Recently Added Vinyl

12" USA Version:

Tracklisting:
1. Out of the Woods 
2. USLS1 - Live from NYC 2010 
3. Warrior - Live from NYC 2010

Taken from 'This Is PiL' their first album in 20 years the single will also contain various live tracks taken from the band's monumental performance at New York City's Terminal 5 in 2010. 

The Reggie in Reggie Song is a real person and a good friend of John Lydon's from the multicultural melting pot of Finsbury Park in North London where they both grew up. Reggie Song is self-funded by PiL and will be released on PiL's own label 'PiL Official' via Cargo UK Distribution.

All the new material was recorded in the UK last year at Steve Winwood's studio in the Cotswolds. In what has already been very busy 2012 for PiL the band recently returned to London to play a very special show at the Forum on August 11^th resulting in a 5 out of 5 Live Review from The Independent-

http://www.independent.co.uk/arts-entertainment/music/reviews/pil-forum-london-8038259.html.

This Is PiL- The release of the album This Is PiL earlier this year resulted in the below response from various media: MOJO Magazine- 4 out of 5

"It's simply a joy to hear Lydon in fine voice, getting stuck into thorny matters with his own unique, raw nerve gusto, backed by a cookin' band" The Times-  4 out of 5

"Never mind the Pistols- this PiL is worth taking The Guardian-  4 out of 5 stars

...."You're more often struck by Lydon's determination to keep pushing forward into uncharted territory, to head as he puts it on the track of the same name, for deeper water" The Quietus

"This is a 63 minute chunk of music that wavers marvellously from the irresistible, the effortlessly accessible to the downright weird" Loud & Quiet Magazine- 8 out of 10

"This Is PiL is an evolution; a step forward with eyes locked straight ahead, no heads looking back at past glories" Q Magazine- 4 out of 5  

"Representing the experimental instincts of Lydon the teenage Can fan, it sees him putting his ire to use over spectrally funky tracks warped and shaped by Lu Edmonds's byzantine guitars" Drowned In Sound- 8 out of 10

...."It comfortably manages to be what a comeback strives to be but seldom is; adventurous, celebratory and - above all - adding to an already admirable legacy" Music OMH.com -  5 out of 5

"This is Public Image Ltd at its best. This record is good. Outrageously good" "He sounds vital on these songs, so goddamn vital, a man and a band with more ideas than they know what to do with" Buy this record. This is PiL. Isn't that enough for you?"

Tracklisting:
1. Reggie Song 
2. Four Enclosed Walls - Live from NYC 2010 
3. Disappointed - Live from NYC 2010

One Drop is a reflection of where I grew up in Finsbury Park, London. The area that shaped me, and influenced me culturally and musically, a place I will forever feel connected to. But within this I am also saying it doesn't matter where you come from, we all go through the same emotions especially the disenchanted youth of today, yesterday and the future. Bearing in mind the Olympics are in London this year and who knows what that could bring for London and our country¦. - John Lydon

Public Image Ltd confirm their first new material in 20 years will begin with the EP 'One Drop' released for 'Record Store Day' on April 21^st  Followed by the album 'This Is PiL' on May 28^th The new material will be released on the bands own label 'PiL Official' Public Image Ltd can confirm that a 4 track 'EP' entitled 'One Drop' is set to be released for 'Record Store Day' on April 21^st, marking their first new material for 20 years.

The 4 track 'EP' is taken from the forthcoming album 'This Is PiL' released on May 28th.   Both the new EP and album is self-funded by PiL and will be released on PiL's own label 'PiL Official' via Cargo UK Distribution. All the new material was recorded in the UK last year at Steve Winwood's studio in the Cotswolds.

PiL were recently confirmed as special guests at BBC Radio 6 birthday celebrations at Queen Elizabeth Hall, London March 16th where they will be performing live, including some new tracks. With their show at The Brighton Concorde on August 16^th sold out, a second date has been added at the venue on August 15^th.  

Lead track 'One Drop' from the EP of the same name was given an exclusive airing by Steve Lamacq on his BBC 6 show last week.

Tracklisting:
1. One Drop 
2. I Must Be Dreaming 
3. The Room I Am In 
4. Lollipop Opera

For those who are unaware, Goat are a collective of musicians who hail from a small and very remote village called Korpolombolo in deepest darkest Sweden. Legend has it that for centuries, the inhabitants of the village of Korpolombolo were dedicated to the worship and practices of Voodoo.

This strange and seemingly unlikely activity was apparently introduced into the area after a travelling witch doctor and a handful of her disciples were led to Korpolombolo by following a cipher hidden within their most sacred of ancient scriptures. The reason it led them there is unknown, but their Voodoo influence quickly took hold over the whole village and so they made it their home - there, they were able to practice their craft unnoticed and unbothered for several centuries.

This was until their non-Christian ways were discovered by the Church and they were burned out by the crusaders, the survivors cursing the village over their shoulders as they fled. To this day, the now picturesque village of Korpolombolo is still haunted by this Voodoo curse; the power of the curse can be felt throughout the grooves of this Goat record.

The nine track album follows the underground success of the now sought after 7 Goatman, which is also included in this selection.

The band takes in many influences, from the Afro groove that is central to the album, through to head nodding psych, post-punk, turkish rock, kraut repetition and astral folk

Tracklisting:
1. Diarabi 
2. Goatman 
3. Goathead 
4. Disco Fever 
5. Golden Dawn 
6. Let It Bleed
7. Run To Your Mama 
8. Goatlord 
9. Det Som Aldrig Förändras/Diarabi

The ORIGINAL VERSION of this vinyl of this brand new EP was work of art collaboration between Anton Newcombe & Icelandic artist JÃ"n Sæmundur Auðarson the double 12" EP consists of 5 new tracks by the Brian Jonestown Massacre & double sided etched disc by JÃ"n Sæmundur Auðarson & was strictly limited to 1,000 Units worldwide.

This VERSION is a single 5 track EP but with the same superb cover art as the original release.

This was recorded after the extensive tour of Europe, Australia , New Zealand & a few select dates in New York State (especially ATP supporting My Bloody Valentine et al ) in 2008, Anton went to Berlin to focus on his next album. 4 weeks before hitting the US tour in April 2009, Anton was bursting with ideas & went to Iceland where this 5 track EP was recorded.

This album brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.

Tracklisting:
Side A:
1. The Serious Matter
2. I Alvöru Talað

Side B:
1. Tempo 116.7 (reaching for dangerous levels of sobriety)
2. Tempo 116.7 (clean acid / dirty beats)
3. Super Fucked

After spending time writing and recording in Liverpool, England and Reykjavik, Iceland; My Bloody Underground will be the thirteenth full‐length album released by the band, set for release on Anton Newcombe’s own record label “a recordings” thirteenth time’s a charm for a band who’s name a portmanteau of the original and founding member of The Rolling Stones’ Brian Jones and the infamous mass cult suicide at Jonestown, Guyana in 1978.

Fans and critics of Brian Jonestown Massacre who have eagerly awaited a new album for a little over 4 years now will not be disappointed with its musical content, quality and controversy to follow. The opening track titled “Bring Me The Head Of Paul MCCartney On Heather Mill’s Wooden Peg (Dropping Bombs On The White House)” begins and soars into an echoing wave of tambourines and trancelike acoustics, that continues for 12 more tracks and 75.87 minutes, stirring visions of sunny Californian communes to New York City bars on the Lower East Side. From Rishikesh to Reykjavik, the entire album provides provocative glimpses into Anton Newcombe’s head, both the darkness and the light, so clearly and so beautifully self‐produced.

A man and artist many are eager to dismiss as obnoxious and unworthy of the attention he receives. Others however, deem him simply as vulnerable in this world he roams and hugely misunderstood whilst doing so. Like many prolific and artistic “madmen” before his and our time, dare we sum all of the above and categorize Newcombe as a one of the musical geniuses of our time?  Maybe it’s too early or controversial to say, but tracks from My Bloody Underground are certainly good indications whether such a “characteristic” is worthy of his nature. “We Are The Niggers Of The World” (track 4) is a song Anton wrote when he was just 9 years old, you can decide for youyourself.


Tracklisting:
1. Bring Me The Head Of Paul McCartney On Heather Mill's Wooden Peg (Dropping Bombs On The White House)
2. Infinite Wisdom Tooth / My Last Night In Bed With You
3. Who Fucking Pissed In My Well?
4. We Are The Niggers Of The World
5. Who Cares Why
6. Yeah Yeah
7. Golden Frost
8. Just Like Kicking Jesus
9. Ljosmyndir
10. Automatic Faggot For The People
11. Darkwave Driver / Big Drill Car
12. Monkey Powder
13. Black Hole Symphony

Redolent with the spirit of such high priests of effects and delay as Loop, Spaceman 3, and My Bloody Valentine, not to mention a fair dollop of the Jesus and Mary Chain.
Methodrone clearly is the sum of its influences.

Thankfully The Brian Jonestown Massacre does a very solid job with them throughout the album's course of over 70 minutes.

Tracklisting:
1. Evergreen
2. Wisdom
3. Crushed
4. That Girl Suicide
5. Wasted
6. Everyone Says
7. Short Wave
8. She Made Me
9. Hyperventilation
10. Records
11. I Love You
12. End of the Day
13. Outback
14. She's Gone
15. Methodrone

Available on 180 grm vinyl.

At the risk of further labouring a rather obvious point, with Thank God for Mental Illness, their third collection of absolutely stunning music in 1996, the Brian Jonestown Massacre parallels the prolific and effortless brilliance of the Rolling Stones at their fevered late-1960s peak; the sheer scope of their achievements is stunning, rarely are bands quite so productive, or quite so consistently amazing.

Thank God is the BJM's down-and-dirty country-blues outing, all 12-odd tracks supposedly recorded on a single July day at a cost of just $17.36 .

Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

CD Tracklisting:
1. Spanish Bee
2. It Girl
3. 13
4. Ballad Of Jim Jones
5. Those Memories
6. Stars
7. Free And Easy
8. Down
9. Cause I Love Her
10. Too Crazy To Care
11. Talk-Action
12. True Love
13. Sound Of Confusion

Vinyl Tracklisting:
1. Spanish Bee
2. It Girl
3. 13
4. Ballad Of Jim Jones
5. Those Memories
6. Stars
7. Free And Easy
8. Down
9. Cause I Love Her
10. Too Crazy To Care
11. Talk-Action
12. True Love

Considered a classic and most sought after re-issues on the vinyl format, the CD was originally released in 1997.

Give It Back! is the sixth studio album and notably, is the only album that features Peter Hayes, who went on to found the Black Rebel Motorcycle Club.

The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

Tracklisting:
1. Super-Sonic
2. This Is Why You Love Me
3. Satellite
4. Malela
5. Salaam
6. Whoever You Are
7. Sue
8. (You Better Love Me) Before I Am Gone
9. Not If You Were the Last Dandy on Earth
10. #1 Hit Jam
11. Servo
12. Devil May Care (Mom & Dad Don't)
13. Their Satanic Second Request

The Brian Jonestown Massacre's sophomore album does, as promised, spring forth from the Rolling Stones' long-underrated 1967 masterpiece Their Satanic Majesties Request, copping not only Mick and Keith's leering bad-boy attitude but also their their rock-and-roll-circus spirit.

Opening with the brilliant "All Around You (Intro)," a tongue-in-cheek guide to the mind-altering journey ahead, the record is a kaleidoscopic, drug-fueled freakout like the Stones' namesake album, Second Request is painted by Eastern drones and psychedelic tangents, each track bubbling with dozens of sound effects including sitars, mellotrons, farfisas, didgeridoos, tablas, congas, and glockenspiels..

Travelling through the past, darkly, the Massacre arrives on the other side unscathed; their music is too rich to be merely retro, and too knowing to be merely slavish the Stones themselves haven't made a record this strong or entertaining in years.

With The Dandy Warhols, The Brian Jonestown Massacre is one of the subjects of the documentary DIG!, winner of the 2004 Grand Jury Prize Documentary at Sundance. DIG! is also a part of the Permanent Collection of the NY Museum of Modern Art. Since the release of DIG!, the band has achieved increasing critical acclaim and recognition, and has performed at Cochella and Lollapalooza in 2005 with special mentions from the NY Times and Washington Post. They have also toured the UK, Japan, Australia, as well as Continental Europe.

Tracklisting:
1. All Around You (Intro)
2. Cold To The Touch
3. Donovan Said
4. In India You
5. No Come Down
6. (Around You) Everywhere
7. Jesus
8. Before You
9. Miss June '75
10. Anenome
11. Baby [Prepraise]
12. Feelers
13. Bad Baby
14. Cause, I Lover
15. (Baby) Love of My Life
16. Slowdown (Fuck Tomorrow)
17. Here It Comes
18. All Around You (Outro)

Bravery, Repetition and Noise is a dark dreamy album, rich in atmosphere, layered in waves of sound.

The album's antecedents are clear, inspired by psychedelia as they were by punk's nihilism, pulling both strands into a doom-laden, experimental sound quite distinct from anything that had come before or since.

The Brian Jonestown Massacre uses this as their touchstone, lovingly re-creating the moods and atmospheres of the past.

Tracklisting:
1. Just For Today
2. Telegram
3. Stolen
4. Open Heart Surgery
5. Nevertheless
6. Sailor
7. You Have Been Disconnected
8. Leave Nothing For Sancho
9. Let Me Stand Next To Your Flower
10. If I Love You?
11. (I Love You) Always
12. If I Love You? (New European Gold Standard Secret Babylonian Brotherhood Cinema Mix)

This six-song, half-hour CD/VINYL the band's affecting a more rural, lonesome-sounding tone and a moodier, more deliberate pace; the more traditional feel meshes well with Anton Newcombe's twisting of country-gospel lyrical clichés into rock & roll attitude.  

The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.

Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

With The Dandy Warhols, The Brian Jonestown Massacre is one of the subjects of the documentary DIG!, winner of the 2004 Grand Jury Prize Documentary at Sundance. DIG! is also a part of the Permanent Collection of the NY Museum of Modern Art. Since the release of DIG!, the band has achieved increasing critical acclaim and recognition, and has performed at Cochella and Lollapalooza in 2005 with special mentions from the NY Times and Washington Post.

Tracklisting:
1. The Way It Was
2. Mansion in the Sky
3. Reign On
4. The Godspell According to A A Newcombe
5. All Things Great and Small
6. Arkansas Revisited