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Fire Records
Television Personalities 'They Could Have Been Bigger Than The Beatles'
£11.99
Fire Records
Television Personalities 'They Could Have Been Bigger Than The Beatles'
£11.99
Originally released in 1982, They Could Have Been Bigger Than The Beatles'was the influential band's third album.
A collection of singles, demos, outtakes and rarities that was intended to mark the band's breakup in 1982 had they not got back together again so soon.
The record features ""David Hockney's Diaries"", ""The Boy In The Paisley Shirt"" and ""Psychedelic Holiday"".
With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave's longest serving and seminal artists with a career spanning over three decades.
The indie pop visionaries have influenced many people across the industry including Battles, Black Dice, Crystal Stilts, MGMT and Creation Records'Alan McGee.
'Its scope is incredible, its ambition outstanding and its heart damn near broken.' Melody Maker, 1982
Tracklisting:
Side A:
1. Three Wishes
2. David Hockney's Diary
3. In a Perfumed Garden
4. Flowers for Abigail
5. King And Country
6. The Boy in the Paisley Shirt
7. Games for Boys
Side B:
1. Painter Men
2. Psychedelic Holiday
3. 14th Floor
4. Sooty's Disco Party
5. Makin' Time
6. When Emily Cries
7. The Glittering Prizes
8. Anxiety Block
9. Mysterious Ways
A collection of singles, demos, outtakes and rarities that was intended to mark the band's breakup in 1982 had they not got back together again so soon.
The record features ""David Hockney's Diaries"", ""The Boy In The Paisley Shirt"" and ""Psychedelic Holiday"".
With the formidable Daniel Treacy at its core, Television Personalities remain one of new wave's longest serving and seminal artists with a career spanning over three decades.
The indie pop visionaries have influenced many people across the industry including Battles, Black Dice, Crystal Stilts, MGMT and Creation Records'Alan McGee.
'Its scope is incredible, its ambition outstanding and its heart damn near broken.' Melody Maker, 1982
Tracklisting:
Side A:
1. Three Wishes
2. David Hockney's Diary
3. In a Perfumed Garden
4. Flowers for Abigail
5. King And Country
6. The Boy in the Paisley Shirt
7. Games for Boys
Side B:
1. Painter Men
2. Psychedelic Holiday
3. 14th Floor
4. Sooty's Disco Party
5. Makin' Time
6. When Emily Cries
7. The Glittering Prizes
8. Anxiety Block
9. Mysterious Ways
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One of Entertainment Weeklies 100 Best Soundtracks Of All Time.
A precursor to Lynch's Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. 'The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.' Dennis Lim, Salon, 2016
"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource
You know that feeling you get when you're shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you're running late for a train and your short cut takes you through a bad part of town, you're being followed but the ever changing reflection in the shop window is a younger you, a healthier person - with a better hairstyle. It's an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch's 1986 film that nods somnambulantly to the shadowy netherworld of film noir.
Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they're all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich's 15th Symphony (which rumour has it Lynch played onset to create the mood') mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive's jukebox.
That awkward mix plays itself out in Isabella Rossellini as Dorothy's rendition of the song Blue Velvet'that melds beautifully and indeed hauntingly into Blue Star', a broken piece of vintage pop. Similarly, the track Going Down To Lincoln'with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise's funereal Mysteries Of Love', a fittingly titled epilogue to an epic that concludes with the hero's true love's reality of a simplistic birdsong dream from earlier in the film.
It's a cyclical trip that feeds directly back to the beginning and, yes, there's that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream?
Tracklisting:
1. Main Title
2. Night Streets / Sandy And Jeffrey
3. Frank
4. Jeffrey's Dark Side
5. Mysteries Of Love (French Horn solo) (a)
6. Frank Returns
7. Mysteries Of Love (Instrumental) (a)
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9. Lumberton U.S.A. (a) / Going Down To Lincoln - Sound Effects Suite
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12. In Dreams (performed by Roy Orbison)
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14. Mysteries Of Love (a) (Vocal by Julee Cruise) -
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The first full-length produced by Bob Weston, Vee Vee was a slight departure from the previous bombastic noisepop that characterized Archers of Loaf's previous work, and it proved that the band wasn't just a flash in the pan. The album became their best-selling album to date and landed them on the covers of most fanzines and at the top of college radio charts across the country. "Harnessed in Slums" and "Greatest of All Time" became anthems of the underground and led to successful tours with the Flaming Lips and Weezer.
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Fire re-issue Bardo Pond's eponymous eighth studio album from 2010, their debut for Fire from way back when. A lysergic brain wrestler in which the Pennsylvanian drone outfit perfect their modal sound. Teasing the artistry of LaMonte Young and Terry Riley into a guitar shaped cauldron, the album's compulsive reverbed guitar shapes slowly simmer behind Isobel Sollenberger's esoteric vocals 'Like hearing a tannoy at a station in the voice of Jesus.' The Quietus.
A claustrophobic stuttering raga interlocks with their psychedelic leanings best exemplified on Cracker Wrist'which sounds like something that's intentionally always just about to happen/and/or spin back in time.
Featuring lengthy fully nurtured play offs between the quintet Bardo Pond'is a heady statement that's like the most wholesome kind of vegan-friendly mushroom trips.
Pitchfork reckons they're 'playing fuzzed out stoner dreams.' Vice's musical brother Noisey likens them to 'Fugazi On Acid.'
Allmusic intervenes with: 'These are epic, soaring psychedelic ambient power-drone rock noise melodies where partially buried, distant female vocals are laced throughout a roaring, murky/sludge guitar soundscape.'
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2. Don't Know About You
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