Top Sellers - CD

Following the UK chart success & critical acclaim of their last full-length studio album ‘In Vino Veritas’  this new album is another incendiary, 111% proof, guitar-fuelled, alcohol-soaked adrenalin shot. 

Tyla’s trademark songs of hope & heartache, demons & debauchery and conflict & chaos are taken to new heights by a band in full flow. Big choruses are delivered with power. Tender hearted lyrics with emotion.  

Official release date is September 2nd but you can pre-order now and follow the band’s imperfect journey from creation to completion. Anyone pre-ordering the album will be sent regular missives from Tyla Towers. Updates on artwork, songs in progress, recording out-takes, general musings, napkin drawings and unfunny jokes will all stream your way over the coming months.

Just add your email here: https://mailchi.mp/35a9a393da7d/tree-bridge-cross

Tracklisting:
1. Tree Bridge Cross
2. Journey to the Centre of the Soul
3. Stole my Love Away
4. God Only Knows
5. Angel Lane
6. Buried Alive
7. Raining Fire
8. Powder Dry
9. Moth to the Flame
10. Ghosts

2CD Tracklisting:
Disc 1
1. Tree Bridge Cross
2. Journey to the Centre of the Soul
3. Stole my Love Away
4. God Only Knows
5. Angel Lane
6. Buried Alive
7. Raining Fire
8. Powder Dry
9. Moth to the Flame
10. Ghosts

Disc 2
1. Tree Bridge Cross (Acoustic)
2. Journey to the Centre of the Soul (Acoustic)
3. Stole my Love Away (Acoustic with Spike)
4 Angel Lane (Acoustic)
5. Buried Alive (Acoustic)
6. Raining Fire (Acoustic)
7. Powder Dry (Acoustic)
8. Moth to the Flame (Acoustic)
9. Ghosts (Acoustic)

Don't Get Lost was fully recorded & produced at Anton's new Cobra Studio in Berlin. It is the 16th full length release from the Brian Jonestown Massacre recorded from March 2016 to October 2016.

With band members Ricky Maymi, Dan Allaire, Collin Hegna & Ryan Van Kriedt. Also Emil Nikolaisen from the Norwegian band Serena-Maneesh & Pete Fraser (The Pogues, New Young Pony Club) on saxophone joins the band on this album, plus vocal performances from Tim Burgess (Charlatans), Tess Parks and Shaun Rivers.

A new dynamic is heard on this album mixing the shoegaze/psychedelic sound with more experimental twists on some tracks you might hear PIL (Metalbox), Primal Scream, or even Ornette Coleman.

14 tracks that will twist and turn through the known and the unknown Brian Jonestown Massacre.

Anton Newcombe has been a very busy man these past 2 years, kicking off with the critically acclaimed Brian Jonestown Massacre album 'Revelation' in May 2014. After a successful UK and European tour, the BJM followed this up with the '+-' EP (Nov 2014). 2015 saw the release of 'Musique de film imaginé' (April); an imaginary film soundtrack album featuring the track 'Bonbon' which has, ironically, been used in 'Dheepan'; the Palme D'or winner at Cannes film festival 2015.

In June, Anton and Tess Parks embarked on a well received tour of the UK and Europe to support the release of 'I Declare Nothing'. Anton finished the 2015 with a BJM mini-album release entitled 'Mini-Album Thingy Wingy' . In 2016 The band released 2 singles and the critically acclaimed Third World Pyramid . The band have been touring the world since November 2015, playing Australia , New Zealand , and then in 2016 USA , Canada , Europe , Chile & Argentina.

Vinyl 2xLP Tracklisting:
Side A:
1. Open Minds Now Close
2. Melodys Actual Echo Chamber
3. Resist Much Obey Little
4. Charmed I'm Sure

Side B:
5. Groove Is In The Heart
6. One Slow Breath
7. Throbbing Gristle

Side C:
8. Fact 67
9. Dropping Bombs On The Sun
10. UFO Paycheck

Side D:
11. Geldenes Herz Menz
12. Acid 2 Me Is No Worse Than War
13. Nothing New To Trash Like You
14. Ich Bin Klang

CD Tracklisting:
1. Open Minds Now Close
2. Melodys Actual Echo Chamber
3. Resist Much Obey Little
4. Charmed I'm Sure
5. Groove Is In The Heart
6. One Slow Breath
7. Throbbing Gristle
8. Fact 67
9. Dropping Bombs On The Sun
10. UFO Paycheck
11. Geldenes Herz Menz
12. Acid 2 Me Is No Worse Than War
13. Nothing New To Trash Like You
14. Ich Bin Klang

'When you are compelled to do the right thing, when you live by some internal code, and you don't shy away from standing up to and in the face of adversity or against the mob or the man no matter what that might mean to "your fame or prospects", it's doing the right thing... for some it might be taking a knee, or even a baton or bullet. That's a fire inside you, and it doesn't grow on trees. I create my own culture because it is what I need and what I feel isn't being provided. It doesn't exist unless I participate.' – Anton Newcombe

ANTON NEWCOMBE – frontman, songwriter composer, studio owner, multi-instrumentalist, producer, engineer, force of nature – returns with the Brian Jonestown Massacre’s 19th full-length studio album Fire Doesn't Grow On Trees, which will be released on 24th June 2022 on his own label A Recordings.

It has been 30 years since the release of their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavour of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no. As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn't a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly acquiesced to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. "I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway," he says. "Or dislike me. It doesn’t matter."

Brian Jonestown Massacre's shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music's most fascinating bands. There have been a further 18 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock'n'roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.

Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He's emerged as - revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. "My only option with everything in life has always been that you just jump into the fire," he declares. "It doesn’t matter what it is."

It's with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 14 years and has two flats, one to live in and one that's been converted into his studio. He goes there six days a week to work and write and record and produce and it's where the fantastic new BJM album Fire Doesn’t Grow On Trees was made. In an era where one band bleeds into the next and production all seems to be pulling from a similarly beige-y sonic palette, here is a record that crackles with excitement and possibility, the fuzz of those 60s Ampeg amps, the exhilarating swirl of guitars and keyboards and Newcombe in the middle of it all, conducting the chaos.

Fire Doesn't Grow On Trees is the beginning of a thrilling new phase for Newcombe and his band. Joining him in the studio for this album were Ricky Maymi (guitars), Ryan Carlson Van Kriedt (keyboards), Hakon Adalsteinsson (guitar), Hallberg Daði Hallbergsson (bass), Uri Rennert (drums) and Sara Neidorf (drums).

After a hugely prolific 2010s that saw the release of eight long-players and one mini-album, Newcombe had been going through a period of writer’s block when one day he picked up his 12-string guitar in the studio and album opener and lead single The Real came out of him. Like the kraken, it was as if he’d summoned it. "All of a sudden, I just heard something," he says. "And then it just didn’t stop. We tracked a whole song every single day for 70 days in a row."

Four minutes into Fire Doesn’t Grow On Trees, there are two lines that sum up its fearless spirit. "Fight the beast until it dies, raise your sword up to the sky!", sings Newcombe as an explosion of fuzzy guitars, thrumming organs and rolling drums collide around him. As soon as Newcombe wrote it, he knew The Real had to open the new album. "That line is like fantasyland!" he laughs. "It's the little kid in me, full on St George shit. It's as much a declaration of anything that I could ever muster. A lot of the album is about affirmation by just living. Existentially, this time period has felt pretty dark so it’s about fighting the good fight. I’m singing to empower other people. First of all, I’m getting whatever I need out of it, but I can see it as something other people can identify with."

These are songs fuelled with the heady feeling of capturing a moment – from the hot-footed country sway of It's About Being Free Really to the hazy grooves of What's In A Name, from the garage stomp of Silenced to the widescreen 60s-pop of Wait A Minute (2:30 To Be Exact). Nothing was pre-written. Like The Real, everything was conjured up by where an instrument took Newcombe when he picked it up. "I could sit at the piano, the organ, any instrument, and get an idea all of a sudden. I would play for one second with the band to get a grasp of the idea, and then we would unplug the amps and put on the headphones, plug in and track it. Then I would go, 'guys leave the room', sing the words in my head and then record them. Everything's off the top of my head, just like one-take Jake. I surprised myself."

Fire Doesn't Grow On Trees is a brilliant album, but there is no such thing as a defining statement in Anton Newcombe's world anymore, just more chapters that contribute to the tale. "Nobody can stop me, I'm not asking somebody, I'm not making the rounds at Warners, saying 'please put out my record!'. It's just for me," he says. He hopes he can be an inspiration to others. "I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That's the only reason I need. It's the only reason to do stuff." That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick in 2022. He'll keep jumping in that fire. That's how he rolls. Savour it.

Tracklisting:
1. The Real
2. Ineffable Mindfuck
3. It's About Being Free Really
4. What's In A Name
5. Silenced
6. Before And After land
7. You Think I'm Joking?
8. #1 LUCKY KITTY
9. Wait A Minute (2:30 to be exact)
10. Don't Let Me Get In Your Way

Musique de film imaginé (music for film imagined) is a soundtrack that pays homage to the great European film directors of the late 50's and 60's, such as Francois Truffaut & Jean-Luc Godard (to name but two), created by Anton Newcombe on behalf of the Brian Jonestown Massacre for an imaginary French film.

Guests on this daring symphonic experience are French chanteuse and multi-instrumentalist SoKo and Italian actress, singer and director Asia Argento. SoKo is signed to Because Music and her track We Might Be Dead by Tomorrow'was featured in the viral video First Kiss', which has garnered over 63 million views and debuted at number 9 in the Billboard Hot 100 last year. Asia Argento, who has starred in music videos for Marilyn Manson, Placebo and Tim Burgess, recently wrote the storyline for ASAP Rocky's music video and short film Phoenix', which has had over 5.5 million hits. Both vocal performances are in French.

Anton Newcombe recorded Musique de film imaginé in Berlin in August 2014, after a successful European tour for the Brian Jonestown Massacre.

Anton says:

'The album that you are about to hear is a soundtrack, my own creation, a tribute to great directors and filmmakers to an era that now seems to be behind us. Leaving the smart person to care to imagine that this art could now be in the shadow of its former glory. 'The interesting thing about this project is that the film does not exist either. Even so, I imagined and I realized its soundtrack... Now it's your turn, you are the listener to imagine the film.'

Brian Jonestown Massacre returned last May with their 14th full-length album Revelation'to critical acclaim. It is the first album

that was fully recorded and produced at Anton Newcombe's recording studio in Berlin and was released on his record label a recordings. Named in tribute to the legendary Rolling Stones guitarist and his influence in introducing Eastern culture and music into the world of Western rock & roll, Brian Jonestown Massacre formed in San Francisco, California in 1990. Two dozen band members later and numerous 'ups and downs' (some have been famously sensationalized in the media), the one thing that has always remained consistent for this psychedelic collective, is front man Mr. Anton Alfred Newcombe.

Tracklisting:

Side A:
1. Après Le Vin
2. Philadelphie Story (with Soko)
3. La Dispute
4. L'Enfer
5. Elle s'échappe

Side B:
1. Le Cadeau
2. Le Sacre du Printemps (with Asia Argento)
3. Le Souvenir
4 - Les Trois Cloches
5. Bonbon
6. L'Ennui
7. Bonbon Deux
8. La Question
9. Au Sommet

In celebration of STRANGE PLEASURES turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl.

The album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as ‘a master of his craft’.

The anniversary edition includes all the album’s lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download ‘We Have the Future on Tape’.

Originally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, ‘The Trip’, captured people’s hearts with one YouTube video acting as a virtual community for like-minded fans around the world. ‘Fireflies’ (Pitchfork, Best New Track), ‘Strange Pleasures’, ‘Beginning to Blue’ and ‘The Trip’ have been used across film and television since the album’s release.

10th Anniversary Edition features:
• Transparent Green vinyl
• Gatefold vinyl including lyrics
• 18"x24" Strange Pleasures poster
• Download code, including bonus track "We Have the Future on Tape"
• Digipak CD with lyric booklet

Tracklisting:
1. The Trip
2. Beginning to Blue
3. I Can’t Sleep
4. All I Know
5. Fireflies
6. Berlin Lovers
7. Future Age
8. Going Back to Strange
9. Beatcity
10. Midnight Drive
11. We Killed the Moonlight
12. Strange Pleasures

Teklife presents Afterlife, the first release on the new Teklife Records label.

The album is a celebration of the life and music of the late, great DJ Rashad and features 15 previously unreleased tracks, each a collaboration between DJ Rashad and friends from the Teklife crew and beyond. A limited edition double vinyl will accompany the digital release.

Afterlife is testament to an incredible breadth of influences and love of music with soul, hip-hop, house, techno and many more all brought together at 160bpm. Rashad's presence is felt throughout in the boundless energy and creativity which run through the album, whilst each collaborator brings their personal touch to the compositions.

With such a prolific body of work as both a solo artist and in collaboration with other musicians, it would be impossible to present a definitive collection of DJ Rashad's music and many many classics will remain unreleased for ever.

Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad.

A percentage of the profits from the album will be donated to Rashad's family.

CD Tracklisting:
1. Roll Up That Loud - Dj Rashad X Dj Spinn X Taso,
2. Get Fuk'd Up - Dj Rashad X Gant-man ,
3. Let's Roll Out - Dj Rashad X Dj Manny X Dj Spinn,
4. Come Close - Dj Rashad X Dj Phil,
5. Wear Her Pussy Out - Dj Rashad X Dj Earl
6. Oh God - Dj Rashad X Dj Spinn,
7. Ratchet City - Dj Rashad X Gant-man X Dj Manny,
8. Get You Burnt - Dj Rashad X Dj Taye ,
9. Pass That - Dj Rashad X Tripletrain X Dj Spinn,
10. Tony Montana - Dj Rashad X Boylan X Dj Manny ,
11. Yeah We Do This - Dj Rashad X Dj Tre ,
12. Lost Worlds - Dj Rashad X Traxman ,
13. Do U Wanna B Mine - Dj Rashad X Dj Spinn X Dj Paypal (rsp)
14. Roll A Tree - Dj Rashad X Dj Manny



2LP Tracklisting:
A1. Roll Up That Loud - Dj Rashad X Dj Spinn X Taso
A2. Get Fuk'd Up - Dj Rashad X Gant-man
A3. Lets Roll Out - Dj Rashad X Dj Manny X Dj Spinn
A4. High On Hope - Microglobe X Machinedrum (exclusive To Lp)
B1. Come Close , Dj Rashad X Dj Phil
B2. Wear Her Pussy Out , Dj Rashad X Dj Earl
B3. Oh God, Dj Rashad X Dj Spinn
B4. Ratchet City , Dj Rashad X Gant-man X Dj Manny
C1. Get You Burnt - Dj Rashad X Dj Taye
C2. Pass That, - Dj Rashad X Tripletrain X Dj Spinn
C3. Tony Montana - Dj Rashad X Boylan X Dj Manny
C4. Yeah We Do This - Dj Rashad X Dj Tre
D1. Lost Worlds , Dj Rashad X Traxman
D2. Do U Wanna B Mine, Dj Rashad X Dj Spinn X Dj Paypal (rsp)
D3. Roll A Tree , Dj Rashad X Dj Manny

Transparent Green Vinyl with single sleeve second press available now.

Exclusive t-shirt design black with white logos front and back limited to 100.

Black Moth rose from the Leeds underground scene at the end of the last decade, indulging their love for both Sabbath sulphur and Stooges squalor. 

Available on 180 grm Clear Vinyl LP with a pack of 6 colour pencils so you can colour in your own album cover . The CD comes in two different designs

Recorded in Berlin & remotely between 2020 & 2021 , the band returns with their 20th full-length studio album.

The album was recorded in Berlin By Anton Newcombe , joining him in the studio for this album were Hakon Adalsteinsson (guitar), & Uri Rennert (drums).

The band in 2022 have been touring and completed a 34 date tour in North America with Mercury Rev and the Magic Castles which was very successful , with 3 festival appearances in the summer of 2022 in Angers, France, Graz , Austria & Switzerland which were also successful.

With this the band went on tour in Europe which started in September 2022 with many sold out shows .

Tracklisting:
1. Do Rainbows Have Ends
2. Nothing Can Stop The Sound
3. The Light Is about To Change
4. Fudge
5. Cross Eyed Gods
6. As The Carousel Swings
7. The Mother Of All Fuckers
8. All The Feels
9. Your Mind Is My Café
10. Stuck To Yous

Click the drop-down menu above to see bargain priced CD and LP + limited edition screenprinted T-shirt bundles.

Due to rising international pressure, Joanna Gruesome's new album Peanut Butter will finally enter the world via Fortuna POP! (UK/Japan), Slumberland (US) and Turnstile (RoW). Rival groups will be disappointed to learn that the record is a further experiment in combining hyper-melodic pop music with sonic violence. Officials have confirmed that the album contains a record number of hooks, traces of nut and elements of jangle pop, British hardcore punk, atonal music, screaming and drone organs. Yet they have issued warnings of "a marriage of radical politics with peanut butter spread". One authorised statement reads: 'Weighing in at a concise 25 minutes, the album hurtles through its ten songs, each one a succinct, powerful gem.'

Like their debut, the new album was recorded by MJ from Hookworms, with the aim of heightening the group's "pop" and "aggressive" elements to excessive and hitherto unrecorded levels.

As songwriter Owen Williams explains: 'We tried to make it shorter, more economical and attempted to pack as many hooks and screams in as quickly possible in order to avoid short changing the consumer or wasting her/his/their time. Lyrically it's more obtuse and surreal but also attempts to mock trad masculine rock themes whenever things do get more lucid. But sometimes musically we embrace them by doing embarrassing guitar solos. I'm not sure how much else I'm at liberty to say but one thing I will disclose is that the record is a response to threats posed by rival groups."

The record has also seen the group explore new and potentially dangerous lyrical territory. Opener Last Year is reportedly about experiencing personal tragedy and the occult in a waterpark and a pizza restaurant. Yet Jamie (Luvver) is a straightforward pop song about having a crush on someone named Jamie, queer literature and Welsh public transport. These tracks are followed by the incredibly catchy Honestly Do Yr Worst, a song about espionage, rival groups and the radical possibilities of peanut butter spread.

Things become surreal on There Is No Function Stacy, a song about 'someone called Stacy who wrongly believes a party is happening that she's been invited to. The narrator has to painfully explain to her that there was never a party and she fabricated it all', while on Crayon Williams addresses his approach to lyrics directly. 'Sometimes you can undermine hetero macho rock shit through nonsense words, obtuse statements, action, melody, sound or aesthetic rather than through traditional lyrics.'

Speaking confidentially, one official confirms that 'The sixth track, I Don't Wanna Relax, is yet another hook-filled potential single. This is swiftly followed by Jerome (Liar), a fan favourite based on a subversive folk tale.' On Separate Bedrooms, the group cover a song by Bristol DIY act Black Terror (now performing as 'CUP WINNERS' CUP'), a group known for their attention to melody. The penultimate track is the 'crushing, sparkling' Psykick Espionage, a song about telepathy and the occult in rock'n'roll, and 'the first time I ate an avocado'.

The record is brought to a close by Hey! I Wanna Be Your Best Friend, a heartwarming number about radical friendship and Thin Lizzy appreciation. Under media interrogation, guitarist George Nicholls confesses to the themes of the record: 'It's about radical politics, fancying people and espionage. The first record was more about violence and revenge fantasy, whereas this one is more about peanut butter."

Comprised of Alanna McArdle (vocals), Owen Williams (guitar), Max Warren (bass), George Nicholls (guitar & organ) and David Sandford (drums), the band members originally met on a wine tasting holiday. Their debut album Weird Sister took the world by storm when it was released in September 2013, and went on to win the 2014 Welsh Music Prize. Overwhelming press support saw glowing, hysterical reviews across the board with particular interest from media outlets 'Pitchfork' and 'the NME'.

On the radio their singles have scored a remarkable four out of four on the 'BBC 6 Music playlist' and the band have played sessions for both 'Lauren Laverne' on '6 Music' and for 'Huw Stephens' on 'BBC Radio One'. Since the release of Weird Sister the band have been constantly hounded, surfacing from hiding only to release split singles with Bristol's Trust Fund and New York's Perfect Pussy, as well as touring with Los Campesinos!, Speedy Ortiz and Stephen Malkmus.

Tracklisting:

1. Last Year 
2. Jamie (Luvver) 
3. Honestly Do Yr Worst 
4. There Is No Function Stacy 
5. Crayon 
6. I Don't Wanna Relax 
7. Jerome (Liar) 
8. Separate Bedrooms 
9. Psykick Espionage 
10. Hey! I Wanna Be Yr Best Friend

Release Date: 24/05/2024

British four-piece rock band Collateral are set to release their highly anticipated sophomore album Should’ve Known Better on May 24, 2024. The album is distributed worldwide by Cargo. The album will be released on CD, red vinyl, picture disc, limited edition cassette, and digital. Friday February 9th will see the release of the lead single “Glass Sky.”.

The new single “Glass Sky” and the forthcoming album Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Enter Shikari, Monster Truck, Kris Barras, Holding Absence, Bury Tomorrow).

"I love massive riffs, massive hooks and feel-good guitar music,” says Weller.  “When Collateral sent me their demos, I jumped at chance to produce their new record. I’m proud of what we managed to create.  It’s Collateral mk2 - ambitious, daring and refined. I can’t wait for people to hear it."

Since the band released their debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. Covid came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love.

The exciting and flamboyant Kent-based rock and roll band are comprised of Angelo Tristan (lead vocals, guitar), Louis Malagodi (guitar), Jack Bentley-Smith (bass) and Ben Atkinson (drums).

On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album “Re-Wired” which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12. 

After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show.

Collateral’s hotly tipped sophomore album looks like it will take them to the next level. A lot of people don’t know what to expect from the new album, as the band have been tight-lipped about the new songs. Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song.

“We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.”

“We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism.  I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.”

“Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever.”

“Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart.  It’s an album that will remain timeless in years to come.” 

Tracklisting:
1. Glass Sky
2. Original Criminal
3. One Of Those Days
4. Teenage Dreams
5. Elysium
6. On The Long Road
7. No Place For Love
8. Game Changer
9. Final Stand

Noeth Ac Anoeth'is an old Welsh phrase which the band tells us is a druidic concept, meaning an abode of existence, or Hades crossed with nothingness, it captures the mood perfectly - mysterious, dark and spacious.

Though this 3 tracker could possibly be called a mini album, rest assured, at over 50 minutes of music you will feel at turns, high, low, pummelled, seduced and sated.

MWWB's sound has all the crushing weight and expanse of Ufommamut, Windhand or Yob, combined with a love of the hypnotic grooves of Amon Duul II, the cosmic soundscapes of Hawkwind and Cult of Luna at their most cosmic, and a dose of dark psychedelia.

In fact, this Wrexham quartet has created a sound wrought from the very forge of Vulcan itself.
Here you have the first vinyl outing of Nachthexen'a 30 minute plus doom rock space opus. A shifting, progressive epic of plutonium weight, the ideal soundtrack to your next intergalactic voyage or black hole exploration. Crammed with a dark medley of riffs and textures, and topped off by MWWB's secret weapon, the angelic siren song of vocalist Jessica Ball.

Les Paradis Artificiels'is another downtuned epic, the mammoth riffs and shifts are still there, but on this the vocals are more present, mesmerizing and fully integrated. It's like The Cocteau Twins or My Bloody Valentine landed in a doom band and said hell yeah, this works'.

Slave Moon'is experimental, progressive even. 10 minutes plus of thumping atmospherics and ascending guitar layers, and some pretty filthy, yet catchy riffing.

Ladies and Gentlemen, please put on your cans, light up a big one and step into outer space.
Produced to weighty perfection by Chris (Conan) Fielding, MWWB are proving that doom metal is alive and well, and still capable of evolving beyond the wall of Sleep.

Mammoth Weed Wizard Bastard are: Paul Michael Davies, Guitar and Synth. Jessica Ball, Bass and Vocals. Wez Leon, Guitar and James Carrington, Drums.

Tracklisting LP:
Side 1:
1. Les Paradis Artificiels
2. Slave Moon
3. Nachthexen Pt 1

Side 2:
1. Nachthexen Pt 2

Tracklisting CD:
1. Les Paradis Artificiels
2. Slave Moon
3. Nachthexen