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Shrag 'Devastating Bones' Vinyl 7"
£3.99
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Fortuna POP!
Shrag 'Devastating Bones' Vinyl 7"
£3.99
Taken from the band's third long-player Canines, Shrag's new single Devastating Bones is due for release on 10 September. Heralding them as one of the most exciting British bands around, Devastating Bones is a sordidly salacious stomper, fizzing with energy and raw emotion.
Shrag's Bob Brown says this about the song: "I wanted to do a glam song. A proper, chant-along, fist-punching glam song. I was born in the epicentre of glam rock - Wolverhampton, so it seemed a natural thing to do.
Of course in the end it sounds like a Shrag song but that's a good thing too! And it's possibly the only pop song in history to mention the word 'Ischium'".Helen King, the band's lyricist, describes Devastating Bones as; a filthy song about lust and summer, and wanting someone with a weaker mind than oneself
Tracklisting:
1. Devastating Bones
2. Broken Glass And Fingernails
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Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.
The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.
Tracklisting:VinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide B1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide C1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide D1. Manscape2. Metaphonk3. Reticulum C
CD1. Reticulum A2. Hyper Daddy3. Fogou4. Magic Pony Ride (Pt.4)5. Imperial Crescent6. Reticulum B7. Grush8. Belvedere9. Raver10. Windsor Safari Park11. Hastings12. Manscape13. Metaphonk14. Reticulum C -
Release Date: 12/07/2024Visit product page →
One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
The used-to-be duo is now a four piece with James Edward as the sole founding member remaining and apparently this new line-up helped the original vocalist to shapeshift again.
Remember their very first debut album from 2021 and those dark synthpop sounds?
With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite.
Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms. Now that the quest for darkness is done, it is time to polish our nails and dress up for the night-out cause there's more in life than feeling sorry for yourself. Yes you will need to cut out the deadwood but there is no change in stillness.
So join Male Tears and their new arsenal of bangers and floor fillers with assertive titles such as Out of my Life, Regret 4 Nothing and Leave it Alone.
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Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
Tracklisting:
1. Talk to Me
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5. Where Is It?
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7. Regret 4 Nothing
8. This Party Ends in Tears (feat. Digital Love) -
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The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.
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Ineffable and timeless, this collection of songs holds a curiosity that’s as open to you as you are to them. Compared to the soaring and swelling compositions of Allen’s second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed.
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Allen’s affection runs deepest for singers who in her words can really sing, from The Roches to Karen Dalton, Joanna Newsom to Meredith Monk. But these influences vanish like ghosts in the attic when she starts to sing herself. Allen has a voice that stands up to the canon – inimitable – and it’s never sounded more resolute than it does here.
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Side A
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Ray’s transcendent tunes are brought to life in stunning wide screen detail by members of Patti Smith, Howe Gelb, and members of Sugar Candy Mountain, Giant Sand, and The Myrrors. Working in collaboration with producer David Glasebrook, the two created a unique sonic landscape for each song; throwing genre conventions out the window, they focused on capturing distinctive, emotionally resonant sounds.
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The resulting album is a songwriting tour de force set amidst a swirling sonic landscape that recalls Bob Dylan or Cass McCombs as much as Brian Eno and Mark Hollis. Out Passed Nowhere is a captivating statement from an artist in his prime.
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Tracklisting:
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