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Scratchy Records
Easter 'Facsimile Of A Dream' CD
£10.99
Scratchy Records
Easter 'Facsimile Of A Dream' CD
£10.99
'3rd album from Manc indie-rockers is a twin-guitared lockdown diary tunefest'
Produced by Simon ‘Ding’ Archer (PJ Harvey, The Pixies, The Fall) at 6db studios in Salford, the album title seems to refer to the lockdown period in one sense, a document of that time, but as frontman Tom Long elaborates: “It also harks back to pre-lockdown, when there was actually a possibility of some change on offer. Unfortunately we’re forbidden from talking about that. There were solutions to many of the problems we face now, but that dream was crushed, never to be spoken of again”. Manchester indie-rockers Easter have built a reputation as one of the city’s best-kept secrets. Spurred along by singer/songwriter/guitarist Tom Long with a rotating cast of Manc-underground shredders, they’re a formidable live act who’ve toured the UK repeatedly and provided support for post-rock behemoths Mono, avant-rockers Ranga and Mugstar but also poppier acts such as Canadian shoe-gazers Tallies.
However, for all of Manchester’s illustrious musical history, it’s hard to bring to mind a local act that they compare or aspire to. Instead Easter’s binoculars are fixed on the fuzzy indie-rock of Dinosaur Jr , Guided By Voices and Teenage Fanclub with added twin-guitar weaving recalling the articulate jams of Television, Chris Forsyth and even Wishbone Ash. Only in Tom’s vocals are there occasional hints of their surroundings with echoes of the Mozza and a few junctions away across the M62, Dave Gedge.
They’ve found admirers in Huw Stephens and Tom Ravenscroft at 6Music and garnered praise from Uncut, Record Collector and NYC’s The Big Takeover while building a loyal fanbase across the UK.
“A welcome throwback to the wry, self-lacerating alt.rock of the early 90s” Uncut
“Astonishing” Record Collector
“Lovely bit of noise” Tom Ravenscroft BBC 6 Music
“It devilishly combines a banged acoustic with spiky electric, like Bevis Frond covering A Catholic Education by Teenage Fanclub. If this is “Hell,” give us more!” Big Takeover
Easter are:
Tom Long - Vocals/Guitar
Gavin Clarke Guitar
Paul Flieshman - Drums/Backing Vocals
Graham Blyth – Bass
Produced by Simon ‘Ding’ Archer (PJ Harvey, The Pixies, The Fall) at 6db studios in Salford, the album title seems to refer to the lockdown period in one sense, a document of that time, but as frontman Tom Long elaborates: “It also harks back to pre-lockdown, when there was actually a possibility of some change on offer. Unfortunately we’re forbidden from talking about that. There were solutions to many of the problems we face now, but that dream was crushed, never to be spoken of again”. Manchester indie-rockers Easter have built a reputation as one of the city’s best-kept secrets. Spurred along by singer/songwriter/guitarist Tom Long with a rotating cast of Manc-underground shredders, they’re a formidable live act who’ve toured the UK repeatedly and provided support for post-rock behemoths Mono, avant-rockers Ranga and Mugstar but also poppier acts such as Canadian shoe-gazers Tallies.
However, for all of Manchester’s illustrious musical history, it’s hard to bring to mind a local act that they compare or aspire to. Instead Easter’s binoculars are fixed on the fuzzy indie-rock of Dinosaur Jr , Guided By Voices and Teenage Fanclub with added twin-guitar weaving recalling the articulate jams of Television, Chris Forsyth and even Wishbone Ash. Only in Tom’s vocals are there occasional hints of their surroundings with echoes of the Mozza and a few junctions away across the M62, Dave Gedge.
They’ve found admirers in Huw Stephens and Tom Ravenscroft at 6Music and garnered praise from Uncut, Record Collector and NYC’s The Big Takeover while building a loyal fanbase across the UK.
“A welcome throwback to the wry, self-lacerating alt.rock of the early 90s” Uncut
“Astonishing” Record Collector
“Lovely bit of noise” Tom Ravenscroft BBC 6 Music
“It devilishly combines a banged acoustic with spiky electric, like Bevis Frond covering A Catholic Education by Teenage Fanclub. If this is “Hell,” give us more!” Big Takeover
Easter are:
Tom Long - Vocals/Guitar
Gavin Clarke Guitar
Paul Flieshman - Drums/Backing Vocals
Graham Blyth – Bass
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They put out the 'We Fall Apart' EP in 2020 as a modest self-release and now, what started as a way to keep busy during lockdown has been expanded into a full-length vinyl and digital album, out on Scratchy Records this February.
It's a varied listen, from the pounding, tuneful fuzz of lead single Going to Amsterdam to the atmospheric heart-string puller The Lights. Everywhere you look there are hooks waiting to pull you in and some great pop songwriting recalling everyone from Sparklehorse, GBV and Buddy Holly to The Triffids and Pearl Jam.
Tracklisting:
Side A
1. Going to Amsterdam
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"From the first sparkling chords, this draws you into Simon Bromide's world where the ghosts of Johnny Marr, Peter Perrett and XTC joust with the psychedelic sounds and neo-folk herein." Vive Le Rock 9/10
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Sold outScratchy Records
That Will Be Lunch 'Play That Funky Music / Discarded Things' Vinyl 7" - Green
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That Will Be Lunch 'Play That Funky Music / Discarded Things' Vinyl 7" - Green
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Maverick Spetz - not his real name, his real name's Alvin (ha!) - has released two albums as Full English Breakfast - 'a highly eccentric but thoroughly engaging electronic pop debut that aligns him with the Fall and Frank Zappa' (Uncut) - and another as TWBL on Scratchy Records and has been compared to everyone from Yello to Frank Zappa and Stereolab. Play That Funky Music is an inspired and outlandish Year Zero reimagining of that 1970s disco classic that firmly places itself alongside The Fall's unorthodox cover of Sister Sledge's Lost In Music - but with added cuckoo clocks.
Alvin Spetz (aka That Will Be Lunch) has already been compared to the likes of The Fall, Edwyn Collins, Devo and Wire (by the Sunday Times) and with the release of the superb art-pop cover of Wild Cherry's Play That Funky Music' he's likely to add both The Residents and (an albeit dancified) Denim to that illustrious list. Released together with B-side Discarded Things (which was presumably too weirdly contemporary to release on NME's C86 cassette compilation), the single will be made available on 7'green vinyl on Scratchy Records on Record Store Day, Saturday 29th August and then from Friday 4th September in the digiverse for download / streaming.
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Sold outVisit product page →One friend. Two bands. And so it was that Manchester's 'Easter' and London's 'Bromide' met in their mutual pal Dave Armes's address book (he of Last Harbour, LCR Records and A-Sun Amissa sidekick repute). Soon after Easter were on their way down t'smoke to play at Bromide's place, namely the Birds Nest in Deptford. And verily did they smash it! So much so that Bromide singer Simon immediately thought about putting something out on his Scratchy Records label.. and why not keep the threads twisting and make it a joint release!
And there's more..! Easter had a whole EP ready to go so punters who buy the vinyl will get a free download code for the extra tracks. Then early next year both bands will be heading out fora few gigs to plug the single, joined by Southend's own fabulous guitar reverb-drenched 'Dark Globes' - who've also got wares to plug in the shape of newly released album 'Somewhere To Land'.
Especially as both bands share a love of alt. sounds from across the pond back in dem 90s days. Easter feasting on Buffalo Tom's heavier riffs, Yo La Tengo and San Francisco's 'Swell', while Bromide reminded Easter's mainman Tom of 'Nada Surf and Big Star and that New Zealand power pop stuff..' So the split-single was born.. Easter taking the A with 'Doubt Rings', a propulsive guitar-lashed gallop thru the relationship forest with Bromide on the AA offering 'I'll Never Learn' from last year's 'I Woke Up' album on Scratchy, an up/downbeat reflective tale that dries solid on the choruses when the fuzz kicks in. Easter - 'A welcome throwback to the wry, self-lacerating alt.rock of the early 90s'Uncut Bromide -if you like Dinosaur Jr and The Replacements, you'll love this'MusicOMH
Release Date: 31/01/2020
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