With the renewed interest in Bill Fay's past work, the reissue of his first two albums, Bill Fay and Time Of The Last Persecution, and recently made-available pre-Decca demos (From The Bottom Of An Old Grandfather Clock), it's surprising to discover that twenty new songs have remained unreleased for over two decades. Fay has been portrayed as a mysterious figure who somehow created two brilliant albums and then vanished. But as Fay himself has said, "It wasn't me who left the music, it was the music business that left me."
With no contract or record company support, he continued to write, rehearse and play occasional shows, which is how he met, in 1977, guitarist Gary Smith, electric and bowed bass-player, Rauf Galip, and drummer Bill Stratton, also known as improvising trio The Acme Quartet. A mutual interest in and respect for each other's work led to the decision to collaborate as The Bill Fay Group. Tomorrow, Tomorrow And Tomorrow continues Fay's tradition of writing thoughtful, life-affirming songs that, this time, benefit from extended studio sessions and input from three equally committed musicians.
This CD does not consist of demos, out-takes or "alternative" versions of previously recorded songs. It was planned and recorded as Fay's follow- up to Time Of The Last Persecution. It is The Bill Fay Group's third, previously unreleased, album, recorded between 1978 and 1981.
Forgiveness and Exile is Chris Connelly's ninth solo work, the follow-up to 2007's critically acclaimed The Episodes. The album is again produced by Tim Kinsella (Cap'n Jazz, Joan of Arc), Ben Vida (Town and Country, Terminal 4, Bird Show), and Connelly himself, and the musicians comprise the same jazz and improvisational band that played on The Episodes.
This time, however, Connelly's group is augmented by the addition of four of his oldest friends: David Miller (Fini Tribe), Shirley Manson (Garbage), David Tibet (Current 93), and actress Torri Higginson (The English Patient, Stargate Atlantis). Apart from the opening song, "Arran," Forgiveness and Exile is basically one long piece divided into sections, an ever-changing and evolving meditation on war, displaced peoples, families shattered by corrupt governments, wrongful imprisonments, and torture. This impressionistic view is characterized through improvisation, dramatic change in dynamics, disparate imagery, ruined landscapes, and cities illustrated by Connelly's poetry.
The subject matter here is of course extremely dark, and it has not been taken in any way lightly by its author. In an attempt to move toward easing the plight of the millions of victims of torture the world over, all monies generated by Connelly for this project will go directly to the Marjorie Kovler Center for the Treatment of Survivors of Torture, providing medical, mental health, emergency, and other support services to help survivors overcome trauma so that they may start new lives.
2. Forgiveness & Exile:
a. Forgiveness & Exile
b. Clouds Without Pity
c. The Surgery
d. The Wallet
e. No Myths Or Stars
f. Of All Seas
g. The Slow Motion Birds
h. Days Between Vision
i. I Know What I've Seen, And I Know What Is Coming, And Some Of It Will Be Quite Beautiful ...
A native Scotsman, former member of Ministry and The Revolting Cocks and founding member of Fini Tribe, Connelly has collaborated with Cabaret Voltaire, Killing Joke, Robert Fripp and Jah Wobble, among many others.
After fronting some of the era’s most popular and influential Industrial acts, he embarked on a very unique solo career in the early ‘90s. His music, drawing on orch-pop, glam, and classic singer-songwriter influences, has been compared to the likes of David Bowie, Scott Walker, and Robert Wyatt. The Episodes, Connellys eighth full-length solo work, was produced by Joan of Arc’s Tim Kinsella and Town & Country’s Ben Vida.
The album is timeless and unique with radical arrangements and a crack band culled from Califone, Joan of Arc, Town & Country, US Maple and other Chicago jazz and improv luminaries.