'Til Night' finds Cooly G casting her net wider than her debut album, with songs that are more confident, accessible and stylistically consistent. The album comes laced with Cooly's unique honesty and charm and is sure to win her new fans with her catchy melodies, slow-jammed stories of blighted urban romance, and engaging lack of pretension.
Tracklisting:
Side A:
1. Wait 'Til Night
2. Like A Woman Should
3. Your Sex
4. I Like
5. Dancing
6. A Quick Question
Side B:
1. Want
2. So Deep
3. 1st Time
4. Freak You
5. Fuck With You
6. The 3 Of Us -
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Darkstar in 2010 are an upgraded model of the darkstar which released the much loved single 'aidy's girl is a computer' at the end of 2009. That song, and previous singles 'need you' and 'squeeze my lime' hinted at a nascent songwriting talent and mastery of oozing synth drones that has burst into life on their debut album, 'north'.
The band have adjusted their focus, adding lead singer James Buttery to the production and writing team of James young and aiden whalley, and the result as heard on 'north' is a brave, low-key pop masterpiece, which discards the cheap thrills and treadmill ideas that many deploy to access success. instead, 'north' will creep up on you with each listen, seducing with its' achingly gorgeous, synthesized songwriting.
From the intro track 'in the wings', right through to the closing song, a lush new version of 'squeeze my lime' now called 'when it's gone', the album blends their crunchy, citric synths, baroque strings, piano and tender guitar with vocal harmonies, gently laced with glitches and noise.
Here, Darkstar have subtly found the beauty in distortion. the first single from the album, the catchy 'gold', is a cover of a little known human league song 'you remind me of gold', inspired by hearing the original slowed to 33rpm.
Insectoid drum machine rhythms carry the song along accompanied by a chilly piano. 'Deadness', 'Dear heartbeat', 'Two chords' and 'North' impress with their icy radiance, the rich, wafting strings, dreamy guitar and keys bury the otherwise snowy-white sonics, the crunch of the drums and the translucent vocals sounding as if they're sung by a hologram.
Some tracks, like 'Ostkreuz' and aspects of 'Under one roof' conjure up a soundtrack to twin peaks if it was set in the north of england. Mini-anthem of 2009, 'aidy's girl is a computer' also earns a slot among the new material.
With their first long player, Darkstar have produced an album many bands with far more experience and many more releases and under their belt can only dream of.
Downbeat, breezy, sometimes melancholy, sometimes just plain sad, at others optimistic and affirming, and always gracefully elegant, 'north' will surprise many, a classic record for short days and long nights
Trackliting:
1. In The Wings
2. Gold
3. Deadness
4. Aidy's Girl Is A Computer
5. Under One Roof
6. Two Chords
7. North
8. Ostkruez
9. Dear Heartbeat
10. When It's Gone -
A generation younger than the founders of the Teklife crew, DJ Rashad and DJ Spinn, DJ Taye was originally a rapper and beat maker before hooking up with the collective and jumping into the world of footwork production and DJing. However, it was Rashad's untimely passing in 2014 that was the unlikely catalyst for developing the sounds and ideas for this album. He says, "When Rashad passed away I felt inspired to continue evolving the music that I loved so much coming up in this world. So, I had to do something - ¦make something brand new."Visit product page →
100% committed to pushing further the potential of the footwork template, Still Trippin'is ambitious in its range and scope. Taking two years to formulate, the record broadens the possibilities of the sound, forcing it to adapt to songwriting, and also revives Taye's talent for MCing and producing beats to which he can rap and sing. Furthermore Taye definitely ups the ante with his complex and precise drum programming, never losing sight of footwork's ability to confound.
The album features a range of guests that span contemporary music; the eccentric, instructive rapping of Chuck Inglish of Detroit duo the Cool Kids is featured on Get It Jukin', Odile Myrtil, a young vocalist from Montreal, lends her smokey soul to Same Sound', Fabi Reyna, the editor of the celebrated women's guitar magazine She Shreds, sings and plays bass and rhythm guitar on I Don't Know'and Jersey club queen UNIIQU3 offers production and rapping on Gimme Some Mo'.Also, Teklife members DJ PayPal and DJ Manny assist on production, and DJ Lucky is a guest MC on Smokeout'.
Taye is ambitious in his hopes for the album; "I took this as an opportunity to not have boundaries with footwork. Different approaches to our underground'sound to make it broader. It's only underground until it crosses that visible threshold.' This album brings all of this to the forefront.
Tracklisting:
1. 2094
2. Trippin'
3. Need It (ft DJ Manny)
4. Smokeout (ft DJ Lucky)
5. Same Sound (ft Odile Myrtil)
6. 9090
7. Anotha4 (ft DJ Manny)
8. Bonfire (ft DJ Paypal)
9. The Matrixx (ft DJ Manny)
10. Get It Jukin'(ft Chuck Inglish)
11. Pop Drop (ft DJ Paypal)
12. Gimme Some Mo (ft UNIIQU3)
13. Truu (ft DJ Paypal)
14. Closer 15. I'm Trippin'
16. I Don't Know (ft Fabi Reyna)
Release Date: 2018-03-02 -
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DVA started off Hyperdub's barrage of albums in 2012 with his brilliant 'Pretty Ugly', and now closes the the year with the 'Fly Juice' EP's bumper selection of machine tooled tracks, each created for optimum dancefloor damage and road tested by DVA, Kode9 and a select bunch of DJs.
These tracks (four on the double-pack vinyl, with four extra on the digital version) are a brilliant example of what he's been describing as power house for a while, a colourful chunky techno sound that switches up every 8 bars like grime and has plenty of shuffle and offbeat swing as a counterpoint to the 4/4 drums.
'Fly Juice' opens with sweet jazz funk Rhodes before dropping into weightless bouncey chopped vocals and stuttering drums building through 8 bar patterns - with the Rhodes as a sweetner, it's bliss! 'Do It' runs a stuttering voice, a huge deep bassline and relentless building stabs against shuffling drums.
On 'Walk it Out', the repetition of the title over a pummelling two note melody is positively dumb, but pitched against swirling effects and whooshing chords the effect is epic.
'Long Street' features a collaboration with South African producer Big Space, and echoes the sound of early UK bleep and bass with a stern melody, breaking down into swirling Detroit-like chords, while shuffling along on a crisp, scissoring rhythm.
After the sweet and sour songfulness of his album 'Pretty Ugly', the 'Fly Juice' EP shows DVA returning to his dancefloor roots. As an amazing DJ/producer, you can expect more of this in 2013.
Tracklisting:
1. Fly Juice
2. Do It
3. Walk It Out
4. Long Street Feat. Big Space -
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1. Reach The Sun
2. Just Vybe
3. Polyphonic Dreams
4. Pretty Ugly
5. Bare Fuzz
6. Madness
7. Fire Fly
8. Why You Do?
9. The Big 5ive
10. Eye Know
11. 33rd Degree
12. Where I Belong -
DVA's new album NOTU_URONLINEU'marks a strong and brave turning point for his music.Visit product page →
Made with the [Hi:Emotions] moniker that DVA has used for a number of remixes in the past, NOTU_URONLINEU'is very different from what you might know him for, both in its darkness and its abstract ambitions, but the detail and quality of the music is primed to win over new fans.
The rhythmic brilliance and use of space that have given his dance floor recordings their distinct character have mutated and undergone re-assembly into deeper and darker shades. A more pronounced off grid', improvised character has seeped in, lending the record a looser feel to previous work, as if intuition guides it rather than club practicalities.
The album was made under some new self-imposed conditions; of the recording process, DVA says I realised before making this album I was most happy when listening to music in the dark like I did when I was at school. So I decided to record the whole album in the dark too'.
Along with this, the album hints at themes of online alienation, confusion, control and domination, and is peppered with hints of faux-therapeutic advertising and psychotic jingles - a reflection of the stress of online life.
Of the themes, DVA says The album project comes from a short visual story set in a time where a mega corporation named H:E / Hi:Emotions is slowly taking control of everything, and planning to eventually make all people live life under one brand in virtual reality. NOTU_URONLINEU'puts you at the start of that journey.
Tracklisting:
1. Shutdowncentral
2. Suzhou
3. Memoriesofofflineactivity
4. Ad1_V1
5. B It
6. Almostu
7. Dafuq
8. Notu_Uronlineu
9. Shutdowncentral 2.1
10. Fd14
11. Dreamflix
12. Shutdowncentral 3.0
[Bonus] Wtsthewifipassword? -
Londoner Endgame is a new addition to the Hyperdub roster after releases on Lisbon's Golden Mist Records, and NYC-based Purple Tapes Pedigree. Endgame hosts an excellent monthly show Precious Metals'on NTS and produces and DJs as part of the Bala Club crew (also featuring Uli K, Kamixlo and Rules) who are regulars at Lexxi's occasional club night Endless'.Visit product page →
He already has mixes and features with the likes of the Fader, Fact, Dazed and Confused and ID under his belt in the short time he's been releasing music. In his ice-cold productions, Drill, Grime and most notably South American dance riddims are threaded and mutated into tracks that he describes as an ever-evolving vision of the dystopian underbelly of London.
Felony Riddim'is an icy introduction to the EP, an explosive club jam with a menacing and stabbing chime melody leading up to a pounding kick drum. It's all out war, but you can definitely roll your hips to it.
Sittin'Here Redux'recasts Dizzie Rascal's Boy In Da Corner'opener into a tense anthem, with police sirens wailing in the background, dogs barking, and rolling 808 snares that bring a vibe somewhere between reggaeton and drill.
Next up is Fallen'featuring the MC Organ Tapes - a slow burner that works both as a moody headphone track or a club slow jam. Organ Tapes'slurred autotuned vocals flow perfectly with Endgame's blend of grime drums and chiming rap production.
The EP finishes as it began, going out with the explosive and high-energy Toxic Riddim'.
It's a mix of reggaeton and futurist dancehall, with a menacing melody and relentless electric shock-like hi hats across a deep sub. Endgame takes you all around the world - but the ice-cold tone unmistakably brings you right back to winding in a dark club in London's culture clash.
Tracklisting:
Side A:
1. Felony Riddim
2. Sittin'Here Redux
Side B:
1. Fallen ft Organ Tapes
2. Toxic Riddim -
Visit product page →Fatima Al Qadiri is a multidisciplinary artist and musician from Kuwait. In just a few years, she has quickly built a reputation as a conceptual artist, exploring themes informed both by her own background and global pop culture, through a number of highly acclaimed EPs, multimedia projects and writings. She is also a founding member of the production team Future Brown.
Fatima's debut album is called 'Asiatisch', and as the track titles suggest, the record provides a simulated road trip through an imagined China. Musically, the album is an homage to that quietly influential sub-strain of grime, often loosely termed 'sinogrime' due to its preoccupation with Asian motifs and melodies, pioneered by the likes of Wiley and Jammer at the beginning of the 2000s in East London.
'Asiatisch' is a provocation which asks more questions than it answers. The title is the German word for Asian. Unlike its title, however, the music on 'Asiatisch' revolves around the fantasies of East Asia as refracted through pulpy Western pop culture, in particular Hollywood, literary fiction, music, cartoons and advertising.
Fatima asks what is meant by the term 'Asian' in a digital age of viral interchange and the hi-speed trading of cultural bytes; the concept of 'shanzhai' proves pivotal, a term whose meaning stems from a wild, out of control zone of banditry, but which has come to be used to refer to the Chinese counterfeiting of Western brands and goods. While a number of producers have made takes on 'sinogrime' over the last few years, 'Asiatisch' is really the first record that attempts to articulate this weird complex of sonic interchanges between the West and China.
With the exception of the opening track, 'Shanzhai', a haunting cover of 'Nothing Compares to You' with nonsensical Mandarin lyrics, and the shimmering 'Loading Beijing', 'Wudang' and 'Jade Stairs' which sample and distort classical Chinese poetry staging an epic confrontation between China's ancient soul and the onslaught of the industrial factory machine, most of the tracks blend mallets, bells, gongs, flutes, steel drums and choral atmospherics with the searing synth-brass and the skittering drums of grime, playing melodies that are inflected as much by classic R&B as to synthetic versions of traditional Chinese music.
On "Dragon Tattoo" for example, stereotypical iconography of imagined China is slotted into a threatening, robotic R&B format. The carefree pirating of Western brands blurs into a soft-synth pirating of Chinese musical signs.'Asiatisch' is wrapped in pristine artwork by Babak Radboy from Shanzhai Biennial, and the music was given a 3D sheen by in demand mixer Lexxx.
Proclaiming both its love of both ancient and imagined China, 'Asiatisch' is a rare album that is both icily beautiful and conceptually layered.
Tracklisting:
1. Shanzhai [for Shanzhai Biennial] ft. Helen Feng2. Szechuan3. Wudang4. Loading Beijing5. Hainan Island6. Shenzhen7. Dragon Tattoo8. Forbidden City9. Shanghai Freeway10. Jade Stairs -
After last year's well received album 'The Phoenix', King Britt returns under his Fhloston Paradigm moniker for the first in a series of 'Cosmosis' EPs. 'Cosmosis Vol 1' is three spacey perfumed hardware workouts of the kind that Fhloston Paradigm built his name on.Visit product page →
The EP starts with 'Sonic Six', matching bumping drum machine rhythms with gurgling bleeps, and mournful strings building the emotion through the noise.
The second track is the slowly evolving ambience of Faith', which builds up into radiant, shimmering clouds of sound before a bass line drops midway, grounding the track melodically and switching the emotion from ecstatic to bittersweet.
The EP closes with Past', where broken sounds are dragged over a warping piano line, and a flickering static melody engulfs the track as the noise dies out. Cosmosis Vol 2'will follow early in 2016 - ¦
Tracklisting:
Side A:
1. Sonic Six
Side B:
1. Faith
2. Past
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