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Top Sellers - Vinyl

  • Darren Hayman 'I Taught You How To Dance' - Cargo Records UK

    Fortuna POP!

    Darren Hayman 'I Taught You How To Dance' Vinyl 10"

    £6.99

    Limited Edition Vinyl 10 EP (500 copies) with free MP3 download.

    Best known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now six albums into an increasingly idiosyncratic and remarkably productive solo career. Following massive critical acclaim for last year's Essex Arms album Hayman followed up with his January Songs project, writing a song a day for the entire month.

    There's been no let up since either with Hayman just releasing a brand new solo album of subtle, drifting piano ballads called The Ship's Piano, written following a fractured skull left him wanting to make quieter, more peaceful music. The album has already received rave reviews from the BBC uniquely intimate and very satisfying to Q It's galling that Hayman can churn out such high quality so often and Mojo Hayman has hit a creative purple patch¦ a treat.

    'I Taught You How To Dance' is the stand out track from The Ship's Piano, a beautiful, sweet and non-ironic love song. Darren describes it as his cruise ship song, a song suitable for weddings and 1980s teenage discos, like 'Red, Red Wine.' Expertly embellished by Steve Pretty's mournful trumpet, the song sounds even better when played with a glitter ball in the room. The ten inch EP also contains covers of 'Come Dancing' by the Kinks, 'I Don't Wanna Dance' by Eddy Grant and 'Dance Away' by Roxy Music.

    Asked why he chose these particular songs Darren replied, These are the tunes that would drift over my school playground from the 6th formers' social club. It's hard to imagine how cool and exotic these songs sounded to me as a 13 year old. 'Come Dancing' in particular is a much sadder intelligent song than it appears on first inspection. The truth is that songs that are good to dance to, don't have the word 'dance' in the title. Songs that have the word 'dance' in the title are usually heartbreakers. Listen out for Nik Vestberg of Moustache Of Insanity playing Gameboy on Come Dancing!

    Darren Hayman and the Secondary Modern play on November the 3rd at the Scala London, as part of Fortuna POP!'s 15th birthday celebrations. London's laureate of sexual dysfunction, discomfort, and dog-eared under-achievement... the match of Ray Davies, or any of the quintessentially English masters. (The Guardian).

    Tracklisting:
    1. I Taught You How To Dance 
    2. Dance Away 
    3. I Don't Wanna Dance 
    4. Come Dancing 

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  • Darren Hayman 'Chants for Socialists' - Cargo Records UK

    Where It's At Is Where You Are

    Darren Hayman 'Chants for Socialists'

    £9.99

    v

    Where It's At Is Where You Are

    Darren Hayman 'Chants for Socialists'

    £9.99

    Darren Hayman is a thoughtful, concise and detailed songwriter. He eschews the big, the bright and the loud for the small, twisted and lost.

    For 15 years, and over 14 albums, Hayman has taken a singular and erratic route through England's tired and heartbroken underbelly. He returns with a powerful new collection of songs based based on William Morris's Chants for Socialists.  The album was recorded at three of Morris's homes; The William Morris Gallery in Walthamstow (with a choir of left-leaning locals), Kelmscott House in Hammersmith (where they used the Albion press used by Morris to handprint the record sleeves) and Kelmscott Manor in Gloucestershire, (where Hayman played Morris's own piano).  

    The result is a beautifully crafted album, lovingly produced with a team of enthusiastic helpers who lent their expertise and time, which will be made available to anyone who wants to listen, allowing people to pay what they can afford or what they think it's worth. Chants for Socialists is an album of 19th century chants made relevant to the 21st century while staying true to many of William Morris's ideals. Darren explains the process below: In 2012, I found a photocopied leaflet in the William Morris Gallery, in Walthamstow, called Chants for Socialists'. It struck me as a bold and divisive title. Not one you would be likely to find on a record or CD today. There are very few of my contemporaries that sing political songs and I understand why.

    Today's politics can be very nuanced and personal. The way we discuss today's problems can be hard to reduce to a song or short poem. Political songs can be gauche and hectoring. I struggle myself, and can only really claim to have written a handful of overtly political songs over a 15-album career. William Morris wrote these lyrics in the late 19th century; they were to be sung to the popular tunes of the times. In only two cases did he specify a particular melody. I saw these as emergency'protest songs, something to draw on in times of strife. I think we are in troubled times. I regard these as useful lyrics. Morris grouped these songs under a banner of socialism and I class myself as a socialist, but these songs, to me, are more about simple kindness and hope.

    I acknowledge the naivety and rhetoric in these words. They offer few practical solutions for today, but I love their simplicity. They make me feel young again. They remind of the hope I had in the Red Wedge movement, and how politicised I was around the 1984 miner's strike. Adapting the lyrics was not easy. In places I have edited hard and tried to contemporise the syntax. Elsewhere, I have been more faithful to Morris's elliptical and florid prose. Similarly with the music, I have tried to build a bridge between the 19th and 21st centuries. I have dressed the songs with a simple, urban folk sound. Warm, fuzzy guitar distortion sits alongside broken pianos and dented brass.

    I offer these songs as political, historical curiosities and as something to comfort aging lefties like myself. They are uplifting, songs to be sung in communities. A communal approach was taken in the recording of this album. The group vocals were recorded at two of Morris'ss former homes: the William Morris Gallery in Walthamstow and Kelmscott House in Hammersmith. Singers were invited indiscriminately from the local area.

    Morris's own Kelmscott'letterpress was used to hand print the limited vinyl edition of the record, and I also travelled to another of Morris's homes, Kelmscott Manor, to record his piano.

    Tracks :
    1. Awake London Lads
    2. May Day 1894
    3. March Of The Workers
    4. The Day Is Coming
    5. Down Amongst The Dead Men
    6. A Death Song
    7. All For The Cause
    8. The Voice Of Toil
    9. The Message Of The March Wind
    10. No Master High Or Low

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