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Fire Records
Pulp 'Separations'
£11.99
Fire Records
Pulp 'Separations'
£11.99
Separations is the birth of the modern Pulp. Not only does the record feature the lineup that would eventually break through into the mainstream, it is the first album to contain the fusion of pop, dance, and rock that would take them to the top of the charts in the mid-'90s.
More than anything, the influence of acid house and raves weighs heavily on Separations, as the band stretches out into the disco groove of "Countdown" and the long jam "This House Is Condemned." But what is especially noticeable about Separations is how Pulp is finally starting to write some fully realized songs.
"My Legendary Girlfriend," the song that earned the band its first Single of the Week in NME, is the leader of the pack with a brilliant, sly lyric and vocal from Jarvis Cocker, and an appropriately melodic and slightly dirty instrumental backdrop from the band. "Countdown," with its insistent beat, is nearly as good, as is the loping opener, "Love Is Blind." Separations is the first album that illustrates the band's potential and exactly what it could accomplish.
Tracklisting:
1. Love Is Blind
2. Don't You Want Me Anymore?
3. She's Dead
4. Separations
5. Down by the River
6. Countdown
7. My Legendary Girlfriend
8. Death II
9. This House Is Condemned
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Visit product page →Asha Well is a San Francisco Bay Area based non-binary singer, songwriter, and visual artist. “Water Words” is their debut album, featuring atmospheric textures and haunting melodies set to thought provoking imagery.
Working with co-producer Jason Kick (Mild High Club, Sonny and the Sunsets) at his Tunnel Vision studio in Oakland, CA the pair recorded 1-2 songs a week at the height of the pandemic.
Kick brought his knack for arrangement, synthesis, and drum programming, helping to create a supportive environment for Wells’ atmospheric guitars and haunting melodies.
The resulting album pairs textured sounds with tender harmonies, calling to mind the work of contemporary art forward singer-songwriters like Aldous Harding, Hand Habits, and Cate Le Bon as much as torchbearers like Patti Smith, Cat Power, and Jeff Buckley.
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1. At Night
2. Mood Indigo
3. California
4. Marianne
5. Bonjour Tristesse
6. Blue Angels
7. Drugstore Perfume
8. The Well
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Visit product page →Can I Communicate With the Unknown? is the new album from Go By Ocean, moniker of Northern California based singer/songwriter/producer Ryan McCaffrey. Co-produced alongside Tim Bluhm (The Mother Hips) and David Glasebrook, the album features contributions from a wide cast of characters, ranging from the tight knit community of Phil Lesh’s Terrapin Crossroads to the wider West Coast indie-rock scene, including members of The Mother Hips, Sugar Candy Mountain, ALO, Tea Leaf Green, and more.
Building upon McCaffrey’s catalog of songs, the new album finds inspiration in the down-to-earth music of 1970’s Marin County, when songwriters like Michael Hurley and Jesse Colin Young lived out in Olema and Point Reyes, the kind of places where songs blow in on the breeze from the Pacific Ocean.
Lyrically, the album trace’s a hero’s journey as the narrator struggles with addiction, eventually finding peace and freedom in a tumultuous world, wrestling with metaphysical and spiritual ideas along the way.
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1. Say Man
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Release Date: 14/06/2024Visit product page →
Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
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The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.
Tracklisting:VinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide B1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide C1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide D1. Manscape2. Metaphonk3. Reticulum C
CD1. Reticulum A2. Hyper Daddy3. Fogou4. Magic Pony Ride (Pt.4)5. Imperial Crescent6. Reticulum B7. Grush8. Belvedere9. Raver10. Windsor Safari Park11. Hastings12. Manscape13. Metaphonk14. Reticulum C -
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One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
The used-to-be duo is now a four piece with James Edward as the sole founding member remaining and apparently this new line-up helped the original vocalist to shapeshift again.
Remember their very first debut album from 2021 and those dark synthpop sounds?
With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite.
Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms. Now that the quest for darkness is done, it is time to polish our nails and dress up for the night-out cause there's more in life than feeling sorry for yourself. Yes you will need to cut out the deadwood but there is no change in stillness.
So join Male Tears and their new arsenal of bangers and floor fillers with assertive titles such as Out of my Life, Regret 4 Nothing and Leave it Alone.
Get yourself wrapped up in one warm cover of delicate nostalgia and reborn romanticism, driven by sounds that pay homage equally to Miko Mission and Ken Laszlo, Lisa Lisa and Exposé and, well yeah, even The Smiths because say what you wanna say but you simply cannot not love The Smiths.
Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
Tracklisting:
1. Talk to Me
2. Leave it Alone (feat. Corlyx)
3. Sex on Drugs
4. Out of my Life
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6. He Wants Everything
7. Regret 4 Nothing
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