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Fire Records
Mission Of Burma 'Signals, Calls and Marches'
£11.99
Fire Records
Mission Of Burma 'Signals, Calls and Marches'
£11.99
One of the world's most influential post-punk bands of all time release sthe inaugural debut EP 'Signals, Calls and Marches' with 'Academy Fight Song' on CD. Originally released in 1981 'Signals, Calls and Marches' is an explosive and hard hitting EP with post-punk, hard core and leftfield sensibilities. The accomplished EP offered up instant classics, 'That's When I Reach For My Revolver' and 'Academy Fight Song' had a raw immediacy that resonated with the punk movement, showcasing their talent for intelligent lyricism it proved them to be a powerful force from the offset. Boston residents Roger Miller, Clint Conley and Peter Prescott originally formed Mission Of Burma back in 1979 with Martin Swope brought in as audio engineer and to add tape loops (Bob Weston from Shellac took over this role after the band reformed). Signing to Ace Of Hearts label they soon established themselves as one of America's most important rock bands and batting off major label interest they have, despite their popularity, held on to their integrity.
At the height of their early career Mission Of Burma shared stages with the likes of Sonic Youth, Gang Of Four, Pere Ubu and Black Flag, their acclaimed live shows were known for being some of the loudest.
On the brink of commercial and critical success, 1983 saw them split due to Roger Millar developing tinnitus, following the break-up musicians began citing them as a big influence and the likes of REM, Moby, Graham Coxon and Syd Straw (among others) gave them a cult-like status.
Releasing their fifth studio album 'Unsound' with Fire in 2012 and 'Learn How: The Essential Mission Of Burma', this limited RSD 2015 release will be 12" EP of 'Signals, Calls and Marches' and 7"'Academy Fight Song' with a download code included.
"Mission of Burma's music has held firm, unaffected by fashion, unsullied by imitation, and undiminished by the passage of time" Pitchfork
Tracklisting:
1. Academy Fight Song
2. Max Ernst
3. Devotion
4. Execution
5. That's When I Reach For My Revolver
6. Outlaw
7. Fame And Fortune
8. This Is Not A Photograph
9. Red
10. All World Cowboy Romance
At the height of their early career Mission Of Burma shared stages with the likes of Sonic Youth, Gang Of Four, Pere Ubu and Black Flag, their acclaimed live shows were known for being some of the loudest.
On the brink of commercial and critical success, 1983 saw them split due to Roger Millar developing tinnitus, following the break-up musicians began citing them as a big influence and the likes of REM, Moby, Graham Coxon and Syd Straw (among others) gave them a cult-like status.
Releasing their fifth studio album 'Unsound' with Fire in 2012 and 'Learn How: The Essential Mission Of Burma', this limited RSD 2015 release will be 12" EP of 'Signals, Calls and Marches' and 7"'Academy Fight Song' with a download code included.
"Mission of Burma's music has held firm, unaffected by fashion, unsullied by imitation, and undiminished by the passage of time" Pitchfork
Tracklisting:
1. Academy Fight Song
2. Max Ernst
3. Devotion
4. Execution
5. That's When I Reach For My Revolver
6. Outlaw
7. Fame And Fortune
8. This Is Not A Photograph
9. Red
10. All World Cowboy Romance
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One of Entertainment Weeklies 100 Best Soundtracks Of All Time.
A precursor to Lynch's Twin Peaks and Mulholland Drive, Blue Velvet sets a template for ethereal noir soundtracks in a modern, quite disturbed age. 'The shock of the new fades by definition, but it has hardly done so in the case of Blue Velvet.' Dennis Lim, Salon, 2016
"The haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." - John Alexander, The British Film Resource
You know that feeling you get when you're shook awake in mid-dream? You were teetering on the ledge of a building, or maybe trying to free a butterfly from a spider web while wearing cricket gloves? Perhaps you're running late for a train and your short cut takes you through a bad part of town, you're being followed but the ever changing reflection in the shop window is a younger you, a healthier person - with a better hairstyle. It's an anxiety thing, an off-kilter almost world, best summed up on the soundtrack for Blue Velvet, David Lynch's 1986 film that nods somnambulantly to the shadowy netherworld of film noir.
Oedipal fantasies, finding a severed ear on your way home, voyeurism, crime and retribution, violence; they're all there in abundance in the movie, a rotten sleazy commercialism set off against a set of strange situations that the edge of the seat is never far away from. And what soundtrack would suit such an experience? Of course a mix of orchestral pieces from composer and conductor Angelo Badalamenti inspired by Shoshtakovich's 15th Symphony (which rumour has it Lynch played onset to create the mood') mixed up with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive's jukebox.
That awkward mix plays itself out in Isabella Rossellini as Dorothy's rendition of the song Blue Velvet'that melds beautifully and indeed hauntingly into Blue Star', a broken piece of vintage pop. Similarly, the track Going Down To Lincoln'with its narrative audio shtick takes all of the previously-mused elements to create a perfectly disjointed travelogue. The soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, which dally before deconstructing the themes and motifs into a disturbing procession that climaxes with Julee Cruise's funereal Mysteries Of Love', a fittingly titled epilogue to an epic that concludes with the hero's true love's reality of a simplistic birdsong dream from earlier in the film.
It's a cyclical trip that feeds directly back to the beginning and, yes, there's that severed ear again, now ant infested laying on the ground, proving that dreams become real, or is it reality that becomes a dream?
Tracklisting:
1. Main Title
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Fire re-issue Bardo Pond's eponymous eighth studio album from 2010, their debut for Fire from way back when. A lysergic brain wrestler in which the Pennsylvanian drone outfit perfect their modal sound. Teasing the artistry of LaMonte Young and Terry Riley into a guitar shaped cauldron, the album's compulsive reverbed guitar shapes slowly simmer behind Isobel Sollenberger's esoteric vocals 'Like hearing a tannoy at a station in the voice of Jesus.' The Quietus.
A claustrophobic stuttering raga interlocks with their psychedelic leanings best exemplified on Cracker Wrist'which sounds like something that's intentionally always just about to happen/and/or spin back in time.
Featuring lengthy fully nurtured play offs between the quintet Bardo Pond'is a heady statement that's like the most wholesome kind of vegan-friendly mushroom trips.
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