Arrow Fat Left Icon Arrow Fat Right Icon Arrow Right Icon Cart Icon Close Circle Icon Expand Arrows Icon Facebook Icon Instagram Icon Twitter Icon Hamburger Icon Information Icon Down Arrow Icon Mail Icon Mini Cart Icon Person Icon Ruler Icon Search Icon Shirt Icon Triangle Icon Bag Icon Play Video

Hallow Ground

  • COH 'COH Plays Everall' - Cargo Records UK

    Hallow Ground

    COH 'COH Plays Everall'

    Sold out

    Sold out
    v

    Hallow Ground

    COH 'COH Plays Everall'

    £26.99

    Sold out

    With his second release for the Swiss-based Hallow Ground imprint after 2016's Soisong reissue, Ivan Pavlov pays tribute to the late Sentrax founder and prolific musician John Everall, who passed away in September 2014. Sourced from analogue material provided by the artist widely known for his output under the Tactile moniker for a collaboration that never came to fruition, the six tracks are an exercise in minimalism and subtlety singular even in Pavlov's impressive back catalogue.

    On COH plays EVERALL, Pavlov focuses on swirling arpeggios whose colourfulness is mirrored in the Ruth Stofer's artwork for the limited picture disk release.

    From the joyful, handclap-driven »2016« to the hectic gabber derivate »OVERBEAT«, the Russian producer explores a minimalistic yet organic palette of synthesizer sounds that stylistically reach from the hymnic poise of »WAVETRAP« to the playful and warm vibes of »ALONE (MINIMAL SELFIE)«.

    While it might sound almost pointillistic on first listen, COH plays EVERALL unfolds its multitude of layers slowly over time. With a feature of Coil's John Balance on the CD-only bonus track »Hunger Remix«, Pavlov adds yet another facet to this evocative marriage of sonic purity and emotional rawness.

    Over a throbbing rhythm, the late poet's dry intonation serves as an eerie coda to this tender tribute to lost friends. As a dialogue between this world and the other, CoH's digital manipulation and Everall's analogue source material as well as stark minimalism and tonal richness, COH plays EVERALL captures two kindred spirits bidding each other farewell.

    Release Date: 10/11/2017

    Visit product page
  • Dedekind Cut 'The Expanding Domain' Cassette - Cargo Records UK

    Hallow Ground

    Dedekind Cut 'The Expanding Domain' Cassette

    Sold out

    Sold out
    Sold out

    On Dedekind Cut’s The Expanding Domain, his fascination with Ambient becomes a blank slate upon which the prolific producer and his collaborators serve shimmering Trance-derived melodies, murky Industrial grooves and all-consuming Harsh Noise attacks. The five tracks however do not aim at offering an esoteric escape from reality but rather face it head on with blistering feedback.

    The Expanding Domain was created in transit between New York, Seoul and Berlin and recorded between the fall of 2016 and the winter of 2017. Over 23 minutes, the EP effortlessly shifts from densely layered textures to subtle piano notes and hard-hammering beats, seemingly mirroring the drastic changes of the times in which they were conceived.

    With the help of Dirch Heather (modular synths), Elysia Crampton (piano), Mica Levi (dubbed piano) and Jesse Osborne-Lanthier (synths) as well as Dominick Fernow alias Prurient and Death Grips drummer Zach Hill on percussion, Fred Welton Warmsley III reminds us that now is not the time to give up.

    Despite everything, The Expanding Domain firmly positions itself within this world. Having left behind a career as Joey Bada$$’s producer and his previous moniker Lee Bannon to pursue a more experimental musical approach, Warmsley’s The Expanding Domain is more than just one release in the fast-growing Dedekind Cut discography: It’s a conceptual entity that draws on creative collaboration and aims at gathering unique artists under a single musical vision.

    Amidst the cacophony, a distinctive voice can be heard. The Expanding Domain might sound bleak and unforgiving at first, but also communicates a hope as well as a desire to resist. After all, there is a reason that this record was created as a loop.


    Tracklisting:
    1. Cold Bloom
    2. Lil Puffy Coat
    3. Fear In Reverse II
    4. The Expanding Domain
    5. Das Expanded, Untitled Riff
    Visit product page
  • Distant Animals 'Weaves' Vinyl LP

    Hallow Ground

    Distant Animals 'Weaves' Vinyl LP

    £23.99

    v

    Hallow Ground

    Distant Animals 'Weaves' Vinyl LP

    £23.99

    With ‘Weaves’ Distant Animals further explores his study of text as a method of scoring for the modular synthesiser. Continuing a trilogy that began with 2018’s ‘Lines’, Distant Animals new work ‘Weaves’ is the artists second album for Hallow Ground, and marks a movement away from the formers ‘pure’ drone to a more rhythmic form of timbral composition.

    Inspired by the writing of anthropologist Tim Ingold, the work is orientated by a single atonal rhythmic sequence transposed across several voices, blending crashing bells, strums, and blocks with waves of swelling granular synthesis, until eventually descending into a wash of cavernous field-recordings.

    Over its 33 minute length, the album invokes avant-garde compositional strategies to create an emergent and increasingly hostile sound-world that reflects the works underlying concept. As a researcher and academic exploring the ‘social-function’ of art-making, Distant Animals music posits that creativity, rather than being the domain of ’specialist ‘artists’, is a facet of everyday life. As such, ‘Weaves’, and the score upon which it is based, promotes a method of semi-aleatoric composition in which each moment recontextualises those that precede it, affording radically different interpretations of its materials as it progresses, though rarely straying from the same fundamental sound world. Art, as with life, is comprised of an endless stream of minute creative decisions that together form the basis of human experience.

    Completing the ‘A Process of a Line-making’ trilogy, the album is accompanied by a third instalment, ‘Threads’. Available exclusively as a limited run cassette, ‘Threads’ further incorporates the social into the compositional narrative. 


    Like ‘Lines’ and ‘Weaves’, it is based upon the modular synthesiser, but here frames it with field-recordings, harmonium, feedback, and percussion, each voice reflecting different aspects of modern communal life. Drawing upon drum machines and plundered folk songs, alongside recordings of the composers scored walks across the beaches of Southern England,

    ‘Threads’ concludes its trilogy in a playful, yet haunting fashion that seeks to sonify the socio-political research upon which it is based.

    Release Date: 21/06/2019
    Visit product page
  • Electric Sewer Age 'Bad White Corpuscle' - Cargo Records UK

    Hallow Ground

    Electric Sewer Age 'Bad White Corpuscle'

    Sold out

    Sold out
    Sold out

    Bad White Corpuscle by ELECTRIC SEWER AGE is the work of Danny Hyde producer and remixer of COIL, Nine Inch Nails, Psychic TV, Depeche Mode and many others.

    This album is the follow up to Electric Sewer Age's debut Moon's Milk In Finale Phase which featured also late Peter Christopherson of COIL.

    Danny Hyde works since the early 80ies as a sound-engineer, producer and re-mixer. He contributed many unique sounds to Coil's legacy and produced their legendary albums Horse Rotovator and Love's Secret Domain. Coil lovers now that Hyde was a kind of a secret member for this group.

    So it doesn't suprise that this record sounds like a kind of a lost Coil album. Redocine (Death Of The Corpuscle) is a previous unreleased and new track which doesn't appear on the CD version. It was specially arranged for the vinyl version of this album.

    - žIts seven tracks, a sequence of dank, futuristic environments, are essentially gliding, glacial synth suspensions, coolly decorated with suggestions of artificial intelligence (glitch computer voices, starship bleeps, analogue arps and warped tremolos) some of which seem like echoes from previous Coil releases bringing back fond memories of their original moon music.' Russell Cuzner, The Quietus

    - žThis is so intense, so unflinchingly expressive that I come away completely drained.' Peter Marks, Santa Sangre


    Tracklisting:
    1. Grey Corpuscle
    2. Corpuscular Corpuscle
    3. Amber Corpuscle
    4. Rising Corpuscle
    5. Bad White Corpuscle
    6. Redocine (Death Of The Corpuscle)
    7. Black Corpuscle

    Visit product page
  • PLYXY 'Gloryland' Vinyl LP - 180g Red

    Hallow Ground

    PLYXY 'Gloryland' Vinyl LP - 180g Red

    Sold out

    Sold out
    v

    Hallow Ground

    PLYXY 'Gloryland' Vinyl LP - 180g Red

    £20.49

    Sold out

    Originally issued by Ascetic House as a small limited-run cassette release in early 2018, PLYXY's debut »Gloryland« will now be available on vinyl and digital formats by the Swiss imprint, Hallow Ground. Haunted by the pressing question, »What if?«, the five compositions on »Gloryland« aim to create, in the words of the artist, Ros Knopov, himself, »a hyper-visual audio landscape of a world somebody listening can fall into and drown in.


    « The term »nostalgia« originally referred to the longing for a place. The nostalgia that informs »Gloryland« is PLYXY's longing for his cultural-geographic roots while feeling adrift in an alien environment. Born in Dnepropetrovsk, then the rocket-making capital of the USSR, Knopov immigrated to New York City as a child in 1989.

    In »Gloryland,« he dives deep into his uneasy childhood memories and their warped reflections. PLYXY marks the unreliability of his recollections by making it heard - the anthemic qualities of the five pieces are coated in an opaque layer of dream-like textures.

    From the elegiac opener, »It Will Be Beautiful,«to the blaring rhythmic noise of »March of Youth,« the greyscale picture painted by »Gloryland« becomes more and more refined below the surface. PLYXY's search for a past is, however, less a sentimental journey, and more a radical confrontation with the politics of memory and the materials that serve as mnemonic devices.

    »Gloryland« draws on field recordings from Knopov's adopted hometown New York and Soviet films as well as performances from his collection of analog and digital keyboards, with the results filtered and re-textured through the producer's modular synthesizer setup acting as the final editorial layer in the creative process.

    The result is lush and warm throughout, but also demure and distant. While »Gloryland« might thus easily be pigeonholed as a hauntological record, it is one only in the term's most radical sense. After all, any »what if?« might turn into a »Why not?«

    Tracklisting:
    Side A:
    1. It will be beautiful
    2. Gloryland
    3. Ungod

    Side B:
    4. KatYusha
    5. March of Youth

    Release Date: 16/11/2018

    Visit product page
  • Reinier Van Houdt 'Igitur Carbon Copies (Feat David Tibet)' Vinyl LP - 180g Clear

    Hallow Ground

    Reinier Van Houdt 'Igitur Carbon Copies (Feat David Tibet)' Vinyl LP - 180g Clear

    Sold out

    Sold out
    Sold out

    After the solo album 'PATHS OF THE ERRANT GAZE' in 2016 Reinier van Houdt returns to Hallow Ground with IGITUR CARBON COPIES - an album based on the unfinished gothic tale IGITUR - a collection of texts that eventually was abandoned by its author Stéphane Mallarmé in 1869.

    Connecting with Mallarmé's obsessions about chance and destiny, IGITUR CARBON COPIES is the fragmentation of all the roots that ran under its predecessor PATHS OF THE ERRANT GAZE and brings these to a provisional close: guided by David Tibet's voice reading the reworked text we descend through spheres of deserted anthems, disembodied voices, morse signals, crank calls, corroded tapes, radio statics, stones, while doing counting games.

    Here the acoustical spaces are manifold, blended or shifted in a heartbeat, where far and near, up and down are relative, where Riemann's god is pointless and angels are enjoying their space. Here perception is a vice that constantly hallucinates realities.

    Reinier van Houdt started experimenting with taperecorders, radio's and objects at a young age. Later he studied piano at the Liszt-Academy in Budapest & the Royal Conservatory in The Hague.

    He developed a fascination for all matters that defy notation: sound, timing, space, physicality, memory, noise, environment - points beyond composition, interpretation and improvisation.

    He has built himself an unusual repertoire that consistently resulted from personal quests; from composing with non-musical sources, from collaborations with composers and musicians, from research in archives or from unorthodox studies of classical music.

    He collaborated with artists like Francisco LÃ"pez, Maria de Alvear, Robert Ashley, Luc Ferrari, Annea Lockwood, Alvin Curran, John Cage, Christian Marclay, Walter Marchetti, Charlemagne Palestine and joined the legendary outsider-collective Current 93 in 2012.

    Tracklisting:
    1. Annunciation
    2. An Empty Set
    3. Midnight Rorschach
    4. Leaving The Room
    5. Descent

    Side B:
    6. Riemann Angels
    7. Murmurations
    8. The Numbers
    9. Tomb Ectoplasm
    10. Spiral

    Credits:
    Music: Reinier van Houdt
    Text: Stéphane Mallarmé/Reinier van Houdt
    Voice: David Tibet
    Cover art: Ruth Stofer

    Release Date: 16/11/2018

    Visit product page
  • Reinier Van Houdt 'Paths Of The Errant Gaze' - Cargo Records UK

    Hallow Ground

    Reinier Van Houdt 'Paths Of The Errant Gaze'

    Sold out

    Sold out
    Sold out

    Reinier Van Houdt performed as a classical trained pianist premieres of works by Robert Ashley, Charlemagne Palestine and many others.

    He worked with composers as John Cage or Luc Ferrari. Reinier van Houdt plays in Current 93, recently releasing an album with contributions by Nick Cave, John Zorn and Antony Hegarty.

    'I've never heard a better mix of piano, electronics and amplification than during van Houdt's program." New York Times

    "Reinier van Houdt's performance was radical, extreme and without compromise. One of the most impressive examples I have witnessed of maximally mesmerising an audience with ever more reduced materials." Weserkurier Germany

    Tracklisting:
    1. Atopic Radio
    2. The Fabric Of Loss
    3. Orphic Asylum
    4. Vessel
    5. Gaussian Veils
    6. Transfinite Spectre
    7. Vapours

    Visit product page