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Ruptured
Munma '34 Days'
£7.49
Ruptured
Munma '34 Days'
£7.49
Although this is his first CD release on the Lebanese market, Jawad Nawfal has been active on the local dance scene for a solid number of years, under a variety of guises (AEX, Ae_quo, etc.). ’34 Days’ is a set of 6 electro-ambient tracks, featuring minimal beats, ominous vocal samples, and a rich tapestry of interlocking, layered sounds.
The album was recorded during Israel’s attacks on Lebanon in the summer of 2006, which explains to some extent the overall sombre and introspective mood of the tracks. At times, ’34 Days’ recalls the ethereal, hushed moods of Warp label artists such as Boards of Canada and Aphex Twin at his ambient best; with an oriental twist, added for good measure.
Tracklisting:
1. Yaqiin
2. Mind Over Matter (Arranged by Wajdi Elian)
3. 3cc
4. Qana (Arranged by Victor Bresse)
5. Munma
6. Judas
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Release Date: 13/09/2019Visit product page →
All LPs in Gatefold w/ 12-page book + DLC. Digipak CD.
Chelsea Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence.
There is a core element to Chelsea Wolfe’s music—a kind of urgent spin on America’s desolation blues—that’s existed throughout the entirety of her career. At the center, there has always been Wolfe’s woeful longing and beguiling gravity, though the framework for compositions has continuously evolved based on whatever resources were available. Her austere beginnings were gradually bolstered by electronics and filled out with full-band arrangements. The music became increasingly dense and more centered around live performances. Her latest album, Birth of Violence, is a return to the reclusive nature of her earlier recordings
“I’ve been in a state of constant motion for the past eight years or so; touring, moving, playing new stages, exploring new places and meeting new people—an incredible time of learning and growing as a musician and performer,” Wolfe says of the era leading up to Birth of Violence.
“But after a while, I was beginning to lose a part of myself. I needed to take some time away from the road to get my head straight, to learn to take better care of myself, and to write and record as much as I can while I have ‘Mercury in my hands,’ as a wise friend put it.“
Birth of Violence is the result of this step out of the limelight. The songs stem from humble beginnings—little more than Wolfe’s voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs on a makeshift studio and helped fill them out with his modern production treatments and the occasional auxiliary flourish from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola).
The album opens with “The Mother Road,” a harrowing ode to Route 66 that immediately addresses Wolfe’s metaphoric white line fever. It explains the nature of the record—the impact of countless miles and perpetual exhaustion—and the desire to find the road back home, back to one’s roots. Songs like “Deranged for Rock & Roll” and “Highway” offers parallel examinations on the trials and tribulations of her journeys while the ghostly “When Anger Turns to Honey” serves as a rebuttal to self-appointed judges.
While the record touches upon tradition, it also exists in the present, addressing modern tragedies such as school shootings in the minor-key lullaby “Little Grave” and the poisoning of the planet on the dark wind-swept ballad “Erde.”
But the record is at its most poignant when Wolfe withdraws into her own world of enigmatic and elusive autobiography. Much like Alan Ginsberg’s hallucinatory long-form poem Howl, the tracks “Dirt Universe” and “Birth of Violence” weave together specific references from her past into an esoteric overview of the state of mankind. Though the lyrical minutiae remain secret, the overall power of the language and delivery is bound to haunt the listener with both its grace and tension.
“These songs came to me in a whirlwind and I knew I needed to record them soon, and also really needed a break from the road,” Wolfe says.
“I’ve spent the past few years looking for the feeling of home; looking for places that felt like home. The result of that humble approach yields Wolfe’s most devastating work to date.
Tracklisting:
1. The Mother Road
2. American Darkness
3. Birth of Violence
4. Deranged for Rock & Roll
5. Be All Things
6. Erde
7. When Anger Turns to Honey
8. Dirt Universe
9. Little Grave
10. Preface to a Dream Play
11. Highway
12. The Storm -
Release Date: 30/08/2019Visit product page →
Triumvirate = the combined power of a group of three in creative collaboration.
CARTER TUTTI VOID (Chris Carter, Cosey Fanni Tutti and Nik Void) have an-nounced their third and final studio album Containing all new studio recordings, Triumvirate brings Chris Carter, Cosey Fanni Tutti and Nik Void’s collaborative partnership as Carter Tutti Void to a conclusion.
The trio first came together as a collective for a live performance, invited by Mute for the Short Circuit Festival in 2011 and released their acclaimed debut, the live album Transverse the following year. Carter Tutti Void went on to release f(x) (Industrial Records, 2015), their first studio recording and performed a handful of selected shows, culminating in their final live performance in Hull, part of a series of events for Hull City of Culture 2017 centred around the COUM Transmissions retrospective at Humber Street Gallery.
For some time Carter, Tutti and Void have been awaiting an opportunity when all three artists were able to gather at Carter and Tutti’s Studio47 in Norfolk, where the album was recorded, produced and mastered. Triumvirate was ap-proached with the improvisational spirit of previous Carter Tutti Void albums.
The rhythms, created by Chris Carter, formed the foundation and starting point from which the process began of melding the live instrumentation of Cosey Fanni Tutti and Nik Void’s searing guitars, vocals, effects and the arsenal of sounds each had amassed from a variety of sources, some sounds manipulated to extremes, all fed into the mix. Tying the album together is the power of three, and a free open approach to sound shared by the trio.
Chris Carter recently released his first solo album in 17 years, Chris Carter’s Chemistry Lessons Vol. 1 (Mute, 2018) and Cosey Fanni Tutti’s TUTTI, her first album since 1982, came out ear-lier this year on Conspiracy International (home of Chris and Cosey since 1982). Nik Void is currently working on her debut solo album.
Tracklisting:
T3.2
T3.3
T3.4
T3.5
T3.1
T3.6 -
Gnoomes, the Russian outfit who blend a potent mix of psychedelic stargaze, kraut techno and kosmiche pop return with a brand new album, MU! their third for Rocket Recordings.Visit product page →
Since the release of their last album Tschak! the three piece has turned into a quartet with synth player Masha Piankova joining the band. And it was the success of their tours in the UK and Europe that subconsciously created a template and tone for where the band would go next with this new album; to capture that surging drive and throbbing assault of their pulverising live shows.
“We decided to make this record more live and less electronic,” Sasha, singer and guitarist from Gnoomses said. “We were thinking about how to make it sound more dynamic.” Masha’s introduction was a key one, with her replacing Sasha on synth bass whilst he moved over to second guitar to add a fuller and more impactful sonic crunch. MU! has been part recorded in the same old soviet radio station where the band recorded Tschak! part in a professional studio and then part at home. This was to ensure the best capture of Gnoomes live assault.
The results brim with a magnitude and sense of coherence that belies some of the environment it was created in. Fuzz-driven guitars shift in engulfing waves, resembling shoegaze giants at their most ferocious, whilst elsewhere layered vocals stack on top of one another, weaving between pristine melody and augmented discordance.
Whilst the glacial electronics and coldwave tendencies that soaked much of their previous album may be more absent here, this record pulses with an electronic tinge that bubbles more subtly under the surface of immersive guitars
The title Mu! has Japanese origins and comes from Zen Buddhism – something Sasha began to practice during past trying times - meaning both “no” and “nothingness” and the understanding that the acceptance of this concept can lead to enlightenment. “For me personally it’s a spiritual record,” he says.
Although any sonic warbles of new age blandness couldn’t be further from the end results here. This is a cleansing record, no doubt, but one that washes over you with both brutal force and deft subtleness. With the completion of this album, it also wraps up a trio of records all connected via punctuation – Ngan! Tschak! Mu! - but with one each distinct in its own tone and sense of evolution.
From Bowie to The Cure to Moderat, musical history is peppered with great musical trilogies and now Gnoomes’ Exclamation Mark Trilogy can be added to that.
Tracklisting:
1. Utro
2. Sword in the Stone
3. Irma
4. Glasgow Coma State
5. Sine Waves Are Good For Your Health
6. Ursa Major
7. Progulka
8. How Do You
9. Feel Now -
Danish black metal. Originally formed in the year of the millenium under the name Hrapp and several demos later, it was in 2005 when the Danish Black Metal trio changed its name into LIGFAERD.Visit product page →
Following a line-up change, numerous EPs, splits as well as two full-length albums, live appearances such as at Metal Magic Festival, the band quickly began to receive high praise in the underground Black Metal scene.
Today, LIGFAERD are finally presenting us the first details about their third album titled ‘Den Ildrøde Konge’, which is set for a release on March 15th 2019 with Berlin-based Vendetta Records!
In the band’s tradition the lyrics do not only come in Danish, with ‘Den Ildrøde Konge’ LIGFAERD are continuing their path on the darkest art of metal and deliver a fierce beast of pure evil, the band’s strongest and most compelling work to date.
Tracklisting:
1.Fra Helvede Frem
2. Den Ildrøde Konge
3. Den Hornedes Klo
4. Kiøge Huskors 1608 – 1615
5. Epitafium
6. Under Uindviet Jord
7. Sortekunst
8. Den Stærkeste Hyrde
9. Jordfæstet
10. Den Fejlslagne Nedmaning
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