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Sentient Ruin Laboratories
Plague Organ 'Orphan'
£11.99
Sentient Ruin Laboratories
Plague Organ 'Orphan'
£11.99
With influences ranging from deviant free-form jazz, drone and dark ambient, to ritualistic black and death metal all the way to the most erratic strains of kraut and improvised psychedelia, abhorrent avant-garde/ambient black/death metal deformity Plague Organ debut with their first ever offering, "Orphan", a spiraling and malformed mantra of deviated experimentalism and inverted incantations designed to bore into the listener's mind and ravage it of its sanity.
On the single forty-minute track, the deranged Dutch duo (who feature members from death metal deliriants Cryptae, Imperial Cult, Dead Neanderthals are more) unravel a single nauseating and diseased spell of guitar-less aural claustrophobia made of hallucinating synth patterns, obsessive percussions, psychotic bass-lines, blood-curdling grunts and spectral lamentations that combined unison weave a suffocating and disorienting fractal of self-replicating passages, making the listener feel asphyxiated in a dimensionless maze with no discernible exit.
Trapped inside the near-geometric absurdity the listener becomes the subject of a lucid nightmare as they sink deeper into a state of catatonic delirium and of helpless hypnosis while their psyche is meticulously consumed and devoured by the album's abhorrent repetitions and winding hypnotic deformities.
By all means a triumph in fringe sonic experimentalism and among the most accomplished and unclassifiable avant-garde extreme metal anomalies of the year, "Orphan" is a must for all fans of other deranged experimentalists like Ride for Revenge, ????, Sunn O))), Chaos Echoes, Antediluvian, Oksennus, Sect Pig and beyond.
Tracklisting:
1. Orphan
On the single forty-minute track, the deranged Dutch duo (who feature members from death metal deliriants Cryptae, Imperial Cult, Dead Neanderthals are more) unravel a single nauseating and diseased spell of guitar-less aural claustrophobia made of hallucinating synth patterns, obsessive percussions, psychotic bass-lines, blood-curdling grunts and spectral lamentations that combined unison weave a suffocating and disorienting fractal of self-replicating passages, making the listener feel asphyxiated in a dimensionless maze with no discernible exit.
Trapped inside the near-geometric absurdity the listener becomes the subject of a lucid nightmare as they sink deeper into a state of catatonic delirium and of helpless hypnosis while their psyche is meticulously consumed and devoured by the album's abhorrent repetitions and winding hypnotic deformities.
By all means a triumph in fringe sonic experimentalism and among the most accomplished and unclassifiable avant-garde extreme metal anomalies of the year, "Orphan" is a must for all fans of other deranged experimentalists like Ride for Revenge, ????, Sunn O))), Chaos Echoes, Antediluvian, Oksennus, Sect Pig and beyond.
Tracklisting:
1. Orphan
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Dave Evans’ story is like a Pinter play; he sailed the seas in the merchant navy, was taught guitar in a brief interlude by the “mythical” Morocco John, wound up sharing a room with Steve Tilston in 1963 when they attended Loughborough Art College and ran the local folk club, while learning to make stringed instruments, the art of wine making and ceramics. Over the next year, Dave got a domestic 2-track reel-to-reel tape recorder and experimented with its two speeds to produce the tracks ‘Elephantasia’ and ‘Lady Portia’. He pulled in members of local prog band Squidd, including latter day Hawkwind member Steve Swindells on keyboards, John Merritt on bass and Rodney Matthews on drums, who also designed the ‘Elephantasia’ album cover, and went on to become a renowned fantasy artist.
‘Elephantasia’ the album was originally released in 1972, fully exposing Dave’s finger picking style, lilting vocal and his dalliance with the tape manipulation. It sold around 2000 copies and over the years became a talked about rarity, deemed too progressive for folk, too folk for the new prog heads. In best plot-thickening style, Dave tried two more releases and then disappeared. The scant sleeve notes recounted the songs’ creation, featuring tales of experimentation in sound inspired by elephants, old memories recounted with all of the unpleasant bits edited out, storylines for escapists, the residents of St Agnes Park, broken beauty queens and a fat feline. It’s an eclectic but beautifully fluent narrative from a finger picking maestro with a warm and engaging vocal style that wowed Peel and Whispering Bob back in the day.
Dave Evans sadly died in April 2021. Earth Recordings is proud to reissue ‘Elephantasia’ for the first time in over 50 years, in collaboration with his estate and original Village Thing producer Ian A. Anderson.
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Sal, Bea and Raquel aka Shooting Daggers, are fast becoming a fiery beacon at the beating heart of the burgeoning UK hardcore scene.
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