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Blast First Petite
Michael Chapman 'Pachyderm'
£10.99
Blast First Petite
Michael Chapman 'Pachyderm'
£10.99
This album is the second in Chapman's series of his more improvised musical releases.
The first ,The Resurrection and Revenge of The Clayton Peacock', released in 2011 was Wire magazine's No. 5 Album of The Year, was widely received favourably by press and fans alike as another highpoint in Chapman's late blooming career which has been boosted by the public recognition of his talents by the likes of Thurston Moore, Jack Rose & Will Oldham.
'Pachyderm'is an LP length minimalist masterpiece, a single chord ambient work quite unlike anything Chapman has done before and equally as surprising and different as Peacock managed to be. The second track is remix of the first side by one Rob Antony, a young Cumbrian neighbour of Michael's.
Together they form a mellow and gentling shifting work that easily beckons auto repeated plays.
Chapman is now 71 years old, and playing better than ever, he started out on EMI's legendary 60's Harvest record label, turned down playing in both Elton John then David Bowie's 'Spiders' band, he only goes to show as per the recent rediscovery of the talents of his other contemporaries Roy Harper or John Martyn eventually your time will come.
The first ,The Resurrection and Revenge of The Clayton Peacock', released in 2011 was Wire magazine's No. 5 Album of The Year, was widely received favourably by press and fans alike as another highpoint in Chapman's late blooming career which has been boosted by the public recognition of his talents by the likes of Thurston Moore, Jack Rose & Will Oldham.
'Pachyderm'is an LP length minimalist masterpiece, a single chord ambient work quite unlike anything Chapman has done before and equally as surprising and different as Peacock managed to be. The second track is remix of the first side by one Rob Antony, a young Cumbrian neighbour of Michael's.
Together they form a mellow and gentling shifting work that easily beckons auto repeated plays.
Chapman is now 71 years old, and playing better than ever, he started out on EMI's legendary 60's Harvest record label, turned down playing in both Elton John then David Bowie's 'Spiders' band, he only goes to show as per the recent rediscovery of the talents of his other contemporaries Roy Harper or John Martyn eventually your time will come.
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Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.
The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.
Tracklisting:ÂVinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide BÂ1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide CÂ1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide DÂ1. Manscape2. Metaphonk3. Reticulum C
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The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.
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Ineffable and timeless, this collection of songs holds a curiosity that’s as open to you as you are to them. Compared to the soaring and swelling compositions of Allen’s second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed.
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Allen’s affection runs deepest for singers who in her words can really sing, from The Roches to Karen Dalton, Joanna Newsom to Meredith Monk. But these influences vanish like ghosts in the attic when she starts to sing herself. Allen has a voice that stands up to the canon – inimitable – and it’s never sounded more resolute than it does here.
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