Often referred to as the founding father of electronic music in Lebanon, Jawad Nawfal’s first 3 releases as Munma came as a musical response-of-sorts to the war of 2006 in Lebanon.
“Unholy Republic” is the third of these short albums, and continues this reclusive artist’s explorations of ambient electronica, with a reliance on samples of traditional oriental instruments, excerpts from radio & political speeches, as well as his trademark aquatic beats and fractured glitches.
1. Aegri Somnia
2. Time Collapse
4. Broken Chime (Arranged by Nabil Saliba)
5. Deep Down
CD available in gatefold digipack with insert / Vinyl available in gatefold sleeve with 4 page insert. Pressing in two colours, translucent red and solid silver.
Ca Va? Records/Hayabusa Landings
Release Date: 19/02/2021
’Where Do We Go From Here?’ Your guess is as good as ours but that’s the question being posed by legendary art school rockers Deaf School on the lead track of this new compilation of cuts entitled ‘Parigi My Dear’ culled from CD releases ‘Enrico & Bette‘ and ‘Laundrette‘ and not previously available to download or stream.
17 tracks of classic Deaf School art pop, drama, dream and pun but basically and to quote the late great Beatles publicist Derek Taylor (who signed the band to Warner Bros In ‘76) “It’s really just good old rock & roll”. With the brand new Lockdown fresh ‘Where Do We Go From Here?’ kicking off the album plus an epic extended version of this glam rock piano driven belter just about closing it, shades and sounds of early Deaf School circa the bands debut classic album ‘2nd Honeymoon’ are in the air.
Written and conceived in the middle of the Covid 19 Pandemic and recorded by correspondence in 5 different locations without the band ever getting together face to face during the whole process, it’s an unexpected new year gem!
Release Date: 26/03/2021
Black Spiders – Those Trusted And True Sons Of The North Are Back. “We knew the new album had to be special. We’ve been away for a while. The first album was a straight shot, the second on the rocks, with this new one we had to kick down the brewery doors!” Pete Spiby
Back in June of 2017, Sheffield rock beasts Black Spiders waved goodbye to an army of loyal fans with some sonically charged shows before retreating into the shadows.
And then, in November of last year, with the world in the grips of the Coronavirus pandemic and after a long year of very little fun from out of the silhouettes they returned with ‘Fly In The Soup’, the first new Black Spiders music in 6 years. Exactly the feel-good shot in the arm the world needed, while we await that other vaccine.
The seeds of the Black Spider return were actually planted last summer, when singer and guitarist Pete Spiby began taking to guitarist Ozzy Lister to start writing new material and before they knew it, they had amassed the best part of 40 songs in a very short period of time which they whittled down. And then the pandemic hit.
“It’s certainly been a strange process, in unfamiliar territory,” explains Pete. “We started to look at how we could do it given the restrictions and not only that, but we had to replace our original drummer too. For us and probably most other bands, we would usually take a riff or song idea to a rehearsal and thrash it out ‘till we either had something or it ended up in the song graveyard! This time around we couldn’t do that, so myself, Ozzy and on occasion Adam Irwin (bass player) started to send ideas back and forth until we had something to work with in GarageBand. We got to a point where we had enough song ideas with basic structure to go into a studio. It was at this point when we had to look for a new drummer.”
With former drummer ‘Tiger’ Si Atkinson unavailable to play, with a week or two of grooming, the band took a chance on Planet Rock DJ Wyatt Wendel to occupy the drum stool. “I've never joined or worked with a band in this way EVER,” laughs Wyatt. “2020 certainly made it surreal.
“A Pete/Ozzy writing session at the beginning of the year had produced some promising results, but it felt like barriers were popping up everywhere,” explains bassist Adam Irwin. “We started talking about how we could use technology such as GarageBand to help, and slowly but surely the song writing gathered pace. It was time to hook up with our old producer Matt Elliss and try these new songs out in the studio.
“Heading into the studio to record songs we’d written but never played together, with a drummer that we’d never met, is one of the stranger experiences I’ve had while being in a band. Thankfully, Wyatt has turned out to be an excellent addition, who despite his faults (loud, southern) has fit right into the band dynamic. Covid has made life really tough for so many of us in our industry. And yet, this new way of song writing has been liberating, this is the most consistent and prolific we’ve ever been, and I am immensely proud of this album.”
Against all of the odds, Black Spiders have crafted an album that features 13 tracks of high-energy, feel-good rock n’roll contrasted by demonic doom that despite the disjointed, isolated way it was recorded. It sounds like a band, firing on all cylinders.
“We had to dig down deep to pull out some gems and what would we want from Black Spiders,” questions Pete. War, vengeance, mental health, death, conservation & climate change, where are we from? Relationships, friendships, our flaws. Where are we going? Alien life and Mother Earth - some of which made the record.”
Kicking off with the aforementioned ‘Fly In The Soup’ single, this 3rd ST long-player wastes no time in grabbing you by the scruff of the neck and dragging you through an album where good times, hooks and riffs are not in short supply, but the doom-drenched likes of ‘Wizard Shall Not Kill Wizard’ and the psychedelic groove of album closer ‘Crooked Black Wings’ give us an album of many moods and dynamics and a reason to be cheerful in 2021.And why does the album have no title? “It wasn’t hard picking a title for the album, as we decided that the focus should be on the band, not the album title, so we decided not to have one. Let the music do the talking...