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Fire Records
Giant Sand 'Storm (25th Anniversary Edition)'
£7.99
')
Fire Records
Giant Sand 'Storm (25th Anniversary Edition)'
£7.99
"Storm" was originally released in 1988 is the third reissue from Fire Records. It features the popular single 'Uneven Light Of Day' and a cover of Robbie Robertson's 'The Weight'.
"Giant Sands is a mood," says Howe's of Giant Sands, as if trying to offer a low-key explanation for his dizzying array of artistic exploration that includes a back-catalogue of some 40 albums as a singer, band-leader and producer. After growing up in Pennsylvania in the 1970's, it wasn't until he moved to Tuscon, Arizona that he met his musical soul mate, the guitarist Rainer Ptaceck. The two formed Giant Sandworms and issued only a handful of recordings before the worms were put to rest: since then, Giant Sand have released 24 albums - an impressive haul when considering Howe's equally prolific output under other projects including Black Ranchette and Arizona Amp & Alternator as well as his solo releases.
Howe, though, is definitely not content to rest on his laurels. Giant Sand's 2000 album Chore Of Enchantment has been declared one of the Best 1000 Records Ever Made and scooped up plaudits from NME and The Guardian amongst others, with the former insisting the record cemented his reputation as "a founding father of modern Americana". His most recent solo project, meanwhile - 2006's 'Sno Angel Like You - earned a 5 star review in Mojo and was described by Q as "showcasing an immense generosity of spirit and poetic warmth".
Rather than retrospect, then, this is a time for celebration. Howe and his band marked the 25th anniversary of the release of Valley Of Rain by hosting a very special evening of brand new collaborations and performances. They played some of their choice cuts from their back catalogue, and were joined by Kristin Hersch, guitarist and founder of the seminal art-rock band Throwing Muses. "I'll jump at any chance to be on stage with the wild and wacky, kooky and cozy Howe," says Hersch. "With Howe, I never know exactly what will happen, but it's always great to be a part of it."
"Giant Sands is a mood," says Howe's of Giant Sands, as if trying to offer a low-key explanation for his dizzying array of artistic exploration that includes a back-catalogue of some 40 albums as a singer, band-leader and producer. After growing up in Pennsylvania in the 1970's, it wasn't until he moved to Tuscon, Arizona that he met his musical soul mate, the guitarist Rainer Ptaceck. The two formed Giant Sandworms and issued only a handful of recordings before the worms were put to rest: since then, Giant Sand have released 24 albums - an impressive haul when considering Howe's equally prolific output under other projects including Black Ranchette and Arizona Amp & Alternator as well as his solo releases.
Howe, though, is definitely not content to rest on his laurels. Giant Sand's 2000 album Chore Of Enchantment has been declared one of the Best 1000 Records Ever Made and scooped up plaudits from NME and The Guardian amongst others, with the former insisting the record cemented his reputation as "a founding father of modern Americana". His most recent solo project, meanwhile - 2006's 'Sno Angel Like You - earned a 5 star review in Mojo and was described by Q as "showcasing an immense generosity of spirit and poetic warmth".
Rather than retrospect, then, this is a time for celebration. Howe and his band marked the 25th anniversary of the release of Valley Of Rain by hosting a very special evening of brand new collaborations and performances. They played some of their choice cuts from their back catalogue, and were joined by Kristin Hersch, guitarist and founder of the seminal art-rock band Throwing Muses. "I'll jump at any chance to be on stage with the wild and wacky, kooky and cozy Howe," says Hersch. "With Howe, I never know exactly what will happen, but it's always great to be a part of it."
1. Uneven Light Of Day
2. Town Where No Town Belongs
3. Back To Black And Grey
4. Bigger Than That
5. Right Makes Right
6. Three 6ixes
7. Big Rock
8. The Replacement
9. Storm
10. Was Is A Big Word
11. Town With Little Or No Pity
12. The Weight
13. Uneven Light of Day - Alt Take (Bonus)
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"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource
You know that feeling you get when you're shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you're running late for a train and your short cut takes you through a bad part of town, you're being followed but the ever changing reflection in the shop window is a younger you, a healthier person - with a better hairstyle. It's an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch's 1986 film that nods somnambulantly to the shadowy netherworld of film noir.
Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they're all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich's 15th Symphony (which rumour has it Lynch played onset to create the mood') mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive's jukebox.
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1. Main Title
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3. Frank
4. Jeffrey's Dark Side
5. Mysteries Of Love (French Horn solo) (a)
6. Frank Returns
7. Mysteries Of Love (Instrumental) (a)
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14. Mysteries Of Love (a) (Vocal by Julee Cruise) -
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