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Ruptured
Fadi Tabbal 'Subject To Potential Errors And Distortions' Vinyl
£19.99
Ruptured
Fadi Tabbal 'Subject To Potential Errors And Distortions' Vinyl
£19.99
On his fifth solo album "Subject to Potential Errors and Distortions', Lebanese producer, engineer, and musician Fadi Tabbal delves deeper into the theme of alienation in a suffocating city.
Composed and conceived almost entirely at his home in Beirut during Covid-19 quarantine, the record is his most intimate yet.
While his previous solo work consisted solely of guitar pieces, this time Tabbal adds tape loops, vocal samples and synthesizers to his sound palette in an attempt to convey the subjectivity of memory and our tendency to write and rewrite history according to the present.
The result is seven pieces that veer between minimalism and ambient music akin to recent outings by Pan American's Mark Nelson and mid-period Stars of the Lid.
Tracklisting:
Side A:
1. The New and Improved Guide to Birdwatching Vol.1
2. On the Escape Boat
3. Cheap Triptych Photography
4. The New and Improved Guide to Birdwatching Vol.2
Side B:
5. Ceremony by the Sea
6. The New and Improved Guide to Birdwatching Vol.3
7. The Sidewalk at Night
Composed and conceived almost entirely at his home in Beirut during Covid-19 quarantine, the record is his most intimate yet.
While his previous solo work consisted solely of guitar pieces, this time Tabbal adds tape loops, vocal samples and synthesizers to his sound palette in an attempt to convey the subjectivity of memory and our tendency to write and rewrite history according to the present.
The result is seven pieces that veer between minimalism and ambient music akin to recent outings by Pan American's Mark Nelson and mid-period Stars of the Lid.
Tracklisting:
Side A:
1. The New and Improved Guide to Birdwatching Vol.1
2. On the Escape Boat
3. Cheap Triptych Photography
4. The New and Improved Guide to Birdwatching Vol.2
Side B:
5. Ceremony by the Sea
6. The New and Improved Guide to Birdwatching Vol.3
7. The Sidewalk at Night
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Release Date: 12/07/2024Visit product page →
One mere year after their previous pitch-black sounding album Krypt, LA outfit Male Tears is back with a new full-length and – oh boy – everything is changed.
The used-to-be duo is now a four piece with James Edward as the sole founding member remaining and apparently this new line-up helped the original vocalist to shapeshift again.
Remember their very first debut album from 2021 and those dark synthpop sounds?
With their upcoming fourth album (in only three years), this American electronic-pop act from Southern California doubles the stakes once again and where Krypt was all about being goth and gloomy and disturbingly paroxysmal, Paradisco is somehow quite the opposite.
Eight new tracks of pure italo disco, hi-NRG and freestyle bliss that pick up where the band left off three years ago to pursue much darker realms. Now that the quest for darkness is done, it is time to polish our nails and dress up for the night-out cause there's more in life than feeling sorry for yourself. Yes you will need to cut out the deadwood but there is no change in stillness.
So join Male Tears and their new arsenal of bangers and floor fillers with assertive titles such as Out of my Life, Regret 4 Nothing and Leave it Alone.
Get yourself wrapped up in one warm cover of delicate nostalgia and reborn romanticism, driven by sounds that pay homage equally to Miko Mission and Ken Laszlo, Lisa Lisa and Exposé and, well yeah, even The Smiths because say what you wanna say but you simply cannot not love The Smiths.
Embrace the vintage vibes that organically propagate from this new record's grooves and get in the mood for this new course in full-on 1980's Pop.
Tracklisting:
1. Talk to Me
2. Leave it Alone (feat. Corlyx)
3. Sex on Drugs
4. Out of my Life
5. Where Is It?
6. He Wants Everything
7. Regret 4 Nothing
8. This Party Ends in Tears (feat. Digital Love) -
Release Date: 07/06/2024Visit product page →
The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.
Taking fragments and stories from Marina’s past, Eight-Pointed Star deftly weaves together a new future, in what feels for all the world like a glittering, clear-eyed modern classic of alternative folk and Americana. For fans of Aldous Harding, Fiona Apple and Waxahatchee.
Ineffable and timeless, this collection of songs holds a curiosity that’s as open to you as you are to them. Compared to the soaring and swelling compositions of Allen’s second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed.
It favours a type of soul-searching that doesn’t dwell in complications, and is open to answers. Rolling guitars rise and fall with the canyons and dust is kicked-up from the red scarred earth. Allen’s vocals pure and crystalline whilst the instrumentation is rich and bursting with brightness. You can hear contentment radiating from the music, with Chris Cohen’s production offering a full-band affair.
Allen’s affection runs deepest for singers who in her words can really sing, from The Roches to Karen Dalton, Joanna Newsom to Meredith Monk. But these influences vanish like ghosts in the attic when she starts to sing herself. Allen has a voice that stands up to the canon – inimitable – and it’s never sounded more resolute than it does here.
Tracklisting:
Side A
1. I'm the Same
2. Deep Fake
3. Red Cloud
4. Swinging Doors
5. Bad Eye Opal
Side B
6. Easy
7. Love Comes Back
8. Landlocked
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Out Passed Nowhere is the debut solo album from Oliver Ray. Unfurling like a long stretch of road leading out past the edge of town, the album takes the listener to uncharted destinations beyond the edges of the map. Centered around Ray’s songwriting, the album finds him backed by a kaleidoscopic array of guest performers from the Bay Area, Tucson, and the NYC music communities.Visit product page →
Ray’s transcendent tunes are brought to life in stunning wide screen detail by members of Patti Smith, Howe Gelb, and members of Sugar Candy Mountain, Giant Sand, and The Myrrors. Working in collaboration with producer David Glasebrook, the two created a unique sonic landscape for each song; throwing genre conventions out the window, they focused on capturing distinctive, emotionally resonant sounds.
Each song has a distinctive flavor, but like the pieces to a puzzle they add up to more than the sum of their parts. The guitar explorations of Ol’ Coyote sit side by side with the dusty folk of Setting Sun, the psychedelic swirl of Best Game in Town, the darkly orchestral Tower and the Star, and the ambient tone poem Edge City.
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Tracklisting:
1. Ol’ Coyote
2. Ready
3. Best Game in Town
4. Setting Sun
5. Bye Beautiful
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8. Wise Blood
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Magic Mind is Sandy’s magnum opus. On their new album, the San Francisco band led by Alexi Glickman crafts a collection of songs combining inventive studio productions with timeless songwriting influenced by the likes of Bach, Brian Wilson, and The Beatles. Giant sized harmonies pair with echoing guitar and colorful synthesizers conjuring the spirit of epic 70’s surf films.Visit product page →
After releasing Chime in 2018, a much loved album recorded in a seaside cabin, Alexi imagined a collection of songs that would invite us to glimpse an alternate world. Looking beyond the lo-fi recording techniques of their back catalog, the band collaborated with studio whiz David Glasebrook (Royal Oakie Records) to achieve a unique fidelity that retains the rough edges of Sandy’s signature sound and places them in a 3D cinematic soundscape.
The album loosely follows an archetypal couple as they move through a mystical realm, encountering both benevolent teachers and violent apparitions attempting to tear them apart. Through it all, they are bound by love and shared dreams. Title track “Magic Mind” celebrates both the brilliance and strife that accompanies the complex minds in the Sandy’s creative family.
Rather than romanticizing their suffering, the song delivers moments of sublime catharsis and transcendence. Meanwhile, lead single “Sami & Sandy” is a lost 80’s cassette pop paen of new love and hope in the face of tragedy, recorded by Jeremy Harris. “Ghost Lake” is a sun faded ballad featuring the shredding of guitar legend Brett Garsed. “Sunken Cathedral”, a sound painting inspired by Debussy, conjures the landscape of Northern California’s Mt. Tamalpais and the surrounding valleys and coastlines the band calls home.
During mixing, Alexi’s father Eddie died suddenly, and new layers of grief and celebration were woven into the fabric of the album to honor his artistic legacy. “Ghost Lake” borrows its title from a 1978 dance choreographed by Eddie for his Santa Monica-based company Rodeo ex Machina, featuring a family of Samurai soaring above a cracked desert basin.
Like the best work of Elliott Smith and Judee Sill, Magic Mind is deeply soulful and possesses an authentic intensity that is undeniable. Ultimately the archetypal couple emerges triumphant from realms of darkness, uncertainty, and adversity—a vibrant metaphor for the human experience; a celebration of what it means to be human and possess a Magic Mind. Highly anticipated third full length from Sandy’s.
Tracklisting:
1. Dimension IV
2. Sami & Sandy
3. Standing on the Water
4. Sunken Cathedral
5. Ghost Lake
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8. Calabi Yau
9. Magic Mind
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