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Space Age
SPACEMEN 3 'For All The Fucked Up Children'
£10.99
Space Age
SPACEMEN 3 'For All The Fucked Up Children'
£10.99
Space Age Recordings are pleased to announce the first official limited edition vinyl release of the album "For All The Fucked Children Of This World We Give You Spacemen 3' (Sonic Boom a.ka. Peter Kember (Spectrum / E.A.R.) and Jason Pierce (Spiritualized).
'For All the Fucked Up Children' from the neo-psychedelic trio Spacemen 3 was first released as a bootleg record in 1995. The record consists of Spacemen 3's first ever recording session from 1984. The music itself sounds like a primitive version of what the group were to become; the dominating sound of the record is a slow, droning psychedelic blues performed with sparse instrumentation. A drum set is matched with a pair of distorted electric guitars, all of which provide a swirling foundation for Jason Pierce's vocals.
The album's liner notes replicated here are actually an early review of the band by Gary Boldie, where he contemplates the city of Rugby and finds it an odd source for this new sound, and he declares Spacemen 3 as the "all singing, all dancing answer to the problems of a grey 1985."
Presented in a shrink-wrapped limited edition (1,000 copies only) on heavyweight (180 gram) transparent milky white coloured vinyl with printed card inner sleeve exclusively released for Record Store Day 2017.
Tracklisting:
Side A:
1. Things'll Never Be The Same
2. 2:35
3. Walkin' With Jesus
4. Fixin'To Die
Side B:
5. T.V. Catastrophe
6. Things'll Never Be The Same (alternate mix)
7. Walkin' With Jesus (alternate mix)
'For All the Fucked Up Children' from the neo-psychedelic trio Spacemen 3 was first released as a bootleg record in 1995. The record consists of Spacemen 3's first ever recording session from 1984. The music itself sounds like a primitive version of what the group were to become; the dominating sound of the record is a slow, droning psychedelic blues performed with sparse instrumentation. A drum set is matched with a pair of distorted electric guitars, all of which provide a swirling foundation for Jason Pierce's vocals.
The album's liner notes replicated here are actually an early review of the band by Gary Boldie, where he contemplates the city of Rugby and finds it an odd source for this new sound, and he declares Spacemen 3 as the "all singing, all dancing answer to the problems of a grey 1985."
Presented in a shrink-wrapped limited edition (1,000 copies only) on heavyweight (180 gram) transparent milky white coloured vinyl with printed card inner sleeve exclusively released for Record Store Day 2017.
Tracklisting:
Side A:
1. Things'll Never Be The Same
2. 2:35
3. Walkin' With Jesus
4. Fixin'To Die
Side B:
5. T.V. Catastrophe
6. Things'll Never Be The Same (alternate mix)
7. Walkin' With Jesus (alternate mix)
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Dave Evans’ story is like a Pinter play; he sailed the seas in the merchant navy, was taught guitar in a brief interlude by the “mythical” Morocco John, wound up sharing a room with Steve Tilston in 1963 when they attended Loughborough Art College and ran the local folk club, while learning to make stringed instruments, the art of wine making and ceramics. Over the next year, Dave got a domestic 2-track reel-to-reel tape recorder and experimented with its two speeds to produce the tracks ‘Elephantasia’ and ‘Lady Portia’. He pulled in members of local prog band Squidd, including latter day Hawkwind member Steve Swindells on keyboards, John Merritt on bass and Rodney Matthews on drums, who also designed the ‘Elephantasia’ album cover, and went on to become a renowned fantasy artist.
‘Elephantasia’ the album was originally released in 1972, fully exposing Dave’s finger picking style, lilting vocal and his dalliance with the tape manipulation. It sold around 2000 copies and over the years became a talked about rarity, deemed too progressive for folk, too folk for the new prog heads. In best plot-thickening style, Dave tried two more releases and then disappeared. The scant sleeve notes recounted the songs’ creation, featuring tales of experimentation in sound inspired by elephants, old memories recounted with all of the unpleasant bits edited out, storylines for escapists, the residents of St Agnes Park, broken beauty queens and a fat feline. It’s an eclectic but beautifully fluent narrative from a finger picking maestro with a warm and engaging vocal style that wowed Peel and Whispering Bob back in the day.
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Sal, Bea and Raquel aka Shooting Daggers, are fast becoming a fiery beacon at the beating heart of the burgeoning UK hardcore scene.
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