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Wymeswold Records
The Wave Pictures 'A Season In Hull' Vinyl LP
£14.99
Wymeswold Records
The Wave Pictures 'A Season In Hull' Vinyl LP
£14.99
Darren Hayman suggested to me that The Wave Pictures make an album with one microphone. Everybody together in one room playing live into one microphone. You get the picture right once and you capture it. No mixing later.
The idea appealed to me enormously. It's a really beautiful sound, the one microphone sound. The results tend to be mysterious and lively, and it's a very romantic way to record, too.
It's how Bill Monroe and His Bluegrass Boys did it, after all (and that's how bluegrass music destroyed John Fahey's life). I decided to write some songs as quickly as possible and then to invite a bunch of our friends to make a recording with The Wave Pictures on my birthday, January 28th, 2015.
That's what this is - a one-microphone happy birthday recording.Thanks, then, are due to Darren for the idea and to Giles Barrett and Simon Trought for pulling it off. Thanks also to Paul at the Adelphi. The Wave Pictures always have a good time when we visit Hull. This album is dedicated to the memory of Blind Owl Wilson.
Tracklisting:
1. A Season In Hull
2. Remains
3. The Coaster in Santa Cruz
4. Slick Black River From The Rain
5. Thin Lizzy Live And Dangerous
6. Don't Worry My Friend, Don't Worry At All
7. Tropical Fish
8. Memphis Slim In Paris
9. Flow My Tears, The Musician Said
10. A Letter From Hull (Dom's Song)
11. The Pharmacy Cross
12. Hot Rain Riding On The Salt Lake
13. David In A Field Of Pumpkins
The idea appealed to me enormously. It's a really beautiful sound, the one microphone sound. The results tend to be mysterious and lively, and it's a very romantic way to record, too.
It's how Bill Monroe and His Bluegrass Boys did it, after all (and that's how bluegrass music destroyed John Fahey's life). I decided to write some songs as quickly as possible and then to invite a bunch of our friends to make a recording with The Wave Pictures on my birthday, January 28th, 2015.
That's what this is - a one-microphone happy birthday recording.Thanks, then, are due to Darren for the idea and to Giles Barrett and Simon Trought for pulling it off. Thanks also to Paul at the Adelphi. The Wave Pictures always have a good time when we visit Hull. This album is dedicated to the memory of Blind Owl Wilson.
Tracklisting:
1. A Season In Hull
2. Remains
3. The Coaster in Santa Cruz
4. Slick Black River From The Rain
5. Thin Lizzy Live And Dangerous
6. Don't Worry My Friend, Don't Worry At All
7. Tropical Fish
8. Memphis Slim In Paris
9. Flow My Tears, The Musician Said
10. A Letter From Hull (Dom's Song)
11. The Pharmacy Cross
12. Hot Rain Riding On The Salt Lake
13. David In A Field Of Pumpkins
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3rd Pressing on Amber / Beer coloured vinyl shipping now.Black Moth are four super talented individuals, Harriet Bevan - vocals, Jim Swainston - guitar, Dave Vachon - bass, and Dom McCready, battering the crap out of his drums. Formed 2 years ago out of the ashes of Leeds garage rockers The Bacchae, the band were seduced by the brutal and hypnotic lure of the riff, to emerge translucent skinned and bleary eyed from their cocoon as the ferocious kick-ass heavy rock outfit that is Black Moth.
Taking a powerful chunk of influence from proto-punk acts such as Iggy and the Stooges, Motorhead and early Alice Cooper as well as a sliver of 90s grunge and stoner rock and a big dose of doom, Black Moth draw out the darker elements and combine them with the heaving riffs of heavy metal giants, Pentagram and Black Sabbath, with "hooks so sharp you could hang a corpse on them". They also look to more current acts such as the Melvins, Sleep and Electric Wizard for inspiration, though singer, Harriet Bevan, still maintains a vocal style that evokes the haunting psychedelia of Grace Slick and psych-Satanist, Jinx Dawson from Coven: the woman responsible for the "sign of the horns" in rock'n'roll.
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Now all they needed was to be brought to vivid screaming life on record. Enter Mr Jim Sclavunos, the multi talented Grinderman and Bad Seed, not to mention the superbaaad connoisseur of the mixing console, fresh from producing the storming second Jim Jones Revue album. One of their shows was all it took.
Black Moth reminds me of my misspent youth he said. And judging by the all out assault that he's crafted with the Moth, he must have been a very bad boy indeed. The Killing Jar is their debut from New Heavy Sounds and it rocks like a bastard.
Tracklisting:
1. The Articulate Dead
2. Blackbirds Fall
3. Banished But Blameless
4. Spit Out Your Teeth
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Visit product page →A continual seller ever since release in April 2006, demand for Burial's roundly praised debut has rocketed following a swathe of superlative appraisals and high rankings in the various year-end review sections.
With the DJ in mind, optimum sonic integrity has been maintained by removing the CD version's beatless opening and closing tracks, and the remaining 11 tunes have been re-sequenced and re-cut to allow those 4 that have until now not appeared on vinyl to be presented in newly-mastered 12-inch-standard audio across the first 2 sides ('Wounder', 'U Hurt Me', 'Spaceape' and 'Prayer').
With both the 'South London Boroughs' and 'Distant Lghts' EPs now out of print and likely to remain that way, this limited edition two-wax pack offers the only way to get your Burial fix in club-ready configuration, but it won't be around for ever as the ever-elusive producer is near to completing his next opus, at which point this changes tense from present to past. Advertising to run in Observer Music Monthly from 18/03, and still very much in stock on CD right this very minute.
Tracklisting:
1. Untitled
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On saleVisit product page →
Few copies in stock with minor wear on sleeves, pictures can be sent upon request.
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Tracklisting:
1. Untitled
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3. Spaceape
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Visit product page →Of all the artists past and present who claim to let their music do their talking for them, Burial is one of the elite band of whom this truly is the case. In fact, so reluctant is he to engage with the cult-of-personality hoopla that surrounds almost every modern producer and musician of merit, that he remains a genuine recluse; he has never appeared live, only one obliquely-angled publicity photograph is known to exist, and the number of interviews he has given can be counted on the fingers of one hand.
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