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Sexy Records
Right Said Fred 'Up' (Slightly Damaged Sleeve)
£21.99 £12.99
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Sexy Records
Right Said Fred 'Up' (Slightly Damaged Sleeve)
£21.99 £12.99
Few copies in stock with minor wear on sleeves, pictures can be sent upon request.
The debut album from the seminal pop group, finally the original recordings are back on CD and LP.
Featuring the hit singles ‘Deeply Dippy’, ‘Don’t Talk Just Kiss’ and the worldwide smash ‘I’m Too Sexy’ (recently reprised and reinterpreted by Beyoncé, Taylor Swift and Drake).
“A cultural touchstone” Rolling Stone.
Tracklistimg:
Side A
1. A Love For All Seasons
2. No One on Earth
3. I'm Too Sexy
4. Do Ya Feel
5. Is It True.
Side B
1. Deeply Dippy
2. Swan
3. Don't Talk Just Kiss
4. Upon My Heart
5. Those Simple Things
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Visit product page →Combining the signature soundscapes of Scorn with tartareous textures, the
newest album “The Only Place” reaches a psychedelic groove, based on what Harris calls “Pushing an original idea further” with his own shades of light and dark and celestial electricity of what SCORN is.
These 10 new tracks add elements unheard in Scorn since Evanescense and Gyral - ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris’ abilities to generate feelings in a lost world of his own creation.Tracklisting:
1. Ends
2. French Field Middle of Night
3. Mates Corner
4. At One Point
5. Thanks For Getting Back
6. After Tasting
7. Tick
8. Something That Was
9. Distortion
10. Don’t and Never Have -
On saleVisit product page →Few copies in stock with minor wear on sleeves, pictures can be sent upon request.
Jlin’s detailed and meticulous exploration of rhythm’s inner and outer reaches has made her one of the most distinctive and recognisable voices within both the electronic and classical music worlds. Her compositions are consistently appealing and have an accessibility to them, yet often defy expectations. She exists within her own locus solus - no matter the collaborator, no matter where sounds ultimately lead her.
Whatever the situation – from composing the Pulitzer Prize shortlisted ‘Perspective’ for Third Coast Percussion, to ‘Godmother’ her AI-powered collaboration with Holly Herndon, Jlin always expresses her outlook to the fullest.
Her new album ‘Akoma’ sets a new benchmark in her personal road map, not only since the album features guest appearances from Björk, Philip Glass and Kronos Quartet but for her continued sonic persistence and resistance.
Jlin does what Jlin does and it’s beloved across genres, across scenes and across generations. ‘Akoma’ is a new entry point into her sound and a new approach for both those who have been following diligently and those who are just now entering her world.
So how did she get here? Here’s a rundown for those looking for the facts.
She was both a math nerd and a steel factory worker. She got inspired by Footwork and started making tracks with mentorship assistance from RP Boo and DJ Rashad, but her music was far from typical for footwork from the get-go. In 2011, she released her first track ‘Erotic Heat’ on the Planet Mu anthology ‘Bangs & Works Vol.2.’
Fashion designer Rick Owens heard it and invited her to soundtrack his Paris Fashion Week show. Already before an EP or an album Jlin was in new cutting-edge territory. And it hasn’t stopped since. Everyday Jlin wakes up early and clocks into her home studio working hard on new music. Her discipline and craft-like approach means that those who would try to copy her sound simply can’t get to the level she is at.
Since ‘Erotic Heat’ she has released two bold albums, 2015’s ‘Dark Energy’ and 2017’s ‘Black Origami.’ She has also released her soundtrack to Company Wayne McGregor’s dance piece ‘Autobiography’ (2018) and most recently (2023) the mini-album ‘Perspective.’
She’s remixed µ-Ziq, Factory Floor, Ben Frost, Max Richter, Björk, Martin Gore and others. She’s collaborated with Holly Herndon and the late SOPHIE. She’s worked with visual artists Kevin Beasley and Nick Cave. She composed a string quartet for Kronos Quartet and performed with them live in a tribute to Philip Glass. She also recently completed a tribute to Sun Ra with Kronos. ‘Perspective’, her very well received percussion work for Third Coast Percussion has further opened doors for her in classical music. She’s even thinking of one day writing an opera. She had a residency at MassMoca Museum earlier this year (2023).
She’s performed live at Pitchfork Festival, Unsound Festival and too many others to mention.
She’s also worked with Indian dancers, Company Wayne McGregor and renowned choreographer/MacArthur Fellow Kyle Abraham.
There’s more but you get the picture - she’s working in contexts and in ways that few of her peers are able to. ‘Akoma’ is the next step - all these paths have led to this.
We encourage you to tune in.
Tracklisting:
Side A
1. Borealis (ft. Björk)
2. Speed Of Darkness
Side B
4. Summon
5. Iris
6. Open Canvas
Side C
7. Challenge (To Be Continued II)
8. Eye Am
9. Auset
Side D
10. Sodalite (ft. Kronos Quartet)
11. Grannie's Cherry Pie
12. The Precision Of Infinity (ft. Philip Glass) -
On saleTompkins Square
Muireann Bradley 'I Kept These Old Blues' Vinyl LP (Slightly Damaged Sleeve)
21.99 £13.99
vTompkins Square
Muireann Bradley 'I Kept These Old Blues' Vinyl LP (Slightly Damaged Sleeve)
£21.99 £13.99
Visit product page →Few copies in stock with minor wear on sleeves, pictures can be sent upon request.
Muireann Bradley is a young blues, ragtime, roots and folk guitarist and singer based in Ballybofey in County Donegal Ireland. “This is my first album. Most of these tunes were originally recorded by the great blues men and women who were making records from the 1920s and 1930s right up in some cases to the early 1970s. I have also found inspiration for the renditions recorded here in the playing of some of the musicians who began recording this music in the 1960s and later, and who in some cases learned at the feet of the greats.
Many of these guitarists played pivotal roles in the 1960s blues revival and subsequent “rediscovery” of many of the greats of country blues. I grew up steeped in these old blues in the hills overlooking the valley of the River Finn just outside the town of Ballybofey in County Donegal. My father would play this music constantly at home and wherever we went in the car and talk about it endlessly whether anyone was listening or not, telling stories about the lives of these musicians as if they were legend, mythology or the evening news.
My father could of course play all this stuff on guitar, I remember watching him when I was very young and thinking “I want to be able to do that”. When I was nine he agreed to teach me and bought me my first little travel guitar. I worked hard to learn how to play but as time wore on I seemed to have less and less time to practice as I became more and more invested in the combat sports I was regularly training and competing in.
Then in March 2020 the first Covid lockdowns happened and all contact sports were shut down. I was lost for a while but soon found my way back to the guitar. I was now listening, playing and practicing with a new intensity and focus. In a very serious moment, I wrote out a list of tunes I was going to learn. The first tune on that list was Blind Blake’s “Police Dog Blues”. I’m not sure now how long it took to get that arrangement together but when it was ready we videoed me performing it and posted it on YouTube. It ended up getting a lot of attention, I remember my parents being quite shocked and soon after that Josh Rosenthal got in touch… and here we are!
Each individual track on this album was recorded live in the studio and represents one entire take with me singing and backing myself up on guitar simultaneously. Most are either first or second takes. Nothing has been added or taken away, no overdubs or modern recording tricks of any kind have been used at all so at least in some respects this album has been recorded in the same way as those classics of the 1920s and 1930s.I hope you enjoy the record.” Muireann Bradley May 2023Tracklisting:
1. Candyman
2. Richland Woman Blues
3. Police Dog Blues
4. Shake Sugaree
5. Vestapol
6. Stagolee
7. Green Green Rocky Road
8. Frankie
9. Police Sergeant Blues
10. Buck Dancers Choice
11. Delia
12. Freight Train -
On saleMerge Records
The Clientele 'I Am Not There Anymore' Vinyl LP - Red (Slightly Damaged Sleeve)
37.49 £21.99
vMerge Records
The Clientele 'I Am Not There Anymore' Vinyl LP - Red (Slightly Damaged Sleeve)
£37.49 £21.99
Visit product page →Few copies in stock with minor wear on sleeves, pictures can be sent upon request.
The Clientele’s first new record in six years. Over The Clientele’s 32-year career, critics and fans have described their songs with words like “ethereal,” “shimmering,” “hazy,” “pretty,” and “fragile.”
Their singer, guitarist, and lyricist, Alasdair MacLean, has his own interpretation of the effect his music creates. “It’s that feeling of not being there,” he says. “What’s really been in all the Clientele records is a sense of not actually inhabiting the moment your body is in.” I Am Not There Anymore, regularly evokes what MacLean calls “the feeling of not being real.” Many of the songs were inspired by MacLean’s memories of the early summer in 1997, when his mother died, but also represent The Clientele pushing towards a new sonic frontier as a band, experimenting over the course of a three-year recording period.
Of this stretching out, MacLean says, “We’d always been interested in music other than guitar music, like for donkey’s years.” This time out, he and bassist James Hornsey and drummer Mark Keen incorporated elements of post-bop jazz, contemporary classical, and electronic music.
According to MacLean, “None of those things had found their way into our sound other than in the most passing way, in the faintest imprint.” With those elements in the foreground, I Am Not There Anymore reasserts The Clientele’s standing among the great stylists of pop music, deftly shifting from image to image, mood to mood, in a way that feels both new and classically them.Tracklisting:
Side A
1. Fables of the Silverlink
2. Radial B
3. Garden Eye Mantra
4. Segue 4 (iv)
5. Lady GreySide B
6. Dying in May
7. Conjuring Summer In
8. Radial C (Nocturne for Three Trees)
9. Blue Over Blue
10. Radial ESide C
11. Claire's Not Real
12. My Childhood
13. Chalk Flowers
14. Radial H
15. Hey SiobhanSide D
16. Stems of Anise
17. Through the Roses
18. I Dreamed of You, Maria
19. The Village Is Always on Fire
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