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Release Date: 31/01/2025
Limited 180g blue vinyl, 50TH ANNIVERSARY - REMIXED AND REMASTERED 1974 – 2024
The debut album from Judas Priest - Celebrate 50 years of metal history with the album that started it all!
Rocka Rolla, Judas Priest's debut, has been remixed and remastered to deliver the sound and power in the way the band had always intended it to be.
“This album lit the eternal metal flame - as real and fresh as ever five decades on” — Rob Halford
Tracklisting:
1. One For The Road
2. Rocka Rolla
3. Winter
4. Deep Freeze
5. Winter Retreat
6. Cheater
7. Never Satisfied
8. Run Of The Mill
9. Dying To Meet You
10. Caviar And Meths
Release Date: 13/12/2024
2LP Deluxe Gatefold w/24pp Booklet & Obi
Steven Wilson is no stranger to composing music that appears to counter everything else before it in his catalogue. Bass Communion, his long running solo electronic project, is no exception to this perverse streak that apparently likes to turn all expectations upside down. The Itself of Itself, Bass Communion’s first album for 12 years, skillfully pays testament to this. Long established as a purveyor of mostly atmospheric or ambient textures, the seven cuts that represent The Itself of Itself take detours from this approach in order draw as much from musique concrete, noise music, abstract electronics and uneasy listening.
Whilst still rippled with the same shades of light and dark that can be found throughout all of Bass Communion’s work, The Itself of Itself reveals a fascination with analogue sounds and, more importantly perhaps, ‘unwanted’ analogue artefacts like tape hiss, wow and flutter, static noise, and sonic break-up, taking the music into a space at once different yet familiar. ‘Apparition 3’ presents a stark nod to Wilson's established command of shifting textures steeped in penumbral gauze, while ‘Bruise’ is akin to a space probe adrift and headed towards a white dwarf as all communication is reduced to a disturbing and indecipherable crackle.
Between the other five cuts we witness fragmented, garbled and buried voices, vast vacillating banks of grainy hum, what sounds like the dying gasps of an oboe, spooky swirls from an indiscernible source, swathes of tape hiss, moody drones, and spiralling slivers of noise. Meanwhile on the title track, a mellotron flute rusts and collapses in on itself in a way that renders it the very antithesis of the one deployed on ‘Strawberry Fields Forever’.Everything adds up to a dynamic listening experience where unease, dread and comparatively claustrophobic torrents of sound make (un)natural bedfellows to moments of enchantment and serenity.Above all, The Itself of Itself sees Steven Wilson cutting his teeth on an album that’s at once cinematic and moody whilst proving him to be a master in electronic music craftsmanship.
It’s an album that might surprise some of those who have thus far been paying attention to his work as Bass Communion, but setting out to please everyone was never part of his raison d‘etre. The Itself of Itself catches Bass Communion spreading its weatherbeaten wings to embrace new strategies and a strong desire to journey elsewhere.Arriving in a wonderful Carl Glover designed deluxe cover also comprising a 24pp. booklet of his photographs and an obi strip, this version of The Itself of Itself arrives in December on Lumberton Trading Company as a 2LP pressed in an initial run of 1000 copies.
Tracklisting:
Side 1
1. Unperson 10:34
2. Apparition
3 6:04
Side 2
3. Bruise 13:19
4. Blackmail 7:24
Side 3
5. The Itself of Itself 10:24
Side 4
6. Study for Tape Hiss and Other Audio Artefacts 11.58
7. Apparition 5 02:46
Black Eyed Sons - A New Rock 'n' Roll Collective - Members of The Quireboys and Down n' Outz are joined by an amazing collection of fellow musicians for a joyous collaboration of mutual admiration and musical celebration. Enjoy the debut album 'Cowboys In Pinstriped Suits" released via Off Yer Rocka recordings 31st January 2025.
Since the band announced they were working on their highly anticipated new album, "The Band Rolls On", what was already becoming a chance for a musical rebirth metamorphosized into something far bigger and more ambitious.
The final cuts feature distinguished collaborations from a multitude of Rock Royalty. The band, their management and close friends within the industry all agreed that this should be treated as a stand-alone new project, a Rock 'n' Roll Collective going under the name "Black Eyed Sons", a nod to a previous album from their extensive back catalogue.
The revised album title, "Cowboys in Pinstriped Suits” is named after one of the eleven tracks and features none other than Def Leppard’s Joe Elliott alongside Alice Cooper guitarist Ryan Roxie and bass grooves from Chip Z’Nuff.
Guy Griffin commented "It's been nice to take a break and focus on the writing. Working with our own band as well as so many friends within the industry has done nothing but inspire us to write and create this exciting new project. We've done the hard work getting the tracks laid down, we're now looking forward to going back out on the road as Black Eyed Sons and delivering something entirely new from five musicians who've been playing together for over twenty years.
Relationships break down sometimes, that’s Rock 'n' Roll, everyone does their thing, but we want to make sure there's no confusion as to what this is. Whilst we're proud of our musical history, that was then, this is now. It's onwards and upwards.. so let the music do the talking.
Joe Elliott added, "Having worked with these guys since 2009 in the greatest “other” band I could ever hope to work with, The Down ’n’ Outz, it just felt totally natural for me to reciprocate the love these guys have shown me by contributing to what is essentially a new beginning for them. So welcome to the mad world of Rock ’n’ Roll, you Black Eyed Sons.." - Joe Elliott (Cowboys in Pinstriped Suits).
Other collaborators had this to say:
“This song feels so real and natural. Like a hug from an old friend. I’m proud to be a part of it.” - Charlie Starr (Autumn Reigns)
‘’My friendship with the Quireboys started a long time ago and each time our paths have crossed, the bond has grown stronger. Therefore, I would lie if I didn’t say that in the back of my mind there always was a wish to do something together. So, I am more than thrilled when I was invited to sing on the Black Eyed Sons new album and that they also gave me a song where I could be who I am’’ ⁃ Mike Tramp (Your True Colours)
“I go back 30 years with these guys. A band that I’ve always loved and respected. To be asked to be part of this project was a great thrill, and proud moment as a guitarist.” - Scotti Hill (Dig Me out of this Hole)
“I’ve known Griff since the beginning of our respective careers…we are both from the old school baby, and Griff has always been the embodiment of rock n’ roll - genuine, classy, trashy, and an attitude that exemplifies what it is to be a rock n’ roll troubadour“ ⁃ Ryan Roxie (Cowboys in Pinstriped Suits/Can't Put Your Arms Around A Memory)
“Since you graced us with your presence on the Wolves’ debut album, it’s only fair we should be a part of your debut as Black Eyed Sons. All the best!” - Kyf Brewer / Company Of Wolves(Foolin’ Yourself)
“Not only was it a pleasure to play guitar & sing on this record but it was also an honour to have Griff & the band record one of our songs! - Steve Conte / Company Of Wolves/Michael Monroe/NY Dolls (Foolin’ Yourself)
Band: Guy Griffin (lead vocals/guitar); Paul Guerin (guitar); Keith Weir (keyboards); Nick Mailing (bass); Pip Mailing (drums)
Tracklisting:
1. Lie To Me
2. Medicine w/ Josh Todd, Stevie D (Buckcherry)
3. Foolin' Yourself w/ Steve Conte (NY Dolls, Mike Monroe) Kyf Brewer (Company Of Wolves/Barley Juice)
4. Autumn Reigns w/ Charlie Starr (Blackberry Smoke)
5. Cowboys In Pinstriped Suits w/ Joe Elliott (Def Leppard) Ryan Roxie (Alice Cooper) Chip Z’Nuff (Enuff Z’Nuff)
6. Don't Throw Me In The Corner w/ Chip Z’Nuff ( Enuff Z’Nuff)
7. Your True colours w/ Mike Tramp (White Lion)
8. Savoir Faire w/ Alan Clayton (Dirty Strangers) Steve Conte(NY Dolls, Mike Monroe) Chris Johnstone (Quireboys)
9. Dig Me Out Of This Hole w/ Scotti Hill (Skid Row)
10. So Glorious w/ Dan Reed (Dan Reed Network)
11. Can't Put Your Arms Around a Memory w/ Ryan Roxie (Alice Cooper)
Release Date: 28/02/2025
Initial LP pressing on black and white coloured vinyl.
Nothing is ever easy for Black Spiders, never straightforward, there’s always a plethora of circumstances, bad luck and karma. Their last album, released in 2023, was titled ‘Can’t Die, Won’t Die’ and here we are at the dawn of 2025 and they’re still not fucking dead. Back with a brand-new album of high-voltage smashers, the Sheffield righteous rockers are set to release new album ‘Cvrses’ this coming February 28th on Dark Riders via Cargo Distribution.
Featuring twelve new tracks of exactly the kind of soaring rock ‘n roll action we’ve all come to expect, love and demand from Black Spiders, their intentions are the same now as they were from the very the moment they started back in 2008 – be true to yourself, no compromise.
“Stick to that formula and everything will be alright is what we hope and then with a little bit of luck life might surprise you,” says guitarist Pete Spiby. “It’s our fifth album, from the point of view of myself and Irwin. It’s our best. Our statement of intent has not changed from day one.”
Recorded once again at Axis Studios in Doncaster with producer Matt Ellis behind the wheel, ‘Cvrses’ is, and of course all bands say this, very possibly their best album yet. It successfully distils everything that is thrilling and life-affirming about Black Spiders unique brand of thumping heaviness. Massive riffs, massive hooks, massive beats. It’s all massive.
Opening song ‘Never Enough’ is as good a statement of intent as you’re ever going to get, crashing in with three cracks on the snare from drummer Wyatt Wendels, before a strutting garage rock riff pumps the album into immediate action.
“Never Enough is where the initial idea for the album title ‘Cvrses’ came from,” explains Pete. “It‘s the reality of how you can be relentless in the pursuit of something, but once you get over the crest of that hill, there’s another hill in the distance. More obstacles in life. So, everything is always just out of reach, but the positive side of that is you’re still striving, living.”
And from that moment on, ‘Cvrses’ steams through a rollercoaster ride of rock emotions, from the hand-clapping ramalama of ‘Cool Reaper’, to the soaring balladry of ‘Dia De Muertos’, it’s all there, fully intact and in your face, right where proper rock should be.
And why is the album called ‘Cvrses’? Well, ‘Cvrses’ has double meanings, on one hand it’s a supernatural punishment, invoked to do harm, and it’s also a very old English swear word. Both of these meanings ring true in every sense of the word in relation to Black Spiders.
“As long as that drive is in the tank, we will keep going, because that’s what we need to do,” summarises Pete and Cvrses to anyone that tries to stop them.
Black Spiders will tour the UK in April 2025.
Black Spiders are:
Adam Irwin - bass
James Evans - guitar
Nate Digby - guitar
Wyatt Wendels - drums
Pete Spiby - vocals + guitar
Tracklisting:
Side A
1. Never Enough
2. Cool Reaper
3. Sorry Not Sorry
4. Idol Hands
5. Tom Petty’s Lips
6. Castile De La Roja (skit)
7. Dia De Muertos
Side B
1. No Superman
2. Go!
3. Up All Night
4. Curses (skit)
5. Obey
6. The Mofo Sauce
7. Rotten To The Core
Lil Death (hidden track)
Release Date: 06/12/2024
En Esch's corrosive new album decimates both standards and dance floors alike. Anyone familiar with industrial luminary En Esch and his essential work in groups like KMFDM and PIG knows he is no stranger to political statements through his art. Now, on his first LP in eight years, Dance Hall Putsch, Esch decimates your standards and dance floors with vitriol.
With carefully-sown and complimenting features from fellow KMFDM alumnus Raymond Watts, Guenter Schulz and Mark Durante, plus Vas Kallas (Hanzel und Gretyl), Mea Fisher and Erica Dilanjian (Lords of Acid), Hope Nicholls (Pigface) and more, Dance Hall Putsch delivers everything an industrial fan could want.
From opener "Get Lost," with its categorically punishing industrial-metal riffs to the slicing EBM electronics of "Yum Yum Beauty & The Nasty Thief," it's all here and in no less than four languages throughout.
En Esch's signature rasp is often contrasted by the sparkling vocals of his female counterparts, and the album is lush with brutal honesty, humor, and even a bonus En Esch-lullaby. "I began work on Dance Hall Putsch in the early days of Covid-19. I was trying to create an upbeat, rather positive and very danceable album to leave the pandemic days behind us. Then it happened that a war began near where I live with tens of thousands of civilians killed and wounded so far.
Everyone was caught by surprise and it influenced me, especially lyrically. "This current conflict is just 500 miles away from Berlin, and while that does not make it more horrific than other wars, it is very close to home. From living with this 'war next door,' the album turned out much more sinister than originally planned.
It became a rather political album that reflects on the senselessness and nastiness of all the current wars around us. It's always the innocent and those who hold no power that suffer the most.
Their fate isn't always death, but many times indescribable and long-term suffering. We must not forget them or turn a blind eye. "I’m very pleased that I had the opportunity to collaborate with different and interesting colleagues here.
Thanx everybody for your interest in my musical works and for your love and support." -En Esch
Tracklisting:
1. Get Lost feat. Vas Kallas (Hanzel und Gretyl)
2. I’m So Sick feat. Mea Fisher aka DJ Mea (Lords of Chaos)
3. If You Don’t Know Me, You Cannot Judge Me
4. Eden feat. Gabriel Lennox
5. Push feat. Raymond Watts (PIG), Erica Dilanjian (Lords of Acid) & Gabriel Lennox
6. Wahrhaftige Täuschung
7. Wumms feat. Raymond Watts (PIG)
8. Do It feat. Hope Nicholls (Pigface)
9. Yum Yum Beauty & The Nasty Thief feat. Guenter Schulz
10. Epic feat. Mea Fisher aka DJ Mea (Lords of Acid)
11. The Sweetest Aggravation feat. Gabriel Lennox & Erica Dilanjian (Lords of Acid)
12. The Sweetest Aggravation feat. Gabriel Lennox & Erica Dilanjian (Lords of Acid)
13. World of Deceit