Recently Added Vinyl
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Visit product page →Vinyl edition is the first pressing of 500. Includes a CD.
Worship can come in many forms, and can happen in many different kinds of place. Music can make its church anywhere. With Places Of Worship, Arve Henriksen moves into the front rank of world class musicians.
The Norwegian trumpet player has made his mark over many years, not only as the horn player with the consistently challenging and long lived group Supersilent, but also as the purveyor of exquisite and distinctive solo work that stretches to four solo albums since 2001, which Rune Grammofon recently repackaged as a career-spanning box set, Solidification.Deeply rooted in the sublime geology of his Norwegian homeland, Henriksen's music has developed into something beautifully at one with natural habitats and reflecting the hybrid, cosmopolitan environments of the twenty-first century. On Places Of Worship, he inhabits the space between these two worlds, in a series of tone poems and mood pieces located around religious buildings and ruins.
These still, silent quarters and abandoned houses of the holy can be where we experience our deepest moments of reflection, silence and occasionally fear. Making the aura of these places audible, Henriksen's haunted horn and idiosyncratic treble vocals carry an air of treading on forbidden territory, stirring up the dust of forgotten spirits.
As well as suggesting the creaking timbers and salty tang of North African ports ('Alhambra') and the whiff of Gallic scirocco ('Le Cimitière Marin'), it stirs fond memories of fellow musical souls, both alive and dead: the Miles Davis of Sketches Of Spain and Aura; the Fourth World exotica of Jon Hassell.
Arve Henriksen played in various jazz ensembles in his youth before co-forming Supersilent in 1997. His trumpet, augmented with effects and electronics, has appeared with David Sylvian, Terje Rypdal, Nils Petter Molvær, Jon Balke, Terje Isungset and Iain Ballamy's Food.
With Supersilent he recently collaborated with former Led Zeppelin bassist John Paul Jones.
His own music, which has reached a new intensity on Places Of Worship, will leave you becalmed, bewildered, bewitched¦. And full of praise.
Tracklisting:
1. Adhan
2. Saraswati
3. Le Cimetière Marin
4. The Sacristan
5. Lament
6. Portal
7. Alhambra
8. Bayon
9. Abandoned Cathedral
10. Shelter From The Storm -
Sold outVisit product page →Northern California native Chelsea Wolfe's sound is best described with broad strokes: elemental, intense, radiant, ancient yet modern, intimate yet expansive, dark and sparkling.
Hues of black metal and deep blues inform her ever-evolving electric folk '? a warm force that wraps itself around the listener, encouraging uplift, seeking triumph. Her voice similarly haunts and soothes, with words that illuminate life's darker corners in order to reveal the unlikely truth and beauty hidden within.
In a way, Wolfe is on a journey to the surface of her own music. 2012 finds releasing her first acoustic emanation on Sargent House, titled Unknown Rooms: A Collection of Acoustic Songs.The experience is a secret shared, a side of our heroine rarely seen or heard, and the making was as intimate as it gets: recorded in the woods of Northern California and at Wolfe's L.A. home, co-produced by her bandmate Ben Chisholm, with players Ezra Buchla of Gowns (viola), Andrea CalderÃ"n of Corima (violin) and Daniel Denton of Gothic Tropic (bass).
Tracklisting:
1. Flatlands
2. The Way We Used To
3. Spinning Centers
4. Appalachia
5. I Died With You
6. Boyfriend
7. Our Work Was Good
8. Hyper Oz
9. Sunstorm -
Sold outVisit product page →CD Digipak with 20 page booklet. Vinyl is 2LP in Gatefold jacket + download card.
Pain is Beauty is the third studio album from the Los Angeles-based artist and is a self-described love letter to nature. Many of the album's 12 tracks veer in a decidedly more electronic direction than previous recordings, while at the same time capitalizing on Wolfe's trademark penchant for the morose and otherworldly.
As Wolfe explains: "[The album] becomes an exploration of ancestry, how the mythology, landscapes and traditions of our ancestors affect our personalities today. Honesty is what initially drew me to music, and I've been more honest and open with myself than ever through these songs.
There is peace in truth. There is clarity in solitude. And there is power within simplicity and focus. Love is not always easy. Tormented love is something I understand more than society's skewed idea of what love should be. Love is indelible, severe, earnest, merciful. To push forward against the odds is to make history".
Chelsea Wolfe makes records that transcend time, avoid pigeonholing, and most importantly, allow a glimpse into the soul of a true visionary. Her work is free of the contrivances of lesser artists, the trivial "concepts" and pandering for attention at any cost. Hers is a dignified way of doing things, proven without any doubt by the sheer quality of her work.
Pain is Beauty presents not so much an auditory experience as it does an encompassing atmosphere with which the listener can surround themselves, a soul-stirring link with infinity.
Tracklisting:
1. Feral Love
2. We Hit A Wall
3. House Of Metal
4. The Warden
5. Destruction Makes The World Burn Brighter
6. Sick
7. Kings
8. Reins
9. Ancestors, The Ancients
10. They Clap When You're Done
11. The Waves Have Come
12. Lone -
Visit product page →For a while now Leeds five-piece Hookworms have been terrorising headlining bands across northern England and beyond, not through histrionics or gimmick, but through sheer sonic velocity and emotive intent. Often bracketed among the latest wave of psychedelic rock currently appearing in pockets around the UK (as support slots with Wooden Shjips, Sun Araw and Peaking Lights attest), this tag is somewhat of a misnomer for a band whose use of repetition and reverb is not to open the third dimension or for some sort of flower-power escapism.
Instead the reel feels cathartic, each fresh revolution of the loop a confrontation between the band and themes of depression, loss and anger - subjects close to the heart of the group's vocalist MJ (no enigma; we just don't use our full names, we've no interest in being celebrities.) Pearl Mystic is an absolutely thunderous statement of intent for Hookworms after a portentous couple of years of live shows and limited releases.
Their live shows continued to increase in intensity, with impressive festival appearances at Beacons, Liverpool PsychFest and Supersonic cementing their reputation treading the boards. Live and on record, like Spaceman 3, they pointedly subvert the tripped out sound environments of psychedelia with a darkly malevolent punk menace; unlike J.Spaceman et al, there's no chemical assistance, these concepts and feelings come with clarity, and hit all the harder for it.
The LP's themes focus on a deeply personal narrative surrounding a lost relationship and a battle with depression that at its worst brought about, as MJ, puts it a half-hearted suicide attempt. Thus songs like 'Away/Towards' (a finer opening to an album you couldn't hope to hear) possess a gargantuan build-and-release infectious energy that juxtaposes with a subtext of a bi-polar approach to coping with loss. 'Preservation', too, is in keeping with the group's live shows, though deals with existentialism, whilst several Raymond Carver influences are scattered in and among the bold textures of sound.
'In Our Time' is perhaps the closest thing to escapism on the LP, about a hill MJ would cycle up near Otley in Yorkshire after the end of his relationship, because it possessed his favourite view in the world. 'Since We Had Changed' meanwhile is almost mantra-like in its constancy, new percussive elements joining those already on the record, whilst 'What We Talk About' returns full circle to the first track's themes of depression, and emerges from mixed field recordings including a backwards taping of a Hare Krishna lecture played down the studio corridor.
The record was recorded and produced in MJ's own Suburban Studios ' where he's worked on records for Mazes, Eagulls and Spectrals among others ' and he admits he enjoyed the greater freedom he could allow himself on his own project. Years of acclaimed production work have given him a great understanding for blending together the abilities of both man and machine. My vocal style, for instance, has been informed by the Roland Space Echo he points out. The delayed vocals originated as a comfort blanket for the low confidence I have in my voice, but I have since learnt to sing with the machine - I understand its limitations and breaking points.
Certainly the production is lush, erring on the lo-fi side but contrasting that with a sense that every element has been pored over and deeply considered. Indeed, the most impressive thing about Hookworms is that, through this torrent of emotion, through their wild motorik and their thick slabs of noise that threaten to spill over, there's always the sense that they're in control of it all, so committed are they to this catharsis that they refuse to throw any of it to chance.
Tracklisting:
1. Away / Towards
2. Form And Function
3. I
4. In Our Time
5. Since We Had Changed
6. Preservation
7. II
8. What We Talk About
9. III -
Visit product page →A musical 'amateur' who best exemplified true artistry, Lena Hughes was born in Grape Grove Township, Missouri, in 1904. Though she never recorded any 78s and only one LP, Hughes was most influential through her steady performances at various fiddler conventions and folk festivals throughout the Ozarks. She was an excellent fiddler, banjoist and guitar picker who retained the largely extinct repertoire of parlor pieces and the variety of specialized tunings that were necessary to play them. She lived most of her life in Ludlow, Missouri and passed away in 1998.
Lena Hughes' repertoire can be divided roughly in half: finger-picked numbers adapted from fiddle tunes and recast parlor guitar pieces gleaned from popular sentimental songs, hymns, and 19th century airs. As a faithful attendee at folk festivals, Hughes was accompanied by her guitar-playing husband, Jake.
Her most mesmerizing performances, such as Pearly Dew, Spanish Fandango, and Kentucky Moon Waltz, depend heavily upon the resonance of the open chord as it relates to the picking of the melodic line, primarily on one string. This tonal reliance is most similar to the "celestial octave" that Washington Phillips employs, with similar effect, on his Train Your Child. This ethereal harmonic technique, which seems so natural in Hughes' playing, is the holy grail for most finger-picking guitarists. Her lack of pretense and her mastery of this repertoire is what defines her legendary status.
These recordings were made in the early 60's in Arkansas and released in very limited fashion as a private press LP. Remastered by Chris King. Designed by Susan Archie.
Tracklisting:
1. Pearly Dew
2. Under The Double Eagle
3. Letter Edged In Black
4. Blue Heaven
5. Galloway Bay
6. You Are The Only Star Of My Blue Heaven
7. Spanish Fandango
8. Kentucky Moon Waltz
9. Silver Threads Among The Gold
10. What A Friend We Have In Jesus
11. Cedar Brook Waltz -
Visit product page →7" Heavyweight Cream Vinyl 250 Ltd Edition includes download with extra track.
Debut release from London's newest and heftiest Stoner/Doom trio.
Very limited but very deluxe packaging including gold embossed sleeve and heavyweight cream vinyl.
Slow burning, bone crushing riffs, dark and scary, six minutes a-piece of metal, stoner, sludge, doom, all these but accessible too with rich vocals.The recordings were masterfully crafted by Jaime Gomez Arelliano (Angelwitch and Ghost amongst many others). The band have already played or been invited to SxSW, Great Escape, Radfest, Desert Fest in 2012 as well as playing gigs with the likes of TurboWolf, Conan and our own Black Moth and they launch the single at London's Old Blue Last alongside Empress.
Tracklisting:
Side A:
Heavy Lies The Crown
Side B:
The Loser Must Bow -
Visit product page →7" Orange Vinyl of 250, Ltd Edition Poster Bag Sleeves with NHS house bags stickered and numbered with Download including FREE extra track¦.
Debut Release from new London Stoner/Sludge/Grunge band. Limb play fucking heavy somewhere within the Bermuda Triangle of sludge, stoner and doom metal, sharing the loose -limbed, groove-based approach of bands like Weedeater, Kyuss and early Corrosion of Conformity, mashed with a mighty thump of Melvins bottom end. Only around the London 'scene' for a year but already making their presence felt playing shows with the likes of Black Moth, Moss, Witchsorrow, Throne, Conan, Necro Deathmort, Holy Mountain.
The single was produced in Leeds with Ross Halden (Blacklisters, Castrovalva) at Ghost Town Studio this debut follows the release of their demo recordings by Witch Hunter Records in October 2012 to much approval.
Front Magazine Exclusive Streaming - "these guys are heavy as shit and will rattle your ribcage into dust."
Angst-ridden, thought-provoking and heavier than your mum, these London-based doomsters take their Doom to a whole new level Heavy Planet
Catchy yet heavy riffs, great bass work and ridiculously powerful vocals all bringing to mind the 70s. What more could you ask for really? Total Totality
"The genre of doom/stoner can often need the cobwebs blown off its bong, and Limb are fine contenders to do so" - Ragged Witch Grass
"Limb ... will be too heavy for most people" Loud Stuff
Tracklisting:
1. Gift of The Sun
2. Quiet Earth
3. Dead Voice -
Visit product page →Heres some quotes for their debut earlier this year :
Early contender for Rock / Metal album of the year, The gauntlet for best album of 2011 is being thrown down early!" Metal Hammer
Black Spiders are pure genius, AND, they go onstage on time! Duff McKagan (yeah, him off Guns n Roses)
Their apocalyptic three-man axe assault is awe-inspiring Rock Sound..
Another monolithic slab of thunderous rock. This Sheffield-based quintet have managed to harness the powers of Angus Young and priapic death punks Turbonegro and distil it into a brew fit for Odin himself KKKK Kerrang.
With a huge tour coming up [the bands biggest to date in Europe] at the end of 2011 and the first since the release of their debut Album 'Sons of the North', Black Spiders decided to put together a collection of all the releases prior to the album. And what better way to release this, than in conjunction with the dates the band are about to undertake with the mighty Monster Magnet throughout Europe and Scandinavia!!
'Volume' will include the original St.Peter single [which was a limited run of 1000] and all tracks from both EPs that weren't readily available, as physical releases, outside of the UK. After many requests regards the back catalogue, the band decided to make all the tracks available in one go, so fans outside of the UK could get their hands on the previous material...
Tracklisting:
CD:1. St. Peter (Single Version)2. Stay Down (Single Version)3. Cold Dead Hands4. D&B5. JItterbug6. I'll Be The Judge7. Skit8. Meadow9. Just Like A Woman10. No Class11. Kicked In The Teeth12. Undertaker BluesDVD:1. St. Peter2. Stay Down3. Just Like A Woman -
Visit product page →Super Deluxe 300 limited 180g vinyl Pure White vinyl gatefold sleeve + Download.
Gatefold Digi CD.
Second album by intense London Quartet Antlered Man who last year with debuted with 'Giftes 1&2'. Rave reviews (Classic Rock, PROG, Total Guitar, Kerrang, Rock Sound, Terrorizor, Drowned In Sound, Artrocker (album of the month)) and award nominations followed that album, along side 100+ tour dates and 15 festivals in 2012 alone incl 2,000 Trees, The Great Escape, The Camden Crawl, 1234 Festival and Incubate.
With influences spanning The Melvins, Tool, Mike Patton, Shellac & Clutch, their unique mix of punk, metal, prog, hardcore and alt rock was quick to translate in to packed tour dates, including EU tours with And So I Watch You From Afar and multiple gold record selling Triggerfinger.
This accumulated in a nomination for 'Best Live Act' at the 2012 Artrocker Awards and another award nomination as 'Best New Band' at this year's Classic Rock PROG 'Progressive Music Awards', the band are on an upwards curve. At the beginning of 2013 the band recorded down LP#2 'This Devil Is Them' with Belfast based ASIWYFA producer Rocky O'Reilly.
A heavier and stranger beast than the first, 'This Devil Is Them', takes the band to new territories.
Tracklisting:
1. The Ballad Of Hamhock Fullsleeve
2. GDZ
3. Ian Will Break Again
4. Claude The ideal Bloody Gentleman
5. Phoney Tough
6. Salute Da calm
7. Audition Tapes For Hades
8.My Surname, My Cum -
On saleVisit product page →Super Deluxe 300 limited 180g vinyl blood-splatter vinyl gatefold sleeve + Download / Gatefold CD version.
Debut album by Bradford 4 piece energised, riff packed, stoner rockers. With the domestic underground rock scene beginning to break through with the likes of Pulled Apart by Horses, TurboWolf, Hawk Eyes, New Heavy Sounds follows the album success of Black Moth with this ferocious debut statement. A hellish amalgam of the hook laden rolling stoner grooves of QOTSA and Red Fang, mashed with a mighty thump of Mastodon'esque heaviness and hard rock, all put through a psychedelic mangle.
The music is huge, with thunderous riffs followed by thunderous rhythm changes and grooves that take in hardcore, doom and acid-rock, all executed with top class playing. Produced to intensity by Dave Sanderson (Black Moth engineer) it is an exhausting listen.
Tracklisting:
1. Little Misadventure
2. The Song Remains Unnamed
3. The End
4. Say Goodbye To The World
5. Comatosed
6. Viracocha
7. You Carry The Curse
8. Do It Or Die
9. Spider Legs
10. LGRD -
Visit product page →Thrilling Cardiff-based noisepop five-piece Joanna Gruesome's terrific debut album Weird Sister is brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, shot through with loud discordant feedback and super-fast, hardcore punk drumbeats.
This album sees their first foray away from recording in a living room to a proper studio under the guidance of producer MJ of the much lauded Hookworms.
Tracklisting:
1. Anti-Parent Cowboy Killers
2. Sugarcrush
3. Wussy Voidm
4. Madison
5. Lemonade Grrrl
6. Secret Surprise
7. Do You Really Wanna Know Why Yr Still In Love With
8. Candy
9. Graveyard
10. Satan -
Visit product page →Vinyl version of 'The Killing Jar':
3rd Pressing on Amber / Beer coloured vinyl shipping now.Black Moth are four super talented individuals, Harriet Bevan - vocals, Jim Swainston - guitar, Dave Vachon - bass, and Dom McCready, battering the crap out of his drums. Formed 2 years ago out of the ashes of Leeds garage rockers The Bacchae, the band were seduced by the brutal and hypnotic lure of the riff, to emerge translucent skinned and bleary eyed from their cocoon as the ferocious kick-ass heavy rock outfit that is Black Moth.
Taking a powerful chunk of influence from proto-punk acts such as Iggy and the Stooges, Motorhead and early Alice Cooper as well as a sliver of 90s grunge and stoner rock and a big dose of doom, Black Moth draw out the darker elements and combine them with the heaving riffs of heavy metal giants, Pentagram and Black Sabbath, with "hooks so sharp you could hang a corpse on them". They also look to more current acts such as the Melvins, Sleep and Electric Wizard for inspiration, though singer, Harriet Bevan, still maintains a vocal style that evokes the haunting psychedelia of Grace Slick and psych-Satanist, Jinx Dawson from Coven: the woman responsible for the "sign of the horns" in rock'n'roll.
They're also a big part of the burgeoning Leeds heavy rock scene alongside Pulled Apart By Horses, Kong, Hawk Eyes and Gentlemen's Pistols, it looks like it's about to break. Songs that the band have honed and crafted in the mighty maelstrom that is the Leeds heavy rock scene, have been rippin' 'em up live not only in Yorkshire but everywhere they've played.
Now all they needed was to be brought to vivid screaming life on record. Enter Mr Jim Sclavunos, the multi talented Grinderman and Bad Seed, not to mention the superbaaad connoisseur of the mixing console, fresh from producing the storming second Jim Jones Revue album. One of their shows was all it took.
Black Moth reminds me of my misspent youth he said. And judging by the all out assault that he's crafted with the Moth, he must have been a very bad boy indeed. The Killing Jar is their debut from New Heavy Sounds and it rocks like a bastard.
Tracklisting:
1. The Articulate Dead
2. Blackbirds Fall
3. Banished But Blameless
4. Spit Out Your Teeth
5. The Plague Of Our Age
6. Chicken Shit
7. Blind Faith
8. Plastic Blaze
9. Land Of The Sky
10. Honey Lung -
Visit product page →This comes for the first time on 180grm black vinyl in a gatefold sleeve. Re-mastered for a vinyl release .
This 15 track compilation spans the years 1995 ' 2004 featuring key tracks from all their albums as well and live recordings and many unreleased tracks. Volume 2 will be released in early 2014 . The album is seen as a classic Brian Jonestown Massacre release the CD was originally released in 1997.
The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.
Tracklisting:
Side A:
1. All Around You (Intro)
2. Who?
3. When Jokers Attack
4. Servo
Side B:
1. Open Heart Surgery
2. If Love Is the Drug
3. It Girl
4. Sailor
SIDE C:
1. Anenome
2. Wisdom
3. Just for Today
SIDE D:
1. Stars
2. Vacuum Boots
3. Prozac vs. Heroin
4. She's Gone -
On saleVisit product page →The KVB release their new immersive and hypnotic album 'Minus One' on November 18th via A Recordings. The album follows hot on the heels of outstanding stand alone single 'Run Away' released on Ample Play Records last month.
The KVB is the audio/visual project of London youngsters Nicholas Wood & Kat Day, who combine reverb heavy wall of sound guitars, minimal haunting strings and grinding bass synths, messed up motorik drum machine beats and delay drenched vocals with a backdrop of imagery to accompany the symphony, that's nothing short of life affirming.
'Minus One' is in fact The KVB's third album, their second full length LP 'Immaterial Visions' which came with an accompanying remix EP, featuring mixes from underground techno pioneers Regis and Silent Servant was only released in February this year.
The KVB is a group with a sense of urgency about it, to do what they need to do, with full commitment and without delay. It's a tangible attitude that runs throughout 'Minus One'.
Tracklisting:
1. Again & Again
2. Something Inside
3. Passing By
4. Live or Die
5. Endless
6. Dominance / Submission
7. Kill the Lights
8. Radiant Hour -
More than a half-century ago, a young country preacher from backwoods Alabama came to the big city and made his name leading one of Atlanta's largest Baptist congregations. In a great Southern metropolis renowned for its preachers, Rev. Johnny L. Jones stood out for his unique delivery that combined solid theological grounding and moody, explosive flights into a high-turbulence zone between song and speech, earning him a reputation as the Fireball Preacher and more famously, The Hurricane. Jesus Christ from A to Z(PT-4001) was compiled from more than 50 years of reel-to-reel tapes of live church recordings.Visit product page → -
Visit product page →Strictly limited vinyl LP edition. 500 copies only. Extra thick (350g) sleeve.
Hot on the heels of their recent 7 here is the third long player from our favourite noise spastics.
The Wire called the single an extremist hybrid between free improv, gutter electronics and darkwave scuzz and they have elsewhere simply been proclaimed the future of Norwegian rock.
We stand by our suggestion that they now appear slightly more structured in their music making, but don't let that lead you into thinking they have lost any of their unhinged fire and creative spark. This rocks!
Tracklisting:
1. It Burns Twice
2. Karibcore
3. Sopp Pa Kugen
4. Prog-o-rama
5. Aids Of Space
6. Too Smart Enough To Think
7. The Shitman
8. Oh My God it's rave
9. # Outro -
Visit product page →Available on white vinyl , all tracks are exclusive & unreleased .
The 8MM Bar was founded by Alex Olli Konuk and Louis Trumpbour in 2002 and quickly developed a reputation as a meeting place for musicians from all over the world.
8MM Musik, the music label, was founded to nurture a niche music scene in Berlin, as well as to take advantage of 8MM's reputation abroad to promote German, and particularly Berlin based bands internationally.
Case in point, this record is being released worldwide in cooperation with Anton Newcombe's UK based 'a' Recordings. .
This is 8MM Musik's second compilation which contains exclusive tracks from the Brian Jonestown Massacre , Camera , Kadavar & many more.
Tracklisting:
1. Camera ' Meteor
2. Kadavar ' Tomorrow's Dead
3. Jack November ' Pennyroyal Tea
4. The Third Sound ' For A While
5. The Blue Angel Lounge ' In Times
6. Snøffeltøffs ' I Don't Know (Where You've Been Going)
7. Sun And The Wolf ' All We Need
8. The Brian Jonestown Massacre ' Revolution Number Zero
9. Mystical Communication Service ' Big Black Bear
10. The Suns Of Thyme ' Cataclysm
11. The Kitchenmen feat. Fredovitch ' Welcome To Your Lands -
'a' Recordings
Tim Burgess (Remixed By Anton Newcombe) 'The Doors Of Then - I Am Yours I Am You'
£7.99
v'a' Recordings
Tim Burgess (Remixed By Anton Newcombe) 'The Doors Of Then - I Am Yours I Am You'
£7.99
Visit product page →Available on yellow vinyl in deluxe packaging!!
The first track of this 12 comes from Tim Burgess' (Charlatans) limited edition Record Store Day Album Oh No I Love You More.
The B side White - Cool Minds Breezy Feelings & the radio edit of the same track are exclusive to this release .
Tim Burgess met Anton Newcombe (The Brian Jonestown Massacre) in the late 90's while they were both DJing around LA , the remix was done by Anton in Berlin . Please note the A side runs at 45rpm & the B side runs at 33rpm for the optimum aural quality.
Tracklisting:
1. The Doors Of Then - I Am Yours I Am You
2. White - Cool Minds Breezy Feelings (Full Length)
3. White - Cool Minds Breezy Feelings (Radio Edit)
