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Temporary Residence
Explosions In The Sky 'The Earth Is Not A Cold Dead Place'
£37.49
Temporary Residence
Explosions In The Sky 'The Earth Is Not A Cold Dead Place'
£37.49
Picking up where Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever left off, The Earth Is Not a Cold Dead Place begins as a flickering twinkle that soon grows to a blinding light.
This new sense of hope is the defining characteristic of this record, and ultimately the journey that their music takes us on. Immeasurably more dramatic and dynamic than their last album, The Earth Is Not a Cold Dead Place takes its shape not in the unexpected cacophony that had become the band's trademark, but in the infinitely deeper caverns of the human soul.
With a soft heartbeat-like thump that grows stronger by the minute, the band is now closer than ever to replicating the simple movements that, when strung together, form the unpredictably complex machine that is the human body.
Words simply cannot do this the justice that it deserves. It goes so far beyond elementary comparisons to other bands. The answer is somewhere between your head and your heart, and indeed, that is not a cold dead place.
This new sense of hope is the defining characteristic of this record, and ultimately the journey that their music takes us on. Immeasurably more dramatic and dynamic than their last album, The Earth Is Not a Cold Dead Place takes its shape not in the unexpected cacophony that had become the band's trademark, but in the infinitely deeper caverns of the human soul.
With a soft heartbeat-like thump that grows stronger by the minute, the band is now closer than ever to replicating the simple movements that, when strung together, form the unpredictably complex machine that is the human body.
Words simply cannot do this the justice that it deserves. It goes so far beyond elementary comparisons to other bands. The answer is somewhere between your head and your heart, and indeed, that is not a cold dead place.
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Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.
The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.
Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking.
Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.
The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.
Tracklisting:ÂVinylSide A1. Reticulum A2. Hyper Daddy3. FogouSide BÂ1. Magic Pony Ride (Pt.4)2. Imperial Crescent3. Reticulum B4. GrushSide CÂ1. Belvedere2. Raver3. Windsor Safari Park4. HastingsSide DÂ1. Manscape2. Metaphonk3. Reticulum C
CD1. Reticulum A2. Hyper Daddy3. Fogou4. Magic Pony Ride (Pt.4)5. Imperial Crescent6. Reticulum B7. Grush8. Belvedere9. Raver10. Windsor Safari Park11. Hastings12. Manscape13. Metaphonk14. Reticulum C -
Release Date: 12/07/2024Visit product page →
One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
The used-to-be duo is now a four piece with James Edward as the sole founding member remaining and apparently this new line-up helped the original vocalist to shapeshift again.
Remember their very first debut album from 2021 and those dark synthpop sounds?
With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite.
Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms. Now that the quest for darkness is done, it is time to polish our nails and dress up for the night-out cause there's more in life than feeling sorry for yourself. Yes you will need to cut out the deadwood but there is no change in stillness.
So join Male Tears and their new arsenal of bangers and floor fillers with assertive titles such as Out of my Life, Regret 4 Nothing and Leave it Alone.
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Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
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The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.
Taking fragments and stories from Marina’s past, Eight-Pointed Star deftly weaves together a new future, in what feels for all the world like a glittering, clear-eyed modern classic of alternative folk and Americana. For fans of Aldous Harding, Fiona Apple and Waxahatchee.
Ineffable and timeless, this collection of songs holds a curiosity that’s as open to you as you are to them. Compared to the soaring and swelling compositions of Allen’s second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed.
It favours a type of soul-searching that doesn’t dwell in complications, and is open to answers. Rolling guitars rise and fall with the canyons and dust is kicked-up from the red scarred earth. Allen’s vocals pure and crystalline whilst the instrumentation is rich and bursting with brightness. You can hear contentment radiating from the music, with Chris Cohen’s production offering a full-band affair.
Allen’s affection runs deepest for singers who in her words can really sing, from The Roches to Karen Dalton, Joanna Newsom to Meredith Monk. But these influences vanish like ghosts in the attic when she starts to sing herself. Allen has a voice that stands up to the canon – inimitable – and it’s never sounded more resolute than it does here.
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Out Passed Nowhere is the debut solo album from Oliver Ray. Unfurling like a long stretch of road leading out past the edge of town, the album takes the listener to uncharted destinations beyond the edges of the map. Centered around Ray’s songwriting, the album finds him backed by a kaleidoscopic array of guest performers from the Bay Area, Tucson, and the NYC music communities.Visit product page →
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Each song has a distinctive flavor, but like the pieces to a puzzle they add up to more than the sum of their parts. The guitar explorations of Ol’ Coyote sit side by side with the dusty folk of Setting Sun, the psychedelic swirl of Best Game in Town, the darkly orchestral Tower and the Star, and the ambient tone poem Edge City.
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