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Rune Grammofon
Various Artists 'Sailing To byzantium' Vinyl 4x10"
£59.99
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Rune Grammofon
Various Artists 'Sailing To byzantium' Vinyl 4x10"
£59.99
To celebrate 150 releases we have put together a selection of tracks showing where we are now, some label mainstays, personal favourites, hidden treasures and to round it off; a beautiful exclusive from Arve Henriksen.
No expenses have been spared to make this a sublime and highly desirable collection: 4 x 10 inch records - a format loved by collectors - different coloured vinyl for each record, a big two sided poster and a long, unedited and frank interview with label founder Rune Kristoffersen and house designer Kim Hiorthøy by UK music writer Rob Young. And all beautifully designed by Kim and individually numbered by hand in a strictly one-off edition of only 500 copies.
The title is borrowed from William Butler Yeats' meditation on art and immortality and follows in the tradition of previous compilations where we have borrowed from song lyrics and poems; Love Comes Shining Over The Mountains (Jimi Hendrix), Until Human Voices Wake Us And We Drown (T.S. Eliot) and Twenty Centuries Of Stony Sleep (W.B. Yeats).
Tracks:
Hedvig Mollestad Trio ' Sing, Goddess
Bushman's Revenge ' As We Used To Sing (Live)
Scorch Trio ' Kjøle Høle
Motorpsycho ' Year Zero (A Damage Report)
FIRE! ' Your Silhouette On Each (Without Noticing)
Elephant9 ' Hardcore Orientale
Phaedra ' Honeydewed Autumn
Jenny Hval ' Blood Flight
The Last Hurrah!! ' The Lonely Whistle Call
Hilde Marie Kjersem ' That Day In The Shower
Tove Nilsen ' Jordan
Sidsel Endresen & Stian Westerhus - Drawing An Arc
Maja Ratkje - IntroAlog ' Baklandet
Espen Eriksen Trio ' In The Woods
Nils Økland ' Blond Blå
Arve Henriksen ' Silver Box
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Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.
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Tracklisting:VinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide B1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide C1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide D1. Manscape2. Metaphonk3. Reticulum C
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One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
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Remember their very first debut album from 2021 and those dark synthpop sounds?
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