{"title":"Blang Records","description":"","products":[{"product_id":"jeffrey-lewis-the-last-time-i-did-acid-i-went-insane","title":"Jeffrey Lewis 'The Last Time I Did Acid I Went Insane'","description":"\u003cp\u003eThe Last Time I Did Acid I Went Insane (VV001LP) : The fragile poetry and lo-fi warmth of JL’s home-recorded debut paint vivid scenes of downtown Manhattan life with cracked sincerity, comic book absurdity and charm. This groundbreaking album continues to charm listeners but has completely run out of stock.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePress Quotes:\u003c\/strong\u003e \u003cbr\u003e“Jeffrey Lewis: ‘The Last Time I Did Acid I Went Insane’ – Best Indie Album of 2002; like his drawings, his music is witty, animated and true.” – \u003cstrong\u003eNew York Daily News\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Bizarre but brilliant… slugging it out to be New Rock capital of the universe, Jeffrey Lewis could well be [New York’s] ace in the hole.”- \u003cstrong\u003eUncut\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Modestly brilliant.” [Critic’s Choice]- \u003cstrong\u003eThe Village Voice\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“He claws through the bullshit and pretence ingrained in society. [Jeffrey Lewis’ work] …should be cherished.”- \u003cstrong\u003eTimeOut London\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e“Jeffrey Lewis isn’t simply a singer, but a creative comic mastermind… brilliant… a staggering work of… genius.” – (9 stars of 10) \u003cstrong\u003eAddicted to Sound\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003eBlang Records and Jeffrey Lewis have history: before Blang was a label, it started life as a live night at the 12 Bar Club in Denmark Street, hosting many a set of the NY Antifolk artists over on UK shores, including Jeffrey Lewis. \u003cbr\u003e\u003cbr\u003eNow 20+ years since Jeffrey first played Blang. Native New Yorker Jeffrey Lewis is a comic book writer\/artist and a musician. A cult hero birthed from the now infamous antifolk movement that sprung up on Manhattan’s Lower East Side in the 90s, Jeffrey has released dozens of albums showcasing his unique blend of bleakly witty observations, scratchy, lo-fi punk and croaky folk\/anti-folk, all firmly rooted in a strong DIY sensibility. \u003cbr\u003e\u003cbr\u003eJeffrey and his band have toured the world multiple times over, released albums on Rough Trade, Moshi Moshi and Don GIovanni Records, and have been featured by NPR, The History Channel, The NY Times and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e1. The East River \u003cbr\u003e2. Another Girl \u003cbr\u003e3. Seattle \u003cbr\u003e4. The Chelsea Hotel Oral Sex Song \u003cbr\u003e5. Amanda Is A Scalape \u003cbr\u003e6. Heavy Heart \u003cbr\u003e7. The Last Time I Did Acid I Went Insane \u003cbr\u003e8. The Man With the Golden Arm \u003cbr\u003e9. Springtime \u003cbr\u003e10. Life\u003c\/p\u003e","brand":"Blang Records","offers":[{"title":"Vinyl LP","offer_id":55774138204537,"sku":"VV001LP","price":20.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0238\/8053\/files\/JeffreyLewis-TheLastTimeIDidAcidIWentInsane.jpg?v=1757606947"},{"product_id":"jeffrey-lewis-12-crass-songs","title":"Jeffrey Lewis '12 Crass Songs'","description":"\u003cp\u003e12 Crass Songs (VV004LP): Astonishingly transformed covers of songs originally written by the band Crass in 1978-1984, this 2007 LP is the most rare and sought-after vinyl in Jeffrey's catalogue and is also now completely out of stock.\u003cbr\u003e\u003cbr\u003e“Weird? Very… […] but it’s also downright inspiring” (4 of 5 stars) – \u003cstrong\u003eRolling Stone\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e“The record presents Crass’s lyrics calmly, often demonstrating how sane and practical they are; it proves once again, and kind of thrillingly this time, that no music is immune to interpretation” – \u003cstrong\u003eThe New York Times\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003e“Folk maverick raids anarchist commune and finds catchy tunes… Works wonderfully” – \u003cstrong\u003eSpin\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Jeffrey Lewis’ talents appear without end… (on 12 Crass Songs he) magically makes the anarcho-rockers’ anti-establishment savagery his own, by wrapping their barbed sentiments in his trademark mottled tea-towel warmth” – \u003cstrong\u003eNME\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003e“12 Crass Songs succeeds utterly… eerily beautiful and strangely affecting” – \u003cstrong\u003ePlan B Magazine\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“He’s taken hold of any number of my old stormy favourites and breathed fresh life and fire into them. . . Man, I’m in awe of Jeffrey right now. Who’d have thought he could have done that?” – \u003cstrong\u003eEverett True\/ Village Voice\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e“Quite brilliant” – (4 of 5 stars) \u003cstrong\u003eMOJO\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e“It’s no mean feat to transform such abrasive harangues into lush, tuneful folk… without defusing their righteous anger… but Crass’s intelligent and indignant screeds could not hope for a more sympathetic translator.” (4 of 5 stars) – \u003cstrong\u003eTHE GUARDIAN\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eBlang Records and Jeffrey Lewis have history: before Blang was a label, it started life as a live night at the 12 Bar Club in Denmark Street, hosting many a set of the NY Antifolk artists over on UK shores, including Jeffrey Lewis. Now 20+ years since Jeffrey first played Blang. 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They loop riffs in relentless cycles til they stop being riffs and become psychological conditions; the bass maintains the pulse; the guitars sharpen the knives; the drums suggest they’re growing extra limbs. \u003cbr\u003e\u003cbr\u003eThen, removing an eye from his microscope, the deadpan lecturer with the twinkle in his eye details narratives of the absurd and the macabre, all the while waiting for the weaker stomached of his audience to exit the room in despair. Told with devilish wit and displaying a vulnerability beneath the jagged edges, the musicians don’t so much soundtrack these stories as stalk them. The songs of DCW are unhinged to the point where the door at the dark side of the corridor falls off into the seediest underbelly of fun.\u003c\/p\u003e\n\u003cp\u003eThis is DCW’s 5th album. Fresh off 2 UK tours supporting Jeffrey Lewis, David Cronenberg’s Wife trace their origins back to the late 2000s\/early 2010s London DIY scene, serving as a catalyst for other like-minded bands in South London to follow suit. DCW played Fat White Family’s infamous Slide In night with FWF returning the favour at the Antifolk Fest (curated by DCW leader Tom Mayne). \u003cbr\u003e\u003cbr\u003eDCW have supported The Fall and The Nightingales, amongst others, and have played numerous BBC 6 Music sessions. With influences ranging from The Birthday Party to Jonathan Richman, DCW’s songs swing between the sweet and the disturbing. Whether playing twisted acoustic lullabies or in-your-face electric hollers, the lyrics catch you off guard with their black humour, openness and off-the-wall themes.\u003c\/p\u003e\n\u003cp\u003eThe new LP explores themes of love, sex, heartbreak and shame, all with DCW’s trademark off-kilter lyrical approach. Album opener ‘Lot’s Daughters’ features a humorous retelling of the shocking biblical story; Side A closer ‘Mermaid’s Tale’ details the protagonist’s graphic encounter with a mermaid. \u003cbr\u003e\u003cbr\u003eBuilt around a driving Russian folk rhythm, ‘Chekhov’s Bordello’ spins a bawdy, yet tender tale of Anton Chekhov slipping off to visit a house of disrepute whilst on a visit to a penal colony in 1890. A man seeks redemption through bodily pleasures in ‘Deliquescent in Saltland’, but possibly takes things too far, ‘The Sea’ shares the intensity of a tumultuous love affair gone wrong, driven by a 1980s Casio beat; and album closer ‘If You Think About It’ is David Cronenberg’s Wife at their most lyrical, personal and heartfelt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrevious Press\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e'**** If Nick Cave just isn’t unpleasant enough for you these days, this will be a record to treasure.' (Time Out London).\u003c\/p\u003e\n\u003cp\u003e'Exactly what the music world needs… An actual modern masterpiece’ (Room Thirteen).\u003c\/p\u003e\n\u003cp\u003e‘David Cronenberg’s Wife are wicked’ (Lias Saoudi, Fat White Family).\u003c\/p\u003e\n\u003cp\u003e‘Where genius meets idiocy’ (Mark Lamarr, BBC Radio 2).\u003c\/p\u003e\n\u003cp\u003e‘Bitterly humorous… a mix of 80s Fall and the Velvet Underground.’ (NME).\u003c\/p\u003e\n\u003cp\u003e‘The kind of thing late '80s Peel sessions were made of’ (WORD magazine).\u003c\/p\u003e\n\u003cp\u003e‘The world created by David Cronenberg’s Wife is deliciously dark and compelling, full of tension and spook, bile and bite’ (Loud \u0026amp; Quiet).\u003c\/p\u003e\n\u003cp\u003e‘[DCW’s song Sweden is] a little bit marvellous, full of bile and malevolent spite…. 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