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Recently Added Vinyl

  • Robert Pollard 'Honey Locust Honky Tonk' - Cargo Records UK

    Fire Records

    Robert Pollard 'Honey Locust Honky Tonk'

    £5.99

    Honey Locust Honky Tonk is a compact wonder and so varied, tuneful, graceful, magnificent and ebullient that you'll be forgiven for thinking that Robert Pollard has saved his best for his own album.

    Slicker in some ways than recent Guided By Voices efforts, though not without its own down-home charm, its seventeen songs still whiz by in 34 minutes, stridently showcasing Pollard's songwriting mastery with some of the best tunes he's ever penned.

    The longest, the semi-stately album closer Airs clocks in at just over three and a half minutes, but most are in the 2 or 2 and half minute range typical of Pollard's attenuating genius.
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  • Robert Pollard 'Blazing Gentlemen' - Cargo Records UK

    Fire Records

    Robert Pollard 'Blazing Gentlemen'

    £5.99

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    Fire Records

    Robert Pollard 'Blazing Gentlemen'

    £5.99

    'Blazing Gentlemen' is the last Robert Pollard record, which was released in 2013. It is also the finest Pollard-related record to come out in this or several years, aural evidence of a rock mage reinvigorated by the fact, according to the man himself that he's "finally figured out how to write a song after 55 years."

    Which may come as a surprise even to casual fans of Pollard's thousands-strong catalog, and fair enough, Bob's certainly hip to the irony, but it's no joke. While he's explored pretty much every highway, toll road and dark alley of songcraft in his long career, including spontaneous "drum contests" where every member of Guided By Voices would be given the opportunity to come up with a drumbeat, over which he would then improvise a spontaneous melody based on semi-random lyrics from his ever-present notebook (for example), he's never before applied one consistent approach over the course of even one record. The new technique is considerably more disciplined: he first collects - in the (figuratively) selfsame notebook - phrases and titles, bits of overheard conversation, snatches of misheard movie dialogue, thus providing an assortment of lines all of which he considers strong enough to serve as potential song titles. He then assembles these song titles into lyrics, which because each line is strong enough to stand on its own, contain neither bloat nor the least misstep. When he's happy with the lyrics, he writes a melody for each lyric. He then sits down with the guitar and figures out chords that fit the melodies.

    Sounds pretty straightforward, but for Pollard the result provides a structure uniquely suited to his muse. The proof is in the "excellent cake, so happily done, and quick to bake," as he sings (recalling to those with long memories the "freedom cake" of Propeller's classic "Weedking") on "Tea People," represented in sixteen exquisitely crafted slices on Blazing Gentlemen. From the rollicking Anglophilic "Extra Fool's Day" to the pithy, elegiac "This Place Has Everything," Blazing Gentlemen is no mere confectioner's conceit. Veiny with Pollard's signature depth-charged melodic inventiveness, multiple listens reveal multiple meanings, shape-shifting moods, and lyrical twists that will delight even the word-shyest rockphobe.

    The music itself is standard-issue Pollardian guitar wizardry, unusual chord progressions made up of unusual chords jutting against off-kilter rhythms in ways that shouldn't work but never do not, only to be overshadowed by another bravura vocal performance, occasionally larded with (unusual) harmonies or plain weird delay/reverb/compression effects that only ever add to the tremendous bustle of joy (see "Lips of Joy" for an on-the-nose demo) applied liberally like primer to the multi-hued tracks.

    Robert Pollard fans are fond of making extreme statements in support of their favorite songwriter. Let's pile on: with Blazing Gentlemen, one of America's greatest living artists has fairly reinvented himself. That is no little feat. That is a triumph, and deserves to be celebrated with the same zeal with which Pollard celebrates and honors his own gifts on this complex, architectonic wonder of an album. Drinks for everyone!

    Tracklisting:
    1. Magic Man Hype
    2. Blazing Gentlemen
    3. Red Flag Down
    4. Storm Center Level Seven
    5. Return of the Drums
    6. Picadilly Man
    7. Professional Goose Trainer
    8. Extra Fool's Day
    9. 1000 Royalty Street
    10. My Museum Needs An Elevator
    11. Tonight's The Rodeo
    12. Tea People
    13. Faking the Boy Scouts
    14. Triple Sec Venus
    15. This Place Has Everything
    16. Lips of Joy

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  • Pulp 'It (2012 Re-Issue)' - Cargo Records UK

    Fire Records

    Pulp 'It (2012 Re-Issue)'

    £11.99

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    Fire Records

    Pulp 'It (2012 Re-Issue)'

    £18.99

    Pulp's debut album from 1983 is re-issued via Fire / Cargo for the first time. It is a gentle, mainly acoustic album that gives very few signs to the musical directions Pulp would later pursue. Lacking any hint of synthesizers or dance music, the album occasionally touches on the majestic, theatrical ballads of Scott Walker, as well as the stark, folky song poems of Leonard Cohen.

    Highlights include the light opening single "My Lighthouse" or the silly, music hall stomp of "Love Love." Although technically not as strong as the later albums it has an effortless, amateurish charm that makes up for the unformed songs and the band's rudimentary musical skills.

    Tracks:
    1. My Lighthouse
    2. Wishful Thinking
    3. Joking Aside
    4. Boats and Trains
    5. Blue Girls
    6. Love Love
    7. In Many Ways
    8. Looking for Life
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  • Pulp 'Freaks (2012 Re-Issue)' - Cargo Records UK

    Fire Records

    Pulp 'Freaks (2012 Re-Issue)'

    £11.99

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    Fire Records

    Pulp 'Freaks (2012 Re-Issue)'

    £21.99

    Pulp had changed significantly since their debut 'It'. By this time every member bar Jarvis had moved on but the addition of Russell Senior proved to be a pivotal turning point for the band. No longer did Pulp sound pastoral, easy-natured; now they were darkly romantic, brooding, noisy and a little bit Gothic, in the way young folk who brush their hair a certain way are always a little bit Gothic. Pulp were out-of-tune with the times: but the times didn't satisfy Pulp. 

    The album is quite marvellous. Most of these songs stand the distance of time: it was here, possibly even more than 1992's Separations, that Pulp started coming into their own as a band with a fully-realised aesthetic. 

    The first disc is the original album, unaltered and in its entirety. The second is a bonus disc comprising of tracks from the two big non-album singles from the same era, 'Little Girl (With Blue Eyes)' and 'Dogs are Everywhere'. Two further b-sides 'Tunnel' and 'Manon' complete the second disc for the definitive 'Freaks' period release.

    1. Fairground
    2. I Want You
    3. Being Followed Home
    4. Master Of The Universe
    5. Life Must Be So Wonderful
    6. There's No Emotion
    7. Anorexic Beauty
    8. The Never Ending Story
    9. Don't You Know
    10. They Suffocate At Night
    1. Little Girl (With Blue Eyes) (BONUS)
    2. Simultaneous (BONUS)
    3. Blue Glow (BONUS)
    4. The Will To Power (BONUS)
    5. Dogs Are Everywhere (BONUS)
    6. The Mark Of The Devil (BONUS)
    7. 97 Lovers (BONUS)
    8. Aborigine (BONUS)
    9. Goodnight (BONUS)
    10. Tunnel (BONUS)
    11. Manon (BONUS)
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  • Orchestra Of Spheres 'Vibration Animal Sex Brain Music' - Cargo Records UK

    Fire Records

    Orchestra Of Spheres 'Vibration Animal Sex Brain Music'

    £11.99

    New Zealand's Orchestra of Spheres return with their second full-length album, Vibration Animal Sex Brain Music, a surreal road-trip through a hyper primal, fuzzed-out, synth laden, garden of Eden. Recorded in Italy in September 2012, in the midst of an epic 70+ gig European tour, this album captures the band as a live, hot, dynamic unit ... a futuristic bunga-bunga party band for 22nd century boom-boom cults!!

    Tracklisting:
    1. Aby
    2. Electric Company
    3. Numbers
    4. Moro Con
    5. 2,000,000 Years
    6. Kairo
    7. Journey
    8. Jungle Pads
    9. Mind Over Might
    10. Smash Hit#1
    11. Bogan In The Forest
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  • Neutral Milk Hotel 'On Avery Island' - Cargo Records UK

    Fire Records

    Neutral Milk Hotel 'On Avery Island'

    £7.49

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    Fire Records

    Neutral Milk Hotel 'On Avery Island'

    £28.99

    Repress of this explosive 1996 debut by Neutral Milk Hotel.

    Ltd edition Double Yellow and Red Vinyl, Gatefold sleeve, Insert & DL card. Cut to Audiophile 45 & 33rpm.

    Jeff­'s songs are cryptic and crazed, his ideas fast and furious, and together they force the home-recording concept out of the basement and into a brave new world, a fuzzy masterpiece of experimental lo-'˜ recording. Full of rapid-'˜re wordplay with true and heartfelt experimentation, both ambitious and eclectic, it's not hard to see why this has been such an inuential album. Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic.

    The band are recognized as one of the most inuential alternative acts to come out of the mid-90s and sowed the seeds for everything from anti-folk to the likes of Arcade Fire, Caribou and even Franz Ferdinand. On its original release, this album ranked #35 in the annual Village Voice Jazz & Pop Critics' Poll. Also, Spin proclaimed this album one of the ten best "you didn't hear" of 1996.

    Deluxe repackaging in new mini gatefold sleeve with TWENTY FOUR page poster booklet, this reissue includes the 'Everything Is' single and b-side 'Snow Song Pt.1' from the original 1994 7" release (also re-issued as a limited 500 copies only release)

    "10/10  A gem" VICE

    "Still Sounds Great" UNCUT

    1. Song Against Sex
    2. You've Passed
    3. Someone Is Waiting 
    4. A Baby For Pree 
    5. Marching Theme 
    6. Where You'll Find Me Now
    7. Avery Island / April 1st 
    8. Gardenhead / Leave Me Alone 
    9. Three Peaches 
    10. Naomi 
    11. April 8th 
    12. Pree-Sisters Swallowing a Donkey's Eye
    13. Everything Is 
    14. Snow Song Pt. 1
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  • Lemonheads 'Lick (Deluxe)' - Cargo Records UK

    Fire Records

    Lemonheads 'Lick (Deluxe)'

    £11.99

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    Fire Records

    Lemonheads 'Lick (Deluxe)'

    £18.99

    Lick is the third full-length album and the last to feature founding member Ben Deily. It was also the group's last independent label-released album before signing to major label Atlantic. 

    An odd mixture of brand-new, and considerably older, sounds, 1989s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.

    The difficulties of writing and creating a new full-length album every year (Hate Your Friends and Creator were released in 1987 and 1988, respectively) are clearly in evidence on Lick. While the newest material (Mallo Cup, A Circle of One, 7 Powers, Anyway) hints at promising new song writing directions for both Deily and Dando, there's an almost valedictory sense of the past in the inclusion of versions of Glad I Don't Know and I Am a Rabbit (from the bands' first-ever, self-released EP), and the now-classic track 'Ever', a previously-unreleased tune from the original 1986 'Hate Your Friends' sessions. At moments, Lick almost sounds like an elegy for itself or an elegy for a band that has reached the end of the beginning.

    Also audible in the heterogeneous songs are the tensions of line-up changes and inchoate, growing frustrations. After various band break-ups or threatened break ups (such as Dando's brief departure to play bass for Boston band the Blake Babies), the Lemonheads convened to record new material for Lick now featured Dando on drums, Peretz on bass, Deily on guitar (and piano, according to the album credits) along with the addition of long-time band friend and former member of TAANG! Label mates Bullet LaVolta, Corey Loog Brennan on lead guitar. And yet the frenzied, quasi-ironic hammer-ons of Corey's axe provide some of Licks most entertaining moments like the unaccountably-translated-into-Italian paen to 70s detective Ironside, Cazzo Di Ferro. (The songs music was originally composed by Brennan for his Italian punk band, Superfetazione.)

    After the albums completion, Deily opted out of the subsequent European tour, before leaving the band permanently. Jesse Peretz stayed on to record their Atlantic records debut Lovey, but left after the supporting tour in '91. Since then, Dando has been the Lemonheads' sole permanent member
    .
    BONUS TRACKS:
    This Fire Records re-issue features bonus tracks including several never-before-released live tracks from a 1987 radio session, live tracks and an interview from the 1989 European tour, and the 4 tracks of the Lemonheads self-released debut EP, Laughing all the way to the cleaners.

    1. Mallo Cup
    2. Glad I Don't Know
    3. 7 Powers
    4. A Circle Of One
    5. Cazzo Di Ferro
    6. Anyway
    7. Luka
    8. Come Back D.A.
    9. I Am A Rabbit
    10. Sad Girl
    11. Ever
    Bonus Material
    12. Strange
    13. Mad
    14. Sad Girl (Live On WERS)
    15. Nothing True / Glad I Don't Know (Live On WERS)
    16. Luka (Live On VPRO 1989)
    17. Interview With The Lemonheads (Holland 1989)
    18. Mallo Cup (Live On VPRO 1989)
    19. Glad I Don't Know (Original EP Version)
    20. I Like To (Original EP Version)
    21. I Am A Rabbit (Original EP Version)
    22. So I Fucked Up (Original EP Version)
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  • Lemonheads 'Hate Your Friends (Deluxe)' - Cargo Records UK

    Fire Records

    Lemonheads 'Hate Your Friends (Deluxe)'

    £11.99

    Fire Records have reissued the first three albums by the Lemonheads, Hate Your Friends (1987), Creator (1988) and Lick (1989), featuring copious bonus tracks and many never-before released rarities and live recordings.

    Together, these seminal albums showcase the band's early punk rock roots-and trace the Lemonheads' transformation towards becoming one of the most successful and influential bands in indie rock.

    This Fire Records re-issue features bonus tracks including 12 never-before-released live tracks from a 1987 radio session, rare tracks from the early compilation Crawling From Within, and additional tracks not included on the original release of Hate Your Friends ("Buried Alive" and "Gotta Stop").

    Tracklisting:
    1. I Don't Wanna
    2. 394
    3. Nothing True
    4. Second Chance
    5. Sneakyville
    6. Amazing Grace
    7. Belt
    8. Hate Your Friends
    9. Don't Tell Yourself It's OK
    10. Uhhh
    11. Fed Up
    12. Rat Velvet
    13. Fucked Up
    14. Mod Lang (From 'Crawling From Within' compilation)
    15. Buried Alive
    16. Gotta Stop
    17. Sad Girl (From 'Crawling From Within' compilation)
    18. Belt (1987, Live on WERS)
    19. 394 (1987, Live on WERS)
    20. Falling (1987, Live on WERS)
    21. Don't Tell Yourself (1987, Live on WERS)
    22. Uhhh (1987, Live on WERS)
    23. Amazing Grace (1987, Live on WERS)
    24. Rat Velvet (1987, Live on WERS)
    25. Second Chance (1987, Live on WERS)
    26. Sneakyville (1987, Live on WERS)
    27. I Like To (1987, Live on WERS)
    28. So I Fucked Up (1987, Live on WERS)
    29. Sick Of You (1987, Live on WERS)
    30. Hate Your Friends (1987, Live on WERS)
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  • Lemonheads 'Creator (Deluxe)' - Cargo Records UK

    Fire Records

    Lemonheads 'Creator (Deluxe)'

    £11.99

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    Fire Records

    Lemonheads 'Creator (Deluxe)'

    £18.99

    Creator is the Lemonheads' second album. Still featuring the full original lineup, the album also includes John P. Strohm (of the Blake Babies, Antenna, and Velo-Deluxe) on drums.
    From the oddly surreal album cover image (a snapshot of friend and high school classmate Ivan Kreilkamp, originator of the name "Lemonheads," clutching a box of Cheerios) to the themes of death, dreams, obsession, and mayhem that haunt the material, Creator is weird, ambitious, and markedly moodier than its predecessor - without having lost the band's irreverent sense of humour.

    Also evident in this sophomore effort is a newfound attention to idiosyncratic detail-from the precisely timed inter-song pauses and sound clips, to the carefully-crafted song order of the album's original 13 tracks. Creator finds Ben Deily once again slipping in quotations from Emily Dickinson ("Burying Ground") and references to Matthew Arnold ("Come to the Window"), while Dando breaks new ground in songwriting complexity (the rich sonic tapestry of "Out") as well as arrangement, ushering in the band's first-ever acoustic recording (his cover of Charles Manson's "Your Home Is Where You're Happy").

    At the same time, the band still fires off blistering punk rock ("Clang Bang Clang," "Die Right Now," "Take Her Down") and finds time to lovingly trash Kiss' 1977 classic "Plaster Caster."

    Recorded in one coherent series of sessions-unlike its predecessor, Hate Your Friends, and its follow-up Lick - Creator is, for all its musical schizophrenia, arguably the most coherent of the Lemonheads' TAANG-era recordings. 

    BONUS TRACKS:
    This Fire Records re-issue features bonus tracks including never-before-released live tracks from a 1988 radio session (featuring a never-before-heard configuration of the band, including guitarist Ben Deily on bass and vocals); also includes an original song ("Cease to Exist") never released on any album, and a performance by Juliana Hatfield. 

    1. Burying Ground
    2. Sunday
    3. Clang Bang Clang
    4. Out
    5. Your Home Is Where You're Happy
    6. Falling
    7. Die Right Now
    8. Two Weeks In Another Town
    9. Plaster Caster
    10. Come To The Window
    11. Take Her Down
    12. Postcard
    13. Live Without
    14. Sunday (1987, Live on WERS)
    15. Cease To Exist (1988, Live on WERS)
    16. Burying Ground (1988, Live on WERS)
    17. If Only You Were Dead (Early Mallo Cup) (1988, Live WERS)
    18. Out (1988, Live on WERS)
    19. N.I.B. (1988, Live on WERS)
    20. Clang Bang Clang (1988, Live on WERS)
    21. Take Her Down (1988, Live on WERS)
    22. Falling (1988, Live WERS)
    23. Instrumental (1988, Live on WERS)
    24. From Here to Burma (With Juliana Hatfield) (1988, Live on WERS)
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  • Las Kellies 'Total Exposure' - Cargo Records UK

    Fire Records

    Las Kellies 'Total Exposure'

    £11.99

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    Fire Records

    Las Kellies 'Total Exposure'

    £14.99

    Fiery Argentine trio Las Kellies return with their fourth album Total Exposure, which is due out on Fire Records in September. The album features a wonderfully eclectic collection of tracks, drawing on their post-punk and punk roots with added inspired from reggae and dance music as well as bands like The Slits, ESG and 80's girl group Humpe Humpe. This beckons a new sound for the band, with the introduction of keyboards, synth drums and more harmonious vocals. The result is a splendidly seductive, cohesive album with a summer party-time, slow-groove vibe and sprinklings of Peaking Lights and Massive Attack.

    Total Exposure shows Las Kellies leaning heavily on dub influences thanks partly to the involvement of Iván Diaz Mathé (Ivi Lee), one of the most influential reggae-dub producers in Buenos Aires - having worked with the likes of Lee "Scratch" Perry and Mad Professor. The album also features guest appearances from another reggae legend, Dennis Bovell (who mixed their last album) as well as The Make Up/Chain and The Gang frontman, Ian Svenonius.

    Led by Ceci (guitar and vocals) and Sil (drums and vocals), Las Kellies formed in 2005 in Buenos Aires. They went on to release their raw debut Shaking Dog in 2007 (which was described by Everett True as "entirely ace"), followed by their Devo and ESG inspired 2009 album Kalimera and 2011 saw their first LP for Fire Records, Kellies, which received an 8/10 in the NME.

    1. Boy, Sweet Boy
    2. Melting Ice
    3. Golden Love
    4. Jealousy (Ft. Dennis Bovell)
    5. A Youth
    6. King Lion
    7. La Fiesta (Ft. Betty Confetti)
    8. Post Post
    9. Typical Bitch
    10. Go V!
    11. Two Types (Ft. Ian Svenonius)
    12. Illa San SimÃ"n
    13. Hit Me Once
    14. Don't Look Suspicious (Ft. Dennis Bovell)
    15. Místico

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  • Josephine Foster 'I'm A Dreamer' - Cargo Records UK

    Fire Records

    Josephine Foster 'I'm A Dreamer'

    £11.99

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    Fire Records

    Josephine Foster 'I'm A Dreamer'

    £14.99

    "It's a pretty much perfect set, a quiet masterclass in songwriting with melodies that find the sweet spot in unexpected places and a self-possessed beauty that only grows with every listen." Time Out 5*s

    "Her most orthodox album, perhaps, and by some distance her best." Uncut 8/10

    "As she slides across the notes she hits an ethereal sweetness at the top of her range..." The Wire

    "I'm A Dreamer is a game changer." Narc 4.5/5
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  • Half Japanese 'Volume 1: 1981-1985' - Cargo Records UK

    Fire Records

    Half Japanese 'Volume 1: 1981-1985'

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    Fire Records

    Half Japanese 'Volume 1: 1981-1985'

    £14.99

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    An exclusive release for Record Store Day 2014. This title may be available on sale one week after the event on Monday 28th April, dependant on availability. 

    Following on from the deluxe reissue of Half Japanese's first album 'Half Gentlemen Not Beasts' for last year's Record Store Day, Fire will be continuing the series with another deluxe reissue, this will be the first of 4 volumes containing 3 vinyl LPs of the next set of Half Japanese albums. This first volume starts with 1981's 'Loud' and also includes 'Our Solar System' and 'Sing No Evil' to bring them through to 1985. All LPs are in their individual original sleeves packaged in a wide spine outer sleeve with new artwork from Jad Fair and booklet with liner notes by Jad and David. Contains a download code.

    Half Japanese were formed in 1974 by brothers Jad and David Fair. Despite being lifelong music obsessives, their approach to the craft of writing and the art of performing was utterly unique. Heavily inspired by Jackson Pollock, Half Japanese were always more of an art project than a musical journey. More important than technical ability, was enthusiasm and a thirst for creation. They eschewed traditional ways of playing to explore different tunings, allowing them to coax new sounds from their instruments.

    Their first release, a seven inch, EP called Calling All Girls was more of an art project than a business venture, with nine songs, a poster with inserts and a printed cover. They never really expected it to sell, but much to their surprise distributors quickly gobbled up all 500 copies, so they rushed to repress 500 more and began making plans for a second record. It was well and truly a calling card.

    Fire Records continues their Half Japanese reissue campaign by bringing you the next three albums in the set, collected as Half Japanese: 1981-1985.

    In recording the follow-up, entitled appropriately as Loud, the band came into their classic line-up. Consisting of Jad and David Fair, as well as two Saxophonists; John Dreyfuss and Lana Zabko, and guitarist Mark Jickling, with Rick Dreyfuss on drums. Creating a barrage of enthusiasm and manic energy around rock and roll teen anthems and free jazz skronk, the band were well on their way to carving out a unique legacy.

    Our Solar System would bring further joys as they continue to focus on simple themes of love and romance and dancing with girls amongst the experimental noises sneaking out in the music, creating a soundtrack for a sock hop in an alternate universe. The album also featured covers of Buddy Holly, The Velvet Underground, Chuck Berry and Roky Erickson. Their approach to covers is explained by David Fair: "We have covered many songs but never with the idea in mind of having it sound like the original. In fact, we often took only the words and made no effort, whatsoever, to recreate the melody."

    On Sing No Evil, Half Japanese truly came into their own, with their DIY roots blending with free jazz touches to create a raucous indie rock classic. Containing songs like "Firecracker Firecracker" that remain set highlights even today, the band had established a voice like no other. This would be the last record with David in the core line-up, and all of the early records bear his powerful arty and experimental streak. 

    Where would the future take Half Japanese with Jad at the helm? You will have to wait for Half Japanese: 1987-1989 to see.

    Disc 1:
    1. My Concentration, Oh No
    2. 2 Hearts = 1
    3. If My Father Answers, Don't Say Nothing
    4. Scientific Devices
    5. Gift
    6. Dumb Animals
    7. Popular
    8. I know How It Feels. Bad
    9. Perfume
    10. New Brides Of Frankenstein
    11. Forget You
    12. Loud/Louder/Loudest
    13. Spy
    14. No Danger
    15. Love Lasts Forever (Sometimes)
    16. Nurse
    17. Only Dancing
    18. Bad To Your Best Friend
    19. Baby Wants Music
    20. High School Tonight

    Disc 2:
    1. Dance When I Say Dance
    2. Girl Athletes
    3. Because I Love You
    4. Danger Danger Rachel Lang
    5. E.S.P.
    6. Classical Music
    7. You're Gonna Miss Me
    8. Little Girls Have To Be Home Early
    9. Too Much Adrenalin
    10. Fire To Burn
    11. Rhonda
    12. Electricity Respect
    13. Knocked Down On The Dancefloor
    14. European Son
    15. There's A Girl
    16. Hall Of The Mountain King/Louie Louie
    17. Young Hearts Break
    18. Did You Miss Me
    19. Thing With A Hook

    Disc 3:
    1. Firecracker Firecracker
    2. On the One Hand
    3. Too Bad About Elizabeth
    4. Dearest Darling
    5. Sing No Evil
    6. Double Trouble
    7. Rub Every Muscle
    8. Nicole Told Me
    9. Tell Me I'm Wrong
    10. Acupuncture
    11. I Have a Secret
    12. House of Voodoo
    13. Ball and Chain

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  • Half Japanese '1/2 Half Gentlemen Not Beasts' - Cargo Records UK

    Fire Records

    Half Japanese '1/2 Half Gentlemen Not Beasts'

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    2xLP Single sleeve, download card included. 

    In 1974 Jad Fair, along with his brother David, co-founded the lo-fi alternative rock group Half Japanese. Over the ensuing three decades, Half Japanese released fourteen albums, and in the process, attracted a solid base of fans passionate about the band's pure, unbridled enthusiasm for rock and roll.

    Half Gentlemen/Not Beasts is a collection of the Fair brothers earliest home recordings, originally released as a homemade three LP box set.

    These stretch their DIY, lo-fi ethos to the limits featuring sound experiments cobbled together from guitar noise, electronics and odd effects, whilst throwing in some barely recognizable covers (such as tracks by The Temptations, Buddy Holly and Bob Dylan).

    'Half Gentlemen / Not beasts' is now available as a 2xLP package.

    Tracklisting:
    LP 1:
    Side A:
    1. No Direct Line From My Brain To My Heart
    2. 10th Ave. Freezeout
    3. Ta Sheri Ta Ta
    4. My Girlfriend Lives Like A Beatnik
    5. Her Parents Come Home
    6. Shhh/ Shhh/ Shhh
    7. Girls Like That
    8. Rrrrrrrr
    9. No More Beatle Mania

    Side B:
    10. Tangled Up In Blue
    11. Patti Smith
    12. School Of Love
    13. Jodi Foster
    14. Shy Around Girls
    15. Grrrrrrrrrrrrrrrr
    16. Bogue Millionaires/ Cool Millionaires
    17. Tn Tn Tn Tn Ki

    LP 2:
    Side C:
    1. I Can't Stand It Any More
    2. I Love Oriental Girls
    3. Dream Date
    4. Du Du Du / Du Du Du
    5. Ain't Too Proud To Beg
    6. Ann Arbor. Mi.
    7. I'm Going To The Zoo
    8. Shi Yi Yi
    9. Rave On
    10. I Ta Nasi Si Na Mi Eee
    11. Till Victory
    12. Rip My Shirt To Shreds

    Side D:
    13. I Don't Want To Have Mono No More
    14. She Cracked
    15. Bbbbbbbb/ Bbbbbbbb / Bbbbbbbb
    16. Funky Broadway Medley
    17. I'm Sorry
    18. T/ T/ T/ T/ T/ T
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  • Guided By Voices 'Let'â„¢s Go Eat the Factory' - Cargo Records UK

    Fire Records

    Guided By Voices 'Let's Go Eat the Factory'

    £4.99

    After a fifteen year hiatus, the "classic line up" of Guided By Voices (Robert Pollard, Tobin Sprout, Mitch Mitchell, Greg Demos, and Kevin Fennell) finishes off its year-long reunion tour by releasing an album of 21 new songs, deliberately choosing to return to what bandleader Robert Pollard calls the "semi-collegial" approach of iconic GBV albums like Bee Thousand and Alien Lanes. Let's Go Eat The Factory is much more than a mere return, however: sprawling, variegated, heavy, melodic, and yet still recognizably and coherently Guided By Voices in both its literal and mythic senses.

    "At first I said: no reunion, period," explains Pollard about the decision to revive Guided By Voices. "And definitely no record or re-formation. But the tour went so well; the response was really unexpected. I thought at some point that a lot of people would like to hear new GBV music. The chemistry was still there." 

    Choosing to eschew the recording studio, LGETF was instead manufactured in the living rooms, basements, and garages of various long-time bandmembers. Some tracks were recorded more-or-less live at Mitch Mitchell's garage, where the band would often practice back in the early- and mid-90s. These sessions comprised Mitch, Bob, and Jimmy Pollard, Bob's brother and long-time collaborator, who, though never a part of the touring ensemble, always played a crucial role on the classic-era releases. Some tracks were improvised over acoustic jam sessions at Greg Demos' house. Many were recorded at Tobin Sprout's place in Wherever, Michigan, and later lovingly fucked with in order to achieve the proper level of weirdness. Band members occasionally switched instruments (Bob plays drums; Mitch plays drums; Kevin plays drums; Jimmy Pollard plays bass; Greg plays lead guitar; Toby plays pretty much everything; etc.), and Bob gladly accepted input from other band members. Tobin Sprout wrote or co-wrote and sings on six out of the 21 songs. 

    The aesthetic is very much in keeping with Guided By Voices, but in some unexpected ways (more prevalent use of keyboards and samples, for one thing) the 21st century can't help but poke its nose into the resulting music. Devoted fans of Bee Thousand will not be disappointed in, for instance, the demonically tuneful "Chocolate Boy," or the relentless chug of "We Won't Apologize For The Human Race," which Tobin Sprout describes as "Peter Gabriel singing 'I Am The Walrus.'" Other standouts include "Doughnut For A Snowman," which Pollard calls "the goofiest, twinkliest song I've ever written," or "Spider Fighter," a Tobin Sprout number that was in fact the first song title conceived for the new album, and which features a piano coda that Pollard likens to "a Pete Townshend demo for Lifehouse."

    Tracklisting:
    1. Laundry and Lasers
    2. The Head
    3. Doughnut for a Snowman
    4. Spiderfighter
    5. Hang Mr. Kite
    6. God Loves Us
    7. The Unsinkable Fats Domino
    8. Who Invented the Sun
    9. The Big Hat and Toy Show
    10. Imperial Racehorsing
    11. How I Met My Mother
    12. Waves
    13. My Europa
    14. Chocolate Boy
    15. The Things That Never Need
    16. Either Nelson
    17. Cyclone Utilities (Remember Your Birthday)
    18. Old Bones
    19. Go Rolling Home
    20. The Room Taking Shape
    21. We Won't Apologize for the Human Race
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  • Guided By Voices 'Class Clown Spots A UFO' - Cargo Records UK

    Fire Records

    Guided By Voices 'Class Clown Spots A UFO'

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    The new Guided By Voices album is the best thing the band has recorded since the last album by the legendary Dayton, Ohio rockers. That's not meant facetiously: the last thing Guided By Voices recorded was the rapturously received Let's Go Eat The Factory, and Class Clown Spots A UFO ups the ante raised by that stellar effort, both in terms of recording fidelity (boring!) and songcraft (not boring!) One could argue there's more depth and variety here than on Alien Lanes, that there are better songs here than on Bee Thousand, but that's an argument no one's ever going to win, at least definitively. And this album is a win, by any (definitive) definition. Class Clown is classic GBV, starting with the head-body-head combination of "He Rises (Our Union Bellboy)," "Blue Babbleship Bay," and "Forever Until It Breaks" before finishing you off with the title track, a ridiculously catchy, melodically-complex, shot-through-with-melancholia song that serves as a kind of sadder and wiser riposte to XTC's "Making Plans For Nigel" as performed by the Hollies. If that makes any sense at all (it will when you hear it, hopefully).

    And that's just the first four songs of a 21-track album clocking in at just under 40 minutes. We've yet to get to "Keep It In Motion," a propulsive, drum-machine driven pop song which features, unusually, acoustic guitars, strings, and Bob/Toby singing together in a way not heard since "14 Cheerleader Coldfront" on 1992's Propeller. Possibly. (The song was one of a few that Bob recorded and sent to Toby at his home studio in Michigan for over-dubbing.) Nor have we discussed galvanic rocker "Jon the Croc," a clear single candidate, or "Chain To The Moon," one of the saddest and (why not?) prettiest songs Pollard has ever written.

    In between you get wah-wah guitar solos, a wide range of unusual recording techniques of varying fidelity (but, as referenced above, much less of the murk lurking on Let's Go Eat The Factory), and a generous helping of Alien Lanes-style snippets. In fact, the sequencing of Class Clown seems to hearken back to that landmark LP - as on AL, songs bleed into each other, fadeouts segue into fadeins, short bursts of melodic rock ("Billy Wire," "Roll of the Dice, Kick in the Head") jut against somber chamber pop ("They and Them," "Starfire"). The last song, the anthemic "No Transmission," if played at the proper volume, will in fact blow your mind (and your windows).

    'Class Clown Spots A UFO' is available now. A side benefit of Pollard's for-now decision to call it quits on touring is that you get more Guided By Voices albums. It's really hard to see how that's not a great thing for everyone. Because it is a great thing for everyone. Obviously.

    Side A:
    1. He Rises! Our Union Bellboy
    2. Blue Babbleships Bay
    3. Forever Until It Breaks
    4. Class Clown Spots A UFO
    5. Chain To The Moon
    6. Hang Up And Try Again
    7. Keep It In Motion
    8. Tyson's High School
    9. They And Them
    10. Fighter Pilot
    Side B:
    1. Roll Of The Dice, Kick In The Head
    2. Billy Wire
    3. Worm W/ 7 Broken Hearts
    4. Starfire
    5. Jon The Croc
    6. Fly Baby
    7. All Of This Will Go
    8. The Opposite Continues
    9. Be Impeccable
    10. Lost In Spaces
    11. No Transmission
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  • Giant Sand 'Ramp (25th Anniversary Edition)' - Cargo Records UK

    Fire Records

    Giant Sand 'Ramp (25th Anniversary Edition)'

    £7.99

    "Ramp" was originally released in 1991 and is the seventh Giant Sand reissue in the series from Fire Records. 
    For 'Ramp', Giant Sand ushered in several new members to the fold, "including young bassist Joey burns, the stunning voice of 74 year old Pappy Allen, and our sweet, sweet friend Victoria Williams .. we had begun recording in Tucson and finished it back in Venice, CA at mad dog studio again .. the first track was produced by Dusty Wakeman and featured the late great Duane Jarvis".

    Howe describes that the experiment with 'Ramp' was "to record an electric song live in the studio and have the pre-recorded acoustic bridge be slotted in by DAT machine while then starting up again with the electric part live at the same pace as before the DAT take was applied with its different beat. What made this tricky was the mechanical delay of the play button on the state of the art day machine...you can hear the result in "warm storm".

    "Giant Sand is a mood," says Howe' of Giant Sand, as if trying to offer a low-key explanation for his dizzying array of artistic exploration that includes a back-catalogue of some 40 albums as a singer, band-leader and producer. After growing up in Pennsylvania in the 1970's, it wasn't until he moved to Tuscon, Arizona that he met his musical soul mate, the guitarist Rainer Ptaceck. The two formed Giant Sandworms and issued only a handful of recordings before the worms were put to rest: since then, Giant Sand have released 24 albums - an impressive haul when considering Howe's equally prolific output under other projects including Black Ranchette and Arizona Amp & Alternator as well as his solo releases.

    1. Warm Storm
    2. Romance Of Falling
    3. Wonder
    4. Welcome To My World
    5. Anti-Shadow
    6. Jazzer Snipe
    7. Z. Z. Quicker Foot
    8. Neon Filler
    9. Seldom Matters
    10. Resolver
    11. Nowhere
    12. Always Horses Coming
    13. Patsy's Blues
    14. Shadow To You (Bonus)
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  • Giant Sand 'Center Of The Universe (25th Anniversary Edition)' - Cargo Records UK

    Fire Records

    Giant Sand 'Center Of The Universe (25th Anniversary Edition)'

    £7.99

    'Center Of The Universe', originally released in 1992, is the eighth Giant Sand reissue in the series from Fire Records. 

    Howe holds 'Center Of The Universe' close to his heart, explaining the record ,"Could be my favourite. .. written in a one room cabin at the end of the road in the high desert around Joshua tree where I lived for a few years ... recorded back in Venice, California with the same slant as was instilled in the writing ... adorned with the 'psycho sisters' who show where the melodies in these songs were hiding ... now through the miracle of remastering, these tracks sound more vibrant and alluring".

    What was a common approach to record making for Howe and Giant Sand, 'Center Of The Universe' would be the last of a kind, "it marks the last time I could work like this, before the advent of family life was to take over and populate the day .. this record marks the final time of isolation with a happy careless abandon and an immediate urgency delivered by a wired up acoustic guitar with stomp box distortion ready and willing".

    "The experiment: to record a vocal in fragments while intentionally singing differently each time on the same song, then combining the takes instantaneously . The result was "loretta and the insect world".

    "Giant Sand is a mood", says Howe of Giant Sand, as if trying to offer a low-key explanation for his dizzying array of artistic exploration that includes a back-catalogue of some 40 albums as a singer, band-leader and producer. After growing up in Pennsylvania in the 1970s, it wasnt until he moved to Tuscon, Arizona that he met his musical soul mate, the guitarist Rainer Ptaceck. The two formed Giant Sandworms and issued only a handful of recordings before the worms were put to rest: since then, Giant Sand have released 24 albums - an impressive haul when considering Howes equally prolific output under other projects including Black Ranchette and Arizona Amp & Alternator as well as his solo releases.

    Tracklisting:
    1. Seeded (`Tween Bone And Bark)
    2. Pathfinder
    3. Center Of The Universe
    4. Off Ramp Man
    5. Year Of The Dog
    6. Live To Tell
    7. Thrust
    8. Loretta And The Insect World
    9. Sonic Drive In
    10. Milkshake Girl
    11. Stuck
    12. Thing Like That
    13. Return To Fodder
    14. Unwed And Well Sped
    15. Solomon's Ride
    16. Slip Slice Suite (Bonus)
    17. Goin' To New Mexico (Bonus)
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  • Cardinal 'Hymns' - Cargo Records UK

    Fire Records

    Cardinal 'Hymns'

    £7.99

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    Fire Records

    Cardinal 'Hymns'

    £7.99

    18 years after the release of their landmark self-titled debut, Cardinal ' the recording collaboration between Richard Davies and Eric Matthews ' are preparing to unveil their long awaited new album. The new record, entitled Hymns, picks up where their debut left off ' well-crafted, layered orchestral pop, with Matthews' multi-instrumental talents enhancing Davies' sublime songwriting gems.

    Hymns comprises ten new originals, another milestone in the band's quest to provide the missing link in chamber pop history, following the Beatles and Bee Gees and before Belle & Sebastian, and a worthy follow up to their self-titled debut, a record lauded then, and now, as one of the most important albums of the 90s.

    Ushering in an era of appreciation for the orchestrated pop music the 1960s, with a modern approach, Cardinal's debut opus, originally released in 1994, seemed to come out of nowhere with it's layered textures and delightful melodies, swimming against the tidal wave of grunge. The record would achieve deafening acclaim, and impact other artists even to this day. But as influential and significant as Cardinal seemed, their musical output totaled that lone, brilliant self-titled record, as Matthews moved home to the West Coast while Davies remained out East.

    The two embarked on individual solo careers, Davies remaining on Flydaddy, home to the Cardinal album, and Matthews on Sub Pop, and soon many, many years had passed. Miraculously though, what may have seemed to be the end of the story, was not the closing chapter for Cardinal. A reconnection between the two musicians ' an on-again/off-again chronicle of creating new music ' a bi-coastal recording process ' took hold. Finally completed in 2011, what was thought to be a pipe dream, and an object that is sure to elicit delight from both musicians and music fans alike, a new album Hymns.

    Hymns signals a new beginning for Cardinal, signing to storied independent label Fire Records ' in fact, also originally home to the last album from Davies pre-Cardinal outfit, The Moles.

    Hymns combines self-assured and pious pop gems (Northern Soul) with immense-canvas outback masterworks (Kal), and improbably, hot-blooded essays on the first law case Davies ever read (Carbolic Smoke Ball). Like the first album a lifetime ago, Hymns is a set of diamonds. Great songs ' actually, plain-old-fashioned good songs, filtered through Davies' John Donne/Sir John Mortimer law/art prism, and Matthews' trained arranger's ear.

    The two are perfectly matched. It is clear that, once again they spur each other on to greater heights. Guitars, vocals, horns and strings, bass, along with the weird, are used with invention, purpose, and confidence.

    When Cardinal was released in 1994 they were arguably the best band in the world. In 2012 with Hymns they are well positioned for a repeat performance.

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