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Planet Mu Records
Ital Tek 'Midnight Colour'
£7.99
Planet Mu Records
Ital Tek 'Midnight Colour'
£7.99
Brighton based producer Alan Myson's Ital Tek project returns to Planet Mu for a second long player.
Meeting dubstep and garage's matrix of sub bass and lurching 2-step rhythms half-way with electronica at its most melodic, 'Midnight Colour' is its name and it's epic. The mood has lightened since his debut 'Cyclical' plus the tempo has dropped to a more languorous 130 bpm creating more space to enfold the melody and texture.
Songs like 'Moonbow' or 'Subgiant' embody an optimistic nocturnal reverie that could count the Black Dog's 'Bytes' album as it's ancestor. In contrast, 'Satellite' has a darker feel with it's New Romantic style synth melodies set to a skeletal rhythm, and 'Black and White's surging, wordless vocals are carried by gentle synths and bass arrangements. 'Strangelove' has a more stepping feel, set to a tough 4/4 beat and 'Infinite' marries throbbing bass with marimba and echoing Timpani crashes. The album fittingly culminates with 'Restless Tundra', a song that features the vocals of Anneka, which feature in sampled slithers throughout many of the tracks, the piece summing up the reflective mood of the album.
Side A:
1. Neon Arc
2. Talis
3. Moonbow
Side B:
1. Babel
2. Subgiant
3. Black And White
Side C:
1. Strangelove V.I.P.
2. Moment In Blue
3. Heliopause
Side D:
1. Midnight Colour
2. Infinite
3. Restless Tundra
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Following her previous solo works "Njoum" (2014) and "Arb’een" (40) (2017), this album marks a significant turning point in Saba's journey. Created after leaving Beirut and settling in Paris, "Wishah" reveals a profound shift in her musical expression, informed by rigorous research in the sonic properties of sung Arabic phonemes and their role in shaping synthesised electronic sounds. The album employs a digital extension for the oud, a concept developed by Saba in her research project 'Taïma’.
This device enhances the oud's sonic range, seamlessly integrating synthesised electronics. It also amplifies subtle, often overlooked sounds generated during playing, such as resonances and fingerboard friction. The composition is organized into five distinct stages, each contributing to a process of gradual revelation. As the tracks unfold, they strip away layers of constructed emotions and perceptions that have been intricately woven over time, to expose a space that no longer exists. Wishah is a farewell to home. Youmna Saba (born in Beirut, 1984) is a musician, composer and musicologist.
Her current research focuses on instrument and space resonances in different sonic and musical contexts. With four albums to this date, she has collaborated with musicians of different musical expressions such as Kamilya Jubran, Floy Krouchi, Mike Cooper and the Neue Vocalsolisten ensemble, and has taken part in numerous artist residencies.
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Visit product page →Release Date: 11/10/2024
ANTON NEWCOMBE and DOT ALLISON announce that they will be releasing an album together under the moniker All Seeing Dolls. ‘’Parallel’ will be out in February 2025. Today they share the single ‘That’s Amazing Grace’.
Anton Newcombe is the founder, the sole constant and the creative mastermind at the centre of one of music’s most fascinating bands; Brian Jonestown Massacre. He’s a frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father and force of nature.
There have been 21 BJM albums over the last 30 years, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more. Newcombe has established himself as a once-in-a-lifetime talent, a revolutionary force in modern music and an underground hero. Dot Allison released her debut solo album Afterglow in 1999.
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Visit product page →Release Date: 25/10/2024
Two Times UK Blues Award winner Mississippi MacDonald presents his third album on APM Records. ‘I Got What You Need’ is a statement from a troubadour coming into town bearing songs of soul searching, of spiritual uplift, and of tunes to groove to. Equipped with a powerful voice and stinging guitar Mississippi MacDonald lays down his marker.
MacDonald continues to be an excellent interpreter of southern soul and two more songs from the stable of Memphis studio and publishing house Ecko in Hard Luck and Trouble and the title track prove this. So too the band’s take on the R&B classic We’re Gonna Make It which in MacDonald’s hands really swings. Sinking is an epic ballad in which to lose yourself completely. The gravelly gospel tones on If I Could Only Hear My Mother Pray Again and the imploring emotion on Your Dreams have MacDonald stretching out vocally. Two self-penned instrumentals pay tribute to the greats; 3.35AM, to one of MacDonald’s prime influences Freddie King, and Soul City One to the in-house studio sound of Stax.The album is rich in variety, vibe and soulful energy. It’s MacDonald’s Blues and a whole lot more. As guest artist with the Take Me To The River All Stars in 2024 featuring the legendary Hi Rhythm, MacDonald performed on stage at Red Rooster and was filmed in session with Eric Gales and Jools Holland.
MacDonald and band will perform at the UK Blues Challenge on October 8th and he will be a special guest of Visit Mississippi in Liverpool in October when they unveil the first ever Blues Trail Marker outside The Cavern Club alongside Clarksdale veteran Super Chikan.
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“Mississippi MacDonald represents the next generation of great guitarists who hail from the UK….wholly authentic, he’s earned the right to claim the name”
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Remember their very first debut album from 2021 and those dark synthpop sounds? With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite. Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms.
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Get yourself wrapped up in one warm cover of delicate nostalgia and reborn romanticism, driven by sounds that pay homage equally to Miko Mission and Ken Laszlo, Lisa Lisa and Exposé and, well yeah, even The Smiths because say what you wanna say but you simply cannot not love The Smiths. Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
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