Arrow Fat Left Icon Arrow Fat Right Icon Arrow Right Icon Cart Icon Close Circle Icon Expand Arrows Icon Facebook Icon Instagram Icon Twitter Icon Hamburger Icon Information Icon Down Arrow Icon Mail Icon Mini Cart Icon Person Icon Ruler Icon Search Icon Shirt Icon Triangle Icon Bag Icon Play Video

Dust To Digital

  • Various 'Bolinus Brandaris: Flamenco from the Bay of Cadiz' Hardback Book + CD

    Dust To Digital

    Various 'Bolinus Brandaris: Flamenco from the Bay of Cadiz' Hardback Book + CD

    £38.99

    96-page hardcover book printed on artbook-quality paper with 46 photos, lyric transcriptions, cultural and regional histories, artist biographies, and a glossary. Hardcover book dimensions: 9.25" x 6.25" x .5" Weight: 14 oz. In 2015, New York-based producer David Aglow traveled to Spain searching for the roots of flamenco. At the time he set out on the recording project, a local newspaper wrote about Aglow's mission and referred to him as "an American in love with flamenco." It is his passion and drive to document the most authentic flamenco traditions of today that propels our new release "Bolinus Brandaris: Flamenco from the Bay of Cadiz.”Bolinus Brandaris takes the listener to the Bay of Cadiz, which is often referred to as cuna del cante (cradle of song). This southernmost part of mainland Spain is considered the birthplace and heartland of flamenco, where many song styles originated then radiated out through the rest of Andalusia. Expertly recorded with modern technology in informal and natural environments, this is flamenco culture as it is being lived today. Generally speaking, modern flamenco recordings have often missed the mark for two reasons: either they were live recordings in which the recorded sound was a by-product of a staged concert event, or they were studio recordings that leaned heavily on studio techniques to make the music sound contemporary (i.e. isolation booths, added effects, multi-tracking). Bolinus Brandaris gives flamenco's fundamental elements – voice and guitar – their overdue spotlight. By excluding the often-overemphasized component of flamenco dance, this release provides context which will enrich any flamenco experience.As an artist with whom we worked said: "A singer, a guitar player, and a bottle of wine on the table – that's flamenco." And that kind of intimacy and immediacy is what these recordings are –flamenco where it lives: in the bars, social clubs, restaurants and homes of the people who have lived it all their lives. The recording engineers and producers embedded in those environments and organized sessions that produced audiophile-quality recordings of the magic of flamenco, far removed from the pageantry of the stage and the sterility of the studio. Serve up some sherry, a bit of regional cheese, close your eyes and it is almost like you're there.

    Tracklisting:
    1. Trini de la Isla, Juani de la Isla, and Jesus Castilla – “Alegría”
    2. Ana Polanco and Victor Rosa – “Malagueña”
    3. Pedrín de la Isla and Victor Rosa – “Seguiriya”
    4. Trini de la Isla, Jesus Castilla, and Juani de la Isla – “Bulería”
    5. Jesus Guerrero – “Rondeña”
    6. Jesus Castilla and Juani de la Isla – “Soleá”
    7. El Niño del Parque – “Saeta”
    Visit product page
  • Various 'Excavated Shellac: An Alternate History Of The World's Music (1907-1967)' 4CD Boxset

    Dust To Digital

    Various 'Excavated Shellac: An Alternate History Of The World's Music (1907-1967)' 4CD Boxset

    £169.99

    100 recordings on 4 CDs.

    184-page hardcover book printed on artbook-quality paper ● Packaged in a deluxe gloss-laminated box.

    It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo.

    This collection is about music that is often invisible in today’s world, the incredible world of global recordings that aren’t jazz, blues, country, rock ‘n roll, R&B, or “classical.”

    This physical edition of the box set, eight years in the making, contains 100 tracks and 100 stories in an extensive, illustrated 184-page book with detailed, contextual mini-histories about both musical origins and the beginnings of the industry, touching on the complexities of colonialism, economic agendas, and cultural tourism.

    With nearly all of the tracks never before reissued, this collection expands upon and acts as a companion to Jonathan Ward’s Excavated Shellac website, a unique repository of music, history, and data on 78 rpm recordings from around the world, rarely heard and seldom seen.

    Part 1
    1. Caluza's Double Quartet – Abaqafi (South Africa)
    2. Los Chinacos – Zacamandú (Mexico)
    3. Itokazu Kame – Hatoma-bushi (Okinawa, Japan)
    4. Cheikh Saïd Relizani - Denhar Mabrouk, Pt. 1 (Algeria)
    5. Enosse Kuhanya Muni – O Ta Nikona (Mozambique)
    6. Bonfiglio de Oliveira - Lembrancas do Passado (Brazil)
    7. Giovanni Vicari - Rose D'Italia (Italy)
    8. K. S. Narayana Ayyengar - Mokshamu Galadha, Pt 1 (Saramathi) (India)
    9. Hosseingholi Tatayy – Shur (Iran)
    10. Ne'matjon Qulabdullaev - Bilmasang Bilgil (Uzbekistan)
    11. Che Ta'seah - Lenggang Mak Inang (Malaysia)
    12. Demka dhe Hajro e Shoket – Këngë e Mahmudisë (Albania)
    13. Liam Walsh - Portlaw Reel (Ireland)
    14. Šule Radosavljevič-Šapčanin – Jeleno, Momo Jeleno (Serbia)
    15. Klaudiya Kotok and E.M. Shishova - Razvogor Dvuh Podrug (Russia)
    16. Fr. Dukli Wiejska Banda – Na Wykretke (Poland)
    17. Triki-Trixa de Zumarraga - Ez Dago Larrosarik (The Basque Country, Spain)
    18. Margarida, Cantadeira de Paredes – Caninha Verde (Portugal)
    19. Andrés Chazarreta y su Orquesta Tipica de Arte Nativo - La Doble (Argentina)
    20. Cuadro Gitano La Coja, featuring Concha Maya - Fandangos del Albaicín (Andalusia, Spain)
    21. Cuarteto Caraquita – Las Bellas Noches de Maiquetia (Venezuela)
    22. Sein Bo Tint - Aung Pa Khei Ti Loun (Burma)
    23. Park Booyong – Shin-Gosahn Taryong (Korea)
    24. Ali Muhammadi – Vitha (Sudan)
    25. Hanns in der Gand - Chant de Guerre Fribourgeois (Switzerland)

    Part 2
    1. Chimudon, Mashibato, and Togus Ziguradan - The Venerable Genghis Khan (Mongolia)
    2. Muhammad Rashid al-Rifa’i - Ya Ghusain Alban, Pt 1 (Bahrain)
    3. Negatoua - Ya Bati Zefen (Ethiopia)
    4. Picoğlu Osman - Sıksara Horon Havası (Turkey)
    5. Miyagi Michio, Yoshida Kyoko, Miyagi Kiyoko - Sakura Variations, Pt 2 (Japan)
    6. Paulos Dikito - Hendeyi Kumunda (Zimbabwe)
    7. Saez y Hermanos Ascuez – Pregonero (Peru)
    8. Grupo Istmeño - Coge el Pandero Que Se Te Va (Panama)
    9. Orchestre Franco-Creole – Prend Yo (Haiti)
    10. Khaledi and Zahedi – Bayāt-e Tork, Pt. 2 (Iran)
    11. Mita Stoyecheva - Da Znaya Mamo, Da Znaya (Bulgaria)
    12. Myskal Omurkanova - Oilo Sen (Kyrgyzstan)
    13. Miss Thông - Chinh Phụ Ngâm, Pt 1 (Vietnam)
    14. Vassyl Yemetz - Z Ukrainskyce Stepiw (Ukraine)
    15. Abaimbi be Kanisa Lutiko eye Namirembe - Oje Omwoyo Omutukuvu (Uganda)
    16. Nicholas De Heer – Osibonibom (Ghana)
    17. Tamarii-Tahiti - Haere Roa Roa (Tahiti)
    18. Count Lasher – Perseverance (Jamaica)
    19. Paykān - Khayāl Dilbar (Afghanistan)
    20. Zohra El Fassia – Erraad, Pt 2 (Morocco)
    21. Gavino de Lunas – Cantu Pastorale (Sardinia)
    22. Coro de Ruada - Foliada de Orense (Galicia, Spain)
    23. Crimean Tatar Orchestra – Taksim ve Peshraf (Crimea)
    24. Júlio Silva - Fado Melancólico (Portugal)
    25. Salim Abdullah – Kwaherini (Tanzania)

    Part 3
    1. Adja Mint Aali – El Khar (Mauritania)
    2. Siddiq and Party – Sun Kay Gal Nawab Nai (Punjab)
    3. Khan Shushinski – Qarabağ Şikəstəsi (Nagorno-Karabakh, Azerbaijan)
    4. J. Joseph and Mary – Safarini (Kenya)
    5. Ewert Åhs - Evertsbergs Gamla Brudmarsch (Sweden)
    6. Orchestre Créole Delvi - Du Feu Prix en Tête Man Nordé (Martinique)
    7. Trio Medellín – La Morena (Veracruz, Mexico)
    8. Pasquale Taraffo – Sonatina in A Major (Italy)
    9. Cayla and Demay – Lo Mourolliado (Auvergne, France)
    10. Dachauer Bauernkapelle “Strassmaier” - Niederbayrischer Halbwalzer (Germany)
    11. A. Megrelidze and the Georgian Radio Folk Song Ensemble - Rostom Chabuki (Georgia)
    12. Tiwonoh and Sandikola - Tilondo le Phepo (Malawi)
    13. Sears Orchestra – Bela Aurora (Azores, Portugal)
    14. Pov Siv Nou and Pov Van Chorn– Sompong Klay (Cambodia)
    15. Toba Batak ensemble – Riak-Riak (Sumatra, Indonesia)
    16. Emmanuele Cilia - Iz-Zakkiek (Malta)
    17. Mayfair Band – Gathering Peascods (England)
    18. Wei Zhongyue - Shimian Maifu, Pt. 1 (China)
    19. Subeit bin Ambar - Taksim Hijazi (Zanzibar, Tanzania)
    20. Koni Coumaré – Dabatako (Mali)
    21. Yusuf Taj – Yahya Al-Zaman Illi Jama’na (Lebanon)
    22. Monks of the Maru Monastery at Lhasa - Tse-Chu Cho-Pa (The Offering on the Tenth) (Tibet, China)
    23. Francis Salomon – Dans la Ville Mahebourg (Mauritius)
    24. Philip Tanner – The Gower Reel (Wales, United Kingdom)
    25. Hernández Brothers – Sérénade (Sing, Smile, Slumber) (Columbia)

    Part 4
    1. Sigbjørn B. Osa – Bjølleslåtten (Norway)
    2. Durban Lions – Maheshe (South Africa)
    3. Tunde King – Arthur Prest (Nigeria)
    4. El Haja Rouïda - Mallaly, Pt 1 (Morocco)
    5. Margareta Radulescu - Mamă! Tata Când Mai Vine (Romania)
    6. Tom Clough – The Keel Row (Northumberland, United Kingdom)
    7. Superba Molassana – A Partenza da Parigi (Genoa, Italy)
    8. Valentin Eugenio – Piritipit (Philippines)
    9. San Salvador – Narciso Ku Matadi (Congo)
    10. Rakotondrasoa and Manjakaray - Rakoto O! (Madagascar)
    11. Elenkrig’s Orchestra – Lebedeg (New York, United States)
    12. Ahmet Hulûsi Bey – Hacı Yârim (Turkey)
    13. Setrak Sourabian and George Shah-Baronian – Hay Aghchig (Armenia)
    14. Miss Phuaphan and Miss Pleng with the Organ-Phinphat Ensemble of Bang Khun Phrom Palace - Lakhon Rong Rueang Phali Yat Lohit, Pt 12 (Thailand)
    15. Angus Chisholm - Mr Murray; The £10 Fiddle; The Baker (Cape Breton, Canada)
    16. Kolompár Peti Cigánybandája – Borozó Csárdás Egyveleg (Hungary)
    17. Atan and Sak Ena – Dondang Sayang Singapora, Pt 4 (Singapore/Malaysia)
    18. Al Hadj Taha Abu Mandour – Al Sama’i al-Thaqil (Egypt)
    19. Gonxhe Manakovska – More Musa (North Macedonia)
    20. Saramacca Band – Moengo Boto Blon (Suriname)
    21. Kawîs Axa – Bîlmez, Pt. 1 (Iraq)
    22. Garifulla Kurmangaliyev – Asylzhan (Kazakhstan)
    23. Ishmulla Dilmukhametov – Hyr (Bashkortostan, Russia)
    24. Abrew’s Portuguese Instrumental Trio – Valsa Continental (Cape Verde)
    25. Sexteto Habanero – Son las dos…China (Cuba)
    Visit product page
  • Various Artists 'The Early Films of William Ferris' DVD

    Dust To Digital

    Various Artists 'The Early Films of William Ferris' DVD

    Sold out

    Sold out
    Sold out
    In addition to being a groundbreaking documentarian of the American South, William Ferris is Joel R. Williamson Eminent Professor of History and senior associate director of the Center for the Study of the American South at the University of North Carolina at Chapel Hill.

    A former chairman of the National Endowment for the Humanities, Ferris co-edited the Encyclopedia of Southern Culture and is the author of multiple books.

    In 1991, Rolling Stone magazine named him among the top ten professors in the United States. Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the roots of the blues.

    This DVD features seven films made by William Ferris between 1968 and 1975.

    FILMS INCLUDED:
    Black Delta, Part I (1968) (b/w)
    Black Delta, Part II (1968) (b/w)
    Parchman Penitentiary (1968) (b/w)
    Give My Poor Heart Ease: Mississippi Delta Bluesmen (1975) (color)
    I Ain't Lyin': Folktales from Mississippi (1975) (color)
    Made in Mississippi: Black Folk Art and Crafts (1975) (color)
    Two Black Churches (1975) (color)

    'The combination of William Ferris and Dust-to-Digital is so important in preserving the cornerstone of our musical American history - ¦'' Lucinda Williams

    'Bill Ferris is a profound historian. I am his biggest fan!!' ' Quincy Jones 'Going from farm to front porch across America's south in the 1960s, William Ferris recorded everything from praying pigs to haunting blues a political act, he says, at a time when black voices were being silenced.' ' Rebecca Bengal, The Guardian

    'The 73-year-old UNC professor has spent six decades becoming Southern culture's chief documentarian. Equally at home on Mississippi state work farms or in college lecture halls, Ferris has broken some of America's biggest racial divides to collect tales of a sometimes-hidden history. It's a story he likes to share, too.' ' Tom Maxwell, IndyWeek March, 2015

    Visit product page
  • Various 'Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll (O.S.T.)' - Cargo Records UK

    Dust To Digital

    Various 'Don"t Think I"ve Forgotten: Cambodia"s Lost Rock and Roll (O.S.T.)'

    Sold out

    Sold out
    Sold out
    40 years ago: April 17, 1975, Phnom Penh fell to the Khmer Rouge and Cambodian rock and roll was no more. Its star musicians were targeted and killed, record collections were destroyed, clubs were closed, and Western-style music-making, dancing, and clothes were outlawed.

    The deaths of approximately 2 million Cambodians and the horrors of the Killing Fields have been well-documented; add to this John Pirozzi's fascinating tale of Cambodia's vibrant pop music scene, beginning in the 1950s and 60s, influenced by France's Johnny Hallyday and Britain's Cliff Richard and the Shadows.

    The filmmaker has assembled rare archival footage, punctuating it with telling interviews with the few surviving musicians. Cambodian culture has long been synonymous with a love for the arts. DON'T THINK I'VE FORGOTTEN pays homage to the country's rock legends who paid for their creativity with their lives.

    Through the eyes, words and songs of its popular music stars of the 50s, 60s, and 70s, Don't Think I've Forgotten: Cambodia's Lost Rock and Roll examines and unravels Cambodia's recent tragic past. Dust-to-Digital is excited to release the soundtrack to such an important film. Compiled by the film's director, the album is very cinematic in nature.

    The sequencing and newly-remastered audio transport the listener through the rock and roll history of Cambodia in a similar fashion as John Pirozzi's documentary film. It is both entertaining and essential to hear so many tracks that are available outside of Cambodia for the very first time.

    Tracklisting:
    1. The Royal University of Fine Arts - Phnom Penh
    2. Sinn Sisamouth - Under the Sound of Rain
    3. Chhoun Malay - The Story of My Love
    4. Huoy Meas - Unique Child
    5. Baksey Cham Krong - B.C.K.
    6. Ros Serey Sothea - Don't Be Angry
    7. Sinn Sisamouth - Dance A Go Go
    8. Pen Ran - There's Nothing To Be Ashamed Of
    9. Baksey Cham Krong - Full Moon
    10. Sinn Sisamouth and Ros Serey Sothea - Thevary My Love
    11. Ros Serey Sothea - Heaven's Song
    12. Sinn Sisamouth - Navy A Go Go
    13. Sieng Vannthy - Console Me
    14. Yol Aularong & Va Sovy - Dying Under a Woman's Sword
    15. Drakkar - Crazy Loving You
    16. Pou Vannary - You've Got a Friend
    17. Yol Aularong - Cyclo
    18. Ros Serey Sothea - Old Pot Still Cooks Good Rice
    19. Sinn Sisamouth - Don't Think I've Forgotten
    20. Cheam Chansovannary - Oh! Phnom Penh

    Release Date: 17/11/2017
    Visit product page
  • Washington Phillips 'Washington Phillips and His Manzarene Dreams' - Cargo Records UK

    Dust To Digital

    Washington Phillips 'Washington Phillips and His Manzarene Dreams'

    Sold out

    Sold out
    Sold out
    76-page hardcover book with never-before-published research complete with newly remastered audio from pristine, original 78-rpm discs.

    Our label's inaugural release, 2003's Goodbye, Babylon, included two recordings by a mysterious gospel musician from Texas named Washington Phillips, who died in 1954. After fielding inquires about the hauntingly beautiful songs from listeners around the world, in 2013, we checked in with Michael Corcoran, the leading researcher on Phillips, to see if any new information had been uncovered.

    Indeed, Michael had some leads, but he would need a working budget to track them down. Three years later, after combing through various archives and talking with the last surviving people from the Simsboro-area who remembered Phillips, we now know the name of Phillips'homemade instrument (the Manzarene); when, where and how he died; and many anecdotes about what his life was like.

    We are excited to share this story in Washington Phillips and His Manzarene Dreams, a new book by Corcoran accompanied by recordings made by Phillips between 1927-29.

    To ensure a superior listening experience, we tracked down the most pristine original copies of Phillips'78-rpm records, created high resolution transfers and had the audio expertly remastered for the best-sounding Phillips reissue to date. Hear the sublime, hypnotic and ethereal music of Washington Phillips in clarity like never before!

    'The plucked string instrument sounds feather-light and blurry, the musical equivalent of dust motes floating in a sunny room; the mighty Washington Phillips wheezes at times like he's about to pass out from the spirit.' - Pitchfork

    Tracklisting:
    1. Mother's Last Word To Her Son
    2. Take Your Burden To The Lord And Leave It There
    3. Paul and Silas In Jail
    4. Lift Him Up That's All
    5. Denomination Blues'Part 1
    6. Denomination Blues'Part 2
    7. I Am Born To Preach The Gospel
    8. Train Your Child
    9. Jesus Is My Friend
    10. What Are They Doing In Heaven Today
    11. A Mother's Last Word To Her Daughter
    12. I've Got The Key To The Kingdom
    13. You Can't Stop A Tattler'Part 1
    14. You Can't Stop A Tattler'Part 2
    15. I Had A Good Father And Mother
    16. The Church Needs Good Deacons
    Visit product page
  • Various Artists 'Music of Morocco: Recorded by Paul Bowles,1959' - Cargo Records UK

    Dust To Digital

    Various Artists 'Music of Morocco: Recorded by Paul Bowles,1959'

    Sold out

    Sold out
    Sold out
    From July to December 1959, Paul Bowles crisscrossed Morocco making recordings of traditional music under the auspices of the Library of Congress. Although the trip occupied less than six months in a long and busy career, it was the culmination of Bowles's longstanding interest in North African music.

    The resulting collection remained a musical touchstone for the rest of his life and an important part of his mythology.

    Packaged in a lavish silkscreened cigar box with foil stamping details throughout, 120-page leatherette book and 4 CDs containing 4 hours and 30 minutes of audio.

    Disc 1:
    Highlands ' The Berbers Part 1
    1. Maallem Ahmed and ensemble - Ahmeilou (Tafraout)
    2. Rais Ahmed ben Bakrim - El Baz Ouichen Song for Male Voice (Tiznit)
    3. Moqaddem Mohammed ben Salem and ensemble - Third Sqel (Zagora)
    4. Moqaddem Mohammed ben Salem and ensemble - Second Aqlal (Zagora)
    5. Chikh Ayyad ou Haddou and ensemble - Ouakha dial Kheir Women's Chorus (Tahala)
    6. Chikh Ayyad ou Haddou and ensemble - Aili ya Mali Mixed Chorus (Tahala)
    7. Maallem Ahmed and ensemble - Aouache Men's Chorus (Tafraout)

    Disc 2:
    Highlands ' The Berbers Part 2
    1. Rais Mahamad ben Mohammed and ensemble - Aouada Trio (Tamanar)
    2. Rais Mahamad ben Mohammed and ensemble - Chorus and Dance (Tamanar)
    3. Chikh Hamed bel Hadj Hamadi ben Allal and ensemble - Reh dial Beni Bouhiya Qsbah Solo (Segangan)
    4. Various - Sounds of General Rejoicing (Ait Ourir)
    5. Maallem Ahmed Gacha and ensemble - Albazaoua Women's Chorus (Ait Ourir)
    6. Chikha Fatoma bent Kaddour - Mouwal and Izlan (Ain Diab)
    7. Cheikha Haddouj bent Fatma Rohou and ensemble - Qim Rhori (Khenifra)
    8. Mohammed bel Hassan and ensemble - Qsida dial Malik (Ait Mohammed)

    Disc 3:
    Lowlands ' Influent Strains Part 1
    1. El Ferqa dial Guedra (Bechara) - Ounalou Biha Rajao Male Solo with Women's Chorus (Goulimine)
    2. Maalem Abdeslam Sarsi el Mahet - Aiyowa d'Moulay Abdeslam Rhaita Solo (Arcila)
    3. Sadiq ben Mohammed Laghzaoui Morsan and ensemble - Rhaitas and Tbola (Einzoren)
    4. Embarek ben Mohammed - Mellaliya Song for Male Voice (Marrakech)
    5. Maalem Mohammed Rhiata and ensemble, from the region of Taounate - Taqtoqa Jabaliya (Fez)
    6. An unidentified ensemble - Gnaoua Chorus (Essaouira)
    7. Si Mohammed Bel Hassan Soudani - Gnaoui Solo Song (Marrakech)
    8. Si Mohammed Bel Hassan Soudani - Fulani Iresa (Marrakech)
    9. Maallem Taieb ben Mbarek and chikhats - Hadouk Khail (Marrakech)

    Disc 4:
    Lowlands ' Influent Strains Part 2
    1. Hazan Isaac Ouanounou and members of the Hevrat Gezekel - Ya Souki hakim Secular Sephardic Song (Meknes)
    2. Hazan Semtob Knafo and Amram Castiel. Hevrat David Hamelekh - Chalom Lakha Chébii 'Peace on the Seventh Day' (Essaouira)
    3. Maalem el Hocein and ensemble - Qsida Midh (Meknes)
    4. Abdelkrim Rais and ensemble - El hgaz el Mcharqi Andaluz Chorus (Fez)
    5. Members of the Family of the Chorfa of Ouezzane - Andaluz Music of Ouezzane (Ouezzane)
    6. Early Morning Calls to Prayer - El Fjer (Tangier)
    Visit product page
  • Blind Alfred Reed 'Appalachian Visionary' - Cargo Records UK

    Dust To Digital

    Blind Alfred Reed 'Appalachian Visionary' CD + Hardcover Book

    Sold out

    Sold out
    Sold out
    Born blind on June 15, 1880, in Floyd County, Virginia, Alfred Reed grew up on a West Virginia farm. In the 1920s, when radio became available in his area, Alfred listened to and enjoyed performances by several of the era's popular singers.

    Alfred would purchase songbooks and hymnbooks, and his wife Nettie would read the lyrics to him. Because the songs he learned from others did not always express aspects of what he was thinking, feeling, and experiencing, Alfred felt compelled to compose his own songs, and he was exceptionally talented in this endeavor'a craftsman with many things to say.

    Relying upon his talent to generate money, he gave music lessons, performed at dances and various social and church gatherings, sold printed copies of his own lyrics, and, in 1927 and 1929, made the commercial recordings included on this set. 10.

    Tracklisting for all formats:
    1. Blind Alfred Reed - The Wreck of the Virginian
    2. Blind Alfred Reed - I Mean to Live for Jesus
    3. Blind Alfred Reed - You Must Unload
    4. Blind Alfred Reed - Walking In The Way With Jesus
    5. Blind Alfred Reed - Explosion In The Fairmount Mines
    6. Blind Alfred Reed - Fate Of Chris Lively And Wife
    7. Blind Alfred Reed - Why Do You Bob Your Hair, Girls
    8. Blind Alfred Reed - Always Lift Him Up And Never Knock Him Down
    9. Blind Alfred Reed - The Prayer Of The Drunkard's Little Girl
    10. The West Virginia Night Owls - Sweet Bird
    11. The West Virginia Night Owls - I'm Goin'To Walk The Streets Of Glory
    12. Orville Reed - The Telephone Girl
    13. Blind Alfred Reed - Woman's Been After Man Ever Since
    14. Blind Alfred Reed - Why Do You Bob Your Hair Girls-No. 2
    15. Blind Alfred Reed and Orville Reed - There'll Be No Distinction There
    16. Blind Alfred Reed and Orville Reed - We've Got To Have 'Em, That's All
    17. Blind Alfred Reed and Orville Reed - Beware
    18. Blind Alfred Reed and Orville Reed - The Old-Fashioned Cottage
    19. Blind Alfred Reed - How Can A Poor Man Stand Such Times And Live?
    20. Blind Alfred Reed - Black And Blue Blues
    21. Blind Alfred Reed and Orville Reed - You'll Miss Me
    22. Blind Alfred Reed - Money Cravin' Folks
    Visit product page
  • Various Artists 'Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line' - Cargo Records UK

    Dust To Digital

    Various Artists 'Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line'

    Sold out

    Sold out
    Sold out
    The first in-depth look at the life of Ola Belle Reed, a groundbreaking artist who is one of the all-time greatest performers of authentic, old-time music.

    Ola Belle Reed's 1960s recordings, some of the earliest she ever made and available here for the very first time, are counter-balanced by a disc of modern-day field recordings of her descendants and those within her Appalachian community that she inspired.

    This deluxe edition highlights Ola Belle's deep repertoire - folk ballads, minstrel songs, country standards, and originals - and traces the impact her music made and is still making today.
    Visit product page
  • J.B. Smith 'No More Good Time in the World for Me' - Cargo Records UK

    Dust To Digital

    J.B. Smith 'No More Good Time in the World for Me'

    Sold out

    Sold out
    Sold out
    Folklorist Bruce Jackson was among the last to record work songs. In 1964 he visited Ramsey State Farm in Rosharon, Texas, where he met Johnnie B. Smith, prisoner #130196. A native of Hearne, Texas, Smitty was 46 years old and on his fourth prison term. In his younger days, Smitty toted lead hoe in a flat-weeding gang and led the work songs.

    It's hard to overstate the importance of a good song leader in the penitentiary setting'one needed to be rhythmically, lyrically, and physically reliable, to maintain those songs over interminable hours of hard labor under an unforgiving south-central Texas sun. But J.B. also sang other songs, different songs'those he'd made up to occupy himself while chopping sugarcane or picking cotton. He referred to them as his 'little ol'songs.' The longest stretched to thirty-three verses, or more than twenty-two recorded minutes. Although Smitty knew and sang a variety of melodies, to an assortment of work songs and sacred pieces, he employed only one tune for his compositions.

    What changed were the tempo and the ornamentation with which he individualized them. 'The Major Special,' 'No More Good Time In The World For Me,' 'Ever Since I Been A Man Full Grown''each song Smith charged with its own emotional ambience, as a seasoned preacher intuits the particular colors and atmospheres that should imbue each portion of his service. Smith was paroled in 1967, a year - ¨after his final session with Jackson - ¨and the release, on John Fahey's - ¨Takoma Records, of an LP' Ever Since - ¨I Have Been A Man Full Grown 'of three of Smitty's songs.

    That summer, Bruce arranged for him to sing at the Newport Folk Festival, at which he appeared on stage with Pete Seeger, and, in one of the only photos that survive of him, in the company of Robert Pete Williams and Muddy Waters. A couple of years passed before Bruce heard from him again. He had returned to Amarillo, where he preached for a while; a parole violation then sent him back to prison.

    Tracklisting:
    Disc 1:

    1. No More Good Time in the World for Me
    2. Watching My Timber *
    3. Drop Em Down Together *
    4. I Got Too Much Time for the Crime I Done
    5. They Can't Do That (Toast) *
    6. I Heard the Reports of a Pistol *
    7. Drinking That Wine *
    8. Ever Since I Been a Man Full Grown

    Disc 2:
    1. Sure Make a Man Feel Bad *
    2. Tried By Fire *
    3. Woman Trouble *
    4. On Composition (Spoken) *
    5. The Major Special *
    6. No Payday Here *
    7. At the Cross *
    8. Poor Boy, Number Two *
    9. On Getting Out (Spoken)*
    10. Go Ahead *

    *Previously unreleased.
    Visit product page
  • Various Artists 'The Birth of Rock and Roll' - Cargo Records UK

    Dust To Digital

    Various Artists 'The Birth of Rock and Roll'

    £45.99

    Joe Bonomo is an essayist and music writer. His books include Sweat: The Story of The Fleshtones, America's Garage Band, Jerry Lee Lewis: Lost and Found, This Must Be Where My Obsession With Infinity Began, and Conversations With Greil Marcus. More information at www.nosuchthingaswas.com

    BOOK DESIGNER: Martin Venezky

    Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit, if not the chronology of rock and roll. Poetically, the photos evoke without naming, and have little to do with conventional iconography of the birth of rock and roll. Instead they document, and celebrate, the pure but indefinable essence of rock. Wherever there is an urge to make acoustic or electric music''whether helping at a rent party, busking in front of a crowd, or testifying in the name of Jesus''there's an uncredited photographer there to snap an image. Thankfully Jim Linderman has shared these one-of-a-kind photos from his collection so we can explore one of the most transformative times for American music.

    'Collector and Americana yay-sayer Jim Linderman is an archivist of the obscure. His collections tell vast stories in sotto voce, allowing curios and objects shadowed by mainstream culture and ideology to converse and be heard. What we hear is an enormous American sub-culture speaking in forbidden, marginalized languages: stuff discovered boxed in the attic out of embarrassment or zealotry, smutty ash trays crowing next to religious pamphlets, each claiming a part of the complex, sometimes contradictory, always conflicted American imagination, a chaos of memories that will one day vanish.

    In The Birth of Rock and Roll, Linderman's arranged a storyboard of sorts that dramatizes the spirit, if not the chronology of rock and roll. Poetically, the photos evoke without naming, and have little to do with conventional iconography of the birth of rock and roll''i.e., young white men in Memphis, poodle skirts, Alan Freed, Bill Haley's Brylcream, etc. Instead they document, and celebrate, the pure but indefinable essence of rocking.

    Ordinary, nameless men, women, and children, some white, some black, are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there is an urge to make acoustic or electric music''whether to help at a rent party, busk in front of a crowd, or testify in the name of Jesus''there's an uncredited photographer there to snap an image.' -- Joe Bonomo. When Jim Linderman assembled these photographs from his vast collection, he avoided selecting anyone we might recognize. 'I wanted them all to be anonymous, but several were identified, and the Carter Family was included because it is such a lovely snapshot [and it has never been published before now]. I like to think rock and roll emerged from a large collective of unknown folk down there'rather than from some stars up there.''

    Format Details: 160 pages,12 inches x 9.75 inches, 134 images reproduced in full color

    CONTRIBUTORS: Introduction by Jim Linderman An interview with Jim Linderman by Joe Bonomo

    CONTRIBUTOR BIOS + AFFILIATIONS: Jim Linderman is a writer, art historian, collector and publisher. He maintains a network of websites on art, photography and culture. All share the common thread of authenticity.

    More information at www.dulltooldimbulb.com

    Visit product page
  • Various 'Parchman Farm: Photographs and Field Recordings: 1947ââ'š¬â‚¬œ1959' - Cargo Records UK

    Dust To Digital

    Various 'Parchman Farm: Photographs and Field Recordings: 1947ââ'š¬â‚¬œ1959'

    Sold out

    Sold out
    Sold out
    In 1947, '48 and '59, renowned folklorist Alan Lomax went behind the barbed wire into the Mississippi State Penitentiary at Parchman. Armed with a reel-to-reel tape deck'and, in 1959, a camera'Lomax documented as best an outsider could the stark and savage conditions of the prison farm, where the black inmates labored 'from can't to can't,' chopping timber, clearing ground, and picking cotton for the state. They sang as they worked, keeping time with axes or hoes, adapting to their condition the slavery-time hollers that sustained their forbears and creating a new body of American song. Theirs was music, as Lomax wrote, that 'testified to the love of truth and beauty which is a universal human trait.'

    124-page hardcover book with 2 CDs/6.25 inches x 9.5 inches (landscape)/Includes slipcase and foil stamping/44 audio recordings, 12 previously unreleased, all newly remastered;/77 photographs, many published here for the first time;Essays by Alan Lomax, Anna Lomax Wood, and Bruce Jackson.Produced by Lance Ledbetter, founder of Dust-to-Digital, and Nathan Salsburg, curator of the Alan Lomax Archive. 'A few strands of wire were all that separated the prison from adjoining plantations. Only the sight of an occasional armed guard or a barred window in one of the frame dormitories made one realize that this was a prison. The land produced the same crop; there was the same work for blacks to do on both sides of the fence. And there was no Delta black who was not aware of how easy it was for him to find himself on the wrong side of those few strands of barbed wire - ¦. These songs are a vivid reminder of a system of social control and forced labor that has endured in the South for centuries, and I do not believe that the pattern of Southern life can be fundamentally reshaped until what lies behind these roaring, ironic choruses is understood.' ' Alan Lomax, 1958.'Black prisoners in all the Southern agricultural prisons in the years of these recordings participated in two distinct musical traditions: free world (the blues, hollers, spirituals and other songs they sang outside and, when the situation permitted, sang inside as well) and the work-songs, which were specific to the prison situation, and the recordings in this album represent that complete range of material, which is one of the reasons this set is so important: it doesn't just show this or that tradition within Parchman, but the range of musical traditions performed by black prisoners. I know of no other album that does that.' ' Bruce Jackson, 2013.

    DISC 1: 1947-'48 Work Songs and Hollers
    1. Jimpson and Group - 'Murderer's Home'
    2. 88 and Group - 'Rosie' *
    3. 22 and Group - 'It Makes A Long Time Man Feel Bad'
    4. 88 - 'Whoa Buck'
    5. Tangle Eye, Hard Hat, 22, and Little Red - 'When I Went to Leland'
    6. Buzzard and group - 'I'm Going to Memphis'
    7. 22 and Group - 'The Prettiest Train I Ever Saw'
    8. 22 and Group - 'John Henry'
    9. Dan Barnes and Group - 'John Old Alabama'
    10. Foots - 'Hollers'
    11. Dobie Red and Group - 'Stewball'
    12. Bama - 'Levee Camp Hollers'
    13. Tangle Eye, Hard Hat, 22 and Little Red - 'Early In the Morning'
    14. Dobie Red and Group ' 'I Got A Bulldog (Well I Wonder)'
    15. 22 and Group - 'Dollar Mamie'
    16. Bama - 'Stackalee'
    17. Dan Barnes and group - 'I Don't Want No Jet Black Woman' *
    18. Bull, Foots and Dobie Red - 'Did You Hear About Louella Wallace'
    19. Tangle Eye - 'Tangle Eye's Blues'
    20. 22 and Group - 'Rosie'
    21. Bama - 'I'm Going Home'
    22. Jimpson and Group - 'No More My Lord'
    23. Unidentified Group - 'The Weather Get Warm' *

    Disc 2: 1947-'48 Blues / 1959 Work Songs and Hollers
    1. Floyd Batts - 'Lucky Song'
    2. Clarence Alexander - 'Disability Boogie Woogie'
    3. John Edwards and Group - 'Berta' *
    4. Clyde Jones and Group - 'Poor Lazarus' *
    5. John Dudley - 'Cool Drink of Water Blues'
    6. Ed Lewis - 'Levee Camp Holler / Interview'
    7. Ed Lewis and Group - 'Black Gal'
    8. Bama - 'I Don't Want You Baby' *
    9. Grover Wells and Group - 'Rosie' *
    10. Bridges Lee Cole - 'Hollers'
    11. John Dudley - 'You Got a Mean Disposition'
    12. John Dudley - 'Big Road Blues'
    13. Ervin Webb and Group - 'I'm Going Home'
    14. George Golden and Group - 'Berta' *
    15. Grover Wells - 'Up the River' *
    16. Clarence Alexander - 'Prison Blues'
    17. Johnny Lee Moore, Ed Lewis, James Carter, and Henry Mason - 'Tom Devil'
    18. Willie Washington - 'My Jack Don't Drink No Water' *
    19. Leroy Campbell and Yancey - 'Sometimes I Wonder'
    20. Henry Ratcliff - 'Look for Me In Louisiana'
    21. Heuston Earms - 'Ain't Been Able to Get Home No More' *

    *Previously unreleased.
    Visit product page
  • Various Artists 'Arkansas at 78 RPM: Corn Dodgers & Hoss Hair Pullers' - Cargo Records UK

    Dust To Digital

    Various Artists 'Arkansas at 78 RPM: Corn Dodgers & Hoss Hair Pullers'

    Sold out

    Sold out
    Sold out
    For the traveling recording men of the late 1920s, Arkansas offered enticing pickings. The region was thronged with vigorous, idiosyncratic stringbands. This album carries the listener from the hillbilly music craze of the '20s to the song-based country music of the late '30s. Scarcely more than a decade, but a period, in music as in all American life, of galvanic change.

    This CD serves as the soundtrack album to the newly-released photograph book, 'Making Pictures: Three for a Dime' by Maxine Payne. All of the photos in this package are from the same cache of photographs taken by the Massengil family in their mobile photo-booth trailer throughout rural Arkansas in the 1930s-1940s. CD Digipak with 32 page booklet/Liner notes by country music scholar Tony Russell/Newly remastered 24-bit audio transfers from the Music Memory archive/Features original 78 RPM recordings made between 1928-1937 'It is indeed gratifying to know our program has made so many minds and hearts drift back to the earlier days when all was well, when the hoss hair pullers'of old were in due form and all parties concerned were in a receptive mood for tipping of the fantastic toe - ¦ My aggregation from this district claim that their music and songs are not suggestive of anything except good and wholesome exercise - ¦

    So everybody come to the Arkansas Ozarks, where you can eat the best fruit in the world; where home-cured meat is found in the smokehouse and corn and hay in the barn; where you can juice your own cow, feed your own chickens, fish in the wonderful White River, meet these men of the Missouri Pacific and natives, and you will then say, Yes, indeed, you have the most wonderful country in the world.'' ' Henry Harlin Smith, March 1926 on Hot Springs radio station KTHS.

    1. Ashley's Melody Men - 'Searcy County Rag'
    2. Pope's Arkansas Mountaineers - 'Get Along Home, Miss Cindy'
    3. Fiddling Bob Larkin & His Music Makers - 'The Higher up the Monkey Climbs'
    4. George Edgin's Corn Dodgers With Earl Wright & Brown Rich - 'My Ozark Mountain Home"
    5. Dr. Smith's Champion Hoss Hair Pullers - 'Just Give Me the Leavings"
    6. Ashley's Melody Men - 'Bath House Blues'
    7. Luke Highnight & His Ozark Strutters - 'Fort Smith Breakdown"
    8. Arkansas Barefoot Boys - 'Eighth of January'
    9. Bob Larkan & Family - 'McLeods Reel"
    10. A. E. Ward & His Plow Boys - 'The Old Dinner Pail"
    11. Wonder State Harmonists - 'My Castle on the Nile'
    12. Morrison Twin Brothers String Band - 'Dry and Dusty'
    13. Pope's Arkansas Mountaineers - 'Jaw Bone"
    14. Lonnie Glosson - 'Arkansas Hard Luck Blues"
    15. Fiddling Bob Larkin & His Music Makers - 'Paddy, Won't You Drink Some Good Old Cider?'
    16. George Edgin's Corn Dodgers With Earl Wright & Brown Rich - 'Corn Dodger No. 1 Special"
    17. Bonnie Dodd & Murray Lucas - 'Ozark Mountain Rose"
    18. Morrison Twin Brothers String Band - 'Ozark Waltz'
    19. L. O. Birkhead & R. M. Lane - 'Robinson County"
    20. George Edgin's Corn Dodgers With Earl Wright & Brown Rich - 'The Arkansas Hotel"
    21. A. E. Ward & His Plow Boys - 'Going to Leave Old Arkansas"
    22. Wonder State Harmonists - 'Petit Jean Gallop'
    23. Bob Larkan & Family - 'Silver Nail"
    24. Reaves White Country Ramblers - 'Drunkard's Hecups'
    25. Wonder State Harmonists - 'Turnip Greens'
    26. Lonnie Glosson - 'Lonnie's Fox Chase"
    Visit product page
  • Various Artists 'Longing For The Past: The 78 RPM Era In Southeast Asia' - Cargo Records UK

    Dust To Digital

    Various Artists 'Longing For The Past: The 78 RPM Era In Southeast Asia'

    Sold out

    Sold out
    Sold out

    4 Compact Discs in slipcase with 272-page hardcover book.

    Longing for the Past: The 78 rpm Era in Southeast Asia is the first survey of the 78 rpm record era in Southeast Asia.

    It is a kaleidoscopic collection featuring 4 CDs with 90 tracks of music spanning six decades (1905-1966), accompanied by a 272-page book with essays and annotations by leading ethnomusicologists that is richly illustrated with more than 250 vintage photographs, record labels, and sleeves.

    David Murray is the curator of Haji Maji (www.HajiMaji.com), a blog dedicated to the exploration 78 rpm Asian music. He previously produced two LPs for Dust-to-Digital: Luk Thung: Classic & Obscure 78s from the Thai Countryside and Kassidat: Raw 45s from Morocco. In addition to collecting and researching old records, he is a musician and graphic designer in Oakland, California.

    Longing for the Past: The 78 rpm Era in Southeast Asia continues the mission of Dust-to-Digital to explore the early days of recorded sound from around the world. Much like Opika Pende: Africa at 78 RPM broke new ground in research while reissuing dozens of tracks for the very first time, Longing for the Past examines an era of music from a geographical region that has remained hidden until now.

    Visit product page
  • George King

    Dust To Digital

    George King "Ten Thousand Points Of Light: 20th Anniversary Edition"

    Sold out

    Sold out
    Sold out

    Kitsch alert! Worshippers at the shrine of Elvis and followers of pop culture take note. Ten Thousand Points of Light is a wry, understated and terrifically funny look at the Townsends, a suburban Atlanta family who, every holiday season for eight years, transformed their Stone Mountain area brick ranch house into a meteoric blaze of Christmas lights.

    Known as both the Christmas House and the the Elvis House, the Townsend's home was visited yearly by vast numbers of people, many of whom viewed a trip to the land of a thousand tchotchkes as an annual pilgrimage. '? Linda Dubler, Creative Loafing

    Visit product page
  • Rev Johnny L Jones 'Jesus Christ From A To Z' - Cargo Records UK

    Dust To Digital

    Rev Johnny L Jones 'Jesus Christ From A To Z'

    £12.99

    More than a half-century ago, a young country preacher from backwoods Alabama came to the big city and made his name leading one of Atlanta's largest Baptist congregations. In a great Southern metropolis renowned for its preachers, Rev. Johnny L. Jones stood out for his unique delivery that combined solid theological grounding and moody, explosive flights into a high-turbulence zone between song and speech, earning him a reputation as the Fireball Preacher and more famously, The Hurricane. Jesus Christ from A to Z(PT-4001) was compiled from more than 50 years of reel-to-reel tapes of live church recordings.
    Visit product page
  • Various Artists 'I Have My Liberty! Gospel Sounds From Accra, Ghana' - Cargo Records UK

    Dust To Digital

    Various Artists 'I Have My Liberty! Gospel Sounds From Accra, Ghana'

    Sold out

    Sold out
    Sold out
    Produced by Calpin Hoffman-Williamson, I Have My Liberty! Gospel Sounds from Accra, Ghana features performances recorded live in 2008 in the churches of Ghana's capital city.

    This album could be seen as the missing link between American gospel records by artists like Rev. Johnny L. Jones and traditional African artists like those featured on Opika Pende: Africa at 78 RPM.
    Visit product page
  • Various Artists 'Never A Pal Like Mother: Songs & Photographs Of The One Who'â„¢s Always True' - Cargo Records UK

    Dust To Digital

    Various Artists 'Never A Pal Like Mother: Songs & Photographs Of The One Who€„¢s Always True'

    Sold out

    Sold out
    Sold out

    65 antique photographs from such noted collectors as Sarah Bryan and Jim Linderman.

    40 recordings from 1927-1956 from such esteemed 78 collectors as Joe Bussard. The songs on the first disc describe mother's activities on earth: kindness, discipline, teaching and love.

    The second disc's songs deal with the coping involved with a mother's death and the emptiness it creates.

    Foreword by Rosanne Cash (born May 24, 1955) is a Grammy-Award winning singer-songwriter and author. She is the eldest daughter of the late country music singer Johnny Cash and his first wife, Vivian Liberto Cash Distin.

    Essay by Sarah Bryan. Sarah Bryan is the Editor-in-Chief on The Old-Time Herald magazine. The magazine casts a wide net, highlighting the Southeastern tradition while opening its pages to kindred and comparable traditions and new directions. Sarah is an antique-photograph collector and contributed several images to Never a Pal Like Mother. 


    Disc 1:
    1. God Bless Her, She's My Mother by Louvin Brothers
    2. The Pal That's Always True by Doc Hopkins
    3. Little Moses by Mr. & Mrs. Harmon E. Helmick
    4. Mama Blues by William McCoy
    5. Mama's Little Sunny Boy by Earl McDonald's Original Louisville Jug Band
    6. Mother's Love by Mighty Destroyer
    7. Mama Don't Allow It by Frankie "Half-Pint" Jaxon
    8. Mama Says It's Naughty by Maddox Brothers & Rose
    9. You Mother Heart Breakers by Rev. J. M. Gates
    10. Mother Came to Get Her Boy from Jail by Wade Mainer
    11. Mother's Last Word to Her Son by Washington Phillips
    12. The Dixie Cowboy by Taylor's Kentucky Boys
    13. That's No Way to Get Along by Robert Wilkins
    14. Only Mother Cares for Me by Dixieland Jug Blowers
    15. Whisper Softly, Mother's Dying by Kid Smith and Family
    16. Hold Fast to the Right by Carter Family
    17. Mother Called Her Child to Her Dying Bed by Lil McClintock
    18. A Mother's Last Word to Her Daughter by Washington Phillips
    19. Mother is with the Angels by Wright Brothers Quartet
    20. Sleep On, Mother by Diamond Four

    DISC 2:
    1. Mother's Gone by J. P. Ryan
    2. Stand in the Test in Judgment by Golden Gate Jubilee Quartet
    3. Mama, Where You At? by Leo Soileau
    4. Kujawiak Babki (Grandmother's Dance) by Jan Wysowski
    5. Tie Me to Your Apron Strings Again by Bob Wills
    6. My Mother's Hands by Shortbuckle Roark & Family
    7. The Picture on the Wall by Georgia Yellow Hammers
    8. Where Is My Momma? by Carolina Twins
    9. I've Got the Blues for Mammy by Milton Brown & His Musical Brownies
    10. Motherless Child Blues by Elvie Thomas
    11. If I Could Hear My Mother Pray Again by Rev. Anderson Johnson
    12. Tell Mother I'll Meet Her by The Virginia Possum Tamers
    13. Shake Mother's Hand for Me by Golden Eagle Gospel Singers
    14. Mother Went Her Holiness Way by Blue Sky Boys
    15. Mother Bowed by The Pilgrim Travelers
    16. Will My Mother Know Me There? by L. V. Jones & His VA Singing Class
    17. The Bright Crystal Sea by Cecil Surratt & His W. VA Ramblers
    18. Over the Hills and Far Away by McNulty Family
    19. Masanga by Leon Bukasa
    20. Sleep On Mother, Sleep On by Lonnie McIntorsh
    Visit product page
  • Brother Claude Ely 'Ain'â„¢t No Grave: The Life and Legacy of Brother Claude Ely' - Cargo Records UK

    Dust To Digital

    Brother Claude Ely 'Ain't No Grave: The Life and Legacy of Brother Claude Ely'

    Sold out

    Sold out
    Sold out
    360-page hardback biography with CD, includes 290 sepia photographs CD features rare and electrifying audio recordings of Pentecostal worship services in the mountains of Kentucky and Virginia accompanied by a fiery sermon preached by Brother Claude Ely.
    Visit product page
  • Page 1 of 2