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Top Sellers - CD

  • Mammoth Weed Wizard Bastard 'Y Proffwyd Dwyll' - Cargo Records UK - 1

    New Heavy Sounds

    Mammoth Weed Wizard Bastard 'Y Proffwyd Dwyll'

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    Repress on black vinyl ltd to 300 copies.

    The CD is a 5 panel fold out with an alternative take on the LP design.

    Y Proffwyd Dwyll is once again produced by Chris (Conan) Fielding, and is without doubt a whopping great slab of heaviness. But that's not all.

    Those who've investigated beyond the name, have already discovered that both the band and their music are deadly serious, and though MWWB may share sonic alliances with likes of Conan, Windhand and Yob, the many who tuned into their impessive debut have discovered that MWWB don't stick to the usual tropes, and are a unique proposition, with a sound all their own.

    Down-tuned to Z,'the guitar tone is tar thick and the riffs massive and full of hooks ... of course.
    But with the soaring, angelic, multi textured vocals of Jessica Ball, MWWB have added an extra dimension to what's considered doom. Not your normal melodramatic dark chanteuse here pilgrims, more like MWWB's secret weapon, a vein of crystal in the rock.

    In fact it's a combination which sounds at times startling and often beautiful. Like if Liz Fraser had fronted Kyuss or Sleep ... though that's too simplistic a comparison.

    There's nothing approaching the 30 minute epic of their debut's Nachthexen'(though these six tracks all clock in around the eight or nine minute mark) but the arrangements are tighter and the vocal elements are considerably upped. Add to that a smattering of cello, some swirling moog wig outs, and you have a record that also invokes Hawkwind's cosmic synthscapes, as well as a nod to the John Carpenter soundtracks that the band love.

    The album title is old North Welsh loosely translated as False Prophet'and the concept of worship is the narrative thread that binds the record. And indeed the album conjures moments of ethereal beauty, the smell of the earth, the scent of the forest or far off land, the cosmic dreams of some wandering shaman perhaps.

    But rest assured, MWWB haven't gone all whimsical on us, this album is one heavy beast, and it rocks like the proverbial bastard.

    Mammoth Weed Wizard Bastard are: Paul Michael Davies, synth and guitar. Jessica Ball, bass, vocals, synth. Wez Leon, synth and guitar. James Carrat'Carrington, synth and drums.


    Side A:
    1. Valmasque
    2. Gallego
    3. Y Proffwyd Dwyll

    Side B:
    4. Testudo
    5. Osirian
    6. Cithuula
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  • Tyla's Dogs D'Amour 'Tree Bridge Cross'

    King Outlaw

    Tyla's Dogs D'Amour 'Tree Bridge Cross'


    Following the UK chart success & critical acclaim of their last full-length studio album ‘In Vino Veritas’  this new album is another incendiary, 111% proof, guitar-fuelled, alcohol-soaked adrenalin shot. 

    Tyla’s trademark songs of hope & heartache, demons & debauchery and conflict & chaos are taken to new heights by a band in full flow. Big choruses are delivered with power. Tender hearted lyrics with emotion.  

    Official release date is September 2nd but you can pre-order now and follow the band’s imperfect journey from creation to completion. Anyone pre-ordering the album will be sent regular missives from Tyla Towers. Updates on artwork, songs in progress, recording out-takes, general musings, napkin drawings and unfunny jokes will all stream your way over the coming months.

    Just add your email here:

    1. Tree Bridge Cross
    2. Journey to the Centre of the Soul
    3. Stole my Love Away
    4. God Only Knows
    5. Angel Lane
    6. Buried Alive
    7. Raining Fire
    8. Powder Dry
    9. Moth to the Flame
    10. Ghosts

    2CD Tracklisting:
    Disc 1
    1. Tree Bridge Cross
    2. Journey to the Centre of the Soul
    3. Stole my Love Away
    4. God Only Knows
    5. Angel Lane
    6. Buried Alive
    7. Raining Fire
    8. Powder Dry
    9. Moth to the Flame
    10. Ghosts

    Disc 2
    1. Tree Bridge Cross (Acoustic)
    2. Journey to the Centre of the Soul (Acoustic)
    3. Stole my Love Away (Acoustic with Spike)
    4 Angel Lane (Acoustic)
    5. Buried Alive (Acoustic)
    6. Raining Fire (Acoustic)
    7. Powder Dry (Acoustic)
    8. Moth to the Flame (Acoustic)
    9. Ghosts (Acoustic)

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  • The Brian Jonestown Massacre 'Don€„¢t Get Lost' - Cargo Records UK - 1

    'a' Recordings

    The Brian Jonestown Massacre 'Don't Get Lost'


    Don't Get Lost was fully recorded & produced at Anton's new Cobra Studio in Berlin. It is the 16th full length release from the Brian Jonestown Massacre recorded from March 2016 to October 2016.

    With band members Ricky Maymi, Dan Allaire, Collin Hegna & Ryan Van Kriedt. Also Emil Nikolaisen from the Norwegian band Serena-Maneesh & Pete Fraser (The PoguesNew Young Pony Club) on saxophone joins the band on this album, plus vocal performances from Tim Burgess (Charlatans), Tess Parks and Shaun Rivers.

    A new dynamic is heard on this album mixing the shoegaze/psychedelic sound with more experimental twists on some tracks you might hear PIL (Metalbox), Primal Scream, or even Ornette Coleman.

    14 tracks that will twist and turn through the known and the unknown Brian Jonestown Massacre.

    Anton Newcombe has been a very busy man these past 2 years, kicking off with the critically acclaimed Brian Jonestown Massacre album 'Revelation' in May 2014. After a successful UK and European tour, the BJM followed this up with the '+-' EP (Nov 2014). 2015 saw the release of 'Musique de film imaginé' (April); an imaginary film soundtrack album featuring the track 'Bonbon' which has, ironically, been used in 'Dheepan'; the Palme D'or winner at Cannes film festival 2015.

    In June, Anton and Tess Parks embarked on a well received tour of the UK and Europe to support the release of 'I Declare Nothing'. Anton finished the 2015 with a BJM mini-album release entitled 'Mini-Album Thingy Wingy' . In 2016 The band released 2 singles and the critically acclaimed Third World Pyramid . The band have been touring the world since November 2015, playing Australia , New Zealand , and then in 2016 USA , Canada , Europe , Chile & Argentina.

    Vinyl 2xLP Tracklisting:
    Side A:
    1. Open Minds Now Close
    2. Melodys Actual Echo Chamber
    3. Resist Much Obey Little
    4. Charmed I'm Sure

    Side B:
    5. Groove Is In The Heart
    6. One Slow Breath
    7. Throbbing Gristle

    Side C:
    8. Fact 67
    9. Dropping Bombs On The Sun
    10. UFO Paycheck

    Side D:
    11. Geldenes Herz Menz
    12. Acid 2 Me Is No Worse Than War
    13. Nothing New To Trash Like You
    14. Ich Bin Klang

    CD Tracklisting:
    1. Open Minds Now Close
    2. Melodys Actual Echo Chamber
    3. Resist Much Obey Little
    4. Charmed I'm Sure
    5. Groove Is In The Heart
    6. One Slow Breath
    7. Throbbing Gristle
    8. Fact 67
    9. Dropping Bombs On The Sun
    10. UFO Paycheck
    11. Geldenes Herz Menz
    12. Acid 2 Me Is No Worse Than War
    13. Nothing New To Trash Like You
    14. Ich Bin Klang
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  • The Brian Jonestown Massacre 'Fire Doesn't Grow On Trees'

    'a' Recordings

    The Brian Jonestown Massacre 'Fire Doesn't Grow On Trees'


    'When you are compelled to do the right thing, when you live by some internal code, and you don't shy away from standing up to and in the face of adversity or against the mob or the man no matter what that might mean to "your fame or prospects", it's doing the right thing... for some it might be taking a knee, or even a baton or bullet. That's a fire inside you, and it doesn't grow on trees. I create my own culture because it is what I need and what I feel isn't being provided. It doesn't exist unless I participate.' – Anton Newcombe

    ANTON NEWCOMBE – frontman, songwriter composer, studio owner, multi-instrumentalist, producer, engineer, force of nature – returns with the Brian Jonestown Massacre’s 19th full-length studio album Fire Doesn't Grow On Trees, which will be released on 24th June 2022 on his own label A Recordings.

    It has been 30 years since the release of their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavour of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no. As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn't a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly acquiesced to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. "I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway," he says. "Or dislike me. It doesn’t matter."

    Brian Jonestown Massacre's shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music's most fascinating bands. There have been a further 18 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock'n'roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.

    Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He's emerged as - revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. "My only option with everything in life has always been that you just jump into the fire," he declares. "It doesn’t matter what it is."

    It's with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 14 years and has two flats, one to live in and one that's been converted into his studio. He goes there six days a week to work and write and record and produce and it's where the fantastic new BJM album Fire Doesn’t Grow On Trees was made. In an era where one band bleeds into the next and production all seems to be pulling from a similarly beige-y sonic palette, here is a record that crackles with excitement and possibility, the fuzz of those 60s Ampeg amps, the exhilarating swirl of guitars and keyboards and Newcombe in the middle of it all, conducting the chaos.

    Fire Doesn't Grow On Trees is the beginning of a thrilling new phase for Newcombe and his band. Joining him in the studio for this album were Ricky Maymi (guitars), Ryan Carlson Van Kriedt (keyboards), Hakon Adalsteinsson (guitar), Hallberg Daði Hallbergsson (bass), Uri Rennert (drums) and Sara Neidorf (drums).

    After a hugely prolific 2010s that saw the release of eight long-players and one mini-album, Newcombe had been going through a period of writer’s block when one day he picked up his 12-string guitar in the studio and album opener and lead single The Real came out of him. Like the kraken, it was as if he’d summoned it. "All of a sudden, I just heard something," he says. "And then it just didn’t stop. We tracked a whole song every single day for 70 days in a row."

    Four minutes into Fire Doesn’t Grow On Trees, there are two lines that sum up its fearless spirit. "Fight the beast until it dies, raise your sword up to the sky!", sings Newcombe as an explosion of fuzzy guitars, thrumming organs and rolling drums collide around him. As soon as Newcombe wrote it, he knew The Real had to open the new album. "That line is like fantasyland!" he laughs. "It's the little kid in me, full on St George shit. It's as much a declaration of anything that I could ever muster. A lot of the album is about affirmation by just living. Existentially, this time period has felt pretty dark so it’s about fighting the good fight. I’m singing to empower other people. First of all, I’m getting whatever I need out of it, but I can see it as something other people can identify with."

    These are songs fuelled with the heady feeling of capturing a moment – from the hot-footed country sway of It's About Being Free Really to the hazy grooves of What's In A Name, from the garage stomp of Silenced to the widescreen 60s-pop of Wait A Minute (2:30 To Be Exact). Nothing was pre-written. Like The Real, everything was conjured up by where an instrument took Newcombe when he picked it up. "I could sit at the piano, the organ, any instrument, and get an idea all of a sudden. I would play for one second with the band to get a grasp of the idea, and then we would unplug the amps and put on the headphones, plug in and track it. Then I would go, 'guys leave the room', sing the words in my head and then record them. Everything's off the top of my head, just like one-take Jake. I surprised myself."

    Fire Doesn't Grow On Trees is a brilliant album, but there is no such thing as a defining statement in Anton Newcombe's world anymore, just more chapters that contribute to the tale. "Nobody can stop me, I'm not asking somebody, I'm not making the rounds at Warners, saying 'please put out my record!'. It's just for me," he says. He hopes he can be an inspiration to others. "I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That's the only reason I need. It's the only reason to do stuff." That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick in 2022. He'll keep jumping in that fire. That's how he rolls. Savour it.

    1. The Real
    2. Ineffable Mindfuck
    3. It's About Being Free Really
    4. What's In A Name
    5. Silenced
    6. Before And After land
    7. You Think I'm Joking?
    8. #1 LUCKY KITTY
    9. Wait A Minute (2:30 to be exact)
    10. Don't Let Me Get In Your Way
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  • Public Image Ltd (PiL) 'What The World Needs Now...' - Cargo Records UK

    PiL Official

    Public Image Ltd (PiL) 'What The World Needs Now...'

    £11.99 £8.99

    On sale

    What The World Needs Now - ¦', released September 4th 2015, is the 10th studio album from legends Public Image Ltd (PiL).

    Released on CD, double vinyl and digital download, the 11-track album follows the huge critical success of 2012's 'This is PiL', the band's first album in 17 years. In winter 2014 PiL returned to Steve Winwood's Wincraft studio in the Cotswolds' to record the new album 'What The World Needs Now - ¦'.

    Commenting on the album, John Lydon says, "Buy now while stocks last."

    What The World Needs Now - ¦', is self-funded by PiL and released on their own label 'PiL Official' via Cargo UK Distribution. 

    The artwork for the album, partly inspired by Native American Hopi characters, was designed and painted by John Lydon.
    1. Double Trouble 
    2. Know Now 
    3. Bettie Page 
    4. C'est La Vie 
    5. Spice of Choice 
    6. The One 
    7. Big Blue Sky 
    8. Whole Life Time 
    9. I'm Not Satisfied 
    10. Corporate 
    11. Shoom

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  • The Brian Jonestown Massacre 'Musique de film imaginé' - Cargo Records UK

    'a' Recordings

    The Brian Jonestown Massacre 'Musique de Film Imaginé'


    Musique de film imaginé (music for film imagined) is a soundtrack that pays homage to the great European film directors of the late 50's and 60's, such as Francois Truffaut & Jean-Luc Godard (to name but two), created by Anton Newcombe on behalf of the Brian Jonestown Massacre for an imaginary French film.

    Guests on this daring symphonic experience are French chanteuse and multi-instrumentalist SoKo and Italian actress, singer and director Asia Argento. SoKo is signed to Because Music and her track We Might Be Dead by Tomorrow'was featured in the viral video First Kiss', which has garnered over 63 million views and debuted at number 9 in the Billboard Hot 100 last year. Asia Argento, who has starred in music videos for Marilyn Manson, Placebo and Tim Burgess, recently wrote the storyline for ASAP Rocky's music video and short film Phoenix', which has had over 5.5 million hits. Both vocal performances are in French.

    Anton Newcombe recorded Musique de film imaginé in Berlin in August 2014, after a successful European tour for the Brian Jonestown Massacre.

    Anton says:

    'The album that you are about to hear is a soundtrack, my own creation, a tribute to great directors and filmmakers to an era that now seems to be behind us. Leaving the smart person to care to imagine that this art could now be in the shadow of its former glory. 'The interesting thing about this project is that the film does not exist either. Even so, I imagined and I realized its soundtrack... Now it's your turn, you are the listener to imagine the film.'

    Brian Jonestown Massacre returned last May with their 14th full-length album Revelation'to critical acclaim. It is the first album

    that was fully recorded and produced at Anton Newcombe's recording studio in Berlin and was released on his record label a recordings. Named in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll, Brian Jonestown Massacre formed in San Francisco, California in 1990. Two dozen band members later and numerous 'ups and downs' (some have been famously sensationalized in the media), the one thing that has always remained consistent for this psychedelic collective, is front man Mr. Anton Alfred Newcombe.


    Side A:
    1. Après Le Vin
    2. Philadelphie Story (with Soko)
    3. La Dispute
    4. L'Enfer
    5. Elle s'échappe

    Side B:
    1. Le Cadeau
    2. Le Sacre du Printemps (with Asia Argento)
    3. Le Souvenir
    4 - Les Trois Cloches
    5. Bonbon
    6. L'Ennui
    7. Bonbon Deux
    8. La Question
    9. Au Somme

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  • Sleaford Mods 'Divide And Exit' - Cargo Records UK

    Harbinger Sound

    Sleaford Mods 'Divide And Exit'

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    Harbinger Sound

    Sleaford Mods 'Divide And Exit'


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    'Divide And Exit' sees Sleaford Mods once again released on the elusive Nottingham-based low-profile Harbinger Sound label. Once dismissed around their native Nottingham as "two skip rats with a laptop" the last 12 months has seen the Sleaford Mods simply knock all their distractors clear out of the way.

    The mounting hysteria surrounding their 2013 album " Austerity Dogs" has spread like chlamydia at a teenage house party and saw them topping many 'End of Year' lists worldwide.  Along with a handful of limited 7" releases on labels as diverse as Matador and X-Mist, plus an extensive european touring programme have all helped to solidify their growing reputation as the 'ones to watch '. The Sleaford Mods duo of Jason Williamson and Andrew Fearn have also been busy throughout the year working on the follow up album which finally sees a release at the start of May.

    "Divide and Exit " contains 14 new tracks all written over the last 12 months and the result is as immediately in your face as its vicious predecessor.  Whilst Fearn's beats and loops will pull you up into the urgency of Sleaford Mods they also allow you to run the gauntlet from delibrate clumsy dance-floor swaggers to full-on punk throwabouts with them. Williamson is let free to spit out his unempathic litany of bile and anger towards the bloated and tedious. His verbal salvos and side-swipes are often savage and brutal , yet at turns, hilarious, but always spot on as Sleaford Mods rage and despair as the country sinks deeper into a cesspool of its own idiocy.

    It's an album that doesn't have the privilege of luxury, indulgence or extravaganza and it will strike a resonant chord with many because it simply refuses to compromise. Many critics have attempted to tag and align the Sleaford Mods with other artists and have done little other than to advertise their own shortcomings and lack of knowledge.

    If you need a pointer try and imagine an East Midlands take on Suicide that survived rave culture and looked to the Wu-Tang Clan for the escape hatch. The down to earth observations and story-telling of Ian Dury or Patrik Fitzgerald are maybe closer than any other names flung about in desperation.

    If you wish to tag and place Sleaford Mods you're only limiting yourself.

    1. Air Conditioning 
    2. Tied Up in Nottz 
    3. A Little Ditty 
    4. You're Brave 
    5. Strike Force 
    6. The Corgi 
    7. From Rags to Richards 
    8. Liveable Shit 
    9. Under the Plastic and N.C.T. 
    10. Tiswas 
    11. Keep Out of It 
    12. Smithy 
    13. Middle Men 
    14. Tweet Tweet Tweet
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  • The Brian Jonestown Massacre 'Their Satanic Majesties Second Request' - Cargo Records UK

    'a' Recordings

    The Brian Jonestown Massacre 'Their Satanic Majesties Second Request'

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    The Brian Jonestown Massacre's sophomore album does, as promised, spring forth from the Rolling Stones' long-underrated 1967 masterpiece Their Satanic Majesties Request, copping not only Mick and Keith's leering bad-boy attitude but also their their rock-and-roll-circus spirit.

    Opening with the brilliant "All Around You (Intro)," a tongue-in-cheek guide to the mind-altering journey ahead, the record is a kaleidoscopic, drug-fueled freakout like the Stones' namesake album, Second Request is painted by Eastern drones and psychedelic tangents, each track bubbling with dozens of sound effects including sitars, mellotrons, farfisas, didgeridoos, tablas, congas, and glockenspiels..

    Travelling through the past, darkly, the Massacre arrives on the other side unscathed; their music is too rich to be merely retro, and too knowing to be merely slavish the Stones themselves haven't made a record this strong or entertaining in years.

    With The Dandy Warhols, The Brian Jonestown Massacre is one of the subjects of the documentary DIG!, winner of the 2004 Grand Jury Prize Documentary at Sundance. DIG! is also a part of the Permanent Collection of the NY Museum of Modern Art. Since the release of DIG!, the band has achieved increasing critical acclaim and recognition, and has performed at Cochella and Lollapalooza in 2005 with special mentions from the NY Times and Washington Post. They have also toured the UK, Japan, Australia, as well as Continental Europe.

    1. All Around You (Intro)
    2. Cold To The Touch
    3. Donovan Said
    4. In India You
    5. No Come Down
    6. (Around You) Everywhere
    7. Jesus
    8. Before You
    9. Miss June '75
    10. Anenome
    11. Baby [Prepraise]
    12. Feelers
    13. Bad Baby
    14. Cause, I Lover
    15. (Baby) Love of My Life
    16. Slowdown (Fuck Tomorrow)
    17. Here It Comes
    18. All Around You (Outro)

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  • Still Corners 'Strange Pleasures' (10 Year Anniversary Re-Issue)

    Wrecking Light Records

    Still Corners 'Strange Pleasures' (10 Year Anniversary Re-Issue)


    In celebration of STRANGE PLEASURES turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl.

    The album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as ‘a master of his craft’.

    The anniversary edition includes all the album’s lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download ‘We Have the Future on Tape’.

    Originally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, ‘The Trip’, captured people’s hearts with one YouTube video acting as a virtual community for like-minded fans around the world. ‘Fireflies’ (Pitchfork, Best New Track), ‘Strange Pleasures’, ‘Beginning to Blue’ and ‘The Trip’ have been used across film and television since the album’s release.

    10th Anniversary Edition features:
    • Transparent Green vinyl
    • Gatefold vinyl including lyrics
    • 18"x24" Strange Pleasures poster
    • Download code, including bonus track "We Have the Future on Tape"
    • Digipak CD with lyric booklet

    1. The Trip
    2. Beginning to Blue
    3. I Can’t Sleep
    4. All I Know
    5. Fireflies
    6. Berlin Lovers
    7. Future Age
    8. Going Back to Strange
    9. Beatcity
    10. Midnight Drive
    11. We Killed the Moonlight
    12. Strange Pleasures
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  • Various Artists 'Afterlife' - Cargo Records UK


    Various Artists 'Afterlife'




    Various Artists 'Afterlife'


    Teklife presents Afterlife, the first release on the new Teklife Records label.

    The album is a celebration of the life and music of the late, great DJ Rashad and features 15 previously unreleased tracks, each a collaboration between DJ Rashad and friends from the Teklife crew and beyond. A limited edition double vinyl will accompany the digital release.

    Afterlife is testament to an incredible breadth of influences and love of music with soul, hip-hop, house, techno and many more all brought together at 160bpm. Rashad's presence is felt throughout in the boundless energy and creativity which run through the album, whilst each collaborator brings their personal touch to the compositions.

    With such a prolific body of work as both a solo artist and in collaboration with other musicians, it would be impossible to present a definitive collection of DJ Rashad's music and many many classics will remain unreleased for ever.

    Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad.

    A percentage of the profits from the album will be donated to Rashad's family.

    CD Tracklisting:
    1. Roll Up That Loud - Dj Rashad X Dj Spinn X Taso,
    2. Get Fuk'd Up - Dj Rashad X Gant-man ,
    3. Let's Roll Out - Dj Rashad X Dj Manny X Dj Spinn,
    4. Come Close - Dj Rashad X Dj Phil,
    5. Wear Her Pussy Out - Dj Rashad X Dj Earl
    6. Oh God - Dj Rashad X Dj Spinn,
    7. Ratchet City - Dj Rashad X Gant-man X Dj Manny,
    8. Get You Burnt - Dj Rashad X Dj Taye ,
    9. Pass That - Dj Rashad X Tripletrain X Dj Spinn,
    10. Tony Montana - Dj Rashad X Boylan X Dj Manny ,
    11. Yeah We Do This - Dj Rashad X Dj Tre ,
    12. Lost Worlds - Dj Rashad X Traxman ,
    13. Do U Wanna B Mine - Dj Rashad X Dj Spinn X Dj Paypal (rsp)
    14. Roll A Tree - Dj Rashad X Dj Manny

    2LP Tracklisting:
    A1. Roll Up That Loud - Dj Rashad X Dj Spinn X Taso
    A2. Get Fuk'd Up - Dj Rashad X Gant-man
    A3. Lets Roll Out - Dj Rashad X Dj Manny X Dj Spinn
    A4. High On Hope - Microglobe X Machinedrum (exclusive To Lp)
    B1. Come Close , Dj Rashad X Dj Phil
    B2. Wear Her Pussy Out , Dj Rashad X Dj Earl
    B3. Oh God, Dj Rashad X Dj Spinn
    B4. Ratchet City , Dj Rashad X Gant-man X Dj Manny
    C1. Get You Burnt - Dj Rashad X Dj Taye
    C2. Pass That, - Dj Rashad X Tripletrain X Dj Spinn
    C3. Tony Montana - Dj Rashad X Boylan X Dj Manny
    C4. Yeah We Do This - Dj Rashad X Dj Tre
    D1. Lost Worlds , Dj Rashad X Traxman
    D2. Do U Wanna B Mine, Dj Rashad X Dj Spinn X Dj Paypal (rsp)
    D3. Roll A Tree , Dj Rashad X Dj Manny

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  • Black Moth 'Condemned to Hope' - Cargo Records UK

    New Heavy Sounds

    Black Moth 'Condemned to Hope'



    New Heavy Sounds

    Black Moth 'Condemned to Hope'


    Transparent Green Vinyl with single sleeve second press available now.

    Exclusive t-shirt design black with white logos front and back limited to 100.

    Black Moth rose from the Leeds underground scene at the end of the last decade, indulging their love for both Sabbath sulphur and Stooges squalor. 

    Their debut 'The Killing Jar', which was released in 2012, was hailed by many as 'one of the best debut album's you'll hear all year' - it even made it onto Kerrang's top 50 albums of the year. Now with an expanded (guitar) lineup to expand the riffage comes the follow up, 'Condemned To Hope.' 

    Their long awaited second album, produced like their first by Jim Sclavunos (Grinderman, Nick Cave & the Bad Seeds, The Cramps) takes their kaleidoscopic heaviosity and sepulchral style to a whole new plateau of riff-driven dementia. A turbulent brew with just as much 60s garage rock bite, head-spinning psychedelia and '1991-The-Year-That-Punk-Broke' grit to offer as Vinum Sabbathi riffage. 'Condemned To Hope' is where Black Moth truly render themselves a glimmering presence in the firmament of 21st century rock. A band just as comfortable sharing the Temples festival bill with the likes of Electric Wizard and Neurosis as they are alongside Nick Cave, Iggy Pop and Deborah Harry on the forthcoming Jeffrey Lee Pierce Sessions album 'Axels And Sockets'. 

    As with all NHS releases the album package will be something very special, with some very special cover art.
    The one and only Roger Dean has created a brand new painting to adorn the cover of the album. Designer, architect and artist, his iconic work for Yes, Uriah Heep, Budgie, countless Vertigo sleeves and much more, has almost come to define 70's sleeve art. It's the Roger Dean you know and love, yet as you've never seen him before.
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  • The Brian Jonestown Massacre 'The Future Is Your Past'

    'a' Recordings

    The Brian Jonestown Massacre 'The Future Is Your Past'


    Available on 180 grm Clear Vinyl LP with a pack of 6 colour pencils so you can colour in your own album cover . The CD comes in two different designs

    Recorded in Berlin & remotely between 2020 & 2021 , the band returns with their 20th full-length studio album.

    The album was recorded in Berlin By Anton Newcombe , joining him in the studio for this album were Hakon Adalsteinsson (guitar), & Uri Rennert (drums).

    The band in 2022 have been touring and completed a 34 date tour in North America with Mercury Rev and the Magic Castles which was very successful , with 3 festival appearances in the summer of 2022 in Angers, France, Graz , Austria & Switzerland which were also successful.

    With this the band went on tour in Europe which started in September 2022 with many sold out shows .

    1. Do Rainbows Have Ends
    2. Nothing Can Stop The Sound
    3. The Light Is about To Change
    4. Fudge
    5. Cross Eyed Gods
    6. As The Carousel Swings
    7. The Mother Of All Fuckers
    8. All The Feels
    9. Your Mind Is My Café
    10. Stuck To Yous
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  • Tess Parks & Anton Newcombe 'Tess Parks & Anton Newcombe'

    'a' Recordings

    Tess Parks & Anton Newcombe 'Tess Parks & Anton Newcombe'


    Available on 180 grm clear coloured vinyl LP.

    This is the second full length album from Tess Parks & Anton Newcombe, the self titled album contains 9 tracks .

    'Right On' is the only track that has been released before on the eponymous EP released earlier in 2018.

    All tracks were recorded at Cobra Studios, Berlin in 2017, the majority of the songs co written by Tess & Anton.


    1. Life after youth 
    2. Monochrome wound
    3. Mount pleasant 
    4. Bindle
    5. Please never die
    6. French Monday afternoon
    7. Die neue welt
    8. Talking bout the weather
    9. Right on

    Release Date: 12/10/2018
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  • Joanna Gruesome 'Peanut Butter' - Cargo Records UK

    Fortuna POP!

    Joanna Gruesome 'Peanut Butter'



    Fortuna POP!

    Joanna Gruesome 'Peanut Butter'


    Click the drop-down menu above to see bargain priced CD and LP + limited edition screenprinted T-shirt bundles.

    Due to rising international pressure, Joanna Gruesome's new album Peanut Butter will finally enter the world via Fortuna POP! (UK/Japan), Slumberland (US) and Turnstile (RoW). Rival groups will be disappointed to learn that the record is a further experiment in combining hyper-melodic pop music with sonic violence. Officials have confirmed that the album contains a record number of hooks, traces of nut and elements of jangle pop, British hardcore punk, atonal music, screaming and drone organs. Yet they have issued warnings of "a marriage of radical politics with peanut butter spread". One authorised statement reads: 'Weighing in at a concise 25 minutes, the album hurtles through its ten songs, each one a succinct, powerful gem.'

    Like their debut, the new album was recorded by MJ from Hookworms, with the aim of heightening the group's "pop" and "aggressive" elements to excessive and hitherto unrecorded levels.

    As songwriter Owen Williams explains:
    'We tried to make it shorter, more economical and attempted to pack as many hooks and screams in as quickly possible in order to avoid short changing the consumer or wasting her/his/their time. Lyrically it's more obtuse and surreal but also attempts to mock trad masculine rock themes whenever things do get more lucid. But sometimes musically we embrace them by doing embarrassing guitar solos. I'm not sure how much else I'm at liberty to say but one thing I will disclose is that the record is a response to threats posed by rival groups."

    The record has also seen the group explore new and potentially dangerous lyrical territory. Opener Last Year is reportedly about experiencing personal tragedy and the occult in a waterpark and a pizza restaurant. Yet Jamie (Luvver) is a straightforward pop song about having a crush on someone named Jamie, queer literature and Welsh public transport. These tracks are followed by the incredibly catchy Honestly Do Yr Worst, a song about espionage, rival groups and the radical possibilities of peanut butter spread.

    Things become surreal on There Is No Function Stacy, a song about
    'someone called Stacy who wrongly believes a party is happening that she's been invited to. The narrator has to painfully explain to her that there was never a party and she fabricated it all', while on Crayon Williams addresses his approach to lyrics directly. 'Sometimes you can undermine hetero macho rock shit through nonsense words, obtuse statements, action, melody, sound or aesthetic rather than through traditional lyrics.'

    Speaking confidentially, one official confirms that 'The sixth track, I Don't Wanna Relax, is yet another hook-filled potential single. This is swiftly followed by Jerome (Liar), a fan favourite based on a subversive folk tale.' On Separate Bedrooms, the group cover a song by Bristol DIY act Black Terror (now performing as 'CUP WINNERS' CUP'), a group known for their attention to melody. The penultimate track is the 'crushing, sparkling' Psykick Espionage, a song about telepathy and the occult in rock'n'roll, and 'the first time I ate an avocado'.

    The record is brought to a close by Hey! I Wanna Be Your Best Friend, a heartwarming number about radical friendship and Thin Lizzy appreciation. Under media interrogation, guitarist George Nicholls confesses to the themes of the record:
    'It's about radical politics, fancying people and espionage. The first record was more about violence and revenge fantasy, whereas this one is more about peanut butter."

    Comprised of Alanna McArdle (vocals), Owen Williams (guitar), Max Warren (bass), George Nicholls (guitar & organ) and David Sandford (drums), the band members originally met on a wine tasting holiday. Their debut album Weird Sister took the world by storm when it was released in September 2013, and went on to win the 2014 Welsh Music Prize. Overwhelming press support saw glowing, hysterical reviews across the board with particular interest from media outlets 'Pitchfork' and 'the NME'.

    On the radio their singles have scored a remarkable four out of four on the 'BBC 6 Music playlist' and the band have played sessions for both 'Lauren Laverne' on '6 Music' and for 'Huw Stephens' on 'BBC Radio One'. Since the release of Weird Sister the band have been constantly hounded, surfacing from hiding only to release split singles with Bristol's Trust Fund and New York's Perfect Pussy, as well as touring with Los Campesinos!, Speedy Ortiz and Stephen Malkmus.


    1. Last Year 
    2. Jamie (Luvver) 
    3. Honestly Do Yr Worst 
    4. There Is No Function Stacy 
    5. Crayon 
    6. I Don't Wanna Relax 
    7. Jerome (Liar) 
    8. Separate Bedrooms 
    9. Psykick Espionage 
    10. Hey! I Wanna Be Yr Best Friend

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  • Mammoth Weed Wizard Bastard 'Noeth Ac Anoeth' - Cargo Records UK

    New Heavy Sounds

    Mammoth Weed Wizard Bastard 'Noeth Ac Anoeth'

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    The first vinyl and cd offering by Welsh doom outfit Mammoth Weed Wizard Bastard, or MWWB if you will, is a beast indeed.

    Noeth Ac Anoeth'is an old Welsh phrase which the band tells us is a druidic concept, meaning an abode of existence, or Hades crossed with nothingness, it captures the mood perfectly - mysterious, dark and spacious.

    Though this 3 tracker could possibly be called a mini album, rest assured, at over 50 minutes of music you will feel at turns, high, low, pummelled, seduced and sated.

    MWWB's sound has all the crushing weight and expanse of Ufommamut, Windhand or Yob, combined with a love of the hypnotic grooves of Amon Duul II, the cosmic soundscapes of Hawkwind and Cult of Luna at their most cosmic, and a dose of dark psychedelia.

    In fact, this Wrexham quartet has created a sound wrought from the very forge of Vulcan itself.
    Here you have the first vinyl outing of Nachthexen'a 30 minute plus doom rock space opus. A shifting, progressive epic of plutonium weight, the ideal soundtrack to your next intergalactic voyage or black hole exploration. Crammed with a dark medley of riffs and textures, and topped off by MWWB's secret weapon, the angelic siren song of vocalist Jessica Ball.

    Les Paradis Artificiels'is another downtuned epic, the mammoth riffs and shifts are still there, but on this the vocals are more present, mesmerizing and fully integrated. It's like The Cocteau Twins or My Bloody Valentine landed in a doom band and said hell yeah, this works'.

    Slave Moon'is experimental, progressive even. 10 minutes plus of thumping atmospherics and ascending guitar layers, and some pretty filthy, yet catchy riffing.

    Ladies and Gentlemen, please put on your cans, light up a big one and step into outer space.
    Produced to weighty perfection by Chris (Conan) Fielding, MWWB are proving that doom metal is alive and well, and still capable of evolving beyond the wall of Sleep.

    Mammoth Weed Wizard Bastard are: Paul Michael Davies, Guitar and Synth. Jessica Ball, Bass and Vocals. Wez Leon, Guitar and James Carrington, Drums.

    Tracklisting LP:
    Side 1:
    1. Les Paradis Artificiels
    2. Slave Moon
    3. Nachthexen Pt 1

    Side 2:
    1. Nachthexen Pt 2

    Tracklisting CD:
    1. Les Paradis Artificiels
    2. Slave Moon
    3. Nachthexen
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  • Fu Manchu 'Start The Machine'

    At the Dojo

    Fu Manchu 'Start The Machine'



    At the Dojo

    Fu Manchu 'Start The Machine'


    Fu Manchu's 8th album, Start The Machine, was originally released on 14 September, 2004. Until now, it is the only album from the legendary band that has never been issued on vinyl.

    To celebrate the 15th anniversary of this classic, At The Dojo Records will remedy that with a newly remastered debut vinyl release. Also included is a bonus picture flexi 7" of Written In Stone performed live at Roadburn Festival 2003, one year prior to the song's studio version release on this album.

    This 3,000 unit run is pressed on neon green/black splatter vinyl and the gatefold package design includes never before seen photos of the band.

    Start The Machine features Written In Stone, Hey (as featured on the television series, Sons Of Anarchy and crowd favorites Make Them Believe and Today's Too Soon. This is the recording debut of drummer Scott Reeder, formerly of Smile.

    The CD version of this album is also newly remastered for maximum fidelity.

    One of Fu's tightest albums in years - Pop Matters

    Invariably tight, immediate and groovy, pulsing sonic hot rods like Written In Stone,? Open Your Eyes? and I Wanna Be? dominate an LP that was clearly meant to be heard on vinyl? -

    1. Written in Stone
    2. I Can't Hear You
    3. Understand
    4. Make Them Believe
    5. Hey
    6. I'm Gettin' Away
    7. Out to Sea
    8. Open Your Eyes
    9. Today's Too Soon
    10. It's All the Same
    11. Tunnel Vision
    12. I Wanna Be

    Picture disc flexi 7":
    1. Written In Stone

    Release Date: 13/09/2019

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  • The Wildhearts 'Thirty Year Itch'

    Round Records

    The Wildhearts 'Thirty Year Itch'



    Round Records

    The Wildhearts 'Thirty Year Itch'


    "Ginger gave me two instructions: 'Loud guitars and loud crowd' - ¦.I didn't have a choice in either as that's what was captured during the recording' - Live album producer Dave Draper

    At a time when we are craving live shows more than ever, Round Records presents ' The Wildhearts - 30 Year Itch', recorded live during the band's The Renaissance Men and Diagnosis tours during 2019. The 17-track album showcases the incendiary energy that has made The Wildhearts one of the best loved UK live rock acts of the last thirty years.

    A perfect moment in time, thirty years from the band forming, that shows a band still at the height of their powers, bristling with energy as they deliver classic tracks such as 'Caffeine Bomb', 'Suckerpunch', 'Let Em Go', 'Vanilla Radio' and 'I Wanna Go Where The People Go'.

    Ginger says, 'There are a few authorised bootleg live albums of The Wildhearts doing the rounds, but as soon as Danny rejoined the band I knew I had to capture the classic Wildhearts line up on record.
    There were a few reasons for this, the main one being that we're still alive, which is a situation that could change at any second with this group.
    I also wanted people to hear how insanely powerful The Wildhearts are as a live band.
    Pounding drums, chainsaw bass and bombastic guitar riffs, all underpinning harmony vocals and huge anthemic songs that every member of the audience sings like a football crowd. It's a surprisingly emotional blend of noise, passion and unity.

    As far as I'm concerned this is a classic album by a unique band playing timeless songs that don't fit into any established genre. Is it rock? Is it punk? Who cares, it's The Wildhearts.'

    Although the release date of the album was set pre Covid, the albums Imminent release will give the fans a little taste of what they can't have with the current situation. Mastered once again by maestro Dave Draper, this double album captures the band's balls out performance that still kicks the ass of crowds up and down the country, 30 years since they started!

    Dave explains 'Never Outdrunk, Never Outsung was my first adventure into the world of working with The Wildhearts. I carried a lot of pressure on my shoulders to make sure it was as close to the experience of actually being in the crowd. Judging on what the feedback has been since it came out, I can say I think it worked out just fine. So when the time came around to make another live album for the boys, myself and Elliot Vaughan once again jumped in the car and captured a few shows from The Renaissance Men and Diagnosis tours of 2019.  When it came to the mixing, like on Never Outdrunk - ¦', it was really good to hear older tracks having a new lease of life and power from the boys - ¦. the two songs from Endless Nameless'that have made this new album are highlights for me and I'm sure many of you will agree. Timeless songs with all you mad bastards singing your hearts out on. What's not to like? Ginger gave me two instructions: 'Loud guitars and loud crowd' - ¦.I didn't have a choice in either as that's what was captured during the recording, Thank you for making my job a lot easier, guys!'

    The album will also be released featuring an exclusive yellow vinyl version and also a CD version with 4 exclusive postcards, that will only ever be available with this version.

    The Wildhearts are one of the UK's best loved rock acts. Fronted by the mercurial Ginger, the band have written countless anthems that are woven into the fabric of UK rock music.

    The band have nine studio albums, from the iconic debut 'Earth Vs The Wildhearts' through to 2019's critically acclaimed 'Renaissance Man', their first new studio in ten years.

    The band are an established live act who consistently sell out venues across The UK and Europe. For all those fans of live music craving something to fill the gap until life returns to normal then this is the album you must have.

    1. Dislocated
    2. Everlone
    3. Suckerpunch
    4. Anthem
    5. Diagnosis
    6. TV Tan
    7. The Jackson Whites
    8. Let Em Go
    9. Vanilla Radio
    10. Urge
    11. Mazel Tov Cocktail
    12. Sick Of Drugs
    13. Someone Who Won't Let Me Go
    14. The Revolution Will Be Televised
    15. Caffeine Bomb
    16. Love U Til I Don't
    17. I Wanna Go Where The People Go

    Release Date: 04/12/2020

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  • Sleaford Mods 'Austerity Dogs' - Cargo Records UK - 1

    Harbinger Sound

    Sleaford Mods 'Austerity Dogs'

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    Harbinger Sound

    Sleaford Mods 'Austerity Dogs'


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    Sleaford Mods started out sometime during 2006 whilst Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap.

    After a year of working ideas out in both the studio and in live performance around Nottingham, Williamson  moved south and took the cause to London for a couple of years, before returning to Nottingham in 2009.

    Soon after that he that he met Andrew Fearn and the Sleaford Mods became a duo. Fearn's first work was on the production of Wank ' the Mods' fifth CDr album. Soon after he started stalking the studio and stage with Williamson. Just after the release of Wank the duo were invited to play a three day festival curated by Nottingham's Rammel Club. During that weekend they were introduced to the Harbinger Sound label.

    A meeting which ' a year later ' resulted in the release of Austerity Dogs.

    1. Urine Mate 
    2. Mcflurry 
    3. My Jampandy 
    4. Fizzy 
    5. Donkey 
    6. Ppo Kissing Behinds 
    7. Shitstreet Runny 
    8. Wage Don't Fit 
    9. Showboat 
    10. Don't Wanna Disco Or 2 
    11. Five Pound Sixty 
    12. Kill It Clean 
    13. Bored To Be Wild (CD only bonus track)

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