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'Pull My Hair Back' opens with the bouncy, acidic bassline, plaintive piano and shimmering, delay effected vocals of 'Giddy'. \u003cbr\u003e\u003cbr\u003eThe ominous pitched down introduction of '5785021' gives way swiftly to a juddering pulse, insistent lyrics, bustling hi-hats and citric, crystalline synths. 'Kathy Lee' is a minimal, smouldering slow jam illuminated by smudged water colour keys, which switches into double time syncopation in the closing stretch, the song begging as many questions as it answers. \u003cbr\u003e\u003cbr\u003eJessy's vocals sound comfortably at home over the fluttering-pitched synths of 'Fuck Diamond' and the album's pop pinnacle, 'Keep Moving', where the tempo rises into classic disco, house and techno. 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Cursing The Sea, the debut album from Ireland's September Girls, is a dark kaleidoscope of echoey drums, buzzsaw bass, angular guitars and reverb-drenched vocals that blends garage rock and post-punk to extraordinary effect. \u003cbr\u003e\u003cbr\u003eNamed after a Big Star song via \u003cstrong\u003eThe Bangles\u003c\/strong\u003e, September Girls are comprised of Paula (Bass\/Vocals), Caoimhe (Guitar\/Vocals), Lauren (Keys\/Vocals), Jessie (Guitar\/Vocals) and Sarah (Drums). Drawing inspiration from the likes of \u003cstrong\u003ePhil Spector\u003c\/strong\u003e, \u003cstrong\u003eThe Velvet Underground\u003c\/strong\u003e, \u003cstrong\u003eThe Cure\u003c\/strong\u003e, \u003cstrong\u003eMy Bloody Valentine\u003c\/strong\u003e and \u003cstrong\u003eThe Jesus And Mary Chain\u003c\/strong\u003e, the five-piece play reverb-soaked noise-pop of the finest order, with distant layered harmonies, swirling organ and distorted guitars once described as \"sounds from a transistor radio abandoned in a rural cinema.\" \u003cbr\u003e\u003cbr\u003eFormed in Dublin in 2011, the band quickly recorded some demos and began booking gigs in Ireland and the UK, before releasing a handful of well-received limited edition singles on various cassette and 7 labels around the world, most recently on the Haus of PINS cassette label run by their kindred spirits PINS, with whom the band have also toured. \u003cbr\u003e\u003cbr\u003eThis release, for the song Ships, gave the band their biggest press to date, with a glowing review on Pitchfork. With four different songwriters and singers, each song begins with a secret life of its own, only to be unified by the distortion-drenched harmonies and hazy pop stylings of the band, songs that often seem to be of a sunny disposition taking on a darker, more sinister edge. \u003cbr\u003e\u003cbr\u003eFirst single proper Heartbeats is a tale of unrequited love and betrayal, awash with fuzzy guitars, ethereal female vocals and entrancing melodies and underpinned by a hurt that catches the back of your throat, while the remarkable pop song that is Green Eyed has the protagonist trapped in a relationship with someone untrustworthy. Elsewhere Sister deals with the thorny subject of rape and victim-blaming in society over an insistent, urgent backing. \u003cbr\u003e\u003cbr\u003eTitle track Cursing the Sea is an ode to long distance heartache and an apt title for the album, with many of the songs dealing with distance, insecurity and inner turmoil, and alluding to an overall sense of being adrift. In keeping with this, the band chose the setting of a beach at night for the artwork, hoping to capture that same unsettled feeling. \u003cbr\u003e\u003cbr\u003eWhirling around in a tornado of fuzz, dazzling harmonies, disarming lyrics and dizzying excitement, Cursing the Sea is awash with enough attitude and great songs to see September Girls safely to shore. \u003cbr\u003e\u003cbr\u003e\"Ships\" takes their fuzzy garage pop and colors it several shades darker, resulting in an ominous amphetamine-fueled dirge full of screeching guitars, metronomic basslines, and cooly detached vocals. The Girls' pare down their sound to its steely core on \"Ships\", using angular guitar work to sharpen their sunniest melodies to a bleeding point, making this the most thrilling music they've released in their short existence. (\u003cstrong\u003ePitchfork\u003c\/strong\u003e) .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e1. Cursing The Sea\u003cbr\u003e2. Another Love Song\u003cbr\u003e3. Left Behind\u003cbr\u003e4. Heartbeats\u003cbr\u003e5. Green Eyed\u003cbr\u003e6. Ships\u003cbr\u003e7. Talking\u003cbr\u003e8. Daylight\u003cbr\u003e9. Money\u003cbr\u003e10. Someone New\u003cbr\u003e11. Secret Lovers\u003cbr\u003e12. 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Hailing from the North of Sweden, Antonsson wears his1960s baroque pop influences on his sleeve, along with traces of latter day guitar pop like \u003cstrong\u003eThe Smiths\u003c\/strong\u003e and \u003cstrong\u003eThe Clientele\u003c\/strong\u003e, and folk acts like \u003cstrong\u003eVashti Bunyan\u003c\/strong\u003e and \u003cstrong\u003eNick Drake\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003eThe songs for How to Build a Maze were written and recorded over quite a long period of time. Bleaker and less naive than their debut it's still no great departure, with Olov continuing to strive for 60s pop perfection, attempting to write something as beautiful as \"Beechwood Park\" by \u003cstrong\u003eThe Zombies\u003c\/strong\u003e or \"World Of You\" by \u003cstrong\u003eThe Aerovons\u003c\/strong\u003e. As well, there are quite a few traditional Swedish folk melodies hidden on the album, like the ones you find on the album \"Jazz på svenska\" by Swedish pianist \u003cstrong\u003eJan Johansson\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003eRecorded in various places around Olov's hometown Umeå, with no professional recording studios involved whatsoever, the album is about getting lost in different ways ' losing your way in city streets, losing friends and watching summers pass. The theme can be summed up by this simple definition from Wikipedia: \"A maze is a tour puzzle in the form of a complex branching passage through which the solver must find a route.\" Having taken their name from a Lovin' Spoonful\/Roger Nichols song, Cocoanut Groove formed in 2007 with Olov writing and recording the song \"The End Of The Summer On Bookbinder Road\", which became their debut single. \u003cbr\u003e\u003cbr\u003eOlov writes all the songs and plays guitar, as well as bass, piano and whatever else is needed. Over the years (and on this record) he has been joined by Calle Thoor, Anton Runesson and William Andersson (drums), Josef Ringqvist (bass), Mattias Malm (guitar, keys, vocals, arrangements, percussion and whatnot), Ivar and Gunnar Lantz (strings) and Frida Danielsson (trumpet). \u003cbr\u003e\u003cbr\u003eCocoanut Groove follow in a grand tradition of Swedish indiepop, with a focus on melody and beauty, tinged with melancholy. 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In contrast with earlier Tender Trap, which had a more electronic bent, the newly revitalized 'Trap has stronger links to the pop lineage of its founder members; Amelia Fletcher and Rob Pursey were in influential indiepop originals and John Peel favorites Talulah Gosh and Heavenly, who released records on such indiepop labels as Sarah Records, K and Stephen Pastel's 53rd and 3rd. \u003cbr\u003e\u003cbr\u003eNeither Talulah Gosh nor Heavenly (Amelia's previous bands) had this much vocal harmony going on. With two extra girl voices (from new guitarist Elizabeth Morris of Allo Darlin' and new drummer Katrina Dixon) the band now combines the harmonies, oohs, ahs and sha-la-las of classic girl-pop with the stripped down beats and dirty guitars of the Shop Assistants and The Vaselines.Following their albums Film Molecules (2002) and 6 Billion People (2006), we're very excited to bring you Dansette Dansette, the band's excellent third album. Bristling with crunchy guitars and effortlessly catchy tunes, Dansette Dansette is ample proof of why Amelia and Rob's bands have been such a huge influence on today's generation of pop bands. \u003cbr\u003e\u003cbr\u003eRevered by today's revitalized indie-pop scene, their records are floor-fillers at indie dance clubs and their influence can be heard in bands such as Los Campesinos! (who namecheck Fletcher in their song \"International Tweexcore Underground\"), The Pains of Being Pure at Heart and Dum Dum Girls. 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