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Vinyl Preorders

  • Collateral 'Should've Known Better' PRE-ORDER

    Big Shot

    Collateral 'Should've Known Better' PRE-ORDER

    £11.99

    Release Date: 24/05/2024

    British four-piece rock band Collateral are set to release their highly anticipated sophomore album Should’ve Known Better on May 24, 2024. The album is distributed worldwide by Cargo. The album will be released on CD, red vinyl, picture disc, limited edition cassette, and digital. Friday February 9th will see the release of the lead single “Glass Sky.”.

    The new single “Glass Sky” and the forthcoming album Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Enter Shikari, Monster Truck, Kris Barras, Holding Absence, Bury Tomorrow).

    "I love massive riffs, massive hooks and feel-good guitar music,” says Weller.  “When Collateral sent me their demos, I jumped at chance to produce their new record. I’m proud of what we managed to create.  It’s Collateral mk2 - ambitious, daring and refined. I can’t wait for people to hear it."

    Since the band released their debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. Covid came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love.

    The exciting and flamboyant Kent-based rock and roll band are comprised of Angelo Tristan (lead vocals, guitar), Louis Malagodi (guitar), Jack Bentley-Smith (bass) and Ben Atkinson (drums).

    On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album “Re-Wired” which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12. 

    After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show.

    Collateral’s hotly tipped sophomore album looks like it will take them to the next level. A lot of people don’t know what to expect from the new album, as the band have been tight-lipped about the new songs. Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song.

    “We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.”

    “We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism.  I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.”

    “Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever.”

    “Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart.  It’s an album that will remain timeless in years to come.” 

    Tracklisting:
    1. Glass Sky
    2. Original Criminal
    3. One Of Those Days
    4. Teenage Dreams
    5. Elysium
    6. On The Long Road
    7. No Place For Love
    8. Game Changer
    9. Final Stand
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  • Container 'Yacker' Vinyl LP - Neon Green PRE-ORDER

    Alter

    Container 'Yacker' Vinyl LP - Neon Green PRE-ORDER

    £21.99

    Release Date: 05/04/2024

    Ren Schofield’s long running electronic project Container returns with his first release since the Creamer EP in 2021. Rolling straight out of the pandemic Schofield has since played a large number of live shows all over the planet, rilling up audiences with a heady mix of method and mania. Now is the time to unleash a new studio offering. 

    Yacker presents what is undoubtedly an electronic record but one imbued with a spirit more aligned with rock music. Always hijacking the electronic music scene for his own unique and twisted path here we see a further extrapolation on his original blueprint for DIY noise techno adding a more physical and muscular edge to the standard hysterical proceedings. The drums retain an almost human, somewhat muscular feel with a sweaty and suggestive ‘real drums’ feeling.  

    Schofield cites inspiration on Yacker as the Nirvana song ‘Oh, The Guilt’, the Mindflayer album ‘It’s Always 1999’, and the Rah Bras song ‘Sooop Toe Pump Girls’. Container has always danced the absurd space between serious and stupid, with Yacker all elements are turned up to eleven as he delivers a pristine field guide to furious frenzied fun.

    Yacker strikes an even balance between heavy, relentless, joyful, silly, and sloppy. Think Lollapalooza 1996 held at Berghain 2006 and you are somewhere on the way to formulating this fresh new insanity from one of the contemporary electronic music scene's more playful pioneers.

    Tracklisting:
    1. Abrasion
    2. Eraser
    3. Spray
    4. Aerator
    5. Drooper
    6. Yacker
    7. Cone
    8. Bonkers
    9. Onion
    10. Spritzer
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  • Cowtown 'Fear Of...' Vinyl LP - Teal & White Marble PRE-ORDER

    Gringo Records

    Cowtown 'Fear Of...' Vinyl LP - Teal & White Marble PRE-ORDER

    £20.49

    Release Date: 31/05/2024

    First album in 8 years from Leeds Devo-esque DIY punk trio, full of three minute pop blasts.

    Surviving five years as a band on the UK underground scene is difficult to do, lasting for 20 takes a near miracle. However, Cowtown – Leeds formed and raised trio of Hilary Knott (keys/vocals), Jonathan Nash (guitars/vocals) and David Shields (drums) – arrive blinking into 2024 not only intact and able to celebrate two decades together as bandmates and friends, but armed with Fear Of… their first new record in eight years, and a collection of songs that hand-on-heart, away from the sales speak, may be their best work to-date.

    Friendship can keep a band going for so long, but it’s more than that that’s seen this ostensibly DIY band enjoy European tours with heroes Deerhoof and Quasi, play festivals at home and abroad, and during several periods of time in their history become the most requested hometown support in their native Leeds for any touring band worth their salt – not to mention their own ability to continually sell out shows up and down the UK with little to no backing.

    Other projects have come and gone – Nash perhaps most notably as drummer in Hookworms which has since evolved into Holodrum; Knott stepping further into the experimental undergrowth as Basic Switches, among other collaborative efforts – yet the band have remained.

    Their fizzed-up brand of Devo-esque punk full of pop smarts has never stood still, constantly being updated and tweaked to sound timeless and subsequently outlast whichever latest guitar sub-genre has cycled back into fashion once again. Always though, Cowtown have kept at their core a warm sense of humour, positivity and the cartoonishly abstract song writing sense that’s always felt like their own small corner of the musical world

    A 20-year habit is hard to kick though and the group came to the same conclusion as everyone else; which was to crack on and try not to fear the outcome – and so Fear Of… is here. Silly as it might be to say for a band whose members are living through middle age, there’s a newer maturity to Cowtown’s sound.

    That doesn’t mean a monotone faced dumbing down of the frenzied hooks and two-minute blasts that they’ve cornered the market in – heck, the 11 tracks here clock in at a combed 30 minutes or so – but there is the slightest of breathing spaces given here and there.

    Wonderboy II is a typically all-guns-blazing intro to the album but then they just as quickly change direction, with the angular march of Can’t Talk Now that purposefully strides into a big chorus rather than rushing breathlessly up to it as they might have done previously. As Close To Town As I Like It meanwhile glides along underneath Knott’s more measured turn on lead vocal; she takes centre stage on Sea Lions too which recollects Dolittle-era Pixies in its ascendant guitar riffs thudding percussion.

    There’s still plenty of moments where the trio take the clutch fully off, of course – Thru Being Zuul, Offend Kliph and Total Engagement are two tracks that are the kind of giddy, breathless slices of pop punk (not that kind) fun that the band have made their staple over the past 20 years.

    Currently Unavailable meanwhile is a suitable rousing finale that touches euphoric heights. Ultimately for Cowtown that search for positivity remains their guiding force; 20 years in and at times it can feel harder than ever for the trio to find it, but Fear Of… is the sound of a band who can still find celebration in the simple importance of being able to make music with your best mates.

    Tracklisting:
    1. Wonderboy II
    2. Can't Talk Now
    3. Thru Being Zuul
    4. Offend Kliph
    5. Total Engagement
    6. As Close To Town As I Like To Get
    7. Humble Practitioner
    8. No Excursions
    9. Sea Lions
    10. Peace In Our Time
    11. Currently Unavailable
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  • Crumbs 'You’re Just Jealous' PRE-ORDER

    Skep Wax Records

    Crumbs 'You’re Just Jealous' PRE-ORDER

    £11.99

    v

    Skep Wax Records

    Crumbs 'You’re Just Jealous' PRE-ORDER

    £21.99

    Release Date: 10/05/2024

    New Album From The Most Danceable Post-Punk Pop Band In The UK.

    It’s like something has exploded!

    CRUMBS have been incubating this, their second album, for a few years now.  Who knows how they kept all the energy in check.  It must have been like sitting on a volcano.  The songs burst out with pure pop fire, sending splinters of guitar, sharp lyrics and snatches of the catchiest backing vocals.

    The rhythm section (Jamie and Gem): it’s like Delta 5 meeting Le Tigre in a dark alley in Leeds, fusing blindly and completely, and then forcing its way into the back entrance of a venue, sending volts through the limbs of the unwitting punters, forcing them to dance. This is TIGHT.

    And as the lights come on and the indie kids throw themselves around, Ruth’s vocals sweetly assault their ears with anger, joy, political intelligence - and all around, Stuart’s guitar, sometimes twangly-melodic like the B52s, sometimes sweet and ringing like a memory of Scars, sometimes furious and feeding back, keeps you alert and thirsty for more.

    These songs do NOT outstay their welcome.  Starts and ends are cut hard: no pre-echo, no wistful, drawn-out regretful fade-outs. CRUMBS have imbibed the key lessons taught by The Gang Of Four and The Au Pairs: never let the energy dissipate.  But there is more than anger here. The band have smuggled a pop sweetness into the disciplined shapes of their angular songs. You’re Just Jealous has sharp edges, but it’s generous too.

    CRUMBS - a brief history.  They are based in Leeds, where they are active movers in the DIY scene that currently thrives in the North of England. They recorded a Marc Riley session in 2016, released their first album (on Everything Sucks) in 2017, toured extensively in 2018 and 2019, playing at the Brudenell Social Club with Swearin’ and Jeffrey Lewis, and at plenty of fests such as LaDIYfest and Specialist Subject’s birthday all dayer in Bristol, A Real Cool Fest in Bradford, Mousetival in Stockton and the Cambridge Indiepop Alldayer.

    They spent the pandemic creating these new, tightly-wound, irresistible pop songs.

    Tracklisting:
    1. You’re Just Jealous
    2. Stab Alley
    3. Dear Deirdre
    4. Diy Sos
    5. Rest In Pieces
    6. Let’s Not
    7. 4291
    8. Call Now
    9. What’s It Means
    10. Sad Snoopy
    11. Mambo No.6
    12. Too Many Creeps

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  • Dawn Chorus and the Infallible Sea 'Reveries' PRE-ORDER

    Sonic Cathedral

    Dawn Chorus and the Infallible Sea 'Reveries' PRE-ORDER

    £10.99

    Release Date: 26/04/2024

    Reveries is Zach Frizzell, Marc Ertel and Damien Duque’s first album for over three years, and follows the success of their debut Liberamente. Together, the trio craft delicately textured and slowly unfurling sonic vistas, occupying a unique aural domain that lies between guitar-driven drone music and modern classical compositions.

    With their individual projects they are incredibly prolific, but Dawn Chorus releases are few and far between and Reveries represents a refined evolution, leaning more heavily toward string-based arrangements and compositional virtuosity. It is the very essence of what they are calling “dronegaze”, pushing the boundaries of the ambient genre while embracing a profound auditory expression.

    According to the trio, the six, long tracks on Reveries are “heavily reliant on improvisation, intuition, and allowing the compositions to exist in their own moment; the aim was a feeling of fluidity and a sense that every instrument has its place and purpose”.

    And they’re right. The opening title track emerges quietly in a swirl of strings; lead single ‘Deus’ eases its fittingly reverent grain into a glorious minor-key immensity; ‘Cadere’ pulls together a cast of orchestral instruments into a comforting devotional; ‘Somnium’ plays out in diffuse, shimmering melodic rounds; ‘Vale’ blossoms from a pair of sparse, alternating chord swells; and ‘Aufero’ is the perfect coda that reprises the low-end rumble of the album’s overture before being swept away on a sea of dissonance.

    “We live in an era of infinite distraction,” says Zach Frizzell, “where often the most valuable thing you can find is a respite for the soul.” How right he is. This, truly, is music from a higher place.

    Tracklisting:
    1. Reveries
    2. Deus
    3. Cadere
    4. Somnium
    5. Vale
    6. Aufero
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  • Eye 'Dark Light' PRE-ORDER

    New Heavy Sounds

    Eye 'Dark Light' PRE-ORDER

    £8.99

    v

    New Heavy Sounds

    Eye 'Dark Light' PRE-ORDER

    £21.99

    Release Date: 19/04/2024

    EYE – the new band from Mammoth Weed Wizard Bastard (MWWB) singer-songwriter/musician Jessica Ball – has announced the arrival of their eagerly awaited debut album, 'Dark Light’.

    Triggered in part by the existential dread looming outside as well as the sudden ill health of her dear friend, MWWB guitarist Paul “Dave” Davies, then fighting for life after a Covid-related stroke. Ball took the opportunity to compose songs that were all her own – nuanced, lyrical, and hypnotically distinctive.

    Having earned a fervent fan following with MWWB, Eye are a different proposition, though no less compelling. Traversing a diverse spectrum of dark folk, dreampop, IDM and psychedelic doom, to create sometimes heavy and foreboding drones, alongside spare but still richly textured sonics. 

    ‘Dark Light’ is an intensely atmospheric fusion of emotionally charged songcraft and inspired sonic energy. The clue is in the album's paradoxical title. Chilling and even bleak melodies with arrangements daringly and deliberately stripped down and minimal. Revealing a kinship with sonic bed-fellows Mazzy Star, Chelsea Wolfe or even Portishead

    So, whilst not strictly speaking ‘Doom’ or ‘Metal’ fans of Jessica’s previous work with MWWB will not be disappointed. Along with producer Chris Fielding (MWWB, Conan) EYE have produced something otherworldly, which is at times heavy and epic, yet still deeply intimate and dark. 

    A striking debut.

    Tracklisting:
    1. Window
    2. Dark Light
    3. The Other Sees
    4. In Your Night
    5. In The Sun Eternally
    6. Respair
    7. Out Of Sight
    8. Stillness
    9. See Yourself
    10. Rescue You

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  • Fu Manchu 'Fu30 Volume I-II'

    At the Dojo

    Fu Manchu 'Fu30 Volume I-II'

    £12.99

    v

    At the Dojo

    Fu Manchu 'Fu30 Volume I-II'

    £12.99

    The ultimate collection of Fu Manchu’s 30th Anniversary vinyl series, Fu30, Volume I-III, not only includes all 9 songs from the sold out limited edition 10”s released over the last 2 years, but features a bonus track of the new Scott Hill mix of the band’s cover of Rush’s “Working Man.”

    They originally recorded the song in January 2020 in tribute to the late Neil Peart and released it as a digital only single benefiting Brain Tumor Research at Cedars-Sinai Medical Center. This limited edition release of 2000 units is packaged in a double platinum sleeve with embossing, spot varnish and includes a two sided insert with artwork from the original 10” series and new photos.

    Like the band’s most recent album, Clone Of The Universe, these songs were recorded at The Racket Room in Santa Ana, California by Jim Monroe (Adolescents, Ignite) and co-produced with Fu Manchu.

    In addition to the 6 new originals, the set features the band’s unique take on The Doobie Brothers’ “Takin’ It To The Streets,” the Surf Punks’ “My Wave” and The Plimsouls’ “A Million Miles Away” featuring lead vocals by Clutch’s Neil Fallon.


    Tracklisting:
    1. Strange Plan
    2. Takin’ It To The Streets
    3. As You Crawl
    4. Orb
    5. My Wave
    6. A Million Miles Away
    7. Time Is Going On
    8. Low Road
    9. Overblower
    10. Working Man
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  • Fu Manchu 'Go For It Live!' PRE-ORDER

    At the Dojo

    Fu Manchu 'Go For It Live!' PRE-ORDER

    £13.99

    Release Date: 05/04/2024

    To celebrate the 20th anniversary of the band’s debut live double album, Fu Manchu is releasing the first ever repress of Go For It…Live!, which has been out of print since the original pressing.

    The 22 song release was recorded on the band’s 2002 California Crossing World Tour, which marked the debut of drummer Scott Reeder. Fu Manchu is renowned for their live performances and this set doesn’t disappoint, with incendiary renditions of fan favorites such as: “Hell On Wheels,” “Mongoose,” “King Of The Road,” “Evil Eye” and their always requested cover of “Godzilla.”

    As AllMusic.com said, “Go for It...Live! is an absolute must for those enamored by Fu Manchu's buzzy sound, and a great introduction for those curious about a band woefully ignored by radio stations and video channels.”

    This limited edition vinyl run of 2000 units has one LP pressed on Neon Yellow and the other on Neon Orange vinyl and is packaged in a gatefold sleeve with brand new artwork including never before seen photos of the band and flyers from the associated tour along with printed dust sleeves with additional new images.

    This new pressing has been specifically remastered for vinyl by Carl Saff for optimum fidelity.
    The limited edition 1000 unit CD run also features the updated art and a digital specific remaster.

    Tracklisting:
    LP 1
    1. Hell On Wheels
    2. Laserbl’ast!
    3. Asphalt Risin’
    4. Mongoose
    5. Downtown In Dogtown
    6. Boogie Van
    7. Tilt
    8. Ojo Rojo
    9. Strato-Streak
    10. King Of The Road
    11. Anodizer

    LP 2
    1. Evil Eye
    2. Hang On
    3. Wurkin’
    4. California Crossing
    5. Over The Edge
    6. Regal Begal
    7. Godzilla
    8. Superbird
    9. Weird Beard
    10. Squash That Fly
    11. Saturn III
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  • Fu Manchu 'The Return Of Tomorrow' PRE-ORDER

    At the Dojo

    Fu Manchu 'The Return Of Tomorrow' PRE-ORDER

    £12.99

    Release Date: 14/06/2024

    The Return Of Tomorrow is Fu Manchu’s first new album in 6 years, and they made sure that it was worth the wait. Their 14th album is their 1st double LP of new material and it was conceived of as a vinyl listening experience.

    The first LP features 7 songs in their iconic heavy fuzz sound including the first single, “Hands Of The Zodiac” and the relentlessly catchy “Loch Ness Wrecking Machine.” The second LP sees the band mellowing out with 6 slower tempo jams including the synth inflected “Solar Baptized” and the title track.

    Both LPs are 45RPM for the thickest possible sound.

    CD listeners need not worry, as this version of the album was mastered specifically for the format.

    Like the band’s most recent album, Clone Of The Universe, and the band’s 3 part Fu30 EP series, The Return Of Tomorrow was recorded at The Racket Room in Santa Ana, California by Jim Monroe (Adolescents, Ignite) and co-produced with Fu Manchu.

    This limited edition release of 4,000 units is packaged in a glossy gatefold jacket with printed sleeves featuring live photos of the band and includes one “Space” colored LP and one “Sky” colored LP.

    Tracklisting:
    1. Dehumanize
    2. Loch Ness Wrecking Machine
    3. Hands Of The Zodiac
    4. Haze The Hides
    5. Roads Of The Lowly
    6. (Time Is) Pulling You Under
    7. Destroyin’ Light
    8. Lifetime Waiting
    9. Solar Baptized
    10. What I Need
    11. The Return Of Tomorrow
    12. Liquify
    13. High Tide


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  • Girls In Synthesis 'Sublimation' PRE-ORDER

    Own It

    Girls In Synthesis 'Sublimation' PRE-ORDER

    £7.99

    Release Date: 03/05/2024

    After two critically acclaimed albums (2020’s ‘Now Here’s An Echo From Your Future’ and 2022’s ‘The Rest Is Distraction’), and numerous mini-album, EP and single releases, London-based trio Girls In Synthesis return in May ’24 with their new statement; their third album ‘Sublimation’.

    If you thought you knew GIS, think again… they have moved on and created a dark and intense, yet melodic, collection of songs; their take on an angular pop record. Opening song ‘Lights Out’ is split into two distinct sections; the opening a Barrett-esque vocal and guitar lament to sleep deprived anxiety which morphs, via a ‘Faust Tapes’ influenced freeform noise section, into a stomping, high intensity closing blitz.

    Tracks such as ‘Deceit’, ‘We Are Here’ and ‘Picking Things Out Of The Air’ see the group at their most melodic to date, minimising some of the chaotic noise elements of their signature sound and bringing to the fore impassioned, soaring vocals and keys melodies.

    Their trademark, driving drums and bass foundation is particularly evident on songs ‘I Judge Myself’ and ‘Corrupting Memories’, but is counterbalanced by intense, early goth influenced keyboard lines, bringing influences from late 1970s/early 1980s into focus with the contemporary GIS intensity. Slow-burning tracks ‘I Was Never There’ and ‘The Prefix’ build up tension and atmosphere with sparse arrangements and circular, spiralling outros, while closer ‘A Damning Lesson’ sees the band return to their intense, bludgeoning wall of sound only to send it into a blur of echoing drum machine, reminiscent of the early work of Cabaret Voltaire.

    Lyrically, GIS prove themselves head and shoulders above their contemporaries, leaving the pastiche sloganeering and lecturing to those wishing to preach to the converted, and reach inside to bring forth poetic and challenging analysis of the anxiety and emotional turmoil of self-reflection and human relationships.

    Booked in for extensive UK/EU touring throughout May and June, the band will be adapting their white-heat live show to bring subtlety and clarity to the new songs from ‘Sublimation’, losing none of their unique and intense performance in the process. Be ready…

    Tracklisting:
    1. Lights Out
    2. Deceit
    3. Semblance of Choice
    4. We Are Here
    5. Corrupting Memories
    6. I Was Never There
    7. Picking Things Out Of The Air
    8. I Judge Myself
    9. Subtle Differences
    10. The Prefix
    11. A Damning Lesson
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  • Heavee 'Unleash' PRE-ORDER

    Hyperdub

    Heavee 'Unleash' PRE-ORDER

    £13.99

    v

    Hyperdub

    Heavee 'Unleash' PRE-ORDER

    £20.49

    Release Date: 15/03/2024

    Heavee is a Queer Chicagoan DJ & producer with a long history in footwork. His 2022 'Audio Assault' EP on Hyperdub showcased synth-driven, melodic footwork, but ‘Unleash’ goes much further into audio world-building, with a fresh, spongy and citrus-y sound palette and rich, bright chord sequences.

    It's minimal, airy, balancing light and dark, sometimes breezy and sometimes clinical. Heavee works simultaneously outside and inside the box, rebuilding footwork's framework and vibe to his own unique specification. Rhythmically, it's dance floor ready, using footwork's 160 template as a springboard for building new drum sounds to express these rhythms, and draws from R&B, rap, jazz and grime, with a sprinkling of bitter-sweet vintage Detroit techno.

    ‘Unleash’ takes footwork’s “eats all” approach to music and leads it in a fresh direction with a freedom of spirit. It's a strong addition to the footwork cannon and shows that experiments in dance music can be fun.

    Tracklisting:
    Side A
    1. StarSeeker
    2. Unlock
    3. SearchN 4 ft Babii
    4. Bang Bang
    5. Can U Feel It
    6. Bounce Dat ft PayPal & DanTOG

    Side B
    7. Unleash
    8. See the Sun
    9. Whiplash
    10. Sumthin Different
    11. Heart Fragments
    12. Work Me
    13. Make it Work
    14. Smoke Break ft Homesiick & Takuya Nakamura
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  • Jane Weaver 'Love in Constant Spectacle' PRE-ORDER

    Fire Records

    Jane Weaver 'Love in Constant Spectacle' PRE-ORDER

    £12.99

    Release Date: 05/04/2024

    Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

    Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

    The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde.

    But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

    Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

    Tracklisting:
    Side A
    1. Perfect Storm
    2. Emotional Components
    3. Love in Constant Spectacle -
    4. Motif
    5. The Axis and The Seed

    Side B
    6. Is Metal
    7. Happiness in Proximity
    8. Romantic Worlds
    9. Univers
    10. Family of the Sun
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  • Jlin 'Akoma' PRE-ORDER

    Planet Mu Records

    Jlin 'Akoma' PRE-ORDER

    £11.49

    v

    Planet Mu Records

    Jlin 'Akoma' PRE-ORDER

    £26.99

    Release Date: 22/03/2024

    Jlin’s detailed and meticulous exploration of rhythm’s inner and outer reaches has made her one of the most distinctive and recognisable voices within both the electronic and classical music worlds. Her compositions are consistently appealing and have an accessibility to them, yet often defy expectations. She exists within her own locus solus - no matter the collaborator, no matter where sounds ultimately lead her.

    Whatever the situation – from composing the Pulitzer Prize shortlisted ‘Perspective’ for Third Coast Percussion, to ‘Godmother’ her AI-powered collaboration with Holly Herndon, Jlin always expresses her outlook to the fullest.

    Her new album ‘Akoma’ sets a new benchmark in her personal road map, not only since the album features guest appearances from Björk, Philip Glass and Kronos Quartet but for her continued sonic persistence and resistance.

    Jlin does what Jlin does and it’s beloved across genres, across scenes and across generations. ‘Akoma’ is a new entry point into her sound and a new approach for both those who have been following diligently and those who are just now entering her world.

    So how did she get here? Here’s a rundown for those looking for the facts.

    She was both a math nerd and a steel factory worker. She got inspired by Footwork and started making tracks with mentorship assistance from RP Boo and DJ Rashad, but her music was far from typical for footwork from the get-go. In 2011, she released her first track ‘Erotic Heat’ on the Planet Mu anthology ‘Bangs & Works Vol.2.’

    Fashion designer Rick Owens heard it and invited her to soundtrack his Paris Fashion Week show. Already before an EP or an album Jlin was in new cutting-edge territory. And it hasn’t stopped since. Everyday Jlin wakes up early and clocks into her home studio working hard on new music. Her discipline and craft-like approach means that those who would try to copy her sound simply can’t get to the level she is at.

    Since ‘Erotic Heat’ she has released two bold albums, 2015’s ‘Dark Energy’ and 2017’s ‘Black Origami.’ She has also released her soundtrack to Company Wayne McGregor’s dance piece ‘Autobiography’ (2018) and most recently (2023) the mini-album ‘Perspective.’

    She’s remixed µ-Ziq, Factory Floor, Ben Frost, Max Richter, Björk, Martin Gore and others. She’s collaborated with Holly Herndon and the late SOPHIE. She’s worked with visual artists Kevin Beasley and Nick Cave. She composed a string quartet for Kronos Quartet and performed with them live in a tribute to Philip Glass. She also recently completed a tribute to Sun Ra with Kronos. ‘Perspective’, her very well received percussion work for Third Coast Percussion has further opened doors for her in classical music. She’s even thinking of one day writing an opera. She had a residency at MassMoca Museum earlier this year (2023).

    She’s performed live at Pitchfork Festival, Unsound Festival and too many others to mention. She’s also worked with Indian dancers, Company Wayne McGregor and renowned choreographer/MacArthur Fellow Kyle Abraham. There’s more but you get the picture - she’s working in contexts and in ways that few of her peers are able to. ‘Akoma’ is the next step - all these paths have led to this. We encourage you to tune in.

    Tracklisting:
    Side A
    1. Borealis (ft. Björk)
    2. Speed Of Darkness

    Side B
    4. Summon
    5. Iris
    6. Open Canvas

    Side C
    7. Challenge (To Be Continued II)
    8. Eye Am
    9. Auset

    Side D
    10. Sodalite (ft. Kronos Quartet)
    11. Grannie's Cherry Pie
    12. The Precision Of Infinity (ft. Philip Glass)
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  • Kevin Richard Martin 'Black' Vinyl 2XLP PRE-ORDER

    Intercranial Records

    Kevin Richard Martin 'Black' Vinyl 2XLP PRE-ORDER

    £26.99

    v

    Intercranial Records

    Kevin Richard Martin 'Black' Vinyl 2XLP PRE-ORDER

    £26.99

    Release Date: 17/05/2024

    'Black' is a musical eulogy to Amy Winehouse, a heartfelt memorial to a sorrowful demise. Its an album of predominantly beatless ambience possessed by the ghost of 'Back to Black'. Fragmented moods and hypnotic drones melt together as its circular beauty is set adrift, floating away into an endless void, where the original only remains in spirit alone.

    It doesn’t make particular sense why I was drawn to this idea and compelled to immerse myself in the original song, and her life in general, but sometimes you just have to roll with your muse. Having barely registered her whilst she was alive and not cared for Mark Ronson's poptastic productions, it was only when I heard of her tragic death that it struck an unexpected chord, recalling the same surreal emotional impact as when I had heard of Kurt Cobain's premature passing previously. Both figures were unarguably gifted, but both left this planet largely without essential support, whilst they were at the peak of their powers and on top of the musical world.

    Gone too soon and departed too young, a world-weary voice carried on a downward spiral, Amy Winehouse seemed trapped in her self-destructive descent. It was only years later, whilst randomly watching Asif Kapadia's moving bio doc 'Amy' on a long-distance flight, that I realised the scale of her greatness and the tragedy of the circumstances that led to her untimely death.

    This album is simultaneously a treatise on lovelessness, tragedy and loss, echoing the absence of a support network when it matters most during such a freefall. And just as myself and others I know shed tears watching that 'Amy' documentary, this album is as much a reaction to the universal emotional themes conveyed within that touching documentary as to the tragic life of Amy herself.

    I have been working on the idea of this sonic album for over a year, and the slo-mo dream rotations remain as blurred and impressionistic as they are repetitive and haunting. An eerie cocktail of spectral jazz, shoegaze drone and dubbed out ambient music, it continues the solo path I have been developing as KRM. I hope it strikes a chord. - Kevin Richard Martin.

    Double LP in a gatefold sleeve designed by Simon Fowler. Long-awaited vinyl release for this critically acclaimed album from October 2023. Featured in The Quietus (best albums of 2023), Mojo (4/5) and Louder Than War. 

    "As a cocktail of phantasmatic jazz, all spectral, shattered glass shoegaze drones and dubbed up, doped out ambient grooves like a cavernous spar turned into a swamp, it’s a wholly beatless affair that exists in the negative spaces and deeper recesses of the slo-mo, subzero subconscious fairgrounds littered around the inner emotional grids of the universe." Louder Than War

    Tracklisting:
    1. Loveless
    2. Black
    3. Cynthia's Passing
    4. Love You Much, Love Too Much
    5. On Top Of The World
    6. Camden Crawling
    7. Blake's Shadow
    8. One Hundred Deaths
    9. Belgrade Meltdown
    10. To Disappear
    11. Rest In Peace
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  • Kilbey Kennedy 'Premonition ‘K’

    Easy Action

    Kilbey Kennedy 'Premonition ‘K’

    £11.99

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    Easy Action

    Kilbey Kennedy 'Premonition ‘K’

    £23.99

    Release date: 26/04/2024

    New album by the successful duo Steve Kilbey (The Church) and Martin Kennedy Interest and profile of Steve Kilbey has been raised considerably over the past year due to the church re-forming touring and issuing 2 new albums Steve’s solo albums are all getting a complete make over  and the fan clubs are ablaze with rumours and gossips regarding forthcoming releases.

    Reviews & Advertising  in vive le rock  record collector classic rock R2 The Big Takeover. Embark on a mesmerising journey with the third and culminating chapter of the highly acclaimed trilogy by Steve Kilbey and Martin Kennedy. Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), their latest epic, 'Premonition K,' unveils a sumptuous and organic

    sonic landscape, delving into the dark and enigmatic realms that exist between the boundaries of life and death. This album, a testament to their musical synergy, encapsulates a darkly beautiful soundscape, drawing inspiration from diverse sources, ranging from the haunting tones of Roger Waters' Final Cut to the shadowy depths explored by early 1970s Black Sabbath. Steve Kilbey, best known as frontman of legendary Aussie post-prog rockers The Church, infuses each track with an emotional resonance and sense of mystery.

    Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey, weaving an intricate musical bed for Kilbey's lyrical dreamings. Drawing from his twenty years of soundscaping with All India Radio, Kennedy adds layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener. Together, Kilbey and Kennedy invite you to break out the ouija board, turn off the lights, and immerse yourself in the mysteries of 'Premonition K'.

    Tracklisting:
    Side A
    1. Breaking the Fourth Wall
    2. NDE
    3. The Doctor
    4. Nowhere
    5. My Better Half
    6. That's Gotta Hurt

    Side B
    7. Whispered Voices On Tape
    8. The King
    9. The Contender
    10. The Ouija Board
    11. Menace In The Past
    12. The Song That Wrote Itself
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  • Laura J Martin 'Prepared' PRE-ORDER

    Summer Critics

    Laura J Martin 'Prepared' PRE-ORDER

    £12.99

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    Summer Critics

    Laura J Martin 'Prepared' PRE-ORDER

    £20.49

    Release Date: 17/05/2024

    Following the release of her 2016 album On The Never, Never, Martin knew that she wanted to take a break from writing and recording music. She moved back to Liverpool, from London, and began an apprenticeship with world renowned flute maker Willy Simmons.

    “I was now looking at an instrument I’d been playing all my life at a molecular level. The discipline and repetitiveness of learning a craft freed my mind from thinking about songs for a bit and made me focus instead on some of the toxic chemicals and blow torches used to make the flutes,” she says. “I’ve never been a particularly mindful person; I’m usually zipping from one thing to the next and this work had a pace of its own which I had to submit to. As well as making flutes, I was also repairing them, and this was the part I most enjoyed – the process of renewal. In a corny way, I experienced this renewal myself.”

    Following this period, Martin felt inspired to make music again and began setting up her own home studio. “Around this time, I’d started to listen to Joanna Brouk and the I am the Center compilation of early New Age music on Numero Group. This music was nothing like my own but seemed to extend from the Harmonia records I love and exist outside of the album, gig, tour regime. It was so inspiring and freeing, and I tentatively began to experiment in the studio, with the textures of Brouk’s song ‘Maggi’s Flute’ in mind.”

    Working closely with co-producer Iwan Morgan (Euros Childs, Cate Le Bon, Gruff Rhys, Georgia Ruth), the pair found themselves drawn to drum machines that wouldn’t stay in time, and a piano with a tuning mind of its own. “I rediscovered the sense of play which brought me into music in the first place,” says Martin. “The palette was infinite and without boundaries. Where my previous records had always operated within the instinct / lack of budget axis, I now had the possibility to sculpt sound, to remake, blend and remodel it for the first time.”

    Living next to the main 86 bus route into Liverpool City Centre prompted the idea behind ‘Outside at Night’, of parallel lives on different journeys. ’Three Days’ mines a similar theme but focuses on the hidden lives we share with others, the shift workers paradox. “It asks, do we really know what happens to our closest people when they leave the house?” explains Martin.

    Album opener ‘Prepared’ is a hymn to self-reliance but not to perfection, to working your own routes and abandoning the tape measure.  In part it’s about looking back at ways you judged yourself in past encounters and not recognising yourself: “I turned away again, was I even there?”.  Tied in counterpoint to this, closing track ‘Open Door’ works as a prism through which to view the album (copious drum machines, swelling synths).  It’s also as an answer of sorts to Martin’s search - new possibilities rage from cascading melodic and atmospheric structures, reaching some kind of midway between Harmonia’s ‘Deluxe’ and the polyrhythms of Francis Bebey’s Psychedelic Sanza.

    Across the record there are vocal and sonic contributions from co-producer Iwan Morgan. “Iwan maintains he’s not a musician but kept singing in the studio and eventually I managed to persuade him to put it on record,” says Martin.  ’Living on the Wall’ is the clearest example of this, exuberant monster truck beats, insistent pianos and vocals delivered without irony, think Wrong Way Up era John Cale and Brian Eno meets YMOs ‘Firecracker’.

    Collaborative sojourns to Marco Rea's The Barne studio in Clydebank and Mike Lindsay (Tunng, LUMP) in Margate allowed Martin to coax standout contributions from both, shaping the album as both artist and co-producer. The result is a unique fusion of folk, electronic, and experimental pop music that defies expectations and challenges the boundaries of contemporary music.

    “In a twisting but circuitous way, Prepared is my composted scrapbook of the last couple of years. I was prepared to follow where the sounds took me, the sonic train left the station and led me on its merry way,” she says. “It’s not an album about flute repairing but it wouldn’t have happened without learning the discipline of preparedness, the small movement, the tweak and the renewal from Willy Simmons.”

    About Laura J Martin

    Laura J Martin has so far released three solo albums. Her latest, On The Never Never, was recorded in Nashville with members of Lambchop, Silver Jews and Jesus Lizard. A mercurial and bewitching live performer who interweaves layers of vocals, flute, mandolin and electronics; Laura and her band have toured regularly across the UK and Europe and supported acts such as PJ Harvey, Teenage Fanclub, Cate Le Bon and performed and collaborated extensively with Euros Childs. Consistently played and supported by BBC Radio 6 Music DJs such as Marc Riley, Cerys Matthews, Lauren Laverne, Gideon Coe and Stuart Maconie; Laura's most recent release was a collaborative project 'Wyndow' written with Lavinia Blackwall of Trembling Bells and released in 2021.

    “An understated marvel” Uncut

    “Beautiful and intelligent stuff” The Quietus

    "An extremely unique sound, I love the combinations of textures she puts together"
    BBC Radio 6 Music, Lauren Laverne

    Tracklisting:

    1. Prepared
    2. Counting Time
    3. Living on the Wall (feat. Iwan Morgan)
    4. A Better Story
    5. Three Days
    6. Outside at Night
    7. The Dials
    8. Magic Mornings (feat. Iwan Morgan)
    9. Open Door
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  • Objections 'Optimistic Sizing' Vinyl LP - Pink PRE-ORDER

    Wrong Speed Records

    Objections 'Optimistic Sizing' Vinyl LP - Pink PRE-ORDER

    £23.99

    Release Date: 26/04/2024

    The much-anticipated debut album from Leeds post-punk power-trio and 6Music favourites Objections. Optimistic Sizing is comprised of ten kitchen-sink dramas, ten miniature worlds to lose yourself in. The key topics are covered: performative royal mourning, ill-suited sexual relationships, coastal gentrification, motormouth bigots and–of course–snogging.

    These tales of 21stcentury existence are set to a musical backing that is joyous and wild. The guitar operates as a detonation device, a musical firework display to energise and punctuate the songs. The bass anchors with irresistible melodic and rhythmic hooks. The drums make complex and dizzying patterns seem effortlessly human, natural and always very, very danceable.

    Objections might follow the Minutemen music-as-socialism blueprint (each member in charge of their own chunk of sonic landscape and mindful of the boundaries of the others) but rather than be constrained by these apparent limitations, they are somehow freed by them. That real estate might be clearly divided but it is vast, limitless, and ready to be explored.

    Objections formed in the post-lockdown period after drummer Neil and guitarist Joe’s former band (and cult favourites) Bilge Pump slowed to an amicable halt. They wanted to continue the musical dialogue they had built up over decades and turned to Claire Adams (Nape Neck, Beards) to start something new and Objections was born. The 3 members have also played in/with: Polaris, Yann Tiersen, HiM, Enablers, Felix and Damo Suzuki (among others).

    Objections released their debut7"-BSA Day/Better Luck Next Time on Wrong Speed in 2023 and have recorded two Marc Riley / Gideon Coe BBC 6Music sessions.

    At Wrong Speed we are not fond of genres, we are here to release music we love not tell you how to file it. But Optimistic Sizing is genuinely post-punk in the literal sense of the term. Objections take the freedom and anyone-can-do-it promise of punk and run somewhere new and adventurous with it, creating a vibrant and living musical language with which to communicate their own unique world view. As a result, Optimistic Sizing is not only a classic debut album but a timeless one.

    "We like to think we know what we’re talking about....believe us when we say, Objections are a band to watch"-Louder Than War.

    Tracklisting:
    1. Idiot Fill
    2. BSA Day
    3. Nicely Done
    4. The Lurker
    5. Excuses
    6. Small Change
    7. Hymns
    8. TJOMT
    9. Space News
    10. Words Strongest
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  • Profit Prison 'Gilt'

    Avant! Records

    Profit Prison 'Gilt'

    £25.49

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    Avant! Records

    Profit Prison 'Gilt'

    £28.99

    Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave. Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

    It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

    Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings "But I lost it all". A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70's italo filtered through the eyes of a 21st century punk rocker.

    Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys. What's more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54. Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

    Tracklisting:
    Side A
    1. Seven Words
    2. A Matter Of Tact
    3. An Ascetic
    4. Avowal

    Side B
    5. Sophia
    6. Katalina
    7. Interment
    8. A.R.P. (Amphetamine Research Project)
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