Out of Norway's super-fertile impro scene, MoHa! are boldly leading the way with a sound that encompasses the best of rock, free jazz and electronic music.
Despite the enormity and broad spectrum of sounds that constitute their unique style, it is the work of just two talented young men, Anders Hana (24) on guitar, obsolete electronics and a pallete of effects pedals, and Morten J. Olsen (25) on drums, triggering a multitude of noises from each skin and cymbal using custom built software.
Having played together in various projects for close to 10 years, they have developed a high level of control and understanding in their musical communication.
They compliment and confront each other, with sharp and mechanical movements on one hand, free flowing and loose gestures on the other. It's a real scorcher; short, intense, to the point and brimming with head explosions, youthful energy and urgency.
1 Daily Three
2 Jolly Five
3 Daily Four
4 Jolly Four
5 Gay Two
6 Gay One
7 Home Two
8 Jolly Two
9 Entry One
10 Entry Two
11 Home Four
12 Jolly Six
13 Jolly One (White Guilt Fills The Room)
14 Home One
15 Ibiza One
16 Ibiza Two
Release date: 14/10/2022
Experimental post-punk outfit GIRLS IN SYNTHESIS are set to release the eagerly anticipated follow-up to 2020’s incendiary debut, ‘Now Here’s An Echo From Your Future’. Entitled ‘The Rest Is Distraction’ and available this coming October 14th via the band’s own label Own It/Cargo Records, its mix of fractured guitar, crushing drums and bass, intense vocals and lyrical content - create as challenging a record as you will hear this year.
Formed in 2016, GIRLS IN SYNTHESIS are John Linger (bass / vocals), Jim Cubitt (guitar / keys) and Nicole Pinto (drums). The trio’s double a-sided debut single ‘The Mound’/’Disappear’ came out in the early part of 2017, and since then they have established themselves as the most forward thinking, viscerally challenging band around with unmissable live shows that continue to excite and astound in equal measure.
Recorded last year amidst the uncertainty of continuous lockdowns as a result of the global Covid-19 pandemic, ‘The Rest Is Distraction’ is far darker in content than its predecessor.
Mainly exploring internal and mental struggles as opposed to external current affairs, it focuses on the claustrophobia of emotional anguish and continues to bravely delve into previously un-ventured topics.
Featuring frequent collaborators funkcutter and Stanley Bad on horns and violin, respectively, two songs also see Eleni Poulou, ex-The Fall, on keyboards.
The album was mixed by long-term collaborator Max Walker, and features stunning landscape photography by Bea Dewhurst. The album was mastered in France by Ayumu Matsuo. Sonically atramentous and less one dimensional than the band’s debut, ‘The Rest Is Distraction’ takes its cues from ‘Join Hands’ era Siouxsie & The Banshees, Brainiac and Crass’ ‘Christ The Album’, among others.
From the first crackle of electricity on the opening track, to the heart wrenching taped voice-recording on the final outro, this LP triumphantly retains every ounce of intensity and vitality that makes Girls In Synthesis the most captivating band to emerge from the UK DIY underground in recent years.
Listeners will find ‘The Rest Is Distraction’ a challenging, yet ultimately cathartic listen. Prepare yourselves for a sonic cleansing, Girls In Synthesis style.
1. It’s All Beginning To Change
2. Watch With Mother
3. Total Control
4. Swallowed Pill
6. My Husband
7. Cottage Industry
8. Not As I Do
9. Lacking Bite
10. Your Prayers Have Changed
11. To A Fault