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Scratchy Records
Spork ‘Many Of Them Seriously'
£8.99
Scratchy Records
Spork ‘Many Of Them Seriously'
£8.99
Celestial debut from the post-space-rock laboratory
“From a slow burning, intensifying, building crescendo of noise that is opening track ‘Dust Bowl’ through to the following 13 tracks, this is an album of imagination, brilliant invention and noise landscapes designed to intrigue and titillate.. will be whispered as a favourite influence for years to come" ***** subba-cultcha
"Big brawny electronica laid over fuzzed-out trip hop beats.. ideal for drifting off in the early hours" Plan b
"Dense astral guitars.. a killer groovy bass.. large cracks and thuds that spray up vapour into the air.. set aside some time, some attention, and get stuck in" thelineofbestfit
“A convincing set of guitar-heavy soundscapes” UncutTracklisting:
1. Dust Bowl
2. Phantom Power
3. Vonnegut
4. Circle the Wagons
5. Smoke & Mirrors
6. Wires
7. Specialist is Looming
8. Banshees v Bulldozers
9. Clowns
10. Flood Plain
11. Old Man & the Sea
12. Seven Pillars
13. Grilly
14. Santa Stops Here
Release date: August 2008
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"One day, people will wake up to the Hank Dogs, a gem from the heyday of my Hannibal Records label. It's so great that they're back!” Joe Boyd
Hank Dogs – Andy Allan, his partner Piano and Lily, Andy’s daughter from a previous relationship - started out at folk clubs in London in the early 1990s before going worldwide in 1998 when legendary producer and late 60s Folk Rock guru, Joe Boyd declared them the first British act he'd loved in 30 years.
Their debut album ‘Bareback’ saw them touring the US with Joan Baez and winning fans with their quiet, haunting sound featuring ethereal vocal harmonies, strong traces of blues and Celtic music and Allan’s fluid acoustic finger-picking recalling UK folk guitarists such as John Renbourn.
Another part of their appeal, particularly in the States, was their ‘Carter Family’ image but then, when Andy and Piano split-up in real life, so did the band. A follow up album ‘Half Smile’ appeared in 2002 but this turned out to be their swansong.
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‘Fiveways’ contains much of the Hank Dogs’ trademark English folk/US country-straddling sound. Piano’s voice bounces between early Suzanne Vega, Tracey Thorn and Mary Margaret O’Hara with occasional hints of Dolores Cranberry and Bridget St. John, while underneath the acoustic guitars run freeform tangled and Lily’s backing vocals add sky.
Stand out track ‘Logic’ with it’s pensive lyrics and haunting guitar line recalls the way Suzanne Vega (her again) could sometimes make songs stand still in their tracks but it’s the dreamy ‘Nut’ that really captures the mood “You had me when I was sweet as a nut.. Not sweet enough” sings Piano. This is the sound of two ex-lovers still able to work together but unable to hide the odd dig here and there.. like a follow up album a couple of years later on from ‘Blood On The Tracks’.
Andy sings a few songs too including the raggedy, shwashbuckling ‘Gazetteer’ revolving around a ‘Pre-CBS Maple neck Sunburst bought off The Pretty Things’ and hinting at a whole lifetime of music biz escapades from watching his dad Elkan Allan produce 60s TV show ‘Ready Steady Go’ to a stint on bass in The Professionals along with Steve Jones and Paul Cook.
Next year the story carries on with his long-running South East London ‘Easycome’ club night featuring in US TV queen Lena Dunham’s new Netflix series ‘Too Much’. Towards the end of the album an angelic setting of Dylan Thomas’s ‘Do Not Go Gentle Into That Good Night’ in the song ‘Nod’ recalls Christmas TOTP number ones from days gone by and captures Hank Dogs ability to transport the listener. This album is definitely one for the dreamers.
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