New Heavy Sounds
Transparent Green Vinyl with single sleeve second press available now.
Exclusive t-shirt design black with white logos front and back limited to 100.
Black Moth rose from the Leeds underground scene at the end of the last decade, indulging their love for both Sabbath sulphur and Stooges squalor.
New Heavy Sounds
With Black Moth's upcoming tour with Amplifier about to take off, New Heavy Sounds are offering a very special, super-retro flexi disc of 'Looner' taken from the Moth's latest album "Condemned To Hope.'
This will be available by mail order only, limited to 150 clear flexi discs with a one off screen printed illustration by vocalist, Harriet Bevan herself, who only had this to say about it:
"Dolly greets us with a vacant stare, her mind stuffed with foul, desperate gulps of somebody else's air. The ultimate sex object: perfection in plastic. A flawless vision of femininity. Manufactured, made up, blown up only to be used, crushed and ultimately deflated at hands of a stronger entity. But don't worry, she isn't real."
2 vinyl editions, one blue one orange both on 160 gm vinyl, both include downloads. Whether their muse lies in 60s sci-fi soundtracks, The Radiophonic Workshop, the prototype electronic sounds of The United States Of America, the retro-futuristic edge of Broadcast, the dream pop ambience of Angelo Badalamenti/Julie Cruise, or the shimmering shroud of Mazzy Star, will doubtless be raised in countless interviews.
But what matters more is that Death And Vanilla have woven a stunning tapestry that envelops all that preceded them, into a literally head-turning album, of kaleidoscopic proportions... Formed in Malmö, Sweden by Marleen Nilsson and Anders Hansson, Death and Vanilla utilise vintage musical equipment such as vibraphone, organ, mellotron, tremolo guitar and moog, to emulate the sounds of 60s/70s soundtracks, library music, German Krautrock, French Ye-ye pop and 60s psych.
They revel in the warmth of older analogue instruments to create a more organic sound, each loose wire and off-kilter noise adding to the rich atmosphere. After a handful of successful releases including a debut EP in 2010, their self-titled LP in 2012 – which sold out on pre-order – and a beautifully designed 7” single, the experimental pop duo were invited to compose a live soundtrack for the classic horror film, Vampyr (1932), for the Lund Fantastisk Film festival in Lund. Now, newly signed to Fire, the band return with ‘To Where The Wild Things Are.’
Named after the Maurice Sendak children’s book, the album is comprised of pop music with a wild, dreamy and experimental edge, celebrating imagination and the ability to travel to stranger recesses of the mind. ‘Where the Wild Things Are’ starts off with some of the most “pop” songs they’ve ever recorded, typified in the sweet and melodramatic “Arcana”, and the classic pop inspired “Time Travel”. Like Sendak’s book of the same name, the album then proceeds into stranger and stranger territory, resulting in some of the most experimental material Death and Vanilla have produced, such as the six minute “Something Unknown You Need to Know” and the machine-like, surf-guitar track “The Hidden Reverse”.
The band recorded the new album themselves in their rehearsal space, using just one microphone – a 70’s Sennheiser – which they bought at a flea market for a tenner. It is this unconventional recording process that gives Death and Vanilla their unique personality; using a trial and error approach to recording has rewarded the album with a strangeness that would not have otherwise been achievable.
Creating deliciously enticing soundscapes, full of moody moogs, swirling melodies and breathless vocals, their influences on ‘To Where the Wild Things Are’ are apparent and diverse, ranging from Ennio Morricone to Scott Walker, Tom Dissevelt to Norman Whitfield, The Zombies to Sun Ra, and Bo Hansson to The BBC Radiophonic workshop.
“Death and Vanilla’s sound is like an elaborate dreamscape composed of foggy visions and mind-altering notions.” Redefine Magazine
Available for PRE-ORDER, out on the 5th of May.
Click the drop-down menu above to see bargain priced CD and LP + limited edition screenprinted T-shirt bundles.
The green & purple vinyl edition is strictly limited to 500 copies.
Due to rising international pressure, Joanna Gruesome’s new album Peanut Butter will finally enter the world via Fortuna POP! (UK/Japan), Slumberland (US) and Turnstile (RoW). Rival groups will be disappointed to learn that the record is a further experiment in combining hyper-melodic pop music with sonic violence. Officials have confirmed that the album contains a record number of hooks, traces of nut and elements of jangle pop, British hardcore punk, atonal music, screaming and drone organs. Yet they have issued warnings of "a marriage of radical politics with peanut butter spread". One authorised statement reads: “Weighing in at a concise 25 minutes, the album hurtles through its ten songs, each one a succinct, powerful gem.”
Like their debut, the new album was recorded by MJ from Hookworms, with the aim of heightening the group's "pop" and "aggressive" elements to excessive and hitherto unrecorded levels.
As songwriter Owen Williams explains: “We tried to make it shorter, more economical and attempted to pack as many hooks and screams in as quickly possible in order to avoid short changing the consumer or wasting her/his/their time. Lyrically it’s more obtuse and surreal but also attempts to mock trad masculine rock themes whenever things do get more lucid. But sometimes musically we embrace them by doing embarrassing guitar solos. I'm not sure how much else I'm at liberty to say but one thing I will disclose is that the record is a response to threats posed by rival groups."
The record has also seen the group explore new and potentially dangerous lyrical territory. Opener Last Year is reportedly about experiencing personal tragedy and the occult in a waterpark and a pizza restaurant. Yet Jamie (Luvver) is a straightforward pop song about having a crush on someone named Jamie, queer literature and Welsh public transport. These tracks are followed by the incredibly catchy Honestly Do Yr Worst, a song about espionage, rival groups and the radical possibilities of peanut butter spread.
Things become surreal on There Is No Function Stacy, a song about “someone called Stacy who wrongly believes a party is happening that she’s been invited to. The narrator has to painfully explain to her that there was never a party and she fabricated it all”, while on Crayon Williams addresses his approach to lyrics directly. “Sometimes you can undermine hetero macho rock shit through nonsense words, obtuse statements, action, melody, sound or aesthetic rather than through traditional lyrics.”
Speaking confidentially, one official confirms that “The sixth track, I Don't Wanna Relax, is yet another hook-filled potential single. This is swiftly followed by Jerome (Liar), a fan favourite based on a subversive folk tale.” On Separate Bedrooms, the group cover a song by Bristol DIY act Black Terror (now performing as “CUP WINNERS' CUP”), a group known for their attention to melody. The penultimate track is the “crushing, sparkling” Psykick Espionage, a song about telepathy and the occult in rock’n’roll, and “the first time I ate an avocado”.
The record is brought to a close by Hey! I Wanna Be Your Best Friend, a heartwarming number about radical friendship and Thin Lizzy appreciation. Under media interrogation, guitarist George Nicholls confesses to the themes of the record: “It’s about radical politics, fancying people and espionage. The first record was more about violence and revenge fantasy, whereas this one is more about peanut butter."
Comprised of Alanna McArdle (vocals), Owen Williams (guitar), Max Warren (bass), George Nicholls (guitar & organ) and David Sandford (drums), the band members originally met on a wine tasting holiday. Their debut album Weird Sister took the world by storm when it was released in September 2013, and went on to win the 2014 Welsh Music Prize. Overwhelming press support saw glowing, hysterical reviews across the board with particular interest from media outlets 'Pitchfork' and 'the NME'.
On the radio their singles have scored a remarkable four out of four on the 'BBC 6 Music playlist' and the band have played sessions for both 'Lauren Laverne' on '6 Music' and for 'Huw Stephens' on 'BBC Radio One'. Since the release of Weird Sister the band have been constantly hounded, surfacing from hiding only to release split singles with Bristol’s Trust Fund and New York’s Perfect Pussy, as well as touring with Los Campesinos!, Speedy Ortiz and Stephen Malkmus.
1. Last Year
2. Jamie (Luvver)
3. Honestly Do Yr Worst
4. There Is No Function Stacy
6. I Don't Wanna Relax
7. Jerome (Liar)
8. Separate Bedrooms
9. Psykick Espionage
10. Hey! I Wanna Be Yr Best Friend