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Control Freak Kitten
Small Feet 'From Far Enough Away Everything Sounds Like The Ocean'
£11.99
Control Freak Kitten
Small Feet 'From Far Enough Away Everything Sounds Like The Ocean'
£11.99
Order now and get an exclusive FREE DOWNLOAD of the song 'One at the Helm'.
Simon Stålhamre may be the creative force behind Small Feet, but it was not until he found the assistance of his band mates Jacob Snavely and Christopher Cantillo along with the inspiration of an island cabin residence that he was able to create music without self-sabotaging.
It's a good thing he finally did, and the result is music that showcases Stålhamre's vocals and songwriting over gentle instrumentation and subtle electronic texture. It's beautifully haunting music, that seems to reflect the dark, cold Scandinavian backdrop of Stålhamre's past both physically and emotionally.
Drawing comparisons to Neil Young, Chad van Gaalen and Scandinavian version of Woods, Stålhamre covers huge swaths of emotional and intellectual ground as casually as if he were strolling out for a smoke, journeying through a shapeshifting landscape of dreams towards what another Scandinavian, Prince Hamlet, called 'the undiscovered country'.
Vinyl Tracklisting:
Side A:
1. Gold
2. Rivers
3. All and Everyone
4. Lead Us Through The Night
5. Trenches
Side B:
6. Palm Trees
7. The Backwards Falconer
8. Bend Towards The Light
9. And Repeat
10. Dagmar
CD Tracklisting:
1. Gold
2. Rivers
3. All and Everyone
4. Lead Us Through The Night
5. Trenches
6. Palm Trees
7. The Backwards Falconer
8. Bend Towards The Light
9. And Repeat
10. Here's To Violence
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Diagnos have confirmed details of their self-titled debut album, which will be released via CFK Records on July14th, 2017. Founded by Stockholm based artists Marcus Harrling and Per Nyström, Diagnos began taking form eight years ago. Both Nyström and Harrling have long time backgrounds in the Swedish independent music scene in amongst others The Concretes, Monster, Mackaper and Sons of Cyrus.
Harrling, whom is also a film maker and has a masters degree from The Royal Institute of Art in Stockholm, first approached Nyström with the idea of Diagnos as a project to develop soundtracks to super 8 travel films he had shot. The two then began to improvise further, with film and literature inspiration in the foreground and their music interpretations of those influences.
The result is an emotive record, varied between instrumental and vocal numbers, poetic, drony and folky; ranging anywhere from early Sonic Youth in texture and delivery to 70's Swedish Prog in vein of Arbete och Fritid. Other times you can be hypnotized into the minimalists worlds of Terry Riley and Philip Glass, as repetition and monotony are key elements in their music and employed through the loops of guitars, keyboards and vintage drum machines their songs are built upon.For the recording of their self-titled debut album a line-up of guest artists were invited to contribute vocals, saxophone, percussion and other instruments adding colorful organic textures to the songs: Nadine Byrne (Magic State, Ectoplasm Girls), Tove El, Maria Eriksson (The Concretes, Heikki, Strountes), Niek Meul (Das Pop), Oscar Moberg (Ultra El!, Estroboscorpio), Felix Unsöld (Felix Unsöld Kvartett).
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Visit product page →Rebekka Karijord's sixth studio album, Mother Tongue, was largely written following the traumatic arrival, three months early, of her first baby. Its extraordinary eleven songs track her experience with uncommon honesty and unshrinking courage. Like a collection of short stories, it chronicles the events surrounding her pregnancy and the agony of nearly losing her daughter, but it's much more than an album about childbirth. Mother Tongue is about instinct, about belonging, and about finding one's own emotional language.
'I never know what my records are about until they're almost done,' Rebekka Karijord admits of Mother Tongue's provenance in a typical, if wry, display of candour. 'It's like a subconscious collecting process, shooting arrows into the dark and then getting out there to see where they have landed. This time, however, it was a bit different - ¦'
The album was recorded in Hawaii, Stockholm & Oslo during 2015 and 2016, and produced, arranged and edited by Karijord with help from Elias Krantz as technician, co-producer and mixer.
Other contributors include Mariam Wallentin (Wildbirds & Peacedrums), Linnea Olsson and Nina Kinert (vocals) Jacob Snavely (bass and electronics), Christopher Cantillo (drums), Joe Williamson (upright bass) and regular contributor Anders Scherp (drums & tuned percussion).
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With his wayward mix of infectious melodies, unexpected time signatures and intricate arrangements Elias Krantz established himself on the Swedish alternative scene in 2007 with the album Island Rock released on Airwaves and then again in 2011 with the offering Night Ice released on Country & Eastern Records. His new album, Lifelines, challenges listeners to absorb each eclectic influence and sound experiment as a dynamic whole.Visit product page →
Lifelines consists of two contiguous tracks/sides which enliven the ears and mind like the kinds of conversations worth staying up all night for. This richly detailed music employs a 60‘s Italian tape echo, analog synthesizers and various tape recorders to create a sound that is both retro and modern.
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Browser jangles and sways as it's narratives prove more elastic with each listen. It is an album that studies how funny we can be in times of desperation, and asks: how much loss we can laugh off before the language of the heart becomes foreign to us? Browser's laid back melodies and warm guitars invite the listener to plunge through lyrical depths. It is an album to listen to when you crave company in a private hell, or want to be alone on vacation. Barbarisms' new release will appeal specifically to listeners who like their Graham Parsons cut with Galaxy 500, and more generally to those who like to discover their lips moving while their toes tap to a thought.
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